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Br. Perangin-angin, Alemina
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Budaya Jawa dalam Film Primbon: Analisis Representasi Stuart Hall Ayuanda, Winda; Sidabalok, Dindasari; Perangin-angin, Alemina Br.
ALFABETA: Jurnal Bahasa, Sastra, dan Pembelajarannya Vol. 7 No. 2 (2024): ALFABETA: Jurnal Bahasa, Sastra, dan Pembelajarannya
Publisher : Universitas Insan Budi Utomo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33503/alfabeta.v7i2.143

Abstract

Penelitian ini bertujuan untuk menganalisis dan mendeskripsikan representasi budaya Jawa dalam film ‘Primbon’. Primbon merupakan film horor Indonesia yang disutradarai Rudi Soejarwo dan dirilis pada tahun 2023. Sumber data penelitian ini adalah film Primbon. Peneliti mengambil dialog atau setting yang menunjukkan representasi budaya Jawa sebagai data penelitian. Pengumpulan data penelitian dilakukan dengan cara menonton film secara berulang, menyimak, dan mencatat. Kemudian pada tahap analisis, data-data tersebut dikaji dengan menggunakan teori representasi Stuart Hall. Dari hasil penelitian ditemukan tujuh representasi budaya Jawa dalam film primbon, yaitu tahlilan, primbon, bahasa Jawa, weton, ruwatan, Bujang Ganong, dan pakaian. Dapat disimpulkan bahwa representasi budaya dapat dilihat dari media apapun, termasuk film. Maka melalui film, orang-orang juga dapat mempelajari dan memahami keberagaman budaya sehingga dapat menghilangkan steriotip terhadap suatu kelompok masyarakat tertentu dengan budaya yang berbeda.
REPRESENTATION OF CULTURAL VALUES IN THE FILM THE ARCHITECTURE OF LOVE (2024) IN THE VIEW OF KLUCKHOHN AND STRODTBECK Parasian, Nehemia Anugrah; Perangin-angin, Alemina Br.
Metahumaniora Vol 15 No 2 (2025): METAHUMANIORA, AGUSTUS 2025
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v15i2.62759

Abstract

This research explore explores the representation of cultural value orientations in the film The Architecture of Love using Kluckhohn and Strodtbeck’s theoretical framework. The research focuses on five key dimensions of cultural values: human nature, man-nature, time, activity, and relational orientations. Employing a qualitative descriptive method, this study analyzes selected scenes and dialogues from the film to identify implicit and explicit cultural meanings. The findings reveal that the film portrays human nature as dynamic and emotionally complex, emphasizing individual capacity for healing and growth. The relationship between human and nature is shown through symbolic interactions with urban architecture, suggesting a harmonious coexistence with the environment. The man-nature orientation is reflected in the characters’ symbolic relationship with urban architecture as a living space imbued with memory, emotion, and personal transformation, suggesting a harmonious interaction between human experiences and the built environment. Time orientation is reflected through characters’ struggles with past trauma and their efforts to reconstruct the future. Activity orientation emerges as a transformation from emotional passivity to active engagement with life. Most prominently, relational orientation is manifested through strong social bonds, where emotional recovery is facilitated by familial and communal support. These values are represented not as isolated traits, but as interrelated dimensions embedded in character development and narrative progression. This research contributes to a deeper understanding of how cultural ideologies are constructed and conveyed through cinematic narratives, offering insights into the intersection of culture, emotion, and identity in contemporary film.
Co-Authors A. Jalil, Zurriyati Agus Salim Harahap Amalia, Firdha Andryani Sihombing, Indah Annisa, Ratu Anshary, Elvira Putri Arandha, Maria Regista Aswani, Ade Aswani, Aprilza Ayuanda, Winda Br Sembiring, Franinta Egia D. R Brahmana, Christanta Rejuna Phanes S Chunliu, Liao Dalimunthe, Pidiatun Dinia Desri Maria Sumbayak Diana, Sayra Nuraflah Dila Fitria Effendi, Sultan Salman Fadhlur Rahman Ginting, Riza Fahlevi Gulo, Hubari Hara, Nina Tiya Harahap, Fitri Rosalina Hasibuan, Rizky Ramadhani Ilma, Dzikri Lestari, Dwi Putri Lingga, Good Lubis, Aisyah Inka Putri Lubis, Khairunnisya Lubis, Risa Mayuni LUBIS, TASNIM Mawarni, Nidiya Meutia, Amalia Muchtar, Muhizar Mulyyan, Endang Muslimah, Ikhwatun Nasution, Ely Hayati Nasution, Mutia Nursyafitri Nasution, Tanty Aidullia Nina Karina Ningrum, Dwi Kurnia Surya Nisa, Indah Chairun Niza Ayuningtias Nurlela Parasian, Nehemia Anugrah Pranata, Juli Samuel Prasetya, Fikry Rahmah, Cut Nadia Muji Ramadhayani, Nanda Rika, Atta Rozanna Mulyani Rusdi Noor Rosa Rusdi Noor Rosa Samuel Nugraha Cristy Sandra Hasibuan, Alika Sari, Winda Setia Sembiring, Matius Cikepen Annalela Sembiring, Pemina Siboro, Meliana Sidabalok, Dindasari Silaban, Jelly Simanjuntak, Ivan Fernando Sinulingga, Samerdanta Siregar, Jumaini Siregar, Maysarah Sitio, Ihsan Tanama Sudwintari, Sudwintari Sukri, Chintia Dewi Syahputra, Fikry Prastya T. Thyrhaya Zein Tambunan, Anna Riana Suryanti Tausya, Resi Syahrani Teuku Zulfikar Tsaqilah, Fadhilah Umar Mono Weny, Krisna Widya Andayani WIDYA ANDAYANI Yuliza Yuliza Yuniarti Yuniarti Zein, Mutiara Zulhantiar, Putri Annisa Zurriyati, Zurriyati