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All Journal Gorga : Jurnal Seni Rupa Melintas An International Journal of Philosophy and Religion DeKaVe JURNAL PESONA Jurnal Sosioteknologi Journal of Visual Art and Design Mozaik Humaniora JSW (Jurnal Sosiologi Walisongo) International Journal of Humanity Studies (IJHS) Artika MUDRA Jurnal Seni Budaya Panggung IKRA-ITH Humaniora : Jurnal Sosial dan Humaniora Dinamisia: Jurnal Pengabdian Kepada Masyarakat METASASTRA: Jurnal Penelitian Sastra Jurnal Budaya Nusantara JENTERA: Jurnal Kajian Sastra Jurnal Desain International Journal for Educational and Vocational Studies Jurnal Pakarena Jurnal Socius: Journal of Sociology Research and Education PERSPEKTIF PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT VCD : Journal of Visual Communication Design Britain International for Linguistics, Arts and Education Journal (BIoLAE Journal) Wimba: Jurnal Komunikasi Visual Offscreen: film and television journal Jurnal Lemhannas RI Jurnal Dimensi Seni Rupa dan Desain Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Wacana: Journal of the Humanities of Indonesia Enrichment: Journal of Multidisciplinary Research and Development Prosiding Seminar Nasional Unimus Panggung Serat Rupa: Journal of Design
Acep Iwan Saidi
Fakultas Seni Rupa Dan Desain, Institut Teknologi Bandung
Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Nursing Public Health Social Sciences Other

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MENGEJA ASIA MEMBACA DUNIA Acep Iwan Saidi
Jurnal Sosioteknologi Vol. 5 No. 8 (2006)
Publisher : Fakultas Seni Rupa dan Desain ITB

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Abstract

Judul buku ini, "Bisakah Orang Asia Berpikir", juga bisa ditafsir dari berbagai sudut seperti itu. Ia merendahkan, provokatif, tapi sekaligus bisa mengajak orang Asia untuk mengevaluasi dan melakukan repleksi diri. Jika kita hanya membaca judulnya, tafsir yang akan muncul kemungkinan besar yang pertama, yakni Mahbubani, penulisnya tengah memandang sebelah mata bahkan meniadakan orang Asia. Namun, jika kita melihat biografi Mahbubani yang juga dilahirkan di Asia dan lebih jauh membaca tuntas apa yang dipaparkannya, tafsir tersebut tidak mungkin terlontar. Setelah selesai membacanya orang akan berpikir bahwa Mahbubani sebenarnya sedang mengajak orang Asia untuk melakukan evaluasi atas apa yang selama kurang lebih 1000 tahun dilakukan orang Asia. Puncak dari evaluasi ini adalah refleksi dan kesadaran untuk segera menata diri dan bangkit di masa depan.
MATA DALAM BAHASA Acep Iwan Saidi
Jurnal Sosioteknologi Vol. 5 No. 9 (2006)
Publisher : Fakultas Seni Rupa dan Desain ITB

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Abstract

A body is a language, every inch of our corpse, says something. Why, for instance, our fingers' sizes are not similar? Certainly there is a meaning, a verbal-message. Likewise for the eyes, in visual-culture eyes are center-of-sensors to a human body. With linguistic perpective in this essay, it is detailed the utmost-impotant function of eyes.
INDONESIA DALAM DUA ORDE: SEBUAH CITRA YANG RETAK Acep Iwan Saidi
Jurnal Sosioteknologi Vol. 6 No. 10 (2007)
Publisher : Fakultas Seni Rupa dan Desain ITB

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Abstract

The unevenly distributed development can trigger a social and political conflict in local areas. The development that always supported the capitalists also created a gap, the corruption among the officials could never stop. The reformation that initially gave a hope to the people, yet it never comes true. The obvious success of reformation is only the freedom to talk, to gather, and to ally. However, the success has become a boomerang. This results in the pesimism among the intelectuals that reflects in some books. The situation has been worst by some natural disasters. Some people assume that it is closely related to the human behaviour. Both positive and negative political and social situation are unable to detach from the effect in global level, self-image, and mentality.
MENGENALI NARASI DALAM SENI RUPA Acep Iwan Saidi
Jurnal Sosioteknologi Vol. 6 No. 12 (2007)
Publisher : Fakultas Seni Rupa dan Desain ITB

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This article presents a preliminary study on narration in fine arts. In this article, a brief explanation on what is meant by narration is discussed. The explanation is based on the traditions used in the literature domain. Unlike the narration in the literature, the literature in fine arts has its own specific characteristics, among others, sinecdoce part pro toto, symbolic, incomplete narrative elements, present as well as absent, and formed by other visual element relation. In this study, however, the analysis on the structure of the narration was focused by using various literature theories. Key word: narration, symbol, relation, visual element
HERMENEUTIKA, SEBUAH CARA UNTUK MEMAHAMI TEKS Acep Iwan Saidi
Jurnal Sosioteknologi Vol. 7 No. 13 (2008)
Publisher : Fakultas Seni Rupa dan Desain ITB

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Abstract

Hermeneutics is a theory that deals with text interpretation. This theory is commonly used as a method to understand a text although Hermeneutics itself does not explicitly formulate the practical steps to understand a text. Among the theories of interpretation, Hermeneutics has various sub-interpretation theories. In the perspective of Hermeneutics, the initail stage of interpretation involves the objective interpretation of a text before symbolization is made. The message of the text is then related to the other elements of the texts such as the sender of the text, other related disciplines, and socio-cultural aspect of the text. The understanding of a text will eventually be identical with the quality improvement of the interpreter's own self. However, in practice, Hermeneutics can be used to intrepret various texts. This paper will only discusses the text of artistic and literary work. These two different texts will be analyzed by using one of the perspectives of Hermeneutics in a simple and applicable formulation. Key words: interpretation, objective text teks, symbolization, methapora, layers of meaning, one own's self quality
JALAN RAYA SEBAGAI DESAIN KEBUDAYAAN Acep Iwan Saidi
Jurnal Sosioteknologi Vol. 9 No. 19 (2010)
Publisher : Fakultas Seni Rupa dan Desain ITB

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Abstract

This paper contains a brief analysis of the road, starting from the path to a modern highway. The analysis was performed in the cultural perspective. It means that the road is not seen as merely physical infrastructure of buildings, but how it constructs a network of knowledge and behavior of the cultures in it. Through this brief review, it is noted that the roads in its history experienced the shift function and meaning. For example, the functions of road that used to bring together both physical and nonphysical, but in its development, it actually has the function to work away. In the most recent phenomenon, road is also synonymous with "window" to display the artificiality of modernity. Keywords: roads, paths, highways, flyovers, cultural studies, modernism, power, lifestyle.
KELISANAN DAN POLA PIKIR Acep Iwan Saidi
Jurnal Sosioteknologi Vol. 10 No. 23 (2011)
Publisher : Fakultas Seni Rupa dan Desain ITB

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Abstract

The term of orality is often understood in the narrow sense. It is often paired with the term of uteracy. Language actually contains other matters than merely sound and letters. The idea that language is human and vice versa is believed by the hermeneuticists. Verbal language is always regarded as less important than written language. However, each has its own strengths and characteristics with which each individual's thinking patter is constructed. Therefore, it is necessary that these two language types be treated equally.
BATAS HATI DAN RASIO DALAM KEYAKINAN BERAGAMA (Tinjauan Atas Film Sang Pencerah Karya Sutradara Hanung Bramantyo) Acep Iwan Saidi
Jurnal Sosioteknologi Vol. 11 No. 26 (2012)
Publisher : Fakultas Seni Rupa dan Desain ITB

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Abstract

Artikel ini berisi analisis film Sang Pencerah karya sutradara Hanung Bramantyo. Dengan menggunakan pendekatan kebudayaan dan metode interdisiplin, di dalamnya dibahas hubungan antara film sebagai artefak seni dengan isu-isu budaya, khususnya dalam kaitannya dengan masalah ritual keagaamaan, dalam hal ini agama Islam. Dalam konteks ini, hubungan antara hati dan rasio yang menjadi subyek penelitian utama berbanding lurus dengan hubungan antara tradisi dan modernitas sebagai paradigma zaman. Karena film ini diciptakan pada era kontemporer, studi atas film tersebut juga dihubungkan dengan fenomena ritual budaya dan agama saat ini. Kata kunci: pencerahan, kepercayaan, rasionalitas, paradigma jaman, interdisipliner This article contains an analysis of the film Sang Pencerah by Hanung Bramantyo Director · By using interdisciplinary approaches and methods of culture, in which discussed the interconnection between the film as an artifact of art with cultural issues, specifically in relation to swoop down a religious ritual, in this case Islam. In this context, the relation between the heart and the ratio of the subject matter of the main study is proportional to the relationship between tradition and modernity as a paradigm of era · Because this film was created in the contemporary era, studies are also connected with the phenomenon of cultural and religious rituals today · Keywords: enlightenment, belief, rationality, the paradigm of era, interdisciplinary
MANAGEMENT AND PATTERNS OF CULTURAL INHERITANCE IN INDONESIA Acep Iwan Saidi; Setiawan Sabana; Nia Kurniasih
Jurnal Sosioteknologi Vol. 16 No. 1 (2017)
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2017.16.1.5

Abstract

This study titled Management and Patterns of Cultural Inheritance in Indonesia puts Bali as the scope of area of this case study. To be more specific, the object of this study is limited to the phenomena that occur in relation to wood-based handicrafts as one of the activities which are based on creativity deemed most prominent among the Balinese community. The study was conducted using ethnography as a method of data collection, followed by a study based on the perspective of culture. This study has obtained some interesting findings, such as Balinese crafts was originally a creative effort of the community based on the integration of nature, culture, and religion. Unequal inheritance patterns in term of technical skills and insight deepening about the values established by the integration of the three elements of the craft has led the development of Balinese crafts towards the growth of the character of "craft workers", not a craft culture.
POLA-POLA KOMUNIKASI DALAM KEBUDAYAAN DIGITAL Dr. Acep Iwan Saidi, M.Hum; Dyah Gayatri Puspitasari; Harifa Ali Alba Siregar
Jurnal Sosioteknologi Vol. 18 No. 1 (2019)
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2019.18.1.6

Abstract

Artikel ini berisi kajian tentang relasi interaksional masyarakat di dunia virtual di Indonesia. Relasi tersebut dipahami telah membentuk sebuah kebudayaan tersediri, yakni kebudayaan di dunia virtual, yang dalam kajian ini disebut sebagai kebudayaan digital. Relasi interaksional yang dimaksud tidak lain adalah cara bagaimana informasi diproduksi, didistribusikan, dan dipertukarkan dalam proses komunikasi. Dengan menggunakan metode netnografi"” sebuah metode yang merupakan pengembangan dari etnografi menjadi "cyber-etnografi" atau etnografi virtual"”ditemukan beberapa pola tentang bagaimana proses komunikasi tersebut berlangsung, antara lain pola komunikasi berbasis "teman", komunikasi tanpa pengirim dan komunikasi berbasis tanda semiosis. Dasar dari semua pola itu adalah tradisi kelisanan yang sejak awal memang telah melekat menjadi semacam "DNA" kebudayaan Indonesia. Oleh sebab itu, komunikasi atau interaksi online dalam kebudayaan digital Indonesia tidak pernah menjadikan komunikasi face to face (kopi darat) tersisihkan. Alih-alih demikian, komunikasi dalam dunia online menjadi bagian dari proses menuju pada komunikasi face to face.  This article contains a study of interactional relations of people on the virtual world in Indonesia. The relationship is understood to have formed a particular culture, namely virtual culture, which is referred to as digital culture in this study. The interactional relations are the way in which information is produced, distributed, and exchanged in a communication process. Using netnography method "”a method developed from ethnography into "cyber-ethnography" or virtual ethnography"”, several patterns about how the communication process takes place were found. The patterns include communication based on "friends", communication without senders, and communication based on signs of semiosis. The basis of all these patterns is the oral tradition which has been inherited to be the "DNA" of Indonesian culture since long time ago. Thus, online communication or interaction in Indonesian digital culture has never made face to face communication (meet up) excluded. Instead, communication in the online world becomes a part of the process towards face to face communication.  
Co-Authors Achmad Haldani Destiarmand Achmad Haldani Destiarmand Achmad Syarief Achmad Syarief Adinda Maharani AG. Andi Hismanto Agung Eko Budi Waspada Agung Eko Budiwaspada Agus Sachari Agustin, Senja Aprela Agustina Kusuma Dewi Ahmad Auliya Zul Hazmi Aisyah, Lani Siti Noor Aminudin TH Siregar Aniendya Christianna Aquarini Priyatna Astrid Kusumowidagdo Azhar Natsir Ahdiyat Azhar Natsir Ahdiyat Azhar, Ghina Zoraya Cama Juli Rianingrum Ciawita Atmadiratna Lautama Dana Waskita Darmawan, Adam Dave Johsua M. Rumengan Dendi Ismi Sofian Dody achmad Nawawi Dwikartini, Fanny Dyah Gayatri Puspitasari Dyah Gayatri Puspitasari Dyah Gayatri Puspitasari Dyah Gayatri Puspitasari, Dyah Gayatri Elda Franzia Elda Franzia Jasjfi Elda Franzia, Elda Fadly Latif Faiz, Muhammad Syukri Ferry Fauzi Hermawan Firdyanza Pramono Firmanda Satria Galih Wisudha Pratama Ganal Rudiyanto Ganal Rudiyanto, Ganal Hafiz Aziz Ahmad Harifa Ali Alba Siregar Hendriyo Kustrianjaya Hendy Yuliansyah Hismanto, AG. Andi Ida Ayu Putu Sri Widnyani Iman Sudjudi Indrayati, Refita Ika Intan Rizky Mutiaz Irfansyah Irfansyah Irfansyah Irfansyah Irma Damajanti Irma Damajanti Ivan Setiawan Junaidi Wirawan Krishna Hutama Krishna Hutama Krishna Hutama, Krishna Kunto Adi Wibowo Lani Siti Noor Aisyah Lina Meilinawati Rahayu Marina Wardaya Mario Alvine Wangarry Markus Jiuhanteng Mestika Nawang Sukma Miftahul Jannah At Tabrani Mohamed Razeef Abdul Razak Muhammad Syukri Faiz Mulyawati, Netari NIA KURNIASIH Nugraha Nugraha Nugraha Nugraha Nuning Yanti Damayanti Parung, Christabel Pertiwi, Untari Gunta Pindi Setyawan Pramono, Firdyanza Prayogo, Matheus Purwaramdhona, Ananda Bintang Rahmat Refita Ika Indrayati Rendy Iswanto Riama Maslan Sihombing Riksa Belasunda Senja Aprela Agustin Senja Aprela Agustin Senja Aprela Agustin Setiawan Sabana Setyawan, Pindi Siregar, Harifa Ali Albar Sofian, Dendi Ismi Thirathep Chonmaitree Tommi Tommi Totok Rikanto Tri Sulistyaningtyas Triyadi Guntur Wiratmo Utomo, R. Drajatno Widi Vebriyanti, Evi Azizah Vyana Lohjiwa Wangarry, Mario Alvine Wegig Murwonugroho Wicaksana, Adhika Widiya Lestari Harahap Yan Yan Sunarya Yan Yan Sunarya Yan Yan Sunarya Yasraf Amir Pialang Yasraf Amir Pialang, Yasraf Amir Yasraf Amir Piliang Yasraf Amir Piliang Yasraf Amir Piliang Yasraf Amir Piliang Yusron Falahi