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AN ERROR ANALYSIS ON THE STUDENTS’ WRITING DESCRIPTIVE TEXT AT VIII GRADE SMP NEGERI 2 LEIDONG Desia Rahelia Putri Sihotang; Asima Rohana Sinaga; David Togi Hutahaean
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 4 No. 12 (2025): NOVEMBER
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.18797421

Abstract

This study aimed to analyze grammatical errors made by eighth-grade students in writing descriptive texts, with a particular focus on the use of the simple present tense. The research employed a descriptive qualitative design. The participants were students of SMP Negeri 2 Kualuh Leidong, selected through purposive sampling. Data were collected using a writing test in which students were required to compose a descriptive text in English. The students’ written works were analyzed using surface strategy taxonomy, which classifies errors into omission, addition, misformation, and misordering. The analysis procedure involved identifying errors, categorizing them into the four types, and interpreting the results to determine dominant error patterns. The findings revealed that students produced various grammatical errors, with misformation and omission appearing as the most frequent types. These errors mainly occurred in subject–verb agreement, verb forms, and the use of auxiliary verbs in the simple present tense. The results indicate that students still have limited mastery of basic grammatical structures in descriptive writing. This study suggests that teachers should provide more focused grammar instruction and writing practice to help students reduce errors and improve their ability to write descriptive texts accurately.
AN ANALYSIS OF SYMBOLISM IN DIAMONDS AND TOADS DRAMA SCRIPT AND ITS FUNCTION IN BUILDING MORAL VALUES Devi Triana; Mutiara Angelica Sinaga; Yena Jorena Sembiring; Yolanda Jesica Sitanggang; Tessaria Simorangkir; Nessa Lumbantobing; David Togi Hutahaean
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 03 (2026): Volume 12 No. 3, September 2026 Public
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i03.17870

Abstract

This study analyzes the symbols in the drama script Diamonds and Toads by Charles Perrault and examines their function in building moral values. A descriptive qualitative method was applied, with data collected from the drama script adapted from Perrault's fairy tale. The analysis was conducted using Miles and Huberman's interactive model (data reduction, data display, and conclusion drawing) combined with Roland Barthes' semiotic theory, which distinguishes denotation (literal meaning) and connotation (symbolic meaning). The findings reveal three categories of symbols: object symbols (40.91%), character symbols (31.82%), and place/event symbols (27.27%). Object symbols such as roses, pearls, and diamonds connote goodness and virtue, while vipers and toads connote evil and vice. Character symbols position the younger daughter as a symbol of humility and the elder daughter as a symbol of arrogance. Place symbols such as the fountain represent moral testing, the forest symbolizes exile and protection, and the palace represents reward. The symbols function through binary oppositions such as flowers versus snakes, humility versus pride, service versus selfishness, to convey the central moral message that good deeds produce good results and evil deeds produce evil results. The symbols serve four functions: providing concrete representations of abstract moral concepts, creating emotional resonance, serving as memory aids, and establishing a clear moral structure. This study contributes to literary studies, particularly in semiotics and symbol analysis in drama scripts, and offers practical benefits for educators and students in understanding moral values in literary works.
The Effect of English Stories With Level Application: a Media for Learning Vocabulary at Seventh Grade of SMP Negeri 4 Pematangsiantar Renova Sulinda Hutasoit; Tiarma Intan Marpaung; David Togi Hutahaean; Herman Herman; Basar Lolo Siahaan
The Future of Education Journal Vol 3 No 5 (2024)
Publisher : Lembaga Penerbitan dan Publikasi Ilmiah Yayasan Pendidikan Tumpuan Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61445/tofedu.v3i5.199

Abstract

The aim of this research is to determine the effect of using English Stories With Level application on students' vocabulary mastery in the seventh grade of SMP Negeri 4 Pematangsiantar in 2024/2025 academic year. The research aimed to determine the effect of using the English Stories With Level Application as a media for learning vocabulary at seventh grade of SMP Negeri 4 Pematangsiantar. The objective of the study was to find out whether this application could significantly improve students' vocabulary mastery. The research utilized a quantitative approach with a quasi-experimental design, which included both a pre-test and post-test. The population consisted of 300 students, from which two classes were selected via cluster random sampling. The experimental group received instruction using English Stories with Level Application, while the control group used conventional media (handbook). Data collection involved administering pre-tests and post-tests to both the experimental and control groups. The descriptive analysis revealed that the mean post-test score for the experimental group was 73.00, while the control group scored 66.50. A paired-sample t-test confirmed a statistically significant difference between the pre-test and post-test scores of the experimental group, with a p-value of 0.000 (p < 0.05), leading to the acceptance of the alternative hypothesis (Ha). This suggested that the use of this application as a media for vocabulary learning was more effective than traditional methods. In conclusion, the research demonstrated that English Stories with Level Application significantly enhanced vocabulary acquisition among seventh grade students.
The Analysis of Figurative Language Used in The Lyric of Bruno Mars Album Putri Raisah Sihotang; David Togi Hutahaean; Leonita Maria Efipanias Manihuruk; Tiarma Intan Marpaung; Basar Lolo Siahaan
The Future of Education Journal Vol 3 No 5 (2024)
Publisher : Lembaga Penerbitan dan Publikasi Ilmiah Yayasan Pendidikan Tumpuan Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61445/tofedu.v3i5.260

Abstract

The objectives of this research are: (1) To find out the types of figurative language used in Bruno Mars’ song album. (2) To find out the most dominant type of figurative language used in Bruno Mars’ song album. The design of this research is descriptive qualitative research. The type of data for this research is Bruno Mars' songs from the album 24K Magic, namely 24K Magic, That's What I Like, Calling All My Lovelies, Chunky, Versace on the Floor, Finesse, Perm, Straight Up & Down, Too Good to Say Goodbye. In this research, the researchers used Keraf's theory. From the analysis, the results of this research show that the total data of types of figurative language used in the album 24K Magic by Bruno Mars is 32 (100%). The most dominant figurative language style is Eponym. There are 11 (34%) Eponym in the song lyrics, 6 (19%) total personification data, 10 (31%) total metaphor data, and 5 (16%) similes in the song lyrics. The presence of figurative language in songs makes the conveyed message more interesting for the listeners. The author suggests that other researchers continue to analyze figurative language as it can help readers understand the meaning contained in the song lyrics. Another suggestion is for researchers who want to analyze figurative language in song lyrics to use other objects such as novels, films, poetry, etc.
Learners’ Engagement with Digital Literature in EFL Contexts: A Systematic Literature Review from a Multimodal Perspective David Togi Hutahaean; Rudi Hartono; Yuliati
Journal of Education and Teaching Learning Vol.4 No.1 July (2026)
Publisher : PT Media Jurnal dan Pendidikan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59211/mjpjetl.v4i1.273

Abstract

This systematic literature review aims to examine how previous studies have investigated learners’ engagement with digital literature in EFL contexts from a multimodal perspective. Existing research has widely discussed digital storytelling, digital multimodal composing, multimodal literacy, and educational technology in English language learning; however, the relationship between digital literature, learner engagement, and multimodal meaning-making remains fragmented. To address this gap, this study reviewed 12 preliminary articles published between 2016 and 2026 from relevant international and Indonesian academic sources, using a systematic review procedure informed by PRISMA 2020 and Zawacki-Richter et al.’s approach to educational systematic reviews. The analysis focused on research demographics, forms of digital literature, dimensions of learner engagement, multimodal elements, benefits, challenges, and research gaps. The findings show that digital storytelling and digital multimodal composing dominate the literature, while other digital literary forms such as interactive fiction, e-poetry, hypertext narratives, fanfiction, and social media-based literature remain underexplored. The review contributes by proposing that EFL learners’ engagement with digital literature should be understood as behavioral, emotional, cognitive, and multimodal participation in meaning-making
The Role of Drama Performance in Developing Students' Creativity and Confidence in English Learning Theodora Lumban Raja; Diana Tampubolon; Stevani Banjarnahor; Mora Gultom; David Togi Hutahaean
Jurnal Pendidikan Tambusai Vol. 10 No. 2 (2026): Agustus
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v10i2.41978

Abstract

Pertunjukan drama dikenal luas sebagai salah satu strategi pengajaran yang paling menarik dalam pembelajaran bahasa Inggris. Hal ini memberikan siswa kesempatan untuk menggunakan bahasa Inggris dalam situasi yang bermakna sambil mendorong partisipasi aktif di kelas. Artikel ini bertujuan untuk membahas peran pertunjukan drama dalam mengembangkan kreativitas dan kepercayaan diri siswa dalam pembelajaran bahasa Inggris. Melalui kegiatan drama, siswa didorong untuk mengemukakan gagasan, memecahkan masalah secara kreatif, dan berkomunikasi secara efektif dengan orang lain. Selain itu, melakukan peran yang berbeda membantu siswa mengurangi kecemasan dan menjadi lebih percaya diri ketika berbicara bahasa Inggris. Penelitian sebelumnya menunjukkan bahwa pembelajaran berbasis drama menciptakan lingkungan belajar yang menyenangkan yang meningkatkan motivasi, kolaborasi, dan keterampilan komunikasi siswa. Selain itu, pertunjukan drama memungkinkan pelajar untuk merasakan penggunaan bahasa yang autentik, menjadikan pembelajaran bahasa Inggris lebih bermakna dan interaktif. Oleh karena itu, memasukkan pertunjukan drama ke dalam kelas bahasa Inggris tidak hanya meningkatkan kemampuan berbahasa siswa tetapi juga mendukung pengembangan kreativitas, kepercayaan diri, dan keterampilan hidup penting lainnya. Artikel ini menyoroti pentingnya pertunjukan drama sebagai pendekatan efektif untuk menciptakan pembelajaran bahasa Inggris yang aktif dan berpusat pada siswa.
THE FUNCTION OF SETTING IN DEVELOPING DRAMATIC TENSION IN D. M. LARSON'S “THE WAITING ROOM” Amos Frans Abdial Tarigan; Palti Hansd Togi Maruhum Simanjuntak; Adika Indotua Nainggolan; Daniel Saputra Gurning; Samuel Tampubolon; David Togi Hutahaean
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 03 (2026): Volume 12 No. 3, September 2026 Publish
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i03.18646

Abstract

This study aims to analyze the function of setting in developing dramatic tension in D. M. Larson's The Waiting Room. The study uses a qualitative descriptive method because the data are presented in the form of dialogues and stage directions found in the drama script. The analysis focuses on how the setting, including the waiting room itself and the changing atmosphere of the ceiling, contributes to the development of dramatic tension throughout the play. The data were collected by reading the script carefully, identifying descriptions related to setting, and interpreting their relationship with the characters' emotions and the progression of the story. The findings show that the setting in The Waiting Room is not only used as the physical background of the story but also functions as an active dramatic element. The mysterious waiting room creates uncertainty from the beginning of the play, while the changing light of the ceiling reflects the emotional condition of the characters and increases the dramatic tension. The setting also supports the gradual revelation of the characters' memories and leads the audience toward the climax of the story. Therefore, the study concludes that setting has an important role in building suspense, creating emotional atmosphere, and strengthening the overall dramatic effect of the play.
A Descriptive Study of English Drama Performance :Ande-Ande Lumut Santa Regina Sihombing; Rani Puspa Sari; Rotua Sinta Marito Pakpahan; Dyvia Cahyani Saragih; David Togi Hutahaean
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 03 (2026): Volume 12 No. 3, September 2026 Public
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i03.19021

Abstract

This study aims to describe the English drama performance of Ande-Ande Lumut performed by the students of the English Education Study Program, PIA 3, Class of 2023, at HKBP Nommensen University Pematangsiantar (UHNP). This research employed a descriptive qualitative design. The participants were the students who took part in the drama performance. The data were collected through observation, interviews, and documentation and analyzed using data reduction, data display, and conclusion drawing.The findings show that the drama performance was conducted through several stages, including script preparation, character assignment, rehearsals, stage preparation, and the final performance. During the process, the students demonstrated cooperation, creativity, and responsibility in carrying out their roles. Although they encountered challenges such as memorizing dialogues and pronunciation, they were able to complete the performance successfully through continuous practice and teamwork.In conclusion, the English drama performance of Ande-Ande Lumut was successfully implemented and provided a clear description of the preparation and performance process in an English language learning context.
Co-Authors Adika Indotua Nainggolan Ady Frenly Simanullang Afrodita Friska Ferawati Girsang Ambarita, Mika Amos Frans Abdial Tarigan Anita Sitanggang Asima Rohana Sinaga Aulia Monica Tambunan Bangun Munte Basar Lolo Siahaan Basariya Pasaribu Bernard Simanjuntak Bertaria Sohnata Hutauruk Bertaria Sohnata Hutauruk Betharia Situngkir, Esra Butar Butar, Febiola Chatrine Simbolon, Joice Christian Neni Purba Daniel Ganda Putra Sihombing Daniel Saputra Gurning David Berthony Manalu Derlita Purba Desia Rahelia Putri Sihotang Devi Triana Dewi Nagur, Melani Diana Tampubolon Dumaris E Silalahi Dyvia Cahyani Saragih Elan Nuroctavia Purba Elfrida Pinondang Munte Elisa Sri Rejeki Girsang Enjelika Pandiangan Esra Betharia Situngkir Eva Pratiwi Pane Firinta Togatorop Gayus Simarmata Golda Novatrasio Sauduran Hargiani, Fransisca Xaveria Herman . herman herman Herman Herman Hisar Marulitua Manurung Hutahaean, Trisnawaty Imelda Oppusunggu Insenalia Sampe Roly Hutagalung Joice Chatrine Simbolon Julita Lumban Raja Layola Veronika Naibaho Lena Widyawanti Simanjuntak Leo Fernando Simatupang Leonita Maria Efipanias Manihuruk Lestary Arta Munte Lidia Zega Lydia Purba Malau, Klara Kristina Maria Efipanias Manihuruk, Leonita Maria Juwita Sinaga Maria Simamora Marnala Pangaribuan Melani Dewi Nagur Melani Miranda Manik Melda V.R. Munthe Melda Veby Ristella Munthe Meliana Br.Siahaan Mora Gultom Morina Saragih Mungkap Mangapul Siahaan Mutiara Angelica Sinaga Nessa Lumbantobing Nova Wanti Purba Paham Tua Saragih Palti Hansd Togi Maruhum Simanjuntak PANJAITAN, MUKTAR B Partohap S.R Sihombing Pasaribu, Sunggul Purba, Nancy Angelia Putri Raisah Sihotang Ramadhani, Madya Rani Puspa Sari Renova Sulinda Hutasoit Rimtahi Bahtera Valentua Marbun Rina Devi Romauli Siahaan Rio Parsaoran Napitupulu Rohana Sinaga, Asima Rosintan Yorini Siahaan Rotua Sinta Marito Pakpahan Rudi Hartono S. Lamriana Hutagalung Sahlan Tampubolon Sahlan Tampubolon Samuel Tampubolon Santa Regina Sihombing Saragih, Ratna Saputri Septian Sinaga Silvana Lumbangaol Simamora, Rianita Simanjuntak, Deski Ramosta Simanjuntak, Lena Widyawanti Sinaga, Lambok Hasudungan Pratama Yuda Sinaga, Septian Sinurat, Bloner Siska Anggita Situmeang Sohnata Hutauruk, Bertaria Stevani Banjarnahor Sunggu Sirait Tambunan, Betty Jeniari Tessaria Simorangkir Theodora Lumban Raja Theresia Elisabeth Siburian Tiarma Intan Marpaung Tiarma Marpaung Trisnawaty Hutahaean Tua Saragih, Paham Tumpal Manahara Siahaan Vita Riahni Saragih Widayu Lumban Batu Yanti kristina Sinaga Yanti Kristina Sinaga Yena Jorena Sembiring Yessika Siregar Yolanda Jesica Sitanggang Yosua Marasi Parningotan Siagian Yuliati