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Ideologi perlawanan dalam bahasa humor politik pada buku Republik Badut karya Darminto M. Sudarmo Ameliya, Rizqi; Sayuti, Suminto A
LingTera Vol. 8 No. 1 (2021)
Publisher : Department of Applied Linguistics, FBSB, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/lt.v8i1.12717

Abstract

Penelitian ini bertujuan untuk mengungkap: (1) konstruksi teks humor; (2) konstruksi wacana perlawanan; (3) ideologi yang tersembunyi dalam wacana humor politik pada buku Republik Badut karya Darminto M. Sudarmo. Penelitian ini merupakan penelitian kualitatif dengan paradigma kritis. Teknik analisis data dalam penelitian ini menggunakan analisis tiga dimensi Norman Fairclough: (1) analisis teks, (2) analisis discourse practice, (3) analisis sosiocultural discourse. Hasil penelitian yang diperoleh menunjukkan bahwa: (1) konstruksi teks humor dalam buku Republik Badut karya Darminto M. Sudarmo cenderung menggambarkan Republik Badut sebagai analogi dari Republik Indonesia, (2) konstruksi wacana perlawanan disampaikan dalam bentuk kritik dan humor yang menyuarakan perlawanan terhadap ketidakadilan, ketimpangan, dan kecurangan yang dilakukan para elit penguasa terhadap rakyat, dan (3) Ideologi perlawanan yang disuarakan Darminto M. Sudarmo dalam buku Republik Badut, yakni: a) perlawanan teradap kejahatan atau kecurangan (korupsi), b) perlawanan terhadap elit penguasa, c) perlawanan terhadap tindak represif, d) perlawanan terhadap retorika para politisi, e) perlawanan terhadap pencitraan presiden, f) dan penyatuan gagasan senasib sepenanggungan dari kaum proletar. Rebellion ideology of political humour language in Darminto M. Sudarmo's Republik Badut Abstract: The research aims to reveal: (1) the constructed text humour, (2) the constructed rebellion discourse, (3) the hidden ideology in political humour discourse in Darminto M. Sudarmo's Republik Badut. This research was qualitative with the critical paradigm. The data were collected through Norman Fairclough three-dimensional analysis: (1) text analysis, (2) the analysis of discourse practices, (3) sociocultural discourse analysis. The research results show that: (1) the construction of the text humour in Darminto M. Sudarmos's Republik Badut tend to depict Republik Badut as an analogy of the Republic of Indonesia, (2) the construction rebellion discourse delivered in the criticism and humour were submitted rebellion to injustice, inequality, and the fraud by the government to the people, (3) the rebellion ideology of Darminto M. Sudarmo's Republik Badut convey: a) rebellion against crime and corruption, b) rebellion against the government, c) rebellion against repressive acts, d) rebellion against the rhetoric of politicians, e) rebellion against president's self-image, f) and ideas-unity among ordinary people to live in the same boat. 
A viewpoint on folklore education: providing students freedom and empowerment Agung, Antonius Setyawan Sugeng Nur; Suryaman, Maman; Sayuti, Suminto A.
Journal of Education and Learning (EduLearn) Vol 18, No 1: February 2024
Publisher : Intelektual Pustaka Media Utama

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.11591/edulearn.v18i1.21035

Abstract

Oral folklore tradition is a unique phenomenon in West Borneo. This study aims to gain the lecturer's perspectives and reflection toward its implementation as a project-based activity for encouraging university students to transform local folklore into texts in English. It combines Finnegan's instructional procedure, and Gordon's synectic model and the creative state, which has been defined as creative instruction. Multiple observations and an in-depth interview with the folklore lecturer were conducted for this qualitative investigation. The lecturer is recognized as being exceptionally representative of this study employing purposive sampling under lived experience study because of his proficiency and enthusiasm. Having this creative instruction under supervision makes it clear that there is more room for the student's imagination and creativity to grow throughout this project-based activity. It gives them freedom to freely pursue their interests. Without excluding the possibilities of use in areas where there is still local folklore, this creative instruction is specifically suited for regions that are still rich in oral tradition. Further research is essential, nevertheless, as this study does not go into great detail on the perspectives and involvement among various students, the diversity of cultures and geographies, or the advancement of artificial intelligence (AI).
Intersectional identity of 13th-century Javanese women in the novel "Tutur Dedes" Budiyanto, Dwi; Kusmarwanti, Kusmarwanti; Liliani, Else; Sayuti, Suminto A.
LITERA Vol. 23 No. 1: LITERA (MARCH 2024)
Publisher : Faculty of Languages, Arts, and Culture Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v23i1.70992

Abstract

Within thirteenth-century Javanese tradition in Southeast Asia, women are frequently marginalized. Women who had significant influence were often omitted from historical records, such as Ken Dedes. Her tale is exclusively documented in the book of Pararaton. Dedes is seen as a significant woman who bore the ruling dynasty in Java. Modern Indonesian literature depict Dedes in different ways, offering varied interpretations of her character. This study seeks to analyze the intersectional identity of Ken Dedes in the novel Tutur Dedes: Doa & Kutukan by Amalia Yunus (2022) because of the intricate nature of her identity. The data consist of narrative elements such as tale sequences, characters, settings, themes, and other literary devices sourced from data repositories relevant to the research issue. The data were collected using reading and note-taking methods. Additionally, it was qualitatively analyzed via the lens of Kimberle Crenshaw's (1989) intersectionality approach. The results indicate that Dedes is shaped by various intersecting identities: education for an educated identity, biological physique for beauty and sexuality, high social status for respectability and knowledge access, religion for personal integrity, gender for the role of a mother, and political position for influence and network power. Each component category interacts to shape, reinforce, and internalize Dedes' identity and self as an educated woman in the thirteenth century, who wields significant influence and can overcome the oppression she faces. This study emphasises the importance of viewing women's identities as a cohesive whole rather than in fragmented elements. Javanese women were well educated and engaged in many facets of society in the thirteenth century.
Rekonstruksi Sosial dan Kultural Ken Dedes dalam Novel Indonesia Modern Liliani, Else; Mawaidi, Mawaidi; Kusmarwanti, Kusmarwanti; Sayuti, Suminto A.
DISASTRA: PENDIDIKAN BAHASA DAN SASTRA INDONESIA Vol 7, No 2 (2025): JULI
Publisher : Universitas Islam Negeri Fatmawati Sukarno Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29300/disastra.v7i2.7724

Abstract

 Penelitian ini bertujuan menelusuri representasi dan transformasi tokoh Ken Dedes dalam novel-novel Indonesia modern, yaitu Arok Dedes (1999), Ken Arok: Cinta dan Takhta (2013), Ken Dedes: Sang Penggoda (2012), dan Kitab Pararaton (2023). Penelitian ini menggunakan pisau teori resepsi sastra Hans Robert Jauss. Teknik analisis data dalam penelitian ini dilakukan dengan memadukan analisis resepsi sastra dan analisis isi tematik. Analisis resepsi digunakan untuk menelusuri bagaimana horizon harapan pembaca—dalam hal ini pengarang novel—terhadap figur Ken Dedes mengalami transformasi dalam teks novel. Sementara itu, analisis isi tematik membantu peneliti dalam mengidentifikasi dan mengategorikan bentuk-bentuk representasi sosial dan kultural Ken Dedes dalam narasi. Hasil analisis ini kemudian dikontekstualisasikan secara historis-kultural agar dapat mengungkap relasi antara konstruksi ulang tokoh Ken Dedes dan situasi sosial budaya tempat novel-novel tersebut lahir. Hasil penelitian ini menunjukkan adanya rekonstruksi sosial dan kultural yang dapat dilihat dari beberapa aspek. Aspek-aspek tersebut antara lain secara: (1) fisiologis yang menunjukkan adanya penggambaran Ken Dedes memiliki tubuh yang mempesona; (2) psikologis yang menggambarkan Ken Dedes adalah seorang pemberani yang takluk pada patriarki; dan (3) sosiologis memosisikan Ken Dedes sebagai perempuan yang memiliki “kuasa baru” selepas runtuhnya kekuasaan patriarki.