Garuda - Garba Rujukan Digital

p-Index From 2020 - 2025

1.857

P-Index

This Author published in this journals

All Journal Jurnal Ilmu dan Teknologi Kelautan Tropis Cakrawala Pendidikan E-JURNAL LINGUISTIK HUMANIS E-Journal of Linguistics E-Journal Of Cultural Studies (JELIKU) Jurnal Elektronik Ilmu Komputer Udayana Linguistika Forum Arkeologi Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan International Journal of Interreligious and Intercultural Studies Jurnal Penelitian Agama Hindu

I Made Suastika

Udayana University

Author-ID : 386769

Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Education Engineering Environmental Science Languange, Linguistic, Communication & Media Library & Information Science

Published : 77 Documents Claim Missing Document

Claim Missing Document

Articles

1 2 3 4 5

An Ecological Aspect Of The Text Kuttara Kṇḍa Dewa Purāna Bangsul Concerning Mount Batukaru Puspawati, Luh Putu; Ariana, I Ketut Eriadi; Suastika, I Made
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 2, No 1 (2018)
Publisher : Institut Hindu Dharma Negeri Denpasar

This article is intended to reveal the ecological aspect of Kuttara Kandha Dewa Purana Bangsul, a text in which it is described that Mount Batukaru is one of the holy areas in Bali Island. It is considered a place where the god of fertility resides; therefore, its ecosystem needs to be maintained. Such a signification is interesting and important to be investigated. The other reason is that, physically, the Mount Batukaru area is a water absorbing area as well as a nature reserve area. The problem of the study is how Mount Batukaru is pictured and signified in the text. The data were collected using the observation, reading, note taking, transliterating, and translating techniques. The theory of Semiotics proposed by Roland Barthes was employed. The result of the study shows that Mount Batukaru is considered the center of the energy of plants; therefore, it is recommended that plants be maintained and respected as the God’s physical form. It is expected that the result of the study may be used as one of the references to save the environment as one of the world’s current strategic issues.

The Process Of Transforming The Mahabharata Literary Work Written In The Old Javanese Into Geguritan Sarpayajnya And Geguritan Kicaka Written In The Balinese Language Suastika, I Made; Jirnaya, I Ketut; Sukersa, I Wayan; Puspawati, Luh Putu
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 1, No 2 (2017)
Publisher : Institut Hindu Dharma Negeri Denpasar

The story of the Pandawas and their wife in Wirata was used as the plot of the geguritan Kicakawhich was initially transformed from Wirataparwa in the form of Parwa. The only episode which was transformed into geguritan written in the Balinese language is the one narrating when the Pandawas were in disguise for one year. In this episode the love story of their wife, Drupadi, who was disguised as Sairindriis also narrated. In this episode it is also narrated that the Chief Minister, Kicaka, would like to have her as his wife. However, the Chief Minister, Kicaka, was killed by Bima, who was disguised as Ballawa, meaning that the love story came to an end. From the language point of view, the episode telling that the Pandawas were in Wirata was transformed into Geguritan Kicaka written in the Balinese language. In addition, although the text was dynamically translated, many Old Javanese words are still used in the Balinese version.Similarly, geguritan Sarpayajaya adopted the episode of Sarpayajnya of Adiparwa; however, the plot was modified again using thestrophes pangkur, dangdanggula, sinom and durma and was introduced using the Balinese language. It is narrated that King Parikesit was bitten and killed by a snake named Taksaka. Consequently, his son, Janamejaya, performed a ritual known as Sarpayajaya, causing all the snakes to die. From the cultural point of view, the text is recited as part of the performing art and the art of music ‘magegitan’ in Bali. The text Sarpayajayaisrecited as part of the cremation ceremony ‘ngaben’ known as mamutru.

Procession Of Pujawali Mupuk Kembang At Pura Agung Banjar Adat Gegadon: Hindu Religion Edudcation Values Setyawati, Ni Made Rai; Suastika, I Made; Iwan Indrawan Jendra, Made
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Vol 2, No 2 (2018)
Publisher : Institut Hindu Dharma Negeri Denpasar

One of the ways taken by Hindu people to keep the harmony and prosperity in the world is by performing yajña. It is being exercised by krama Custom Banjar of Gegadon Kapal by conducting a ritual of pujawali at the Great Temple of Custom Banjar Gegadon. The temple is a small temple but enthroned by Ida Ratu Gede Sakti. The Pujawali is performed exactly on the day of budha kliwon wuku Pahang. This research discusses: (1) The form of procession of Pujawali Mupuk Kembang at the Great Temple of Custom Banjar Gegadon, Village of Kapal, District of Mengwi, Regency of Badung. (2) The function of procession practice of Pujawali Mupuk Kembang at the Temple (3) The Hindu religious education valuecontained in the procession.The theories being used in this research includ: 1) Structural functional theory, 2)Religious Theory, 3) Value Theory. The type of the research is descriptive qualitative. The primary sources for the data are congregation figures, religious figures andpublic figures, and its secondary sources are in the form of research results of books, articles, which are related with pujawali practice. The research instrument is interview guideline by using purposive technique, observation and documentation, the analysis technique, descriptive. The result of the research can be concluded as follows: (1) The procession of Pujawali Mupuk Kembang is a series of pujawali ritual from the beginning until the endwhich is closed with nyineb ceremony, (2) The function of pujawali consists of education, social, and religious function, (3) The values contained within pujawali procession is Hindu Religious education values namely tattva, ethic and ceremony.

WACANA SEWAKA DHARMA DALAMGEGURITAN BHIMA SWARGA KAJIAN; SEMIOTIKA Swastya Darma Pradnyan, I Gusti Made; Suastika, I Made; Jirnaya, I Ketut
JOURNAL OF LANGUAGE AND TRANSLATION STUDIES Vol 2 No 2 (2016) (Sept 2016)
Publisher : S2 Ilmu Linguistik Fakultas Ilmu Budaya Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (316.515 KB)

AbstractThis research is analysis of semiotic about the Sewaka Dharma discourse that contained implicitly and explicitly in Geguritan Bhima Swarga(GBS). Sewaka Dharma Constitute a dedication who do sincerely, 1) Restore the essence of understanding discourse in the literary creation so it doesn’t make miss understanding between discourse in the literary creation with art staging literary creation that identicaly Ruatan discourse in the human community, 2) Give a comprehension to the reader a illustration of discourse Sewaka Dharma in the literary creation, 3) Give a contribution to reaserch substantione specially about analysis of semiotic’s Peirce.The analysis result showing that, GBS was only contained a discourse ruatan in the human community, be evidenced by two formation of Sewaka Dharma discourse that is Madhawa SewaandManawa Sewa, from the function side basicly bay the six language function’s Roman Jakobson Such as, emotif function, konatif, referensial, fatic, metalingual and puitic. With the significant side, GBS contained diverse of significant refer’s to Madhawa Sewa and Manawa Sewa such as, The God significant, environment, individual, family, culture sociality, and country.ABSTRAKPenelitian ini merupakan kajian Semiotika tentang Wacana Sewaka Dharma yang terkandung secara implisit dan eksplisit dalam Geguritan Bhima Swarga(GBS).Sewaka Dharma merupakan sebuah pengabdian yang dilakukan secara tulus ikhlas. Tujuan penelitian ini adalah 1) Mengembalikan esensi pemahaman wacana yang terdapat dalam karya sastra sehingga tidak terjadi kerancuan antara wacana dalam karya sastra yang diidentikan dengan wacana ruatan dimasyarakat, 2) Memberikan pemahaman terhadap pembaca mengenai gambaran Wacana Sewaka Dharma dalam karya sastra, 3) Memberi sumbangan terhadap khasanah penelitian khususnya mengenai penerapan kajian semiotika Peirce.Hasil analisis menunjukan bahwa, Geguritan Bhima Swarga yang pada awalnya hanya terkandung sebuah Wacana Ruatan di Masyarakat,terbukti terdapat dua bentuk Wacana Sewaka Dharma yaitu Madhawa Sewa dan Manawa Sewa, selanjutnya dari segi fungsi mengacu pada enam fungsi bahasa Roman Jakobson yaitu, fungsi Emotif, Konatif, Refrensial, Fatik, Metalinguistik dan Puitik. Terkait dengan makna, dalam Geguritan Bhima Swarga terkadung beragam makna yang mengacu pada Madhawa Sewa dan Manawa Sewa diantaranya, Ruang Lingkup Ketuhanan, Lingkungan, Individu, Keluarga, Sosial Budaya, dan Negara.

BARONG MEETING AT PUCAK PADANG DAWA TEMPLE BATURITI TABANAN REGENCY: IN THE PERSPECTIVE OF CULTURAL STUDIES Dana, I Wayan; Dibia, I Wayan; Putra Agung, A.A. Gde; Suastika, I Made
E-Journal of Cultural Studies Vol. 3, No. 2 Juli 2009
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (43.775 KB)

This dissertation contains research findings on the Barong Meeting, a multidimentionalcultural event performed at Pucak Padang Dawa Temple, Baturiti Tabanan Regency. Such ameeting is attended by more than sixty various barongs and rangdas of various types comingfrom various areas in Central Bali, and is the biggest in Bali. The research on such a culturalphenomenon is intended to reveal holistically the existence of the Barong Meeting while theprocess of modernization is taking place in Bali nowadays.Such a cultural phenomenon was investigated based on the problems formulated inseveral research questions. (1) How is the Barong Meeting performed at Pucak Padang DawaTemple, Baturiti, Tabanan Regency?; (2) what ideology is referred to by the Barong Meeting atPucak Padang Dawa Temple, Baturiti, Tabanan Regency?; (3) What does the Barong Meetingmean viewed from the socio cultural system of the Balinese society?By applying qualitative method and regarding the Barong Meeting as a multilayerentity, this study is intended to understand and analyze the ideology and meaning contained inthe Barong Meeting, which is believed to have centralistic strength making the cultures fromvarious areas of Central Bali meet. The problems were solved by applying some relevanttheories such as the theory of power relationship, the theory of religions, the theory of esthetics,and the theory of semiotics.Five important findings of this study are; Firstly, the Barong Meeting at Pucak PadangDawa Temple is a cultural event with religious, social and theatrical dimensions. Secondly, theBarong Meeting is an old religious ritual viewed from what is stated in Purana of the LuhurPucak Padang Dawa Temple. Such a Barong Meeting is still carried out by the society membersat Bangli Village. Thirdly, the Barong Meeting is a cultural event covering the areas of CentralBali such as Tabanan Regency, Negara Regency, Badung Regency, Gianyar Regency and BangliRegency. Fourthly, the Barong Meeting is not an event which is habitually carried out but aritual ceremony which is dynamically repeated by absorbing innovations which still refer to thephilosophy and ethics of Hinduism, making it able to develop collective awareness respectingdiversity featuring the era’s life. Fifthly, the Barong Meeting is a religious event realizingconcrete, real and direct actions based on Hindusm. Such a ritual ceremony densely containingartistic values emphasizes the dynamic relationship and integratedness of performance of artsand art performance in the cultural activities performed in Bali Hindu.What can be concluded in this study shows that the Barong Meeting at Pucak PadangDawa Temple, Baturiti, Tabanan Regency, serves as an inviting and attending processioncovering the initial, the essence, and the end which is both centripetal and centrifugal. Theideology referred to is worshipping, power, and performance. The integration of these three basicideas present ritual ceremony dimension, social activity, and art performance, making the BarongMeeting a multidimensional event. The Barong Meeting contains multilayer senses such asmagic religious, socio unifier, politics of authority, economics and esthetics.

THE USE OF ELECTRIC ENERGY FOR HOUSEHOLD NEEDS AT SUKAWATI DISTRICT, GIANYAR REGENCY: IN THE PERSPECTIVE OF CULTURAL STUDIES Jondra, I Wayan; Agung, A. A. Gde; Wijaya Kusuma, I G. B.; Suastika, I Made
E-Journal of Cultural Studies Vol. 5, No. 2 Juli 2011
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (47.034 KB)

Sukawati District, Gianyar Regency is one of the tourist attractions anddestinations. Sukawati has Sukawati art market and Guwang market, art shops,craftsmen, wood carvers, painters, traditional and contemporary artists. They all completethe atmosphere at Sukawati. As a result, more and more people intend to build housesthere for which more and more electric energy is needed. This study was conducted toevaluate the use of electric energy at Sukawati District. The problems are formulated asfollows: how electric energy is used; how comodification takes place; how thegovernment and Perusahaan Listrik Negara, abbreviated to PLN (the Utility Company)dominates people and how the people resist the government’s hegemony, what are theeffects and meanings of the electric energy used at Sukawati District.Qualitative method supported by quantitative data, which characterize CulturalStudies, was adopted in this study. The data were taken from primary resources andsecondary resources. Qualitative method was eclectically employed for analyzing thedata supported by the theory of consumer behavior, the theory of comodification, thetheory of hegemony, the theory of knowledge and power and the theory ofdeconstruction. The results of the study were formally presented using tables, graphs andpictures and were informally narrated.The results of the study show that the increase in the number of population hasresulted in the increase in the number of traditional houses without/with slightmodification and modern houses. The rise in the number of houses has resulted in the risein electricity needed for illumination, mechanical purposes and so forth. The peopleliving at traditional houses use less and simpler electric utilities than those living atmodern houses. The electric utilities used are highly influenced by both internal andexternal factors. The advertisements of electric utilities also contribute to the use ofelectric utilities, meaning that electricity has touched what is required by the people atSukawati District. By referring to the 1945 Constitution, the PLN has dominated thedistribution of electricity. This has been used to comodify electric energy by changing itsstatus into a limited liability company, and to increase the basic rate of electricity (tarifdasar listrik, abbreviated to TDL) with its various scenarios socialized through massmedia. The government and the PLN dominate the community to accelerate their comodification practices. Such a dominance or hegemony is resisted by the traditionalpeople by strengthening their Balinese identity through the preservation of Balitraditional houses. Electricity has covered all the banjar/dusun (neighborhood under avillage) resulting in different effects such as giving up bathing in the public bathingplace, the extinction of informal communication among the people, renegotiation ofsacred values, change in orientation of the sekas (the traditional groups established forparticular purposes) from being orientated their activities to non economic motivationsinto economic ones. The different backgrounds of the people at Sukawati District havecaused the meaningfulness of the availability of electricity to vary.

SPATIAL ALTERATION AT UBUD TRADITIONAL VILLAGE, GIANYAR, BALI IN THE GLOBALIZATION ERA: A CULTURAL STUDY Artha Ardhana Sukawati, Tjokorda Oka; -, Sulistyawati; Parimartha, I Gde; Suastika, I Made
E-Journal of Cultural Studies Vol. 3, No. 1 Januari 2009
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (34.353 KB)

In the era of globalization much spatial alteration has taken place at Ubud TraditionalVillage, Gianyar Regency, Bali as the consequence of fast development of tourism. The aspectswhich have changed, as the result of the shift from agricultural culture to tourism culture since1970, include the spatial relationship between man and God (parhyangan), the spatial relationshipbetween man and his environment (palemahan), and the spatial relationship between man and hisfellow being or the three things which cause physical and spiritual prosperity among human beings.This research in cultural studies was conducted to reveal the spatial alteration which hadtaken place at Ubud Traditional Market in the globalization era especially since 1970 as theconsequence of the fast development in tourism. The data were analyzed by applying qualitativeanalysis technique, eclecticism of the theory of change, the theory of space, the theory ofhegemony, and critical and practical theories. The research was conducted by employing qualitativemethod which features cultural studies.The results of the research show that the increase in population and in what is needed bytourism has led to the spatial alteration in parhyangan in the village and home levels. The spatialalteration in pawongan as a unity of membership (krama) does not take place and the spatialalternation in families does not either. This indicates that Ubud Traditional Village is getting morecomplex in facing modern and global condition with its commercial culture. Its tradition,agricultural culture and nature have contributed to the development of tourism. In regard topalemahan, catus patha has not been the only center of orientation any more. The settlement of thepopulation has followed the development of tourist facilities. Tourism has also altered the landusefulness causing zero-settlement based on groups of banjar (neighborhood under a traditionalvillage) to be irrelevant. In regard to the patterns of space occupied by families, the walls built toseparate one family from another have been demolished; the buildings (bale) have beenrehabilitated, teba (the unoccupied part of a compound where animals raised for sale are usuallykept and rubbish are usually gathered) has been exploited. The change in people’s behavior frombeing non commercial into commercial has blurred the layout and function of the buildings built inthe zones of madya (immediate level) and nista (lower level).

STEREOTYPE OF MADURESE ETHNIC PEOPLE MADE BY JAVANESE ETHNIC PEOPLE THROUGH HUMORS Tabrani, Akhmad Tabrani; Mbete, Aron Meko; Suastika, I Made Suastika; Mariyah, Emiliana Mariyah
E-Journal of Cultural Studies Vol 8 No 2 (2015): Volume 8, Number 2, May 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

This study was inspired by several things such as (1) there was a negative impression on the Madurese ethnic people’s attitude and behavior, (2) the conflict taking place between the Madurese ethnic people and the other ethnic groups which resulted from the wrong impression on the Madurese ethnic people, (3) there was a close contact between the attitude and behavior of the Madurese ethnic people and the attitude and behavior of the other ethnic peoples outside Madura. This present study was intended to identify the form, factor, and impact of the stereotype of the Madurese ethnic people made by the Javanese ethnic people through humors. The data in the present study were collected through in-depth interview, observation, documentary study, and library research. There were several factors which contributed to the stereotype of the Madurese ethnic people made by the Javanese ethnic people through humors such as (a) education, (b) legitimacy of violence, (c) ideology, (d) the resistance of the Madurese ethnic people to the Javanese ethnic people, and (e) the Madurese people’s attitude and behavior. The stereotype on the Madurese ethnic people was created to give an inaccurate image although to some extent it was true. The ethnical humor leads to ethnical stereotype. The ethnical humor, which, in this case, was created by the dominant ethnic people, which, in this case, the Javanese ethnic people, contained satire, dislike, hatred, insulting, praise, and resistance of the Madurese ethnic people to the Javanese ethnic people.

DECONSTRUCTION OF THE SYMBOLIC MEANING OF THE KERATON SURAKARTA ARCHITECTURE S. Pitana, Titis; Semadi Astra, I Gde; Suastika, I Made; Yudha Triguna, I. B. Gde
E-Journal of Cultural Studies Vol. 4, No. 2 Juli 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (29.902 KB)

This dissertation is the result of a study entitled ”Deconstruction ofthe Symbolic Meaning of the Keraton Surakarta Architecture.” This studyis intended not to understand the Keraton Surakarta architecture as aphysical materialization of architectural planning and design. Rather, inthis study, the Keraton Surakarta is the material object of a study on thedeconstruction of the symbolic meaning which focuses on three mainproblems: (1) the cause of the deconstruction of the symbolic meaningtoward the Keraton Surakarta architecture; (2) the deconstruction processof the symbolic meaning; and (3) the implication of the deconstructiontoward the social-cultural life of the keraton people and Surakarta society.

JOGED DANCE IN YOUTUBE Suartaya, Kadek; Suastika, I Made; Dibia, I Wayan; Agung, Anak Agung Gde Putra
E-Journal of Cultural Studies Vol 9, No 3 (2016): August 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

In Indonesia Joged Bumbung is a dance which was created in Bali; it is known as tari pergaulan, namely, a social dance which is performed to make friends; however, it has innovated so freely that it becomes a dance with pornographic movements presented vulgarly. The recording of such a dance can be easily watched in YouTube; it can also be easily watched in shared video web sites, through which the users can download, watch and share different video clips free of charge. The problems of the present study are (1) what is the negative impact of the pornographic joged dance on the aesthetic values of Joged Bumbung; (2) how negatively people view the dancers and group of such a pornographic joged dance; (3) how negatively people view the Balinese cultural art resulting from the fact that such a pornographic joged dance has been uploaded in YouTube? The main objective of the present study is to identify the negative impact of the pornographic joged dance in YouTube. The data were collected through observation, interview, and library research. The collected data were then analyzed descriptively and qualitatively using the phonological theory; and the qualitative method is used. It can be concluded that the pornographic joged is still watched in different parts of the island; it is watched every night. The government, art observers, and the society’s leaders are anxious about the negative impact of such a joged dance on those who are involved in its performance. Therefore, the Bali government has persuaded the dancers and groups that are involved in the performance of such a joged dance to return to the ethical choreography of the performing art of Joged Bumbung. The government has directly met them for this purpose; however, what has been done has not been successful yet. There were three negative impacts of such a joged dance presented in YouTube. They are (1) the art value of the Joged Bumbung dance has become degraded; (2) the dancers have been immorally justified; and (3) the Balinese art and culture have been distorted.

Co-Authors A. A. Gde Agung A. Chaedar Alwasilah A.A. Gde Alit Geria Alit Geria A.A. Gde Putra Agung AA PT Candra Kartika Pratiwi Abdul Alim Aderlaepe Aderlaepe Agung, Anak Agung Gde Putra Akhmad Tabrani Ali Djamhuri Amin Sumadyo Ariana, I Ketut Eriadi Aron Meko Mbete Asmyta Surbakti Bernad Arifin Pasaribu Crustasia Aji Westriani Daryusti - Diah Savitri, Putu Dr. I Gde M.A. Parimartha Dr. Pudentia M.A. MPSS Edi Sedyawati Emiliana Mariyah I Gde Parimartha I Gde Parimartha Parimartha, I Gde Parimartha I Gde Semadi Astra I Gusti Agung Gede Arya Kadyanan I Gusti Ayu Sri Widiantari I Gusti Bagus Wijaya Kusuma I Gusti Ketut Gde Arsana, I Gusti Ketut Gde I Gusti Made Ngurah I Ketut Eriadi Ariana I Ketut Gede Harsana, I Ketut Gede I Ketut Jirnaya I Ketut Subagiasta I Ketut Sudibia I Ketut Tanu I Nyoman Kutha Ratna I Nyoman Kutha Ratna I Nyoman Murtana I Nyoman Sirtha I Nyoman Suarka I Nyoman Sukartha I Nyoman sukiada I Nyoman Suwija I Nyoman Weda Kesuma I Nyoman Weda Kusuma I Wayan Ardhi Wirawan I Wayan Ardika I Wayan Cika I Wayan Dana I Wayan Deddy Sumantra I Wayan Dibia I Wayan Dibia Dibia, I Wayan Dibia I Wayan Jondra I Wayan Suardiana I Wayan Subagia I Wayan Sukersa I Wayan Wana Pariartha Ida Bagus Gde Yudha Triguna Ida Bagus Made Wisnu Parta Ida Bagus Rai Putra Intan Ayu Puspita Ivana Thalia Iwan Indrawan Jendra, Made Ketut Ardhana Ketut Ardhana, Ketut Ardhana Khrisma Ananditya Leny Pramesti Luh Putu Puspawati Luh Putu Puspawati Luh Riniti Rahayu Luh Suwita Utami Made Iwan Indrawan Jendra Made Marajaya Maria Matildis Banda Mohammad Asrori Ni Luh Nyoman Kebayantini Ni Made Emmi Nutrisia Dewi, Ni Made Ni Made Rai Setyawati Ni Made Ruastiti Ni Nyoman Yuliawati Ni Putu Parmini Ni Wayan Putri Kuna Winaya Nurul Hasanah Nym. Kutha Ratna Nym. Kutha Ratna, Nym. Kutha Ratna Nyoman Kutha Ratna Nyoman Kutha Ratna Philip Teguh Imanto Prof. Dr. Nyoman Kutha Ratna S.U. Pulumun Peterus Ginting Putu Ari Suprapta Pratama Putu Rumawan Salain Putu Sukardja Regina Melianawati Renhat Marlianus Siki Setyawati, Ni Made Rai Singkir Hudijono Sri Purnama Sri Yuliani Suartaya, Kadek Sutamat Arybowo Swastya Darma Pradnyan, I Gusti Made Syamsul Arifin Titis S. Pitana Tjok. Istri Putra Astiti Tjokorda Oka Artha Ardhana Sukawati Yuliawan Kasmahidayat

Title

Found 77 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 77 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 77 Documents
Search