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All Journal Jurnal Ilmu dan Teknologi Kelautan Tropis Cakrawala Pendidikan E-JURNAL LINGUISTIK HUMANIS E-Journal of Linguistics E-Journal Of Cultural Studies (JELIKU) Jurnal Elektronik Ilmu Komputer Udayana Linguistika Forum Arkeologi Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan International Journal of Interreligious and Intercultural Studies Jurnal Penelitian Agama Hindu
I Made Suastika
Udayana University
Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Education Engineering Environmental Science Languange, Linguistic, Communication & Media Library & Information Science

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ABSTRACT LOCAL CULTURAL ARTS IN THE GLOBAL ERA I Wayan Deddy Sumantra; I Made Suastika; I Wayan Ardika; I Wayan Suardiana
E-Journal of Cultural Studies Vol 14 No 2 (2021): Volume 14, Number 2, May 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i02.p04

Abstract

The art of Local culture will be more meaningful because of being able to push the spirit of love with the pluralism toward human's life and universe. Meanwhile, media technology as the physical result of culture that lacks spiritual values ??if compared to custom, religion and art will lose its function to increase human's life quality. Values, norms and ethics contained in customary rules that are reflected in art of culture are indeed useful references in the globalization era. This research used qualitative data that were then analyzed descriptively. According to Alvin Boskoff's thought, it shows that factors becoming challenges for local culture are the change of cultural value systems in society and the death of traditional art forms in several areas in Nusantara caused by technology in the global era. The art of Local culture is one of components that gives Indonesian identity as a special community that exists among nations in this world. Therefore it is necessary to grow awareness particularly in young generations in order to comprehend more about their culture by empowering local wisdom growing in the cultural areas of whole Nusantara. Keywords: Art of Culture, local, the change of value, global
POWER RELATIONS IN THE TAMBLINGAN INSCRIPTION IN THE X-XIV CENTURY AD Luh Suwita Utami; I Wayan Ardika; I Made Suastika
E-Journal of Cultural Studies Vol 14 No 2 (2021): Volume 14, Number 2, May 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i02.p05

Abstract

The king, as the ruler of a region, in the past published inscriptions that functioned as a tool in disputing his power. The inscription contains a discourse about granting rights by the king or high-ranking royal officials to a group of residents in an area. In the X-XIV centuries AD in Bali, a number of inscriptions were published for the Balinese who lived in Tamblingan. This inscription tells about various obligations, taxes, social rules and curses to the people in Tamblingan issued by the kings.This study aims to determine the form of power relations, ideological elements, and implications of power relations contained in the ancient Balinese inscriptions of the X-XIV centuries AD related to the Tamblingan area. The data collection method used in this research is a literature study of the inscriptions published in the X-XIV centuries AD related to the Tamblingan area. In addition, the research also uses interview and observation methods. This research is expected to reveal the forms of power relations of several kings who issued inscriptions for the Tamblingan region. The theories used are deconstruction theory, power relation theory, hermeneutic theory, and discourse theory. In these inscriptions power relations occur in social, economic, religious and social aspects. The ideologies are economic ideology, political ideology and knowledge ideology. Keywords: power relations, Tamblingan inscriptions, ideology
CHANGES IN THE FUNCTION AND ARCHITECTURE OF LUMBUNG IN BALI HOUSEHOLDS IN SADING CUSTOMARY VILLAGE, BADUNG, BALI Ni Made Emmi Nutrisia Dewi; Putu Rumawan Salain; I Made Suastika; I Nyoman Sukiada
E-Journal of Cultural Studies Volume 13, Number 2, May 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i02.p04

Abstract

Lumbung or granary is a building that serves as a place to store rice. In some houses in the Sading Traditional Village, the granary is one of the buildings which is generally located near the kitchen. However, at present, this granary in Sading Traditional Village has changed its function and architecture as part of the dynamics of modern life. Seeing this condition, it is necessary to conduct research on the architecture of the barn in Sading Traditional Village. The purpose of this study was to determine the form of change, the causes and meanings contained in the phenomenon of changing the function and architecture of the granary in Balinese houses in Sading Traditional Village. The method used in this research is a qualitative approach with the perspective of cultural studies. The results showed that there was a change in the function of the barn which was previously only a place to store rice, but now the function of storing rice is only as a symbol, while other functions are mostly used as a multipurpose room such as a place to entertain guests during religious ceremonies, a place to relax and other activities. While the architectural changes lie in the materials, decorations and others that follow current developments. The main cause is the livelihoods of the people of the Adat Sading Village who no longer work as farmers. Besides that, it is due to ideological factors and beliefs, economics and the development of science and technology. The meanings contained in these changes include religious, aesthetic, image and cultural preservation. Keywords: Change, Function, Architecture, Granary, meaning
TRANSFORMATION OF THE PRACTICE OF GIVING 'LIN WELIN LETO WOTER' IN KROWE ETHNIC MARRIAGES: ANALYSIS OF CAUSAL FACTORS AND COMMUNITY RESPONSE Renhat Marlianus Siki; I Made Suastika; Maria Matildis Banda; Luh Putu Puspawati
E-Journal of Cultural Studies Vol 17 No 2 (2024): Volume 17 Number 2 May 2024
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2024.v17.i02.p02

Abstract

This research explores the transformation of the practice of giving "Lin Welin Leto Woter" in Krowe ethnic marriages in Sikka Regency, East Nusa Tenggara, Indonesia, examining the influence of ideological, social, and material factors. Using qualitative methodology, data were collected through observation, interviews, and document analysis. The results reveal ideological shifts driven by modernity and globalization, social tensions triggered by manipulation within the community, and economic impacts driving adaptation. Despite facing challenges, the Krowe community demonstrates resilience by incorporating personal symbols and adjusting practices. Traditional terms persist alongside new practices, reflecting cultural continuity. From a theoretical perspective, these practices reflect the flexibility of cultural symbols, inviting further investigation. In conclusion, the Krowe community's response reaffirms their ability to navigate change while preserving cultural identity, suggesting avenues for further research and recommendations to support cultural preservation. Keywords: cultural transformation, ideological shifts, Krowe ethnic marriages, resilience, social tensions
SOCIAL PHENOMENON OF PRE WEDDING PHOTO TRENDS AT DENPASAR COMMUNITY WEDDING CEREMONY AA PT Candra Kartika Pratiwi; I Made Suastika; Ni Luh Nyoman Kebayantini
E-Journal of Cultural Studies Vol 14 No 4 (2021): Volume 14, Number 4, November 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i04.p05

Abstract

The social phenomenon of pre-wedding photos has now begun to be widely discussed by some people who are starting to be sensitive to social changes in the area of Denpasar City. Infact, in Denpasar City at this time almost all bride and groom couples carry out pre-wedding photo sessions before their wedding ceremony takes place. The bride and groom couples even really focus their attention on the results of their pre-wedding photos. This eventually became a conversation that raised pros and cons among parents whose children were going to have a wedding ceremony. Some parents feel that pre-wedding photos cost too much money and costs that they should be able to spend to bail out funds when preparing a series of wedding ceremonies. In contrast to people who feel capable in terms of costs, they will certainly take the pre-wedding costs lightly compared to the satisfaction they will get later after seeing the results of the pre-wedding photos they take. The bride and groom did a pre-wedding photo session with the theme and concept they specified. When going to do a pre-wedding photo session, the bride and groom have to prepare a lot of money. Depending on the theme, concept and place they will use later. In Bali, especially in Denpasar City, the cost for the “pawiwahan”or wedding ceremony is quite high, with the addition of a new tradition, namely pre-wedding photos, it will make people spend even more. The meaning of this pre-wedding photo session is still not much can explain, prospective brides who do pre-wedding photo sessions only say they take pre-wedding photos to follow today's trends. The new trend that is entering Bali is slowly making it a mandatory tradition. Keywords: pre wedding photo, wedding ceremony, trends, traditions
RESISTENSI PANGERAN SUTASOMA TERHADAP HEGEMONI RAJA PURUSADHA DALAM CERITA KEKAWIN SUTASOMA I Gusti Ayu Sri Widiantari; I Made Suastika; I Nyoman Suarka
E-Journal of Cultural Studies Volume 12, Number 4, November 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (635.584 KB) | DOI: 10.24843/cs.2019.v12.i04.p01

Abstract

The purpose of this research is to uncover the inherent values contained in the marriage of Sutasoma, which focuses on the backdrop of Sutasoma's resistance to his father, the king of Parusadha, and reveals the values contained in the The story. The study used an interpretive approach to cultural studies from the qualitative data sources in the text and translations. The foundation of the theory used to analyze data is the theory of power of knowledge and hegemony. With this approach and theory the study found that the reasons and ways of Prince Sutasoma to fight the attitude and behavior of King Purusadha were very arrogant and authoritarian towards the people and the Ministers and The feeders are (1) straightening and redefining the king to return to the path of righteousness (2) performing obligations and responsibilities as a wise prince who must favor his people, (3) make the King aware of the meaning and Responsibility to be leaders, and (4) to commit partiality towards the weak, (5) The alignment of the meaning and leadership of a King (6) restores the authority of a king. The opponents performed by Sutasoma were not violent or physical, but through ideas and initiatives that were delivered subtly so as to evoke a sense of compassion and consciousness of King Parusadha How to be a king Wise. Keywords: resistance, hegemony, leadership value, roles and responsibilities
Laut Dalam Perspektif Teologi Hindu Pada Susastra Jawa Kuno Suarka, I Nyoman; Pratama, Putu Ari Suprapta; Suastika, I Made; Diah Savitri, Putu
Jurnal Penelitian Agama Hindu Vol 8 No 1 (2024)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v8i1.2678

Abstract

The ocean is in an increasingly severe ecological crisis, which has an impact on the crisis of the universe at large. The attitude of people who are increasingly moving away from tradition and traditional sources of reference and prioritizing worldliness is thought to be one of the causes of the marine crisis. Therefore, efforts to encourage people to manage the sea more wisely must continue to be encouraged. This article aims to examine the local wisdom of the sea in ancient Javanese literature from the perspective of Hindu theology and to contribute to raising public awareness through a more complete and comprehensive understanding of the sea. The method used in the research is a qualitative method using Old Javanese literary texts as the main data source. The reading method was used in data collection assisted by the techniques of script transfer, language transfer, and recording. Data analysis was carried out by applying the content analysis method based on the working principles of semiotic theory. The result found is that the narrative of the sea in Old Javanese literature has a Hindu theological dimension. The sea is understood in a cross-section of Hindu theology starting with the awareness of the Impersonal God (Nirguna Brahman) by calling God Sang Hyang Adisuksma, towards the awareness of the Personal God (Saguna Brahman) by calling God as Lord Baruna, worshiped as an istadewata whose role is to control the laws of the universe (rta). The sea (segara) is glorified as a pair of mountains (giri) in the conception of segara-giri is a sacred axis in Hindu life, both as a source of life, a source of disaster and disease and a source of liberation. The theological construction of Old Javanese literature is imbued with Hindu theology as mandated by the Vedas.
Co-Authors A. A. Gde Agung A. Chaedar Alwasilah A.A. Gde Alit Geria Alit Geria A.A. Gde Putra Agung AA PT Candra Kartika Pratiwi Abdul Alim Aderlaepe Aderlaepe Agung, Anak Agung Gde Putra Akhmad Tabrani Ali Djamhuri Amin Sumadyo Ariana, I Ketut Eriadi Aron Meko Mbete Asmyta Surbakti Bernad Arifin Pasaribu Crustasia Aji Westriani Daryusti - Diah Savitri, Putu Dr. I Gde M.A. Parimartha Dr. Pudentia M.A. MPSS Edi Sedyawati Emiliana Mariyah I Gde Parimartha I Gde Parimartha Parimartha, I Gde Parimartha I Gde Semadi Astra I Gusti Agung Gede Arya Kadyanan I Gusti Ayu Sri Widiantari I Gusti Bagus Wijaya Kusuma I Gusti Ketut Gde Arsana, I Gusti Ketut Gde I Gusti Made Ngurah I Ketut Eriadi Ariana I Ketut Gede Harsana, I Ketut Gede I Ketut Jirnaya I Ketut Subagiasta I Ketut Sudibia I Ketut Tanu I Nyoman Kutha Ratna I Nyoman Kutha Ratna I Nyoman Murtana I Nyoman Sirtha I Nyoman Suarka I Nyoman Sukartha I Nyoman sukiada I Nyoman Suwija I Nyoman Weda Kesuma I Nyoman Weda Kusuma I Wayan Ardhi Wirawan I Wayan Ardika I Wayan Cika I Wayan Dana I Wayan Deddy Sumantra I Wayan Dibia I Wayan Dibia Dibia, I Wayan Dibia I Wayan Jondra I Wayan Suardiana I Wayan Subagia I Wayan Sukersa I Wayan Wana Pariartha Ida Bagus Gde Yudha Triguna Ida Bagus Made Wisnu Parta Ida Bagus Rai Putra Intan Ayu Puspita Ivana Thalia Iwan Indrawan Jendra, Made Ketut Ardhana Ketut Ardhana, Ketut Ardhana Khrisma Ananditya Leny Pramesti Luh Putu Puspawati Luh Putu Puspawati Luh Riniti Rahayu Luh Suwita Utami Made Iwan Indrawan Jendra Made Marajaya Maria Matildis Banda Mohammad Asrori Ni Luh Nyoman Kebayantini Ni Made Emmi Nutrisia Dewi, Ni Made Ni Made Rai Setyawati Ni Made Ruastiti Ni Nyoman Yuliawati Ni Putu Parmini Ni Wayan Putri Kuna Winaya Nurul Hasanah Nym. Kutha Ratna Nym. Kutha Ratna, Nym. Kutha Ratna Nyoman Kutha Ratna Nyoman Kutha Ratna Philip Teguh Imanto Prof. Dr. Nyoman Kutha Ratna S.U. Pulumun Peterus Ginting Putu Ari Suprapta Pratama Putu Rumawan Salain Putu Sukardja Regina Melianawati Renhat Marlianus Siki Setyawati, Ni Made Rai Singkir Hudijono Sri Purnama Sri Yuliani Suartaya, Kadek Sutamat Arybowo Swastya Darma Pradnyan, I Gusti Made Syamsul Arifin Titis S. Pitana Tjok. Istri Putra Astiti Tjokorda Oka Artha Ardhana Sukawati Yuliawan Kasmahidayat