Garuda - Garba Rujukan Digital

p-Index From 2020 - 2025

1.857

P-Index

This Author published in this journals

All Journal Jurnal Ilmu dan Teknologi Kelautan Tropis Cakrawala Pendidikan E-JURNAL LINGUISTIK HUMANIS E-Journal of Linguistics E-Journal Of Cultural Studies (JELIKU) Jurnal Elektronik Ilmu Komputer Udayana Linguistika Forum Arkeologi Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan International Journal of Interreligious and Intercultural Studies Jurnal Penelitian Agama Hindu

I Made Suastika

Udayana University

Author-ID : 386769

Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Education Engineering Environmental Science Languange, Linguistic, Communication & Media Library & Information Science

Published : 77 Documents Claim Missing Document

Claim Missing Document

Articles

1 2 3 4 5

EAGLE DANCE AS CULTURAL IDENTITY IN THE ISOLATING TRIBAL COMMUNITY CHANGES, IN PEMATANG KABAU VILLAGE, AIR HITAM DISTRICT, SAROLANGUN REGENCY, JAMBI PROVINCE Purnama, Sri; Dibia, I Wayan; Suastika, I Made; -, Daryusti
E-Journal of Cultural Studies Vol. 4, No. 2 Juli 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (28.624 KB)

This dissertation discusses the Eagles dance as the identity of dance incultural change in isolated tribal community (SAD), in the village of PematangKabau, Air HItam District, Sarolangun Regency, Jambi Province. CentralGovernment through the Ministry of Social Affairs moved SAD out of the jungleand then settling on a permanent area and this activity has been carried out since1973. Furthermore, the settlement resulted in a fairly fundamental change, notonly in style and environment of SAD, but more important to the identity markersand self-identity of SAD.People of SAD who had been settled, strive to keep eagle dance even bymaking some changes as far as not to break out the essential elements of the Eagledance in order to avoid a total loss of identity and their self-identity in the newneighborhoods, This study aims to see how art, in this case Eagle dance, can be amarker of identity that attaches to the SAD after they settle outside the forest. Toachieve these objectives there are three main problems which will be soughtanswers in this study, namely: (1) What does the Eagles dance of SAD in thevillage of Pematang Kabau looks like?; (2) how is the status of the Eagles dancefor SAD in the village of Pematang Kabau; and (3) how is the impact andmeaning of Eagles dance towards the SAD changes?The study with the perspective of cultural studies designing as thisqualitative research is used to solve the three problems mentioned above by usingseveral concepts, theories and techniques of data collection. Concepts are referredto Eagle dance, cultural identity, change, and isolated tribal community. Thetheory used is the identity theory, the theory of semiotics, hegemony theory, andtheory of deconstruction. Data collection techniques include participantobservation, depth interviews, and study of literature / documentation. The datacollected is processed in a descriptive analytical and subsequently presented in theform of narrative, tables, and visual illustrations.The results indicate that there had been changes towards the Eagles dancein SAD which had settled in Kabau Pematang village, although the use of holy spells as a musical accompaniment and distinctive gestures symbolic of this danceis still maintained. In residential SAD, Eagle dance is treated as a cultural groupidentity, and the regeneration of the dancers began to be conducted. The impact ofthis treatment which is carried out by citizens of SAD making the Eagles dancebecomes sustainable dance despite the new of its socio-cultural functions. ForSAD in residential areas, Eagle dance means as a symbol of cultural expression,equality, and welfare. The main meaning of Eagles dance, who built fromtradition and cultural power of SAD, becomes a representation of communitygroups concerned, in the midst of pressure, domination and influence of themajority culture.

gustimadengurah@yahoo.co.id Ngurah, I Gusti Made; Semadi Astra, I Gde; Suastika, I Made; Parimartha, I Gde
E-Journal of Cultural Studies Vol. 5, No. 1 Januari 2011
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (37.8 KB)

The dialogue of inter religious community members in the multiculturalcommunity of Denpasar has been beneficial to the organization of collective life. Inrelation to that, this study describes the phenomenon of cultural dialogues as an attemptto realize the idea of multiculturalism and to establish harmonious atmosphere in whichdifferences are mutually accepted and appreciated. Field qualitative method is employedin this study and the data needed were collected by the technique of observation, thetechnique of in-depth interview and documentary study. The results of the study showthat the idea of the dialogue has been based on heterogeneity, frequent conflicts andenthusiasm in establishing harmony. The policies which are referred to by the dialogueare regulated in various regulations issued by several ministers, the governor and themajor. Such policies serve as the legal umbrella of the dialogue, while the dialogicprograms are determined by the government and the Communicative Forum of InterReligious Community Members (Forum Komunikasi Antar-Umat Beragama, hereonabbreviated to FKUB). The operating techniques of how the dialogue is conducted areorganized by this forum. The dialogic fluency is motivated by the supporting factorswhich are hoped to bring much success. However, there are also some obstructions whichmay lead to failures. Attempts are made to develop it into a successful one and toavoid/eliminate its negative effects. In addition, the dialogue is also philosophically,dialectally and dynamically meaningful. Generally, the understanding of suchmeaningfulness can improve the quality of the multicultural life in Denpasar City. Itseems that the formal dialogue of inter religious community members has only beenintensively conducted by the religious leaders and the leaders of the related institutions. Ithas not been averagely conducted in the grass root level yet.

SPIRITUALITY OF GENDANG RITUAL OF DEATH PERFORMED BY THE KARO ETHNIC PEOPLE IN THE GLOBALISATION ERA Ginting, Pulumun Peterus; Ratna, I Nyoman Kutha; Suastika, I Made Suastika; Dibia, I Wayan Dibia
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

The gendang ritual of death, which is performed by the Karo ethnic people, has changed a lot in regard to its spirituality in the globalization era. Such change, which has caused the gendang ritual of death to be secularized, results from the interaction between the local cultural elements and the global cultural ones; meaning that a new form and meaning have appeared. This present study is intended to identify, analyze and explain what such change is like, the factors contributing to it and its implication. This present study was designed as a qualitative study using the critical interdisciplinary and multidimensional approach of cultural studies. The theory of deconstruction, the theory of comodification, and the theory of semiotics were used to answer such questions. The data were analyzed descriptively, qualitatively, and interpretatively. The data were collected through observation, in-depth interview, documentary study, and library research. Three conclusions were inferred from the present study. First, the form of the change in spirituality of the gendang ritual of death performed by the Karo ethnic people in the globalization era; second, the factors contributing to such change; third, the meaning of such change. The study shows that the interaction between the local culture and global culture has marginalized the local cultural values; as a result, such a ritual has a new meaning, and is becoming degraded and secularized.

RELIGIOUS PRACTICE PERFORMED BY THE HINDUS AT SENDURO VILLAGE, LUMAJANG, EAST JAVA Harsana, I Ketut Gede; Parimartha, I Gde Parimartha; Ardika, I Wayan Ardika; Suastika, I Made Suastika
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

The religious practice performed by the Hindus at Senduro Village cannot be separated from the context of the relationship between the dominant culture of the Bali Hindus and the subculture of the Hindus at Senduro Village. The Bali Hindus who are stronger culturally, economically and symbolically affect the religious practice performed by the Hindus at Senduro Village in regard to their tatwa (philosophy), acara (ritual) and organization. The problems formulated in this article are as follows: the forms, the contributing factors, and the meaning of the religious practice performed by the Hindus at Senduro Village. The qualitative method was used to obtain the data needed in the present study. The theories used are the theory of practice, the theory of subaltern, the theory of semiotics, and the theory of identity. Before the temple was constructed the Hindus at Senduro Village was classified as the followers of what is referred to as Kejawen. The reason was that their religious practice was highly specific and different from the religious practices performed by the Hindus in the other areas. After the Mandara Giri Semeru Agung Temple was constructed, the Hindus at Senduro Village were affected by the Balinese in the way in which they perform their religious practice. Such an impact could be observed from the aspect of their tattwa (philosophy), the aspect of their religious ritual, and the aspect of their religious organization.

PUSAKA BUDAYA DAN PENGEMBANGAN PARIWISATA DI KOTA MEDAN: SEBUAH KAJIAN BUDAYA Surbakti, Asmyta; Ardika, M.A., Prof. Dr. I Wayan; Parimartha, M.A., Dr. I Gde; Suastika, S.U., Prof. Dr. I Made
E-Journal of Cultural Studies Vol. 2, No. 1 Mei 2008
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (56.166 KB)

Penghancuran pusaka budaya berupa bangunan bersejarah di Kota Medan disikapi secara berbeda oleh pemerintah dan masyarakat setempat. Pemerintah Kota Medan menyetujui penghancuran tersebut untuk pembangunan antara lain pusat-pusat perbelanjaan dengan alasan terciptanya lapangan kerja sekaligus peningkatan pendapat asli daerah Kota Medan. Sebaliknya, masyarakat memperjuangkan kelestarian bangunan bersejarah sebagai bukti sejarah masyarakat Medan yang plural dan multikultural. Sebagai modal budaya, pusaka budaya tersebut memiliki potensi besar dalam mengantisipasi kecenderungan pariwisata global dan posmodern.Penelitian ini dilakukan dengan menggunakan metode kualitatif. Format disain, pengumpulan data, dan strategi analisis datanya bersifat deskriptif-kualitatif. Sumber data terdiri atas data primer yang diperoleh dari wawancara mendalam dan observasi partisipasi dan metode penelitian berganda sedangkan data sekunder diperoleh dari dokumentasi. Hasil analisis disajikan secara informal melalui deskripsi induktif-analitik.Hasil penelitian ini menunjukkan bahwa, dalam pembangunan Kota Medan, terdapat kekuatan pemerintah dan pengusaha/pemilik bangunan bersejarah yang mengorbankan pusaka budaya demi pendirian gedung-gedung bisnis modern, seperti pusat-pusat perbelanjaan. Sebagai akibatnya, Kota Medan mengalami komodifikasi yang mengancam pusaka budaya dan pengembangan pariwisata. Puluhan bangunan bersejarah yang sudah dihancurkan termasuk tiga yang dilindungi oleh Perda Nomor 6 Tahun 1988.Melalui diskursus kontra-hegemoniknya, masyarakat yang didukung oleh masyarakat sipil setempat, khususnya LSM seperti Badan Warisan Sumatra (BWS), di samping para intelektual dan media massa, melakukan perjuangan atas pelestarian pusaka budaya dan tuntutan terhadap hak azasi budayanya. Pelestarian pusaka budaya di Kota Medan adalah terkait kepentingan praksis emansipasi masyarakat dan sesuai dengan cita-cita kajian budaya, yaitu praksis dan emansipatoris.

IDEOLOGY OF THE STORY CUPAK KE SWARGAN BY PUPPET MASTER I MADE JANGGA: IN THE PERSPECTIVE OF CULTURAL STUDIES Murtana, I Nyoman; Suastika, I Made; Dibia, I Wayan; Kutha Ratna, I Nyoman
E-Journal of Cultural Studies Vol. 4, No. 2 Juli 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (30.804 KB)

This dissertation contains the result of the research in the ideology of thestory or Lakon Cupak Ke Swargan (hereon abbreviated to LCS) by the puppetmaster or Dalang Jangga, in a performance of Wayang Cupak at Dukuh PuluTengah, Mambang Village, East Selemadeg District. This story conveys anumber of life values which are expressed ideologically through various events,including a power struggle, a love story, and a search for God. All the events areexpressed aesthetically so that audience can enjoy the performance.The target of the research is a performance of LCS by Dalang Jangga in arecording by Aneka Record Tabanan, which the writer transcribed in the form of awritten text. The research focuses on the idelogy contained in LCS. The type ofdata used was qualitative data about the ideology that was assumed to be found inthis story. The qualitative data associated with the life of the late Dalang Jangga,in relation to his work in the field of shadow puppet theater, was based on the datacollected in the field through in-depth interviews with a number of informants,using a snowball technique. A post-modern approach was applied through phenomenological,deconstructive, and critical paradigms. The analysis was carried outusing an analytical descriptive technique based on an interpretation of the datacollected. The focus of the analysis was directed by applying three theories,namely theories of ideology, function, and semiotics.Three main topics were obtained from the analysis of the data, namely theform, function, and meaning of the ideology. By studying the ideological form, itwas possible to gain a picture about the conservative, progressive, and pragmatic ideology of Dalang Jangga. From the ideological function, the writer gained anidea of its social dynamic, educational, ritual, and aesthetical. A study of theideological meaning provided an illustration of the symbolic, ethical, andaesthetical meanings.

ALTERNATIVE DISPUTE RESOLUTION IN BANYUMAS REGENCY: IN THE PERSPECTIVE OF CULTURAL STUDIES Hudijono, Singkir; Sirtha, I Nyoman; Parimartha, I Gde; Suastika, I Made
E-Journal of Cultural Studies Vol. 4, No. 1 Januari 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (33.383 KB)

This study discusses about an Alternative Dispute Resolution in BanyumasRegency as a non-litigation dispute resolution. The problem observed was a breakthroughtaken by the Society in Banyumas Regency in overcoming the so far deadlock of lawenforcement and the attitude of not trusting the justice enforcement. It has been a publicsecret that the dispute resolutions employing the legal centralism paradigm have beendominated by the judicial network. This has caused the acknowledgement of the state lawto decrease, being a commodity that can be traded. The research aims at finding out anddescribing how the alternative dispute resolution (ADR) emerges as an alternativemechanism in deconstructing the legal centralism; interpreting and describing what ismeant by the alternative dispute resolution (ADR) in the development of progressive law.This research was conducted employing qualitative method. In this context, theresearcher explored various pieces of related information with the reason that the societyin Banyumas Regency has chosen the alternative dispute resolution mechanism as themechanism in deconstructing the legal centralism. The research was conducted asfollows: the problems were identified, the theories for analyzing the data were selected,the primary and secondary data were collected, the collected data were analyzed andinterpreted, and finally, the results of the research were written and constructed. Thetheories employed were critical legal studies, deconstruction, and large narration criticismtheories.The results of the research show that: firstly, the alternative dispute resolution hasemerged because of the awakened local knowledge, as the form of anticipation to theineffective formal law domination. With regard to the effect of global intercourse, thealternative dispute resolution has emerged because of the refusal against the culturalhomogeneity. Secondly, the implementation of the alternative dispute resolution hasbecome the preferred mechanism in deconstructing the law centralism because it can beimplemented effectively and efficiently, and ensures the win-win solution. Thirdly,denotatively, the alternative dispute solution reduces the confronting and antagonisticconceptions. Connotatively, the alternative dispute resolution is the legal culture ofBanyumas society. It has functioned as the legal dynamisator creating and implementinglaw.

ENCULTURATION AND GENDER IN WOVEN FABRICT INDUSTRY AT SUBDISTRICT OF SANGKARAGUNG, DISTRICT OF NEGARA, JEMBRANA Sukardja, Putu; Parimartha, I Gde; Ardika, I Wayan; Suastika, I Made
E-Journal of Cultural Studies Vol. 3, No. 1 Januari 2009
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (28.674 KB)

This research reveals the process of enculturation and gender in the woven fabricindustry at Sangkaragung, district of Negara, Jembrana. The weaving tradition andenculturation process give the women at Sangkaragung a hope to change their ideology ingender and socio cultural construction. This study aims at discussing the factors makingthe women at Sangkaragung do weaving activities, the process of weaving enculturationand the development of gender taking place there, and the impacts and meaning of theweaving enculturation on their socio-cultural life.In analyzing the problems above, the theory of post-structuralism, the theory ofpractice, and the theory of social change were used. To find out the relevant data, aqualitative method was applied in which the data were collected by deep interviews,observation, and documentation.The result shows that the factors making the women do such activities are: mythson women and weaving activities; globalization and socio-cultural changes, and fulfillmentof daily needs. The process of weaving enculturation done through cultural transmissionand socialization in weaving results in acculturation and enculturation which then give adeeper understanding to the society of the pattern and system related to the weavingactivities. The weaving enculturation also causes some forms of changes at Sangkaragungsuch as work division between men and women. The weaving enculturation and thedevelopment of gender have affected the ways in which decisions are made in someaspects of life such as in the context of traditional and religious rituals, the expenditures forprimary family needs, health care, and children’s education. Although the women areacknowledged and appreciated that they have economically contributed to their families,full emancipation has not been given to them due to patriarchal, social and cultural systemswhich are still attached to the society.

DISCOURSE ON KAFOAMPE IN THE TRADITIONAL MARRIAGE OF MUNA ETHNIC IN MUNA REGENCY, SOUTHEAST SULAWESI Hasanah, Nurul; Suastika, I Made; Arsana, I Gusti Ketut Gde
E-Journal of Cultural Studies Volume 11, Number 3, August 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

This study aims to reveal and understand about the discourse on kafoampe in the traditional marriage of Muna community in Muna Regency, Southeast Sulawesi Province. This is a qualitative research, which is categorized into cultural studies. The result of study shows, kafoampe symbolized by the amount of money given by the family of the bride to the family of the groom to be used to finance the marriage. Kafoampe is a form of appreciation of the groom's family to the family of the bride, which can be given either in the form of money as a whole or by including livestock, and other food items in accordance with the agreement of the two great families. In addition to being regarded as a form of awards, kafoampe also has a meaning to tighten the bond and strengthen the familial relationship between the two big families in a marriage as well as strengthening the familial relationship with the surrounding community.

KI HADJAR DEWANTARA PELOPOR PENDIDIKAN NASIONAL Made Suastika, Made Suastika; Nym. Kutha Ratna, Nym. Kutha Ratna; Ketut Ardhana, Ketut Ardhana
Jurnal Cakrawala Pendidikan No 3 (2002): CAKRAWALA PENDIDIKAN, EDISI NOVEMBER 2002, TH. XXI, NO. 3
Publisher : LPMPP Universitas Negeri Yogyakarta

As a national hero,Ki Hajar Dewantara has contributedto many fields suchas culture, education, the state system,politics, and art. The changeshe has made on his name fromRaden Mas Suwardi Suryaningrat into Suwardi Suryaningrat andfinally intoKi Hajar Dewantara shows how greatly he hassacrificed in his struggle for his country's independence anddevelopment.Particularlyin the educational field, through Taman Siswa,Ki Hajar Dewantara has given very great contributions to thedevelopment ofIndonesian human resources. Hehas implantedas an investment the basic characteristics of modem educationthat he has unearthed from the treasuryof his country's tradi. tions in combination with methods and theories originating.abroad. The conceptions made through Taman Siswaare ofgreatuse in anticipating the country's mental degradation and nationaldisintegration.

Co-Authors A. A. Gde Agung A. Chaedar Alwasilah A.A. Gde Alit Geria Alit Geria A.A. Gde Putra Agung AA PT Candra Kartika Pratiwi Abdul Alim Aderlaepe Aderlaepe Agung, Anak Agung Gde Putra Akhmad Tabrani Ali Djamhuri Amin Sumadyo Ariana, I Ketut Eriadi Aron Meko Mbete Asmyta Surbakti Bernad Arifin Pasaribu Crustasia Aji Westriani Daryusti - Diah Savitri, Putu Dr. I Gde M.A. Parimartha Dr. Pudentia M.A. MPSS Edi Sedyawati Emiliana Mariyah I Gde Parimartha I Gde Parimartha Parimartha, I Gde Parimartha I Gde Semadi Astra I Gusti Agung Gede Arya Kadyanan I Gusti Ayu Sri Widiantari I Gusti Bagus Wijaya Kusuma I Gusti Ketut Gde Arsana, I Gusti Ketut Gde I Gusti Made Ngurah I Ketut Eriadi Ariana I Ketut Gede Harsana, I Ketut Gede I Ketut Jirnaya I Ketut Subagiasta I Ketut Sudibia I Ketut Tanu I Nyoman Kutha Ratna I Nyoman Kutha Ratna I Nyoman Murtana I Nyoman Sirtha I Nyoman Suarka I Nyoman Sukartha I Nyoman sukiada I Nyoman Suwija I Nyoman Weda Kesuma I Nyoman Weda Kusuma I Wayan Ardhi Wirawan I Wayan Ardika I Wayan Cika I Wayan Dana I Wayan Deddy Sumantra I Wayan Dibia I Wayan Dibia Dibia, I Wayan Dibia I Wayan Jondra I Wayan Suardiana I Wayan Subagia I Wayan Sukersa I Wayan Wana Pariartha Ida Bagus Gde Yudha Triguna Ida Bagus Made Wisnu Parta Ida Bagus Rai Putra Intan Ayu Puspita Ivana Thalia Iwan Indrawan Jendra, Made Ketut Ardhana Ketut Ardhana, Ketut Ardhana Khrisma Ananditya Leny Pramesti Luh Putu Puspawati Luh Putu Puspawati Luh Riniti Rahayu Luh Suwita Utami Made Iwan Indrawan Jendra Made Marajaya Maria Matildis Banda Mohammad Asrori Ni Luh Nyoman Kebayantini Ni Made Emmi Nutrisia Dewi, Ni Made Ni Made Rai Setyawati Ni Made Ruastiti Ni Nyoman Yuliawati Ni Putu Parmini Ni Wayan Putri Kuna Winaya Nurul Hasanah Nym. Kutha Ratna Nym. Kutha Ratna, Nym. Kutha Ratna Nyoman Kutha Ratna Nyoman Kutha Ratna Philip Teguh Imanto Prof. Dr. Nyoman Kutha Ratna S.U. Pulumun Peterus Ginting Putu Ari Suprapta Pratama Putu Rumawan Salain Putu Sukardja Regina Melianawati Renhat Marlianus Siki Setyawati, Ni Made Rai Singkir Hudijono Sri Purnama Sri Yuliani Suartaya, Kadek Sutamat Arybowo Swastya Darma Pradnyan, I Gusti Made Syamsul Arifin Titis S. Pitana Tjok. Istri Putra Astiti Tjokorda Oka Artha Ardhana Sukawati Yuliawan Kasmahidayat

Title

Found 77 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 77 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 77 Documents
Search