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All Journal Jurnal Ilmu dan Teknologi Kelautan Tropis Cakrawala Pendidikan E-JURNAL LINGUISTIK HUMANIS E-Journal of Linguistics E-Journal Of Cultural Studies (JELIKU) Jurnal Elektronik Ilmu Komputer Udayana Linguistika Forum Arkeologi Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies Arsitektura : Jurnal Ilmiah Arsitektur dan Lingkungan Binaan International Journal of Interreligious and Intercultural Studies Jurnal Penelitian Agama Hindu

I Made Suastika

Udayana University

Author-ID : 386769

Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Education Engineering Environmental Science Languange, Linguistic, Communication & Media Library & Information Science

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USADA BHUDA KACAPI: BALINESE TRADITIONAL THERAPY (USADA) LITERARY TEXT I Ketut Jirnaya; I Made Suastika; I Wayan Cika; I Nyoman Weda Kusuma
e-Journal of Linguistics Vol. 5. Juli 2011 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Usada Budha Kacapi (abbreviated to UBK) text, which contains the basic Balinese traditional therapy, is a text which is in the form of narration. The Balinese traditional therapy (usada) texts generally contain collections of names of diseases, medicinal substances, and how to cure such diseases; however, the UBK is in the form of narration, containing characters, setting, themes, and literary language. The UBK text, after being edited, is recorded in a number of palm-leaf manuscripts. The title is the same but the content varies. Budha Kecapi is the main character, which has inspired many other writers; therefore, the works produced still use the same language units as used by Budha Kacapi. Such works are Budha Kacapi Cemeng, Budha Kacapi Putih, and Budha Kacapi Sastrasanga . It is this which has inspired the researcher to explore the UBK in order to know who and what Budha Kacapi is. In order to be able to identify the message transmitted to the reader or the community, and its totality, it is necessary to know, understand, and analyze the signs it contains. Therefore, two theories are used in this study; they are the theory of intertextuality and the theory of semiotics. The results of analysis show that the writers wish to teach and guide those who desire to be professional indigenous medical practitioners ‘dukun’, namely, the ones who are highly knowledgeable of traditional therapy, ethical and not easily defeated by diseases. That, according to Budha Kacapi, can be achieved through ‘yogasastra’. The indigenous medical practitioners should improve their quality through yoga (meditation) and aksara suci (holy scripts) as the means. A set of learning materials related to the basic knowledge needed by the indigenous medical practitioners are systematically organized, starting from how to recruit the prospective learners, the learning method, how to diagnose (nenger), the philosophy of life and death, the philosophy of diseases, the concept of being healthy and sick, the compensation, types of diseases, and how to cure diseases. As a whole, the UBK text contains the basic and advanced levels of learning materials for indigenous medical practitioners. The advanced level means that if they study the UBK text and are able to apply it properly, they will not by all means be defeated by diseases.

GEGURITAN (MANUSCRIPT) OF I GEDE BASUR AND I KETUT BUNGKLING WRITTEN BY KI DALANG TANGSUB: INTERTEXTUAL AND RECEPTIONAL ANALYSIS I Wayan Suardiana; Nyoman Kutha Ratna; I Wayan Cika; I Made Suastika
e-Journal of Linguistics Vol. 3. Juli 2009 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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This study employs the texts of I Gede Basur and I Ketut Bungkling contained inthe text of Kidung Prembon (abbreviated into KP) as the data source to explain theintertextual relationship and receptive process of the texts of Geguritan I Gede Basur(abbreviated into GIGP) and Geguritan I Ketut Bungkling (abbreviated into GIKB)written by Ki Dalang Tangsub. The reason is that when this study was conducted theneither the text of GIGB nor GIKB written by the authoritative Ki Dalang Tangsub wasfound. Then the text of KP has multiple functions; on one side, as an existing text, it isassumed to contain the texts of GIGB and GIKB written by the authoritative Ki DalangTangsub, and on the other side, it is a receptive text of the texts of GIGB and GIKBwritten by Ki Dalang Tangsub.The theories of intertexts, reception and discourse were used as the means ofanalysis in this study. The theory of intertexts could reveal the historical process of thetexts of GIGB and GIKB written by Ki Dalang Tangsub and the creation process of thetext of KP. The theory of reception was basically used to explain the process of how thereaders gave responses to the texts of GIGB and GIKP written by Ki Dalang Tangsub.The process of how the readers gave responses was revealed by the text of KP (in clockstories) as well as the other individual texts.Intrinsically, the texts of GIGB and GIKB written by Ki Dalang Tangsub giveparticular colors to the texts of the responses given, as Pupuh/Tembang Ginada (strophe)is entirely adopted in the texts of responses given the readers making the particularcharacteristics of the hypogram texts compared to the following texts clear. Havingmagical and social critical themes, many hyperboles, similes and sarcasms are used in thetexts of GIGB and GIKB written by Ki Dalang Tangsub. The plots of the texts of GIGBand GIKB are made up of 28 big sequences and 29 small sequences with the maincharacters are I Gede Basur and I Ketut Bungkling (Mantri as one of the characters).

Rakawi Language in the Past and Present Time A.A. Gde Alit Geria Alit Geria; I Nyoman Weda Kusuma Weda Kusuma; I Made Suastika Suastika; I Nyoman Suarka Suarka
e-Journal of Linguistics Vol.7. Januari 2013 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Jawa Kuna is one of the oldest documentary languages that has the richest materials as well as fine and noble national cultural values. Jawa Kuna is the key to revealing the history of the cultural life in Indonesia in the past. Therefore, studying Jawa Kuna is like digging up the “hidden pearl” because the scintillating beam or supreme (adiluhung) teachings implied in it can be used as guidance (s?suluh) in everyday life. A very strong desire of the experts of Jawa Kuna to discover the history and the richness of culture in the ancient time has succeeded in changing the image of Jawa Kuna from being “a distant jungle, scary and horrible” into “a virgin forest that is very close, friendly and attractive”. In Bali, the influence of Jawa Kuna has existed since the 10th century until the globalization era nowadays. Jawa Kuna has been greatly cherished by the rakawi in creating a piece of literature (parwa, kakawin) until the beginning of the 21st century. As a media in exploring the Hindu and Buddhist literature, Jawa Kuna language is preserved not merely in the sense that it is read, sung and discussed, but it is also shown with the creation of new Kakawin using Jawa Kuna language by Balinese Rakawi (authors) namely Made Degung, I Wayan Mandra, and I Wayan Pamit. Those three Balinese rakawi have been able to comprehend one similar problem (Siwa-Buddha) by using the same hypogram as well (Siwagama), and then it is packed in their own style into a very beautiful piece of kakawin (langö).

BENTUK MORFOSEMANTIK DALAM TEKS TRADISI LISAN NYIANG LENGAN PADA MASYARAKAT DAYAK MAANYAN DI KALIMANTAN TENGAH Intan Ayu Puspita; I Nyoman Weda Kusuma; I Made Suastika
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 25 No 2 (2018): September
Publisher : Program Magister Linguistik Universitas Udayana

Nyiang Lengan is an oral tradition of the Dayak Maanyan tribes in Central Kalimantan, especially in East Barito Regency. This tradition is composed of the literary language which is sung by using Pangunraun language. This research uses a morphosemantic study to understand the morphological form and its significance. Nyiang Lengan is reviewed since the writer would like to preserve the culture of Dayak Maanyan tribes and also introduce this tradition to the younger generation so that they will realize the importance of this oral tradition for the Dayak Maanyan people. It is because many young generations of Dayak Maanyan can not sing it even understand the messages of Nyiang Lengan. This research focuses on affixation and significance in the text of Nyiang Lengan. Affixation becomes the main topic to find out the morphological changes in the text of the oral tradition. Afterwards, understanding the significance is also important so that the messages of Nyiang Lengan can be delivered.

Fungsi dan Makna Doa Pemujaan dalam Gendintg Sang Hyang Jaran Ni Nyoman Yuliawati; I Made Suastika; Ida Bagus Rai Putra
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 25 No 1 (2018): Maret
Publisher : Program Magister Linguistik Universitas Udayana

Gending Sang Hyang Jaran merupakan lagu yang mengiringi Tari Sang Hyang Jaran. Pemujaan di dalam Gending Sang Hyang Jaran menarik untuk diteliti, karena berkaitan dengan ritual penolak bala yang dilakukan oleh masyarakat Banjar Bun. Tulisan ini menggunakan teori fungsi milik Bascom untuk mengungkapkan fungsi pemujaan dan teori semiotika Barthes untuk mengungkapkan makna pemujaan. Fungsi pemujaan dalam gending terdiri atas fungsi religi, fungsi estetika, fungsi pendidikan, fungsi sosial, dan fungsi penetralisasi. Makna diungkapkan melalui konotasi yang ada di dalam gending. Konotasi mengacu kepada makna harmoni, yang berkaitan dengan konsep Tri Hita Karana di dalam ajaran Agama Hindu.

MODERN ARCHITECTURE APPLICATION ON WEDDING CENTRE DESIGN IN SURAKARTA Ivana Thalia; Made Suastika; Leny Pramesti
ARSITEKTURA Vol 16, No 1 (2018)
Publisher : Universitas Sebelas Maret Surakarta

Modern architecture is an approach in the field of architectural engineering that is used as a design approach. The research is done to discuss the field of architectural engineering, especially in planning and design. The purpose of this research is to reveal the concept of planning and design on the application of modern architecture as a design method in Wedding Center building in Surakarta. The method used is a descriptive explorative method on the preparation of planning and modern architecture design methods on the building design. Modern architectural design method is used as a method of design approach on building Wedding Center in Surakarta in order to be able to provide a building image in accordance with the concept of Wedding Center building as a one-stop wedding service in Surakarta. The results and discussion of analysis in this research are qualitative analysis. The final concept formed from this research is a conceptual model and the physical design model of Wedding Center with Modern Architecture Approaches in Surakarta.

Implementasi Arsitektur Berkelanjutan pada Strategi Perancangan Rusunawa di Surakarta Khrisma Ananditya; Made Suastika; Amin Sumadyo
ARSITEKTURA Vol 15, No 2 (2017)
Publisher : Universitas Sebelas Maret Surakarta

Berdasarkan penuturan Kepala UPTD Rumah Sewa Kota Surakarta bulan Februari tahun 2017, terdapat sekitar 500 kepala keluarga di kota tersebut telah mendaftar sebagai calon penghuni rusunawa dan masih berada dalam daftar tunggu karena keterbatasan jumlah unit hunian yang dibangun oleh pemerintah. Informasi tersebut menjadi alasan utama munculnya gagasan akan pentingnya pembangunan rusunawa baru di kota ini. Teori arsitektur berkelanjutan dipilih sebagai strategi perancangan obyek rancang bangun (pendekatan desain) untuk mendapatkan desain yang efisien sesuai kebutuhan penghuninya tanpa mengabaikan kelestarian lingkungan. Aspek-aspek utama dalam teori ini diuraikan sebagai berikut : aspek ekonomi meliputi upaya penghematan, aspek sosial meliputi pemenuhan kebutuhan dasar hunian manusia & kenyamanan calon penghuni, dan aspek lingkungan meliputi upaya penjagaan kelestarian lingkungan.Kata kunci : hunian, rumah susun, rusunawa, arsitektur berkelanjutan

REVITALISASI PASAR IKAN REJOMULYO SEBAGAI DESTINASI WISATA DENGAN PENDEKATAN ARSITEKTUR PERILAKU DI KOTA SEMARANG Crustasia Aji Westriani; Mohammad Asrori; Made Suastika
ARSITEKTURA Vol 14, No 1 (2016)
Publisher : Universitas Sebelas Maret Surakarta

The background of revitalization Rejomulyo fish market is the condition of this market was getting worse and desolate from buyers. Increasingly of tourist attraction and a lot of fish lovers community at Semarang city becomes away to resurrect this market including the physical of this building, economics, social, and bargaining culture. Therefore, Environmental Behavior Architecture was chosen to make fish market become recreational, effective, and efficient appropriate with user behavior. The purpose of this design was to make Rejomulyo fish market as a city tourist destination, with the result this market can be used again and supply the needs of society. The problem of the design is how to use both of two buildings in the market with different function in order to have competitive quality. So that created appropriate device with user’s behavior. The method used is by combining the principles of the Architecture of Conduct, regulations Indonesian Trade Minister regarding the revitalization of the market, standardize the fish market, and the real condition of the Rejomulyo fish market. The result from this design is fish market design which is hygienic place and there is a place for fish exhibition. Besides that, it also became a place for fish lover’s community to make positive activity for community and several of fish lovers. The purpose of Architecture Behavioral was to restore function Rejomulyo fish market, as well as a tourist destination Semarang comfortable, clean, effective, and efficient.

DESIGN STRATEGY OF BATAK SOCIO-CULTURAL PARK AS A TOURIST DESTINATION WITH LOCAL WISDOM APRROACH IN LAKE TOBA REGION Bernad Arifin Pasaribu; Made Suastika; Sri Yuliani
ARSITEKTURA Vol 16, No 2 (2018)
Publisher : Universitas Sebelas Maret Surakarta

Indonesia is a country that has various ethnics and cultures. One of the tribes found in Indonesia is Batak tribe located in North Sumatra, Batak tribe can be divided into six sub-tribe of Batak Karo, Toba, Simalungun, Mandailinng, Angkola, Pakpak. In today's modern era, cultural degradation has caused the values of the nation being eroded so that these cultures need to be preserved to avoid them from extinction. This study describes the idea of accommodating activities that are preserving the culture of the Batak tribe as a Batak socio-cultural park. Not only accommodate, Batak socio-cultural park is also functioned as a tourist destination which will support the main function of preserving culture and introducing Batak culture to the wider community. The design method that will be applied is by applying the Batak’s local wisdom to the architecture of the Batak socio-cultural Park building to give a traditional impression and be able to be an attraction for tourists to come to visit. The results of the research are strategies to design a Batak socio-cultural park as a tourist destination by accommodating elements of local wisdom.

DHARMA AND ADHARMA DIALOGUE BETWEEN THE PANDAWA AND WIRATA FIGURES IN THE KICAKA GEGURITAN TEXT I Made Suastika; Luh Putu Puspawati
International Journal of Interreligious and Intercultural Studies Vol 1 No 1 (2018): Interreligious and Intercultural Studies
Publisher : UNHI PRESS

The epic tale of Mahabharata in the Old Javanese language contains various values, several of which are conveyed through its figures especially Pandawa and Korawa. The value of dharma is addressed through Pandawa who always has a quality of being good, honest, and courageous, with courteous behavior in speaking and actions. The Korawa figure more dominantly expresses adharma such as being less praiseworthy, coarse, with an evil disposition, wanting to dominate and get rid of his brothers on the Pandawa side, moreover even not hesitating to wish to kill them. The Kicaka Geguritan text in the Balinese language, from the Wirataparwa section of the Mahabharata, often reveals the value of dharma and adharma through the figures of Pandawa and from the Wirata kingdom. The author of the Kicaka Geguritan has a dialogue about these values when the figure of Pandawa is in a condition of suffering and alienates himself from the Wirata kingdom. In that episode, Pandawa receives less praiseworthy treatment and is hegemonized by the figures from the kingdom. Through the figure of Yudistira and others the teachings of dharma, also known as darma sadu, are expressed in their thought, speech, and action when dealing with other figures. Therefore, this paper will present the qualities of dharma and adharma as manifested by the figures in the Kicaka Geguritan while also showing that sasuluh awareness of dharma is conveyed through reading geguritan texts in Bali.

Co-Authors A. A. Gde Agung A. Chaedar Alwasilah A.A. Gde Alit Geria Alit Geria A.A. Gde Putra Agung AA PT Candra Kartika Pratiwi Abdul Alim Aderlaepe Aderlaepe Agung, Anak Agung Gde Putra Akhmad Tabrani Ali Djamhuri Amin Sumadyo Ariana, I Ketut Eriadi Aron Meko Mbete Asmyta Surbakti Bernad Arifin Pasaribu Crustasia Aji Westriani Daryusti - Diah Savitri, Putu Dr. I Gde M.A. Parimartha Dr. Pudentia M.A. MPSS Edi Sedyawati Emiliana Mariyah I Gde Parimartha I Gde Parimartha Parimartha, I Gde Parimartha I Gde Semadi Astra I Gusti Agung Gede Arya Kadyanan I Gusti Ayu Sri Widiantari I Gusti Bagus Wijaya Kusuma I Gusti Ketut Gde Arsana, I Gusti Ketut Gde I Gusti Made Ngurah I Ketut Eriadi Ariana I Ketut Gede Harsana, I Ketut Gede I Ketut Jirnaya I Ketut Subagiasta I Ketut Sudibia I Ketut Tanu I Nyoman Kutha Ratna I Nyoman Kutha Ratna I Nyoman Murtana I Nyoman Sirtha I Nyoman Suarka I Nyoman Sukartha I Nyoman sukiada I Nyoman Suwija I Nyoman Weda Kesuma I Nyoman Weda Kusuma I Wayan Ardhi Wirawan I Wayan Ardika I Wayan Cika I Wayan Dana I Wayan Deddy Sumantra I Wayan Dibia I Wayan Dibia Dibia, I Wayan Dibia I Wayan Jondra I Wayan Suardiana I Wayan Subagia I Wayan Sukersa I Wayan Wana Pariartha Ida Bagus Gde Yudha Triguna Ida Bagus Made Wisnu Parta Ida Bagus Rai Putra Intan Ayu Puspita Ivana Thalia Iwan Indrawan Jendra, Made Ketut Ardhana Ketut Ardhana, Ketut Ardhana Khrisma Ananditya Leny Pramesti Luh Putu Puspawati Luh Putu Puspawati Luh Riniti Rahayu Luh Suwita Utami Made Iwan Indrawan Jendra Made Marajaya Maria Matildis Banda Mohammad Asrori Ni Luh Nyoman Kebayantini Ni Made Emmi Nutrisia Dewi, Ni Made Ni Made Rai Setyawati Ni Made Ruastiti Ni Nyoman Yuliawati Ni Putu Parmini Ni Wayan Putri Kuna Winaya Nurul Hasanah Nym. Kutha Ratna Nym. Kutha Ratna, Nym. Kutha Ratna Nyoman Kutha Ratna Nyoman Kutha Ratna Philip Teguh Imanto Prof. Dr. Nyoman Kutha Ratna S.U. Pulumun Peterus Ginting Putu Ari Suprapta Pratama Putu Rumawan Salain Putu Sukardja Regina Melianawati Renhat Marlianus Siki Setyawati, Ni Made Rai Singkir Hudijono Sri Purnama Sri Yuliani Suartaya, Kadek Sutamat Arybowo Swastya Darma Pradnyan, I Gusti Made Syamsul Arifin Titis S. Pitana Tjok. Istri Putra Astiti Tjokorda Oka Artha Ardhana Sukawati Yuliawan Kasmahidayat

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