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All Journal PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Jurnal Pendidikan Bahasa Jepang Undiksha Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Jurnal PAJAR (Pendidikan dan Pengajaran) Martabe : Jurnal Pengabdian Kepada Masyarakat J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang PUCUK REBUNG: Jurnal Pengabdian kepada Masyarakat Journal Corner of Education, Linguistics, and Literature Almufi Jurnal Pendidikan Jurnal Bahasa Jepang Taiyou Journal of Education Technology Information Social Sciences and Health Indonesian Research Journal on Education Innovative: Journal Of Social Science Research TOFEDU: The Future of Education Journal Jurnal Pengabdian Masyarakat dan Riset Pendidikan Journal of Humanities Education Management Accounting and Transportation
Arza Aibonotika
Universitas Riau
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemistry Computer Science & IT Economics, Econometrics & Finance Education Energy Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Neuroscience Nursing Physics Public Health Social Sciences Transportation Other

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ANALISIS PERLUASAN MAKNA KANJI YANG MEMILIKIBUSHU “月”(TSUKI, NIKUZUKI, FUNAZUKI) Yanti, Martina Fitri Yanti Fitri; Isnaini, Zuli Laili Isnaini Laili; Aibonotika, Arza Aibonotika
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 2, No 2 (2015): Wisuda Oktober Tahun 2015
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan

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Abstract: Kanji is an originally letter from China and spread to Japan. One of kanji element is Bushu. This research is about elaboration meaning of kanji that has character月 (tsuki, nikuzuki, and funazuki).  The purpose of this research is to easier the classification of kanji that has character月 (tsuki) which mean ‘moon’, 月 (nikuzuki) which mean ‘flesh’ and月 (funazuki) which mean ‘boat’ by describe the original kanji itself.This research uses descriptive method to describe the origin of starch and elaboration meaning of kanjithat has character月 (tsuki, nikuzuki, andfunazuki). In this research used rikusho theory for determining the origin of each kanji, then was determined form the elaboration that occurs in each kanji.Based on the rikusho theory and determination elaboration of meaning, the writer conclude that the character月 (tsuki, nikuzuki,and funazuki) despite having the same shape, but have different origins. This causes the kanji that have character月 (tsuki, nikuzuki, funazuki) also has differents meaning.kanji that has character月 (tsuki) which mean ‘moon’ has elaborated to ‘condition’. At the kanji that has character月 (nikuzuki) which mean ‘flesh’ has elaborated to ‘part of body’. And at the kanji has character月 (funazuki) which mean ‘boat’ has elaborated to ‘glory’. Key Words:bushu, tsuki, nikuzuki, funazuki
Analisis Kesalahan Pemakaian Verba Bantu ~Tai dan ~Tagaru pada Mahasiswa Tingkat III Prodi Pendidikan Bahasa Jepang Universitas Riau Afrinda, Sy. Afrinda; Widiati, Sri Wahyu Widiati Wahyu; Aibonotika, Arza Aibonotika
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 2, No 2 (2015): Wisuda Oktober Tahun 2015
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Abstract:This study is an analytical study of the auxiliary verb usage errors ~ tai and ~ tagaru. The purpose of this study was to determine the percentage error rate auxiliary verb usage ~tai and ~tagaru undertaken by third grade students Japanese Language Study Program Riau University academic year 2013/2014. Stages of the study include collecting process, identify, classify, explain, predict, and correct the mistakes the use of auxiliary verbs ~tai and ~tagaru in Japanese sentence.This research is quantitative descriptive method. This research was conducted in Japanese Language Study Program Teacher Training and Education Faculty of the University of Riau. Data in the form of a questionnaire consisting of 40 questions about being tested on 27 students. The total number of answers to 40 questions is 1080 answers. 40 questions are divided into 5 types of matter.The results showed that the percentage of errors made by third grade students Japanese Language Study Program University of Riau in answering the questionnaire items was 36.29%. The yield on each question is the type of question I amounted to 5.6%, type II amounted to 7.03%, type III amounted to 7.3%, about the type of IV amounted to 3.61%, and the type of matter V amounted to 12, 8%. Keywords:     Error Analysis, ~tai, ~tagaru,
TINJAUAN TENTANG KESESUAIAN ISI BUKU TEKS BAHASA JEPANG KELAS X SMA BINAAN KHUSUS DUMAI DENGAN KURIKULUM 2013 ', Ruziqna; Rahayu, Nana Rahayu; Aibonotika, Arza Aibonotika
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 2, No 2 (2015): Wisuda Oktober Tahun 2015
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Abstract: This study aims to determine the suitability of the contents of Japanese textbooks grade X SMAN Binaan Khusus Dumai by curriculum 2013. This study curriculum are conducted in Japanese Language Study Program FKIP, University of Riau. Retrieval time and research that in March 2015 to May 2015. The object of research is the Japanese textbook curriculum that is labeled 2013. On the accuracy of the material has 8 points which are the points covered in the textbook, but there are also points that are not covered in textbook. Based on feasibility analysis of the contents of the textbook Japanese な か よ く に ほ ん で (Naka yoku Nihon de) published Rizqi Press in 2011 on the suitability of a description of material with this competence, basic competence contained grains of conformity in accordance with the curriculum in 2013, and grains that are not found in textbooks with curriculum in 2013, whereas the accuracy of the suitability of the material contained grains that have suitability in accordance with the curriculum in 2013, and grains that are not found in textbooks with curriculum 2013 Keywords: Curriculum 2013, textbook
PENGGUNAAN UNGKAPAN PERMOHONAN TE KURE OLEH PENUTUR WANITA DALAM BAHASA JEPANG Winengsih, Winengsih; Aibonotika, Arza; Nimashita, Hana
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 5: Edisi 1 Januari-Juni 2018
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Abstract : This study explains about the purpose of request phrase te kure by women in Japanese language conversation dialogue. The aims of this study are to analyze what are the social factors and social dimensions influence the use of te kure request used by women. This research’s data are dialogues of Japanese language conversation using the expression of te kure request contained from two dramas entitled Majisuka Gakuen season 2 and Majisuka Gakuen season 3. The theory used in the analysis are theory of request phrase te kure from Isao Iori (2001) and social factor theory and social dimension from Janet Holmes (2001), they are applied to analysis with qualitative descriptive approach. The result of this study indicated that from the four components of social factors, the most influentian factor in the use of request phrase te kure based on the research analysis is participants, whereas the four components of social dimensions that sufficiently affect the use of te kure request is status scale. Both of these factors will equip each other to establish the use of request phrase te kure by women.Key Words: irai, ~te kure, social factors, social dimensions
TINDAK TUTUR EKSPRESIF SIMPATI BELASUNGKAWA PADA MASYARAKAT JEPANG Rahayu, Umi Fithri; Aibonotika, Arza; Isnaini, Zuli Laili
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 5: Edisi 1 Januari-Juni 2018
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Abstract: This study aims to compare types of condolence speech in Japanese society to the different speech partners and describe the relationship between the situation and the speech form. The research performed for this report used the qualitative-descriptive method and Hiroshi Kabaya’s theory of “aite reberu” and “kotoba reberu”, the theory of words level based on the partner level. 140 samples of data have been collected by using an open questionnaire, and the respondents were twenty Japanese native speakers. The result of this research shows that there are twenty-eight types of Japanese condolence speech. It was also discovered that in expressing this way of speech, the use of kotoba reberu (words level) is not always the same level with aite reberu (partner level). It is influenced by the situation of speech. Some data show that if “aite reberu” is a close friend, it does not necessarily have to use futsuutai, but keigo can also be used in condolence speech sentence and futsuutai be used in the following sentences. In this case, keigo function is to express formal feeling, respect, and compassion.Keywords: condolence, sympathy, expressive, speech act
Analisis Kesalahan Penggunaan Modalitas Epistemik Kamoshiremasen, Darou, dan Tabun Pada Mahasiswa Tingkat III Prodi Pendidikan Bahasa Jepang Universitas Riau Faizah, Fadilah; Aibonotika, Arza; Rahayu, Nana
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 1, No 1 (2014): Wisuda Februari Tahun 2014
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ABSTRACTThis research is about the use of [kamoshiremasen] [darou] and [tabun] as epistemic modality. The data this research a gathere by means of questionarys which distributed to third the student of japanese education, education faculty Riau University. This research applaid is descriftiv methode and the main teorys are modality and error analisis.The result of this study indicates that [kamoshiremasen] [darou] and [tabun] are modality that a count for possibility based on logical conclusion from rational theorem. The data in the cates that 60% or most of third year student of the japanese education study program, Riau University tend to more fully understand the leksikal meaning than syntaxtical paterns of [kamoshiremasen] [darou] and [tabun],Keyword: modality, kamoshiremasen, darou, and tabun
METAFORA BUNGA DALAM MASYARAKAT JEPANG Rahman, Abi Bur; Aibonotika, Arza; Isnaini, Zuli Laili
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 5: Edisi 2 Juli-Desember 2018
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Abstract: This study discusses the kotowaza and kanyouku with elements of flowers, especially cherry blossoms, roses, and lotus which have metaphorical meanings in Japanese society. This research is a qualitative descriptive study using Lakoff and Johnson's figurative theory with cognitive linguistic approach. The background to this research is difficulty understanding the relationship between the meaning of kotowaza and kanyouku to individuals outside of their speaking communities because cultural differences background from the formation of the kotowaza and kanyouku. The study aims is to know the kotowaza and kanyouku with elements of flowers and their metaphorical meanings. As the results, from 12 data consisting of 9 kotowaza and 3 kanyouku found 6 structural metaphors and 6 ontological metaphors. Then based on the content (naiyo), the discovery of 1 Jinsei no oshie, shinri o arawashita, 5 Seikatsu no chisiki, chie o tataite wataru, and 1 Hito o hihan shitari hinikuttari shita mono, and 2 Monogoto no yoosu omoshiroku tatoeta mono. The metaphorical meaning found in kanyouku refers to food, beauty, and positive character.Key Words: metaphor, flower, kotowaza, kanyouku, cognitive linguistics
UNGKAPAN-UNGKAPAN DALAM SOSIAL MEDIA: KAJIAN LINGUISTIK WAKAMONO KOTOBA (BAHASA ANAK MUDA JEPANG) Erlina, Afif Kharisma; Aibonotika, Arza; Rahayu, Nana
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 5: Edisi 2 Juli-Desember 2018
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Abstract: This study discusses the variation of wakamono kotoba on instagram social media especially in response expressions, impressions, and compliments. This research is a qualitative descriptive study using Masakazu's theory of the level of formation of wakamono kotoba and the theory of Harimurti Kridalaksana regarding the process of abreaction with a sociolinguistic approach. The background of this study is that the language used by a person can change and develop mainly due to the existence of social media factors which result in the phenomenon of variations in the form of writing that is different or deviates from the standard form, especially in the language of young Japanese. The results of this study are that from 132 data found there are 7 variations of wakamono kotoba writing for funny vocabulary, 4 variations of writing for serious vocabulary, disgust, and erotic then 9 writing variations for great vocabulary. The meaning of the variation found in wakamono kotoba refers to the form of writing that symbolizes formal or informal form of language. The use of katakana letters on wakamono kotoba means something that gives a more prominent or visible and strong impression compared to just using hiragana letters and the shortening and lengthening of words is the dominant factor in the formation of wakamono kotoba's variations in Instagram social media.Key Words: Phrases, instagram, wakamono kotoba, sosilolinguistics.
VERBA GERAK IKU & KURU DAN PADANANNYA DALAM BAHASA INDONESIA Ningsih, Ewida; Aibonotika, Arza; Nimashita, Hana
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan VOL 6 : EDISI 1 JANUARI-JUNI 2019
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Abstract: There are many types of motion verbs in Japanese and Indonesian, but this research focus on iku and kuru with its equivalent in Indonesian. In this research explains the meaning of motion verbs iku and kuru using the typology study with the aims to find out the similarities and differences in Japanese and Indonesian. In addition, it explains the core components of movement verbs such as „source‟, „goal‟, and „path‟ as well as case grammar in Japanese. The method used in this research is the translational equivalent method, which match the motion verbs iku and kuru equivalent in Indonesian. The results of this research, not all the words iku and kuru can be matched with the words 'pergi' and 'datang', because in Indonesian the words 'pergi' and 'datang‟ are deictic.Key Words : Motion verbs, case grammar, deictics, identifying method
PADANAN PARTIKEL AKHIR KALIMAT (SHUUJOSHI) SA DALAM BAHASA INDONESIA (STUDI KASUS PADA KOMIK) Lubis, Clara Istina Sari; Aibonotika, Arza; Nimashita, Hana
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan VOL 6 : EDISI 2 JULI - DESEMBER 2019
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Abctract:. Shuujoshi is a suffix in sentence that used to express a statement or expression of the speaker’s feeling such as feeling of emotion, appeal, prohibition, and so forth. Japanese has many end-of sentence particle, one of them is (suujoshi) sa. Sujoshii sa not only has a different uses in sentences, but also has more than one function. Some end-sentences particles have similar usage, so its always become a question for both Indonesian Japanese learners and Teachers. One of them is the meaning and use of sa. This study aims to find out the equivalent of final particle sentence (shuujoshi) sa in Indonesian which is contained in the comic series title on one piece. This research is a qualitative descriptive research and matching method. The data sources used are shuujoshi contained in the comic series one piece. The analysis used is to classify shuujoshi sa based on its equivalent in Indonesian. From the results of the analysis carried out there are 15 sentences containing shuujoshi sa and according to the theory that explains that shuujoshi sa. Where shuujoshi sa can be matched with particles and not in Indonesian. In the use of utterances between sentences (kantou-joshi) both greetings and greetings are often added. Kantou-joshi's speech is also often replaced by an intonation only (up). These forms can also be replaced with actual adverb, actually because, while the reasonableness means the meaning of the utterance.Key Words: Comic, Shuujoshi Sa, Equivalent Words
Co-Authors ', Ruziqna -, Muhammad Fauzan Abd. Rasyid Syamsuri Adam Islami Sakti Aditio Syafril Pratama Afrinal Fuadi Ahmad Hakim Akbar Al Azhar, Wira Alhafizh, Farhan Effri Alif Sarifuin Alifa Jul Fardian Rosadi Alwirienaldy Alwirienaldy Andrean Afrinaldo Angga Safitri Annisaturahmi Annisaturahmi Ardianti Ardianti Arien, Wilasari Aulia, Aulia Ayu Retno Nadia Ayu Tri Lestari Ayuningsih, Atika Chan Rizkia Anggia Vici Charlina Charlina Charlina, Charlina Daeng Ayub Dahnilsyah, Dahnilsyah Daviq Chairilsyah Denny Alisha Utami Desi Wildasari Desilawati Desilawati, Desilawati Diafi, Rafi’ Putra Dian Mayasari Diana, Ade Dimas Anugrah Dini Budiani Dini Budiani, Dini Dwine Nur Swetira Edwin Adetama Elfis Suanto Elmardiah Khaidir Elmida Enggrayani Elno Yulia Emeli Rae Bora Erlina, Afif Kharisma Ermarila Ermarila Erni Susanti Fadhila Putri Madya Fadia Nafa Anisah Fairuz Rifa Ferial Faizah, Fadilah Fajriansah, Fuad Fatmawati Andini Febra, Sandi Febriana, Nanda Fi Kharisma, Hadra Ghea Rizky Ananda Ghifari, Muhammad Naufal Gilang Anugrah Manusakerti Hadriana Hadriana Hana Nimashita Hana Nimashita Hana Nimashita Hana Nimashita Nimashita Hana Nimashita, Hana Harahap, Kaina Sherin Dwi Amelia Hendri Marhadi Hermandra Hermandra Hermandra, Hermandra Hidayat, Alfi Nurul Iin Kusmiati Iis Wijayanti Ilyas, Reymona Imawan Saputra Inayah, Evi Intan Suri Intan Suri Irfan Saputra Istaqori, Fa?ni Jama'awati, Jama'awati Jama’awati Jeline Sabetti Br Sitepu Jiehan Ghenesa Mutiah Khairina Ramadhani Kitoko, Daeng Ilham Kumala Sari, Febri Gita Kunansari Nasution, Putri Khairiah Kurnia Putri Learosiana ' Leli Handayani Lindayanti, Cucu Lubis, Clara Istina Sari Lulu Iswari Nanda M. JAYA ADI PUTRA, S.Si, M.Pd, M. JAYA ADI M. Syafri, M. Syafri M.Herfiansyah, M.Herfiansyah Mangatur Sinaga Martha, Adisthi Martina Fitri Yanti Fitri Yanti, Martina Fitri Yanti Fitri Martines, Dian Mashfufah, Ulfah Maya Damayanti Maylita, Deasy Meirinda, Alya Putri Merri Silvia Basri Muhammad Alif Alfatih Muhammad fauzan Muhammad Hafiz Muhammad Nasirudin Muhammad Nasirudin Muhammad Robby Masyfa Nadia Hana Zhafira Nana Rahayu Nana Rahayu Rahayu, Nana Rahayu Nana Rahayu, Nana Nanda Febriana Nasution, Nurul Aminah Nasution, Yenny Aristia Nela Naila Nidhafar Nela Naila Nidhafar Ningsih, Ewida Nola Sintia Nur 'Izzati NUR FADHILLAH Nur Rofiah Utari Br. Aritonang Nurcahyanti Nurcahyanti Nurmalasari Nurmalasari Nurrachman, Diana Nurzavika Nurzavika Oktari Hendayanti Parlani, Tri Yeni Putri Prabowo, Dimas Aditya Pratiwi, Desi Mentari Pratiwi, Fatma Ayu Pristami Kusya Pristami Kusya Purba, Mega Yessica Putri Khairiah Kunansari Nasution Putri Oktaviani Putri Puji Astuti Putri, Mardwiana Putri, Nurefni Indah Qodri Nela Antani R.Dinia Utari Rafi Safitri Rahayu, Umi Fithri Rahman, Abi Bur Rahmi Amalia Ramadhan, Mhd. Aqri Randi Triades Resa Mustapa Akbar Resi Silaturrahmi Rhany, Olivia Chintya Ridho Khasdullah Ridia, Sabtika Riska Satiti Rizal, Ibnu Rizcha Retna Diah Rodiyanti, Puput Roni Fajri Rossy Kumala Sari Rusdi ' Sadam Husin Sari S, Yuli Purnama Selvi Khafifah Sherly Helena Sherlyana Safira Shinta Apriani Silfani Silfani Silvia Kartika Dewi Santoso Sindy Octa Clarita Singgih, Muhammad Arya Sinta Arisnawati Siti Aisyah Siti Anisah Siti Rohmatun Siti Umimaya Sri Wahyu Widiati Sri Wahyu Widiati Sri Wahyu Widiati Wahyu Widiati, Sri Wahyu Widiati Wahyu Sri Wahyu Widiati, Sri Wahyu Suci Senessia Sulfiani, Ani Sumiati Suri, Intan Suryani Yayuk Saputri Susanti Susanti Sy. Afrinda Afrinda, Sy. Afrinda Syafitra, Viony Talmera, Hidayat Tamara Fernanda Ricardo Tamara Yetsuba Tay, Brandon Tri Desti Purnama Sari Tri Endang Vadilah Tria Rahmadani Putri Tusia Andri Yani Utami, Feradita Rizki Utami, Mutiara Rahmi Wadhrib Wicaksono Wahyudi, M. Ridho Wardatun Hayati Winengsih, Winengsih Wulandari Wulandari Wulandari, Vania Rizky Yenny Aristia Nasution Yenny Aristia Nasution Yenny Aristia Nst Yestati Novia Rullis Yohani, Adisthi Martha Yulia Ranti Fajri Yustika Dewi, Maya Silvia Zahratul Alya Salsabila Zilan Zailila Zuli Laili Isnaini Zulkifli Zulkifli