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All Journal PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Jurnal Pendidikan Bahasa Jepang Undiksha Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Jurnal PAJAR (Pendidikan dan Pengajaran) Martabe : Jurnal Pengabdian Kepada Masyarakat J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang PUCUK REBUNG: Jurnal Pengabdian kepada Masyarakat Journal Corner of Education, Linguistics, and Literature Almufi Jurnal Pendidikan Jurnal Bahasa Jepang Taiyou Journal of Education Technology Information Social Sciences and Health Indonesian Research Journal on Education Innovative: Journal Of Social Science Research TOFEDU: The Future of Education Journal Jurnal Pengabdian Masyarakat dan Riset Pendidikan Journal of Humanities Education Management Accounting and Transportation
Arza Aibonotika
Universitas Riau
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemistry Computer Science & IT Economics, Econometrics & Finance Education Energy Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Neuroscience Nursing Physics Public Health Social Sciences Transportation Other

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PADANAN BENTUK ~TAI DALAM BAHASA INDONESIA Sherlyana Safira; Arza Aibonotika; Yenny Aristia Nasution
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 9, No 2 (2022): EDISI 2 JULI-DESEMBER 2022
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan

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Abstract: In Japanese the suffix ~tai is used to express the meaning of desire, while in Indonesian it is often paired with ‘ingin’ and ‘mau’. However, when translating, the translators assume that the form of ~tai in various forms is influenced by the attitude of the translator which is based on pragmatic aspects rather than morphological and syntactic problems. Therefore, in this study, we will see how the equivalent form of ~tai is in Indonesian. This study used descriptive qualitative method. The data of this study used primary data from the Japanese novel Botchan (1978) by Natsume Sōseki and its Indonesian translation as a comparison. The results indicated that the meaning of the suffix ~tai can express 'desire' which is characterized by the use of ‘ingin’, ‘kepingin’, ‘keinginan’, ‘mau’, ‘menyesal’, ‘berharap’ ; ‘willingness' with the use of ‘mau’, ‘ingin’, ‘berminat’, ‘rela’ ; and 'intention' which can be equated with the use of ‘mau’ and ‘untuk’.Key Words: ~Tai, Modality
PERSEPSI MAHASISWA TERHADAP APLIKASI JSHO SEBAGAI MEDIA PEMBELAJARAN KANJI Nur fadhillah; Arza Aibonotika; Nana Rahayu
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 9, No 2 (2022): EDISI 2 JULI-DESEMBER 2022
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan

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Abstrack: The progress of technology make it easier to learn Japanese, especially in the presence of applications such as electronic dictionaries. This study aims to explain students perception of the Jsho application as a kanji learning media. The method used in this research is quantitative with a descriptive approach. The data is obtained by distributing questionnaires to 30 students of the 2019, 2020, 2022 class of Japanese Language Education FKIP Riau University. The results of the questionnaire research on the Jsho application from display indicators, usage indicators, and satisfaction indicators with an average percentage of 77.75% including the criteria for strongly agree.Key Words: Jsho Application, Kanji, Perception.
MODALITAS HAZU BAHASA JEPANG DAN SEHARUSNYA BAHASA INDONESIA (KAJIAN KONTRASTIF) Nurzavika Nurzavika; Arza Aibonotika; Dini Budiani
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 9, No 2 (2022): EDISI 2 JULI-DESEMBER 2022
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan

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Abstract: This research discuss about contradiction and similarity of meaning of hazu da modality in Japanese language and seharusnya in bahasa. This research uses the Heiko Narrog (2019) and Hasan Alwi (1992) theory as the study of qualitative descriptive. This data research is discover from the news website with scrutinize, record, and note way the hazu da dan seharusnya sentences. The results show that the difference of meaning of hazu da modality and seharusnya modality, which mean the fervent assumption or conviction, only can clarify of one conclution by a powerful evidence basis, clarifying of the pronouncement by the speaker who have authority and have responsibility of what it discourse, to clarify the assumption which related to proper thing’s, to clarify the order to someone elses to do something, to clarify the order with the higest retiksion degree, and that clarification it must come from by it self. The similarity of meaning of hazu da modality and seharusnya modality is having the same meaning of withdrawal the clarified with the logical conclusion, the meaning to clarify of the pronouncement it linked with something was happened, clarify then the opinion and exactly the same that have no meaning to clarified of some prejudice.Key Words: Modality, Contradiction And Similarity, Mean
SINONIM UTSUKUSHII DAN KIREI Gilang Anugrah Manusakerti; Arza Aibonotika; Intan Suri
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 9, No 2 (2022): EDISI 2 JULI-DESEMBER 2022
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan

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Abstract: This research is about a synonym of utsukushii and kirei. Utsukushii and kirei have similar meaning in Japanese, that is ‘beautiful’. In sentences these words have some distinctions depend on the context of sentences. The purpose of this research is to describes semantically the meaning of utsukushii and kirei. The data was collected from Japanese dictionary, Japanese books, and commercial messages in Japanese.Key Words: Meaning, synonym, semantics
KONTEKS YANG MENDASARI PETUTUR DALAM MEMAHAMI TUTURAN BERIMPLIKASI PERINTAH PADA ANIME BOFURI: I DON’T WANT TO GET HURT. SO I’LL MAX OUT MY DEFENSE EPISODE 1-12 Susanti Susanti; Arza Aibonotika; Adisthi Martha Yohani
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 9, No 2 (2022): EDISI 2 JULI-DESEMBER 2022
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Abstract: This study describes the utterances that have command implications in anime. This study aims to explain what underlies that the speaker understands the speech that contains the implications of the command conveyed by the addressee by understanding a context. The data in this study is the anime Bofuri: I Don't Want To Get Hurt. So I'll Max Out My Defense Episode 1-12. This study used descriptive qualitative method. The data analysis technique used in this study is to identify utterances that contain command implications, group them into sentences and describe what underlies that the speaker understands the meaning that the utterances have command implications. The results of this study found three contexts that underlie that the speaker understands an utterance. Where for the most part there is a shared knowledge context.Key Words: Command Implication, Context, Anime
PADANAN TERJEMAHAN MODALITAS EPISTEMIK DALAM KOMIK KAGUYA-SAMA, LOVE IS WAR Andrean Afrinaldo; Arza Aibonotika; Nana Rahayu
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 9, No 2 (2022): EDISI 2 JULI-DESEMBER 2022
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan

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Abstract: This study discusses the translation of epistemic modality. The purpose of this study to explain the equivalent epistemic modality in Japanese comics on Indonesian translations. The data is a epistemic modality sentence taken from the Kaguya-sama, Love Is War comics. This is a qualitative research with a descriptive approach. The results of the analysis from Narrog's theory, it has been found that epistemic modalities be classified into epistemic necessity, epistemic possibility, speculative darou, and Inferential evidentials.Keywords: Epistemic Modality, Equivalent
MAKSUD TUTURAN SUMIMASEN PADA ANIME JEPANG Sindy Octa Clarita; Arza Aibonotika; Mangatur Sinaga
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 9, No 2 (2022): EDISI 2 JULI-DESEMBER 2022
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Abstract: The purpose of this research is to explain meanings of sumimasen in Japanese animation based on context. This research was conducted using a qualitative approach and the type of the research is a descriptive research. The method that was used by the researcher in collecting the data in this research is the note-taking method. First, the researcher watched anime Mushoku Tensei, Saint’s Magic Power is Omnipotent, Hyouka, Gakuen Babysitter, Slime 300, Mob Psycho and Koi wa Ameagari. Researcher then searched, listened and recorded the data found. The results that were obtained are 15 sumimasen which resulted with 5 classifications.Key Words: Sumimasen, Anime, Japanese language education.
PADANAN PARTIKEL AKHIR-KALIMAT (SHUUJOSHI) NA(A) DALAM KOMIK DETECTIVE CONAN VOLUME 8 Sinta Arisnawati; Nana Rahayu; Arza Aibonotika
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 9, No 2 (2022): EDISI 2 JULI-DESEMBER 2022
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan

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Abstract: This study describes the equivalent of final sentence particle (shuujoshi) na(a) studied in the Detective Conan comic volume 8. The problem in this study is to find out what the equivalence of na(a) in the comic. The purpose of this study is to explain what are the results of the equivalent na(a) studied in the comic. This study uses a qualitative descriptive method of the functions na(a) in a sentence or conversation. The results are divided into 2 types of data, namely na(a) which has a translation equivalent and na(a) that has no translation equivalent.Key Words: Detective Conan, comic, final sentence particles, equivalent.
NONOSHIRI NO KOTOBA PADA ANIME TONARI NO KAIBUTSU-KUN KARYA ROBICO Jeline Sabetti Br Sitepu; Arza Aibonotika; Intan Suri
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 9, No 2 (2022): EDISI 2 JULI-DESEMBER 2022
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan

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Abstract: The purpose of this research is to explain what are the classification from various forms of swear words in the anime “Tonari No Kaibutsu-Kun”. This research was conducted using a qualitative approach and the type of the research is a descriptive research. The method that was used by the researcher in collecting the data in this research is the note-taking method. First, the researcher downloaded 13 episodes of the anime “Tonari No Kaibutsu-Kun” that was made by Robico in Netflix and then searched, listened and recorded the data found. The results that were obtained from the 13 episodes of the anime “Tonari No Kaibutsu-Kun” that was made by Robico, 17 swear words were found which resulted with 5 classifications.Key Words: Swearing, Classification, Anime Tonari No Kaibutsu-Kun
TINDAK TUTUR DIREKTIF DALAM DRAMA MIMAN KEISATSU Siti Umimaya; Hermandra Hermandra; Arza Aibonotika
Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan Vol 9, No 2 (2022): EDISI 2 JULI-DESEMBER 2022
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Keguruan dan Ilmu Pendidikan

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Abstract: This study discusses directive speech acts. The purpose of this study is to explain directive speech acts in Japanese dramas. The data is directive speech taken from the drama Miman Keisatsu. This research is a qualitative descriptive study. The results of the analysis of Namatame, it was found that directive speech acts were classified into orders (Meirei), requests (irai), prohibitions (kinshi), permission (kyoka) and suggestions (Teian).Key Words: Speech Act, Directive Speech Act, Response
Co-Authors ', Ruziqna -, Muhammad Fauzan Abd. Rasyid Syamsuri Adam Islami Sakti Aditio Syafril Pratama Afrinal Fuadi Ahmad Hakim Akbar Al Azhar, Wira Alhafizh, Farhan Effri Alif Sarifuin Alifa Jul Fardian Rosadi Alwirienaldy Alwirienaldy Andrean Afrinaldo Angga Safitri Annisaturahmi Annisaturahmi Ardianti Ardianti Arien, Wilasari Aulia, Aulia Ayu Retno Nadia Ayu Tri Lestari Ayuningsih, Atika Chan Rizkia Anggia Vici Charlina Charlina Charlina, Charlina Daeng Ayub Dahnilsyah, Dahnilsyah Daviq Chairilsyah Denny Alisha Utami Desi Wildasari Desilawati Desilawati, Desilawati Diafi, Rafi’ Putra Dian Mayasari Diana, Ade Dimas Anugrah Dini Budiani Dini Budiani, Dini Dwine Nur Swetira Edwin Adetama Elfis Suanto Elmardiah Khaidir Elmida Enggrayani Elno Yulia Emeli Rae Bora Erlina, Afif Kharisma Ermarila Ermarila Erni Susanti Fadhila Putri Madya Fadia Nafa Anisah Fairuz Rifa Ferial Faizah, Fadilah Fajriansah, Fuad Fatmawati Andini Febra, Sandi Febriana, Nanda Fi Kharisma, Hadra Ghea Rizky Ananda Ghifari, Muhammad Naufal Gilang Anugrah Manusakerti Hadriana Hadriana Hana Nimashita Hana Nimashita Hana Nimashita Hana Nimashita Nimashita Hana Nimashita, Hana Harahap, Kaina Sherin Dwi Amelia Hendri Marhadi Hermandra Hermandra Hermandra, Hermandra Hidayat, Alfi Nurul Iin Kusmiati Iis Wijayanti Ilyas, Reymona Imawan Saputra Inayah, Evi Intan Suri Intan Suri Irfan Saputra Istaqori, Fa?ni Jama'awati, Jama'awati Jama’awati Jeline Sabetti Br Sitepu Jiehan Ghenesa Mutiah Khairina Ramadhani Kitoko, Daeng Ilham Kumala Sari, Febri Gita Kunansari Nasution, Putri Khairiah Kurnia Putri Learosiana ' Leli Handayani Lindayanti, Cucu Lubis, Clara Istina Sari Lulu Iswari Nanda M. JAYA ADI PUTRA, S.Si, M.Pd, M. JAYA ADI M. Syafri, M. Syafri M.Herfiansyah, M.Herfiansyah Mangatur Sinaga Martha, Adisthi Martina Fitri Yanti Fitri Yanti, Martina Fitri Yanti Fitri Martines, Dian Mashfufah, Ulfah Maya Damayanti Maylita, Deasy Meirinda, Alya Putri Merri Silvia Basri Muhammad Alif Alfatih Muhammad fauzan Muhammad Hafiz Muhammad Nasirudin Muhammad Nasirudin Muhammad Robby Masyfa Nadia Hana Zhafira Nana Rahayu Nana Rahayu Rahayu, Nana Rahayu Nana Rahayu, Nana Nanda Febriana Nasution, Nurul Aminah Nasution, Yenny Aristia Nela Naila Nidhafar Nela Naila Nidhafar Ningsih, Ewida Nola Sintia Nur 'Izzati NUR FADHILLAH Nur Rofiah Utari Br. Aritonang Nurcahyanti Nurcahyanti Nurmalasari Nurmalasari Nurrachman, Diana Nurzavika Nurzavika Oktari Hendayanti Parlani, Tri Yeni Putri Prabowo, Dimas Aditya Pratiwi, Desi Mentari Pratiwi, Fatma Ayu Pristami Kusya Pristami Kusya Purba, Mega Yessica Putri Khairiah Kunansari Nasution Putri Oktaviani Putri Puji Astuti Putri, Mardwiana Putri, Nurefni Indah Qodri Nela Antani R.Dinia Utari Rafi Safitri Rahayu, Umi Fithri Rahman, Abi Bur Rahmi Amalia Ramadhan, Mhd. Aqri Randi Triades Resa Mustapa Akbar Resi Silaturrahmi Rhany, Olivia Chintya Ridho Khasdullah Ridia, Sabtika Riska Satiti Rizal, Ibnu Rizcha Retna Diah Rodiyanti, Puput Roni Fajri Rossy Kumala Sari Rusdi ' Sadam Husin Sari S, Yuli Purnama Selvi Khafifah Sherly Helena Sherlyana Safira Shinta Apriani Silfani Silfani Silvia Kartika Dewi Santoso Sindy Octa Clarita Singgih, Muhammad Arya Sinta Arisnawati Siti Aisyah Siti Anisah Siti Rohmatun Siti Umimaya Sri Wahyu Widiati Sri Wahyu Widiati Sri Wahyu Widiati Wahyu Widiati, Sri Wahyu Widiati Wahyu Sri Wahyu Widiati, Sri Wahyu Suci Senessia Sulfiani, Ani Sumiati Suri, Intan Suryani Yayuk Saputri Susanti Susanti Sy. Afrinda Afrinda, Sy. Afrinda Syafitra, Viony Talmera, Hidayat Tamara Fernanda Ricardo Tamara Yetsuba Tay, Brandon Tri Desti Purnama Sari Tri Endang Vadilah Tria Rahmadani Putri Tusia Andri Yani Utami, Feradita Rizki Utami, Mutiara Rahmi Wadhrib Wicaksono Wahyudi, M. Ridho Wardatun Hayati Winengsih, Winengsih Wulandari Wulandari Wulandari, Vania Rizky Yenny Aristia Nasution Yenny Aristia Nasution Yenny Aristia Nst Yestati Novia Rullis Yohani, Adisthi Martha Yulia Ranti Fajri Yustika Dewi, Maya Silvia Zahratul Alya Salsabila Zilan Zailila Zuli Laili Isnaini Zulkifli Zulkifli