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All Journal Diglossia J-Simbol: Jurnal Magister Pendidikan Bahasa dan Sastra Indonesia Jurnal Kata: Bahasa, Sastra, dan Pembelajarannya JURNAL KEPEMIMPINAN DAN PENGURUSAN SEKOLAH Jurnal Manajemen Pendidikan Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) Pendas : Jurnah Ilmiah Pendidikan Dasar Besaung : Jurnal Seni Desain dan Budaya Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia Likhitaprajna: Jurnal Ilmiah Fakultas Keguruan Ilmu Pendidikan Universitas Wisnuwardhana Malang Edukasi Lingua Sastra Jurnal Sosiologi, Antropologi, dan Budaya Nusantara Education, Language, and Arts: Jurnal Pengabdian Kepada Masyarakat Jurnal Pengabdian Sosial Indonesia Jurnal Bima: Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra Riwayat: Educational Journal of History and Humanities Research in Education, Technology, and Multiculture Sintaksis: Publikasi Para Ahli Bahasa dan Sastra Inggris Filosofi: Publikasi Ilmu Komunikasi, Desain, Seni Budaya Jurnal Ikadbudi : Jurnal Ilmiah Bahasa, Sastra, dan Budaya Daerah Blaze: Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan Nuwo Abdimas PESHUM Jurnal Tiyuh Lampung: Pendidikan Bahasa dan Kebudayaan Jurnal Punyimbang Jurnal Selaksa Makna Jurnal Buana Kata: Pendidikan, Bahasa, dan Ilmu Komunikasi Saka Bahasa: Jurnal Sastra, Bahasa, Pendidikan, dan Budaya Prakata: Jurnal Bahasa dan Sastra Indonesia Serta Pembelajaran
Rahmat Prayogi, Rahmat
Universitas Lampung
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Mathematics Social Sciences Other

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PELANGGARAN MAKSIM KUANTITAS DALAM PERCAKAPAN BAHASA LAMPUNG ANAK-ANAK USIA SEKOLAH DASAR Syah, Nur Irwan; Nur, Darma Devanza; Prayogi, Rahmat
Jurnal Kepemimpinan dan Pengurusan Sekolah Vol. 10 No. 4 (2025): December (In Progress)
Publisher : STKIP Pesisir Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34125/jkps.v10i4.1062

Abstract

Effective communication is an important foundation in the teaching and learning process in elementary schools. However, elementary school children often lack the ability to manage their utterances appropriately according to Grice's cooperative principle, particularly the maxim of quantity. This study aims to describe the forms of violations of the maxim of quantity made by elementary school students in everyday conversations, as well as to analyze the underlying causes. The approach used is descriptive qualitative with an intrinsic case study design. The results show that violations of the maxim of quantity occur in three main forms: providing too little information, providing excessive information, and irrelevant repetition. The factors causing this violation include children's cognitive development, the communication style shaped by the social environment, and the context of interaction. These findings emphasize the need for integrating pragmatic learning into the elementary school curriculum to enhance children's communication skills from an early age. Additionally, the results of this research contribute theoretically to the study of child pragmatics, particularly in the context of the Indonesian language, and serve as a basis for developing more contextual speaking learning materials.
ANALISIS MAKNA REFERENSIAL DI APLIKASI X/TWITTER: STUDI KASUS AKUN SELEBTWEET DANTE (@SKIPBERAT) Putri, Della Eka; Prayogi, Rahmat
Jurnal Kepemimpinan dan Pengurusan Sekolah Vol. 10 No. 4 (2025): December (In Progress)
Publisher : STKIP Pesisir Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34125/jkps.v10i4.1072

Abstract

Dante on the Twitter/X platform. The focus of the research is to understand how words, phrases, and slang used in the tweets contain direct references to tangible objects, phenomena, and real events. This study employs a qualitative approach with a descriptive method, where the data consist of tweets selected based on their relevance to real-world references. Data analysis was conducted using content analysis by considering the context of each tweet and its relation to the referenced reality. The results show that out of all the data analyzed, there are 21 instances of referential meaning in the form of objects, 3 in the form of phenomena, and 16 in the form of events. Additionally, Dante’s tweets contain slang and abbreviations that carry specific meanings, serving as expressions and interactions with his followers. This study confirms that each word or phrase in the tweets contains referential meaning reflecting objects, psychological states, or real events, making understanding these meanings essential for accurately interpreting the conveyed messages. The findings are expected to provide insights into the use of referential meaning in digital communication and help understand user interaction and expression on social media.
PENGARUH KONTEN KREATIF MEDIA SOSIAL TERHADAP PELESTARIAN BAHASA LAMPUNG Yanti, Dewi; Afni, Vernia Nur; Prayogi, Rahmat
Jurnal Kepemimpinan dan Pengurusan Sekolah Vol. 10 No. 4 (2025): December (In Progress)
Publisher : STKIP Pesisir Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34125/jkps.v10i4.1084

Abstract

This study aims to describe the forms of creative content on social media utilized in the preservation of Lampung language, analyze the influence of social media creative content on increasing young generation's interest in using Lampung language, and formulate effective creative content strategies for Lampung language preservation through social media. This research employs a qualitative approach with descriptive method. Data collection was conducted through observation of Lampung language content on Instagram and TikTok platforms, as well as documentation in the form of content screenshots, engagement statistics data, and supporting literature. Data were analyzed using the Miles and Huberman model through stages of data reduction, data presentation, and conclusion drawing. The research findings indicate that creative content on social media takes the form of interactive educational content and cultural content packaged in short videos with attractive visual techniques. Such content has a significant influence on increasing awareness and cultural pride of the young generation toward Lampung language, as evidenced by positive responses in the comment sections. Effective strategies that can be implemented include integration of trends and locality, collaboration across creators and institutions, as well as consistency in content quality and theme.
KEBUDAYAAN BEGAWI CAKAK PEPADUN DI TULANG BAWANG BARAT DALAM PERSPEKTIF POSKOLONIALISME Putri, Shelvia; Lisna, Nova; Prayogi, Rahmat
Jurnal Manajemen Pendidikan Vol. 10 No. 4 (2025): Regular Issue (In Progress)
Publisher : STKIP Pesisir Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34125/jmp.v10i4.984

Abstract

Culture is a representation that reflects the character and identity of a community. One of the traditions that continues to exist amid the strong influence of modernization is Begawi Cakak Pepadun, a customary ceremony distinctive to the Lampung Pepadun people, particularly in the Tulang Bawang Barat region. This tradition is not merely a ritual to inaugurate a penyimbang (traditional leader) or to bestow an honorary title, but it also embodies noble values such as mutual cooperation (sakai sambaian), Piil Pesenggiri (dignity and honor), and social responsibility toward the community. This study aims to (1) describe the implementation of the Begawi Cakak Pepadun tradition in Tulang Bawang Barat, and (2) analyze this cultural practice from a postcolonial perspective to understand how indigenous communities preserve their traditions amid colonial legacies, modernization, and globalization. The findings reveal that the implementation of Begawi consists of several main stages, namely preparation, manjau and ngedio, cangget (celebratory night), turun mandei, and cakak pepadun. Each stage holds symbolic meanings that represent togetherness and respect for ancestors. From a postcolonial perspective, Begawi Cakak Pepadun can be seen as a form of cultural resistance against colonial influence and as a process of reclaiming local identity. Although modernization has introduced changes such as the use of technology and adjustments in the duration of the ceremony, the Lampung people continue to preserve the spiritual and social essence of the tradition through mutual cooperation, cultural education for the younger generation, and the strengthening of customary institutions. Thus, Begawi is not merely a relic of the past but also a symbol of cultural continuity and resistance against global domination.
BUHARAK LAMPUNG SAIBATIN SEBAGAI PELESTARIAN BUDAYA LAMPUNG PESISIR Salsabila, Atha Nabitha; Maharani, Serlia; Widodo, Mulyanto; Prayogi, Rahmat
Jurnal Manajemen Pendidikan Vol. 10 No. 4 (2025): Regular Issue (In Progress)
Publisher : STKIP Pesisir Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34125/jmp.v10i4.1056

Abstract

This study aims to describe and analyze the Buharak tradition among the Lampung Saibatin community as a form of cultural preservation in the Lampung Pesisir region. Buharak is a wedding procession held after the marriage ceremony with the aim of introducing the couple to the community while affirming the honor of the family and social status in the Saibatin customary system. This study uses a descriptive qualitative method with in-depth interview techniques, participatory observation, and documentation studies of traditional leaders, ritual performers, and coastal communities. Data analysis is carried out through a thematic approach with stages of reduction, categorization, and interpretation of meaning. The results show that Buharak has three main functions: as a social glue that strengthens community solidarity and mutual cooperation (sakai sambayan); as a marker of status and customary legitimacy that reflects the hierarchical social structure of the Saibatin community; and as an arena for negotiating modernity, where the younger generation and religious leaders adapt traditional practices to align with Islamic norms and current socio-economic conditions. This adaptation is evident in the simplification of the duration of the procession, reduction of costs, integration of religious elements, and digital documentation that expands the scope of cultural preservation.
STRATEGI PELESTARIAN TRADISI NGELEMANG SEBAGAI WARISAN KULINER BUDAYA PADA GENERASI MUDA DI LAMPUNG BARAT Fajri, Egi Gusti Al; Abadi, Rizky Agung; Prayogi, Rahmat
Jurnal Manajemen Pendidikan Vol. 10 No. 4 (2025): Regular Issue (In Progress)
Publisher : STKIP Pesisir Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34125/jmp.v10i4.1075

Abstract

Indonesia is a nation with a rich diversity of cultures, due to its hundreds of millions of inhabitants from various ethnic groups spread from Sabang to Merauke. This is in line with Maulida's opinion that Indonesian culture is a combination of various local cultures found in every region of Indonesia. This culture continues to evolve over time, influenced by the community's desire for change and adaptation in cultural aspects.Culture is an important element that binds individuals in society, encompassing various systems such as beliefs and traditions. Indonesia, with its cultural diversity, has many traditions that have been passed down from generation to generation. One example is the Ngelemang tradition in Lampung, which is the process of cooking lemang, a traditional food made from sticky rice. In this study, qualitative and ethnographic methods were used to understand the essence and preservation of this tradition. Ngelemang is not just a cooking activity, but also a means of strengthening social interaction and communal identity. Preservation strategies involve the active role of the younger generation, who are expected to not only be successors but also promoters through digital media, so that this tradition remains alive and relevant in everyday life.
Poems in the Menggala Wedding Tradition Hilal, Iqbal; Munaris; Anantama, Muharsyam Dwi; Prayogi, Rahmat
Jurnal IKADBUDI Vol. 14 No. 2 (2025): Jurnal Ikadbudi : Jurnal Ilmiah Bahasa, Sastra, dan Budaya Daerah
Publisher : Fakultas Bahasa Seni dan Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ikadbudi.v14i2.91606

Abstract

The art of poetry is one of the unique cultural heritages of the people of Menggala Regency. Initially, this oral tradition of art was a form of expression of someone's feelings which was processed in the form of artistic performances. Poetry art thrives in various areas of Lampung, including Krui, South Lampung, Tanggamus, Central Lampung and North Lampung. Each region has its own unique rhythm. Poetry is a form of literature that is conveyed orally, usually through speech or live performance. The content of the poetry can be in the form of advice, criticism, aspirations, or expressions of joy. This research was carried out because proficiency in the art of such poetry is very rare. The aim of this research is to revive people's skills regarding the art of poetry which has almost become extinct. The research method used is descriptive qualitative with data collection techniques through observation and literature study. The results of the research show that the oral tradition of poetry functions as an artistic and cultural medium that connects the older generation with the younger generation or between society and the government to convey aspirations, suggestions, criticism or expressions of happiness. Several efforts have been made to preserve, utilize and develop this poetry art through schools, galleries and traditional art festivals.
Co-Authors Abadi, Rizky Agung Achyari, Asrul Adelio Alvaro Aditama, Haryuda Afni, Vernia Nur Agustina , Dhita Aulia Ahmad Mu'is Ainunnisa, Aisyahvira Salwa Alfanny Pratama Fauzy Alfina Fistalita Ali Mustofa Ali Mustofa Alvindra, Alya Putri Amalia, Romaisya Amelia, Elda Anggraini, Dwi Susi Anggraini, Sabryna Annajar, M. Naufal Ardana, Rafli Dwi Aulia, Miya Aulia, Sindy Azarine Kayla Balqis, Syira Amanah Bambang Riadi Betnawati Betnawati, Betnawati Budiman , Ahmad Arif Celshy Audrielia Rahman Daffa Hibban Bahrisy Damayanti, Dwi Defi, Dini Ananda Delta Anggraeni Delvina Maulhy Azahra Hulu Destiana, Nindy Dewi Nur Azizah Dewi Ratnaningsih Dhaivina Gustiani Putri Dhalimah, Septia Diah Ayu Dwi Agustiana Putri Edi Suyanto Eka Sofia Agustina Eka Sofia Agustina Elly Nur Fatimah Fajri, Egi Gusti Al Faktiah, Harummi Fauzi , Irfan Felisa, Nadia Fifi Mutia Sari Filmansah, Een Firnanda, M. Evan Fitri Nur Hidayah Harummi Fakhtiah Hayati, Dwi Herga , Rafa Maritza Heru Prasetyo Hidayatullah, Maikel Humaira, Fannisa I Wayan Ardi Sumarta I Wayan Mustika Iqbal Hilal Irawan Suprapto Irawan, Putri Calista Irma Bela Oktaviana Jane, Cinta Adinda Nur Jimny, Zahra Adellia Dewi Joan Siswoyo Khairunnisa, Arsy Khairunnisa, Dinda Ferika Khotman, Desy Rahmawati Kouri Asyiah Kurniawan, Aldo Kurniawan, Rizaldi Yosep Kurniawati Kurniawati Kusuma, Nirma Fadia Lailatul Hidayati Latifah, Umun Lesti Susanti Lisna, Nova Maharani , Syifa Maharani, Salwa Pramesti Maharani, Serlia Marlisa, Ani Mawardi, Raisya Thania Meirita, S.Pd., M.Pd., Siska Melia Pitriyani Meyriska, Alya Selsa Mila Sari Mildawati, Arini Monica, Rosa Dina Muhammad Fuad Muhammad, Ulul Azmi Muharidha, Suharti Muharsyam Dwi Anantama Mulyanto Widodo Mulyanto Widodo Munandar, Muhammad Rafi Munaris Munaris . Mustika , I Wayan Nabila Trya Nabila, Julia Putri Nadila Ayu Putri Naewa Puarada, Friska Dewi Nahdliyya Izzatul Mutammimah Nanalia Nur Halimah Nur Hikmawati Adinda Nur, Darma Devanza Nurjanah, Vivi Baity Nurlaksana Eko Rusminto Nurlaksana Eko Rusminto Nurlelawati, Nurlelawati Prasetyo, Nereus Eko Purwoko, Agus Puspita, Citra Putri, Claudiana Omega Putri, Della Eka Putri, Meilinda Tiara Putri, Shelvia Putri, Shulamid Shania Permata Putri, Tania Aurellia Rahmatika, Zidny Rizka Rahmawati, Annisa Az-Zahra Ramadhany, Nurul Astry Rani Oktavia Ratu, Puja Bidi Razak, Oca Yuliza Reihan Franige Restiani, Kharisma Reza, Muhammad Arfa Riadi , Bambang Riadi, Bambang Rian Andri Andri Prasetya Rian Andri Prasetya Riansyah, Zadra Riskika, Septia Ronalta, Ratna Rahayu Sabilla Mukhtar, Amalia Safei Soleh Safitri, Dwi Rahma Safitri, Reni Septi Sagita, Hardi Sahmega, Bagus Salsabila, Atha Nabitha Salsabila, Elsya salsabila, safira Sanah Riah Saputra, Deni wahyu Saputra, Dira Sari, Arivia Tri Novita Sari, Ima Permata Septia Uswatun Hasanah Shantiya, Dela Sintia, Nindi Siti Hasanah HS Siti Samhati Soleh, Safei Solina Solina Sudirman Husin Sulistiyanti Khalizah Sumarti Sumarti Sumarti Sunarti, Iing Syah, Nur Irwan Syaiful Kiram Syifa Athiyyatus Zuhro Tiara Brilliant Triyani, Riska Sukma Ubaidillah, Muhammad Umun Latifah Utami, Annisa Widya Utari, Marya Utari, Marza Utari Wahyuni, Lena Wibowo, Duta Inovasi Yani, Mira Fitri Yanti, Dewi Yulianita, Dea Yunisa, Aulia Yustiana, Berlianna Asih Zafira, Dhiya Ulhaq ZR, Mutiara Ananda