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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Pendidikan Seni Rupa Jurnal Ilmiah Desain & Konstruksi Gorga : Jurnal Seni Rupa Ars: Jurnal Seni Rupa dan Desain PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education Jurnal Kajian Bali SINEKTIKA: Jurnal Arsitektur ANDHARUPA MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts PRABANGKARA Segara Widya: Jurnal Penelitian Seni International Research Journal of Management, IT & Social Sciences Wikrama Parahita : Jurnal Pengabdian Masyarakat Gondang: Jurnal Seni dan Budaya PRODUCTUM : Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) JURNAL TATA KELOLA SENI Visualita : Jurnal Online Desain Komunikasi Visual Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Jurnal Desain Jurnal Abdimas PHB : Jurnal Pengabdian Masyarakat Progresif Humanis Brainstorming Pantun: Jurnal Ilmiah Seni Budaya VCD (Journal of Visual Communication Design) Journal of Music Science, Technology, and Industry (JOMSTI) Journal of Social Science Jurnal Cahaya Mandalika International Journal of Educational Review, Law And Social Sciences (IJERLAS) Jurnal Inovasi Penelitian dan Pengabdian Masyarakat calaccitra: jurnal film dan televisi Jurnal Desain Komunikasi Visual Nirmana Journal of Aesthetics, Creativity and Art Management Jurnal Dimensi Seni Rupa dan Desain Jurnal Dimensi DKV Seni Rupa dan Desain Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Bhumidevi : Journal Of Fashion Design Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya Journal of Social Science Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Retina Jurnal Fotografi Hastagina: Jurnal Kriya dan Indsutri Kreatif Proceeding of International Conference on Humanity Education and Society Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Global Art Creativity Conference
I Wayan Mudra, I Wayan
Institut Seni Indonesia Denpasar
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TOPENG RANGDA AS METAPHOR OF DEWI DURGA BY TJOKORDA OKA TUBLEN Artawan, Cokorda Alit; Mudra, I Wayan; Muka, I Ketut; Karja, I Wayan
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.570

Abstract

The Topeng Rangda created by Tjokorda Oka Tublen with a distinctive character as an interpretation of Durga has a magical impression. This research aims to deeply understand Rangda as a metaphor of Durga by Tjokorda Oka Tublen. The Topeng Rangda created by Tjokorda Oka Tublen's is sacred to the community and used as a role model by the Balinese people. Nevertheless, until now there has been no special study about it. This research uses a qualitative method. The data collection is done by purpose sampling with observation, interview, and literature study techniques, dissected with aesthetic theory and metaphor theory. The result of this study, Topeng Rangda as a metaphor is a mask with a scary face as the embodiment of Dewi Durga in white with buck teeth, bulging eyes with a magical, majestic and authoritative impression. The process of creating Tjokorda Oka Tublen's mask includes: newasen, nyawi, nyalonan, makalan, nadiang, nelesang, ngalusang, ngewarna, dan pasupati.
ART ECOSYSTEM OF THE HGATERI TRADITIONAL MUSIC GROUP IN JAYAPURA PAPUA Kaiway, Yudhi Aji Ristanto; Mudra, I Wayan; Sariada, I Ketut
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.604

Abstract

This study looks at the world of traditional Papuan music, focusing on the Hgateri group. Hgateri is a traditional music group in Jayapura that keeps Wonti-Waropen music alive and is a symbol of efforts to preserve traditional music in Papua. This research aims to describe the traditional Papuan music ecosystem by studying the Hgateri group. Using a qualitative method, we gathered data through observations, interviews with the group leader, and documents. The results show that Hgateri has found new ways to introduce traditional music to young people. This study looks at how this group works in different areas: culture and society, where Hgateri helps keep their culture alive and brings the Wonti people closer together; economics, where the group has shown that traditional arts can make a steady income; education, where Hgateri helps young people grow and learn; laws, where the group understands the importance of being legal; and technology, where they combine old and new ways to create exciting performances. This research helps us better understand traditional Papuan music and how to keep it alive.
GELIAT RUANG SENI DAN KREATIVITAS DI SANGGAR SENI PEKANDELAN AGUNG I Putu Bagus Restu Pratama Wiwaha; I Wayan Mudra; I Ketut Sariada
Jurnal Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya Vol 10 No 1 (2025): Volume 10 No 1
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pariwisata.v10i1.4502

Abstract

Pekandelan Agung Art Studio is an art studio that continues to preserve traditional dance arts amidst the influx of foreign cultures into Indonesia. This study aims to analyze the activities of Pekandelan Agung Art Studio in preserving traditional Balinese dance arts in 2019-2025. Data collection methods were carried out through observation, interviews, and documentation, determining data sources with purposive sampling and data analysis with hermeneutics. The results of the study showed that the activities of Pekandelan Agung Art Studio in preserving traditional Balinese dance arts were carried out through dance education, dance training, and performances internally and externally as well as building social, cultural, and economic values. The positive activities of this studio received the "Parama Patram Budaya" award from the Bali Provincial Culture Office. This award is a form of government appreciation for artists in maintaining traditional cultural values amidst the challenges of modernization.
The Analysis of the Art Ecosystem in the Development of Musicmathematics Samuel, Samuel; Mudra, I Wayan; Sariada, I Ketut
Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v4i2.6085

Abstract

Musicmathematics is the integration of mathematical principles in music, offering a new approach in contemporary music composition. This study arises from the urgency to understand the impact of musicmathematics on the art ecosystem holistically, encompassing cultural, social, economic, educational, legal, and technological aspects. The research employs document analysis and audiovisual analysis methods to identify patterns, relationships, and the influence of musicmathematics on various elements of the art ecosystem. The study is based on the art ecosystem theory by Becker (1982), which emphasizes the interaction between art actors and social structures, and Benoît Mandelbrot’s fractal theory (1989), which observes recurring patterns in music structures. Additionally, the concept of dynamic culture (Geertz, 1973a) is used to understand cultural transformation through the application of mathematical innovations. The results of the research indicate that musicmathematics significantly contributes to music composition innovation, despite facing challenges in social acceptance and commercialization. Culturally, musicmathematics creates tension between innovation and tradition; socially, this genre forms a limited experimental community; and in education, it enriches curricula with analytical approaches facilitated by technology. The study concludes that musicmathematics holds great potential in supporting the transformation of contemporary arts, particularly through strengthening education and technology. However, adaptive strategies are needed to increase the acceptance of this concept in a broader art ecosystem. Keywords: musicmathematics, art ecosystem, music innovation, music education, art technology.
ANALISIS MAKNA DAN BENTUK BUSANA ADAT DAHA DAN TRUNA DESA BUNGAYA KARANGASEM Elsye Andriani Delfi; I Wayan Mudra; I Wayan Swandi
Ars: Jurnal Seni Rupa dan Desain Vol 23, No 3 (2020): Desember 2020
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v23i3.4473

Abstract

Busana adat daha  dan truna Desa Bungaya adalah busana yang wajib digunakan saat upacara Dewa Yadnya yang biasanya  berlokasi di Pura Bale Agung Desa Bungaya Karangasem. Busana adat daha dan truna ini merupakan salah satu bagian unik dari adat dan tradisi yang sudah diwariskan turun-temurun oleh leluhur di Desa Bungaya. Busana adat ini secara visual nampak sangat sederhana namun memiliki filosofi yang  erat kaitannya dengan nilai-nilai dalam agama. Oleh karena itu bentuk yang menyusun busana ini memiliki makna yaitu makna konotatif dan denotatif. Makna dalam satu bentuk atau bentuk lainnya, menyampaikan pengalaman sebagian besar umat manusia di semua masyarakat dan  bentuk menjadi begitu penting karena mampu mempengaruhi perasaan estetis para penikmat seni ketika pertama melihat suatu karya seni rupa. Adapun tujuan dalam penulisan ini adalah untuk mengetahui lebih dalam tentang bagaimana unsur pada desain mode yang terkandung didalamnya yaitu bentuk dalam busana adat daha dan truna di Desa Bungaya yang mengandung suatu makna. Penulisan ini menggunakan metode penelitian deskriptif kualitatif dengan teknik pengumpulan data observasi, wawancara dan kepustakaan. Berdasarkan analisa data yang dilakukan, didapat kesimpulan yaitu unsur bentuk dalam busana adat daha dan truna terdapat bentuk geometris, non geometris dan bentuk siluet yang menyusun busana adat dan dalam bentuk tersebut mengandung makna konotatif dan denotatif.
The Art Ecosystem of Amreta ing Huma I Gusti Ngurah Diva Ismayana; I Wayan Mudra; I Ketut Sariada
Journal of Aesthetics, Creativity and Art Management Vol. 5 No. 1 (2026): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v5i1.6215

Abstract

Amreta ing Huma is an art ecosystem whose ideas sparked the subak phenomenon and its current existence. By linking culture, society, education, politics, technology, economics, and stakeholders, it can become an alternative way of thinking for Balinese society, both nationally and internationally. This paper is compiled based on the results of fieldwork through a qualitative approach, namely the implementation of interview methods accompanied by direct observation, the process of transcribing information in the form of field data, processing data to compiling data into a systematic and coherent data report. The aesthetic approach used is that of Clive Bell and William Morris, along with a sustainable ecological art approach. Amreta ing Huma, interpreted as the water of life in rice fields, is a product of thought in the form of an art ecosystem. The achievement of an art ecosystem begins with the creation of the Amreta ing Huma artwork, ecological art, which ultimately forms an art ecosystem. Based on this artwork, a role model for interaction within the community is established through the perspectives of culture, education, politics, economics, and stakeholders.
Studi Kasus Peran Griya Musika Sukawati Cressendo Dalam Membangun Ekosistem Seni Musik Lokal Bali Sabath, Brill Obed; Mudra, I Wayan; Sariada, I Ketut
Journal of Music Science, Technology, and Industry Vol. 8 No. 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Purpose: This study aims to analyze the role of Griya Musika Sukawati Cressendo as a music education institution in building a local music arts ecosystem in Gianyar, Bali. Method: This research uses a qualitative research method with data collection through observation, interviews, and document studies. The results of the study show that Griya Musika Sukawati Cressendo has a significant role in the local music arts ecosystem in Gianyar. They not only provide quality music education, but are also active in developing the talents of local musicians, preserving traditional Balinese music, and creating a space of expression for musicians to work and collaborate. Result and Discussion: A SWOT analysis revealed that the institution's strengths lie in its comprehensive curriculum and qualified teaching staff. However, its weaknesses may lie in limited accessibility for underprivileged communities. Significant opportunities are seen in potential collaborations with the tourism industry and arts festivals in Bali, as well as the growing interest in music among the younger generation. Meanwhile, threats come from the globalization of music, which could shift preferences or the lack of clear career paths for graduates. Implication: The implications of this research emphasize that local music education institutions have great potential as a main pillar in the sustainability and revitalization of the arts and culture ecosystem, and provide strategic guidance for the development of similar models in other regions to balance cultural preservation with artistic innovation.
Pelatihan Seni Kriya Gerabah Bermotif Astha Dewata sebagai Upaya Revitalisasi Warisan Budaya Bali Wulandari, I Gusti Agung Ayu; Ilma, Arina Zaida; Mudra, I Wayan; Agustika, Gusti Ngurah Sastra; Dewi, Gusti Ayu Ketut Rencana Sari
Jurnal Inovasi Penelitian dan Pengabdian Masyarakat Vol. 5 No. 2 (2025): Desember
Publisher : Indonesia Emerging Literacy Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53621/jippmas.v5i2.636

Abstract

Program pengabdian ini bertujuan untuk merevitalisasi warisan budaya Bali melalui pelatihan seni kriya gerabah bermotif Astha Dewata di WK Gerabah Desa Kapal, Kabupaten Badung. Pelatihan difokuskan pada pengembangan motif simbolik yang merepresentasikan nilai harmoni dan keseimbangan dalam budaya Bali, sebagai upaya memperkuat identitas seni kriya lokal dan meningkatkan daya saing ekonomi kreatif. Kegiatan dilakukan dengan metode partisipatif melalui tiga tahap utama: workshop desain motif, praktik langsung, dan aplikasi motif pada produk gerabah. Sebanyak 38 peserta terlibat aktif dalam pelatihan. Hasil kegiatan menunjukkan peningkatan signifikan dalam keterampilan desain peserta, dengan delapan motif baru yang berhasil dikembangkan dan diaplikasikan pada produk fungsional dan dekoratif. Evaluasi kepuasan peserta menunjukkan kategori tinggi dengan rata-rata 4,48 atau 89,5% yang menandakan pelatihan dinilai relevan, inspiratif, dan bermanfaat. Kegiatan ini juga memperkuat kesadaran budaya perajin terhadap nilai-nilai estetika tradisional sebagai warisan takbenda yang dapat diadaptasi ke konteks modern. Temuan ini menegaskan bahwa pelatihan berbasis seni dan budaya dapat menjadi strategi efektif untuk pemberdayaan masyarakat dan pelestarian kriya tradisional di era ekonomi kreatif.
Beyond the Lantern Festival: Designing Fantasy Illustrations Inspired by Lontong Cap Go Meh and Kelenteng Hok An Kiong Sutanto, Shienny Megawati; Mudra, I Wayan; Udayana, A. A. Gde Bagus; Suardina, I Nyoman
VCD: Journal of Visual Communication Design Vol. 9 No. 1 (2024): VCD: Journal of Visual Communication Design
Publisher : Universitas Ciputra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vcd.v9i1.4697

Abstract

This study examines the creative process behind the illustrations of the fantasy novel "Warisan Dua Dunia" inspired by the Lontong Cap Go Meh tradition in Hok An Kiong Temple, Surabaya. This tradition is an interesting example of Indonesian and Chinese cultural acculturation. A qualitative descriptive method with observation, interview, and documentation techniques was used in this study. The theoretical framework used includes Visual Language (Tabrani) and The Big Triangle (Mc Cloud). The results showed that the creative process of the novel illustration began with observation and reflection on the Lontong Cap Go Meh tradition. The researcher combined the results of observation and reflection with personal experience to form a personal interpretation visualized in a manga style. Imaginative and realistic visualizations inspired by Chinese culture enrich the work's aesthetics and transport the reader into an imaginary world full of meaning. This study shows that the combination of contemplation, personal interpretation, and manga visual style produces a work that is not only relevant to the younger generation but also opens up new interpretation towards tradisi Lontong Cap Go Meh di Kelenteng Hok An Kiong.
Visual Language of Angling Dharma Relief at Jago Temple Wardaya, Marina; Mudra, I Wayan; Udayana, A. A. Gde Bagus; Suardina, I Nyoman
VCD: Journal of Visual Communication Design Vol. 9 No. 1 (2024): VCD: Journal of Visual Communication Design
Publisher : Universitas Ciputra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vcd.v9i1.4717

Abstract

The relief panels depicting the Angling Dharma story on the Jago Temple offer a valuable resource for researchers, similar to the Kresnayana story reliefs in Prambanan. These reliefs serve as visual narratives, conveying the Angling Dharma epic. The sculptors meticulously selected key scenes from the text, translating them into captivating visuals and arranging them within individual panels. These panels, when assembled, form a cohesive narrative of the Angling Dharma story. In a modern context, this sequence of panels resembles a movie, unfolding the story through a series of images. To encompass the entirety of the narrative within the confines of the relief's surface, the sculptors employed a distinct drawing method known as the "space-time-flat" system. This approach differs significantly from modern Western artistic conventions. The unfamiliar style can pose challenges in interpreting the depicted scenes. This research proposes a descriptive and qualitative analysis of the "space-time-flat" method used in the Angling Dharma reliefs. By delving into this unique drawing system, the study aims to glean valuable insights that can be applied in the creation of various visual media. The analysis can shed light on artistic practices that predate the arrival of Western drawing techniques with their emphasis on naturalism, perspective, and single-moment depiction.
Co-Authors Adesastrawiguna, Iputu Adiartha, I Komang Adiputra, Komang Anak Agung Ayu Oka, Saraswati Andreani, Ni Putu Elvian Artawan, Cokorda Alit Asra, Rezky Gustian Ayu Krisna Gayatri Sari Dewi Bhumi, I Made Bayu Puser Deviyani, Ni Kadek Siska Dewa Gede Ardawa Putra Wicaksana Dewa Made Dermawan Dewi, Ayu Krisna Gayatri Sari Dewi, Gusti Ayu Ketut Rencana Sari Dewi, Gusti Ayu Nyoman Santhi Kumari Pusya Elsye Andriani Delfi Faisal, Yusuf Febrian Putra Gusti Ngurah Sastra Agustika Hasbullah Hasbullah I Gede Adi Sudi Anggara I Gede Mugi Raharja I Gede Mugi Raharja I Gede Yudarta, I Gede I Gusti Agung Ayu Wulandari I Gusti Ngurah Ardana I Gusti Ngurah Diva Ismayana I Ketut Muka I Ketut Sariada, I Ketut I Komang Arba Wirawan I Komang Sudirga I Made Dwiarya Swandi I Made Radiawan I Made Saryana I Made Suparta I Made Suparta I Nyoman Larry Julianto I Nyoman Widhi Adnyana I Nyoman Wiwana I Nyoman, suardina I Putu Adi Sanjaya I Putu Bagus Restu Pratama Wiwaha I Putu Putra Suryadana I Putu Putra Suryadana I Putu Suparthana I Wayan Adnyana I Wayan Sukarya I Wayan Sukarya I Wayan Sukarya I Wayan Swandi Ilma, Arina Zaida Kadek Dwiyani Kadek Meishya Paraswari Putri Kaiway, Yudhi Aji Ristanto Karuni, Ni Kadek Kuswandari, Ni Kadek Diah Nanta Larry Julianto, I Nyoman Made Gana Hartadi Maria Christina Ongkowidjojo Marina Wardaya Mercu Mahadi Muliawati, Ni Putu Muliawati, Ni Putu Nelly Rosaline Ngidep Wiyasa, I Nyoman Ni Gusti Ayu Paramita Ni Luh Desi In Diana Sari, Ni Luh Desi In Ni Luh Sustiawati Ni Made Arshiniwati Ni Made Rai Sunarini, Ni Made Rai Ni Putu Desy Sonnya Suandhari Nina Eka Putriani Nurlaeli Dwi Safitri Paramartha, I Putu Adi Surya Permadi, Giovanni Brewijaya Putra Prasetya, Ignasius Gede Aldo Dani Prastiti, Ni Putu Suci Pratama, Putu Angga Putriani, Nina Eka Rai, Sunarini Ratna Cora Sudharsana, Tjok Istri Ratnamaya, A. A. Ista Remawa, Anak Agung Gede Rai Ricky Fernando Rosaline, Nelly Sabath, Brill Obed Samuel Samuel Sarjani, Ni Ketut Pande Satrio Hutomo, Adam Shienny Megawati Sutanto Simanjuntak, Yessica Yosia Virginia Soelistyowati Soelistyowati Sri Marwati Sri Marwati Sudibya, I Gusti Ngurah Suharto, I Sukajaya, I Komang Supandi, Fajar Persada Sutrisnayanti, Ni Nyoman Syahrian, Alfin Teresia Hanna Sanjaya Udayana, A. A. Gde Bagus Wasista, I Putu Udiyana Wayan Karja Wicaksana, Dewa Gede Ardawa Putra Wirawan, I Gusti Ngurah Yanti Heriyawati Yogantara, Wayan Arfian