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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Pendidikan Seni Rupa Jurnal Ilmiah Desain & Konstruksi Gorga : Jurnal Seni Rupa Ars: Jurnal Seni Rupa dan Desain PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education Jurnal Kajian Bali SINEKTIKA: Jurnal Arsitektur ANDHARUPA MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts PRABANGKARA Segara Widya: Jurnal Penelitian Seni International Research Journal of Management, IT & Social Sciences Wikrama Parahita : Jurnal Pengabdian Masyarakat Gondang: Jurnal Seni dan Budaya PRODUCTUM : Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) JURNAL TATA KELOLA SENI Visualita : Jurnal Online Desain Komunikasi Visual Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Jurnal Desain Jurnal Abdimas PHB : Jurnal Pengabdian Masyarakat Progresif Humanis Brainstorming Pantun: Jurnal Ilmiah Seni Budaya VCD (Journal of Visual Communication Design) Journal of Music Science, Technology, and Industry (JOMSTI) Journal of Social Science Jurnal Cahaya Mandalika International Journal of Educational Review, Law And Social Sciences (IJERLAS) calaccitra: jurnal film dan televisi Jurnal Desain Komunikasi Visual Nirmana Journal of Aesthetics, Creativity and Art Management Jurnal Dimensi Seni Rupa dan Desain Jurnal Dimensi DKV Seni Rupa dan Desain Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Bhumidevi : Journal Of Fashion Design Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya Journal of Social Science Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Retina Jurnal Fotografi Hastagina: Jurnal Kriya dan Indsutri Kreatif Proceeding of International Conference on Humanity Education and Society Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Global Art Creativity Conference
I Wayan Mudra, I Wayan
Institut Seni Indonesia Denpasar
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Analisis Ekosistem Seni Raprock United Bali Ricky Fernando; I Wayan Mudra; I Ketut Sariada
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 2 (2025): Agustus : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i2.5315

Abstract

Raprock United Bali is an important music community that plays a significant role in preserving and promoting the rap rock genre in Bali. Since its formation in 2015, this community has served as a platform for musicians and rap rock enthusiasts to create, collaborate, and maintain the genre's presence amid shifting musical preferences within society. This study aims to analyze the role of Raprock United Bali within the cultural, social, economic, educational, and legal ecosystems, as well as the community's strategies for addressing various challenges. Using a descriptive qualitative method, data was collected through interviews with community members and literature analysis. The research findings indicate that Raprock United Bali has a strong cultural ecosystem through regular activities such as RAPROCK NIGHT and the production of the compilation album “ROKIN RAPROCK,” supported by local sponsors. In the social ecosystem, this community strengthens solidarity among members and builds connections with audiences through music events that also impact the local economy. Additionally, the community contributes to knowledge transfer and musical skill development, making it an informal educational platform for its members. Awareness of copyright protection and licensing regulations is also a crucial aspect of the community's legal sustainability. In conclusion, Raprock United Bali is not only a driving force in the music scene but also creates a significant impact on Bali's cultural ecosystem and society, making it an inspiring model for other art communities in Indonesia.
PEMOTRETAN MOBIL PORSCHE 356 COUPE DI TUKSEDO STUDIO Wicaksana, Dewa Gede Ardawa Putra; Mudra, I Wayan; Saryana, I Made
Retina Jurnal Fotografi Vol 2 No 1 (2022): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v2i1.1289

Abstract

Mobil Porsche 356 adalah mobil dua pintu , mesin berpenggerak dibagian belakang. Mobil ini tersedia dalam versi hardtop coupe dan convertible .Inovasi teknik terus berlanjut selama bertahun-tahun produksinya, dimana Porsche 356 merupakan kendaraan yang diproduksi oleh perusahaan jerman sejak tahun 1948 hingga 1965 untuk pasaran global, mobil ini dirakit di Stuttgart, Jerman berkontribusi pada kesuksesan dan popularitas mobil sport ikonik ini Meski Porsche 356 kini sudah tidak diproduksi lagi, namun hingga saat ini masih banyak diminati oleh para kolektor mobil dunia. Ada juga perusahaan yang punya ide untuk bisa mereproduksi mobil klasik tersebut, salah satunya PT.Tuksedo Studio. Tujuan dari penelitian ini adalah untuk mengetahui cara kerja dan interaksi di Tuksedo Studio melalui program MBKM, untuk mengetahui proses pemotretan mobil Porsche 356 Coupe menerapkan teknik dan komposisi di Tuksedo studio.Manfaat dari penelitian ini adalah bagi mahasiswa dapat menambah wawasan dan pengetahuan secara teoritis praktisi. Bagi lembaga ISI Denpasar dapat menambah referensi serta bagi masyarakat menambah informasi tentang pemotretan mobil Porsche 356 Coupe di Tuksedo Studio. Metode yang digunakan adalah observasi, studi pustaka, wawancara.Penelitian ini menghasilkan 15 karya fotografi. Adapun teknik yang digunakan oleh penulis dalam penciptaan karya Mobil Porsche 356 Coupe ini adalah eye level,high angle, low angle serta close up untuk detailnya dan permainan komposisi saat pemotretan untuk menghasilkan foto yang terlihat menarik. Proses pemotretan diawali set up tempat, menyiapkan lampu, mengatur posisi mobil, dan proses tahap pemotretan .
THE ROLE OF MYTH IN SUSTAINAINING BASANG TAMIANG POTTERY IN KAPAL VILLAGE BADUNG REGENCY Mudra, I Wayan; Muliawati, Ni Putu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.555

Abstract

Pottery craft products produced by craftsmen in Banjar Bangsatamiang, Kapal Village, Mengwi District, Badung Regency, their existence is still continuing until now, it is believed that there are myths that play a role in them. This study aims to discuss the role of myths in the sustainability of pottery craft products by craftsmen in Banjar Basangtamiang. Data were collected using observation, interview, and documentation techniques, determination of data sources with purposive sampling and data analysis with Roland Barthes' myth theory. The results of the study show that the beliefs of Banjar Basang Tamiang craftsmen discussed from Roland Barthes' semiotic theory can be called myths in the first level of denotative sign reading and connotative sign reading at the second level. These myths ideologically bind craftsmen to continue to pursue pottery crafts as a profession for a living. These myths play a positive role in the sustainability of Basang Tamiang pottery crafts in the future so that they can exist until now . 
TOPENG RANGDA AS METAPHOR OF DEWI DURGA BY TJOKORDA OKA TUBLEN Artawan, Cokorda Alit; Mudra, I Wayan; Muka, I Ketut; Karja, I Wayan
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.570

Abstract

The Topeng Rangda created by Tjokorda Oka Tublen with a distinctive character as an interpretation of Durga has a magical impression. This research aims to deeply understand Rangda as a metaphor of Durga by Tjokorda Oka Tublen. The Topeng Rangda created by Tjokorda Oka Tublen's is sacred to the community and used as a role model by the Balinese people. Nevertheless, until now there has been no special study about it. This research uses a qualitative method. The data collection is done by purpose sampling with observation, interview, and literature study techniques, dissected with aesthetic theory and metaphor theory. The result of this study, Topeng Rangda as a metaphor is a mask with a scary face as the embodiment of Dewi Durga in white with buck teeth, bulging eyes with a magical, majestic and authoritative impression. The process of creating Tjokorda Oka Tublen's mask includes: newasen, nyawi, nyalonan, makalan, nadiang, nelesang, ngalusang, ngewarna, dan pasupati.
ART ECOSYSTEM OF THE HGATERI TRADITIONAL MUSIC GROUP IN JAYAPURA PAPUA Kaiway, Yudhi Aji Ristanto; Mudra, I Wayan; Sariada, I Ketut
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.604

Abstract

This study looks at the world of traditional Papuan music, focusing on the Hgateri group. Hgateri is a traditional music group in Jayapura that keeps Wonti-Waropen music alive and is a symbol of efforts to preserve traditional music in Papua. This research aims to describe the traditional Papuan music ecosystem by studying the Hgateri group. Using a qualitative method, we gathered data through observations, interviews with the group leader, and documents. The results show that Hgateri has found new ways to introduce traditional music to young people. This study looks at how this group works in different areas: culture and society, where Hgateri helps keep their culture alive and brings the Wonti people closer together; economics, where the group has shown that traditional arts can make a steady income; education, where Hgateri helps young people grow and learn; laws, where the group understands the importance of being legal; and technology, where they combine old and new ways to create exciting performances. This research helps us better understand traditional Papuan music and how to keep it alive.
Penerapan Gamifikasi Pada Media Pembelajaran Smart Fingers Tenses untuk Memotivasi Proses Belajar Mandiri Siswa SMP Rosaline, Nelly; Julianto, I Nyoman Larry; Mudra, I Wayan
Jurnal Desain Vol 10, No 3 (2023): Jurnal Desain
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/jd.v10i3.14803

Abstract

Materi tentang tenses dalam pelajaran Bahasa Inggris sering menjadi kendala dalam proses belajar di kelas maupun secara mandiri oleh siswa SMP. Media yang digunakan untuk penyampaian materi tenses di kelas biasanya bersifat konvensional dalam bentuk table rumus dan penjabaran yang harus dihafalkan manual oleh siswa. Proses belajar tersebut membuat siswa mudah bosan karena tidak relevan pada era digital 4.0 saat ini. Pada penelitian ini bertujuan untuk pengembangan media pembelajaran tenses dalam bentuk media digital yang dapat diakses secara online dengan pendekatan konsep gamifikasi untuk memotivasi minat belajar tenses siswa SMP secara mandiri. Metode penelitian ini bersifat kualitatif, dilakukan di empat SMP Penggerak di Kabupaten Badung dengan data pendukung meliputi; observasi, wawancara, kuesioner, dan studi literatur. Berdasarkan penelitian terdahulu yang serupa disebutkan bahwa penerapan gamifikasi menjadi solusi praktis untuk meningkatkan motivasi belajar siswa karena menggunakan unsur permainan, sehingga memberikan kesan belajar sambal bermain. Media smart fingers tenses berbasis online pada penelitian ini telah menerapkan konsep gamifikasi dengan memberikan poin untuk jawaban yang benar pada menu kuis tenses. Elemen permainan lainnya yang diterapkan dan mampu memotivasi penggunaan pada media ini ialah lencana yang diberikan berdasarkan level dan poin tertentu. Siswa juga dapat memantau ranking pemain lainnya sehingga menciptakan rasa kompetisi yang positif.
GELIAT RUANG SENI DAN KREATIVITAS DI SANGGAR SENI PEKANDELAN AGUNG I Putu Bagus Restu Pratama Wiwaha; I Wayan Mudra; I Ketut Sariada
Jurnal Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya Vol 10 No 1 (2025): Volume 10 No 1
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/pariwisata.v10i1.4502

Abstract

Pekandelan Agung Art Studio is an art studio that continues to preserve traditional dance arts amidst the influx of foreign cultures into Indonesia. This study aims to analyze the activities of Pekandelan Agung Art Studio in preserving traditional Balinese dance arts in 2019-2025. Data collection methods were carried out through observation, interviews, and documentation, determining data sources with purposive sampling and data analysis with hermeneutics. The results of the study showed that the activities of Pekandelan Agung Art Studio in preserving traditional Balinese dance arts were carried out through dance education, dance training, and performances internally and externally as well as building social, cultural, and economic values. The positive activities of this studio received the "Parama Patram Budaya" award from the Bali Provincial Culture Office. This award is a form of government appreciation for artists in maintaining traditional cultural values amidst the challenges of modernization.
The Analysis of the Art Ecosystem in the Development of Musicmathematics Samuel, Samuel; Mudra, I Wayan; Sariada, I Ketut
Journal of Aesthetics, Creativity and Art Management Vol. 4 No. 2 (2025): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v4i2.6085

Abstract

Musicmathematics is the integration of mathematical principles in music, offering a new approach in contemporary music composition. This study arises from the urgency to understand the impact of musicmathematics on the art ecosystem holistically, encompassing cultural, social, economic, educational, legal, and technological aspects. The research employs document analysis and audiovisual analysis methods to identify patterns, relationships, and the influence of musicmathematics on various elements of the art ecosystem. The study is based on the art ecosystem theory by Becker (1982), which emphasizes the interaction between art actors and social structures, and Benoît Mandelbrot’s fractal theory (1989), which observes recurring patterns in music structures. Additionally, the concept of dynamic culture (Geertz, 1973a) is used to understand cultural transformation through the application of mathematical innovations. The results of the research indicate that musicmathematics significantly contributes to music composition innovation, despite facing challenges in social acceptance and commercialization. Culturally, musicmathematics creates tension between innovation and tradition; socially, this genre forms a limited experimental community; and in education, it enriches curricula with analytical approaches facilitated by technology. The study concludes that musicmathematics holds great potential in supporting the transformation of contemporary arts, particularly through strengthening education and technology. However, adaptive strategies are needed to increase the acceptance of this concept in a broader art ecosystem. Keywords: musicmathematics, art ecosystem, music innovation, music education, art technology.
ANALISIS MAKNA DAN BENTUK BUSANA ADAT DAHA DAN TRUNA DESA BUNGAYA KARANGASEM Elsye Andriani Delfi; I Wayan Mudra; I Wayan Swandi
Ars: Jurnal Seni Rupa dan Desain Vol 23, No 3 (2020): Desember 2020
Publisher : Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v23i3.4473

Abstract

Busana adat daha  dan truna Desa Bungaya adalah busana yang wajib digunakan saat upacara Dewa Yadnya yang biasanya  berlokasi di Pura Bale Agung Desa Bungaya Karangasem. Busana adat daha dan truna ini merupakan salah satu bagian unik dari adat dan tradisi yang sudah diwariskan turun-temurun oleh leluhur di Desa Bungaya. Busana adat ini secara visual nampak sangat sederhana namun memiliki filosofi yang  erat kaitannya dengan nilai-nilai dalam agama. Oleh karena itu bentuk yang menyusun busana ini memiliki makna yaitu makna konotatif dan denotatif. Makna dalam satu bentuk atau bentuk lainnya, menyampaikan pengalaman sebagian besar umat manusia di semua masyarakat dan  bentuk menjadi begitu penting karena mampu mempengaruhi perasaan estetis para penikmat seni ketika pertama melihat suatu karya seni rupa. Adapun tujuan dalam penulisan ini adalah untuk mengetahui lebih dalam tentang bagaimana unsur pada desain mode yang terkandung didalamnya yaitu bentuk dalam busana adat daha dan truna di Desa Bungaya yang mengandung suatu makna. Penulisan ini menggunakan metode penelitian deskriptif kualitatif dengan teknik pengumpulan data observasi, wawancara dan kepustakaan. Berdasarkan analisa data yang dilakukan, didapat kesimpulan yaitu unsur bentuk dalam busana adat daha dan truna terdapat bentuk geometris, non geometris dan bentuk siluet yang menyusun busana adat dan dalam bentuk tersebut mengandung makna konotatif dan denotatif.
Co-Authors A. A. Gde Bagus Udayana Adesastrawiguna, Iputu Adiartha, I Komang Adiputra, Komang Anak Agung Ayu Oka, Saraswati Andreani, Ni Putu Elvian Artawan, Cokorda Alit Asra, Rezky Gustian Ayu Krisna Gayatri Sari Dewi Bhumi, I Made Bayu Puser Deviyani, Ni Kadek Siska Dewa Gede Ardawa Putra Wicaksana Dewa Made Dermawan Dewi, Ayu Krisna Gayatri Sari Dewi, Gusti Ayu Nyoman Santhi Kumari Pusya Elsye Andriani Delfi Faisal, Yusuf Febrian Putra Hasbullah Hasbullah I Gede Adi Sudi Anggara I Gede Mugi Raharja I Gede Mugi Raharja I Gede Yudarta, I Gede I Gusti Ngurah Ardana I Ketut Muka I Ketut Sariada, I Ketut I Komang Arba Wirawan I Komang Sudirga I Made Dwiarya Swandi I Made Radiawan I Made Saryana I Made Suparta I Made Suparta I Nyoman Larry Julianto I Nyoman Widhi Adnyana I Nyoman Wiwana I Nyoman, suardina I Putu Adi Sanjaya I Putu Bagus Restu Pratama Wiwaha I Putu Putra Suryadana I Putu Putra Suryadana I Putu Suparthana I Wayan Adnyana I Wayan Sukarya I Wayan Sukarya I Wayan Sukarya I Wayan Swandi Julianto, I Nyoman Larry Kadek Dwiyani Kadek Meishya Paraswari Putri Kaiway, Yudhi Aji Ristanto Karuni, Ni Kadek Kuswandari, Ni Kadek Diah Nanta Larry Julianto, I Nyoman Made Gana Hartadi Marina Wardaya Mercu Mahadi Muliawati, Ni Putu Muliawati, Ni Putu Ngidep Wiyasa, I Nyoman Ni Gusti Ayu Paramita Ni Luh Desi In Diana Sari, Ni Luh Desi In Ni Luh Sustiawati Ni Made Arshiniwati Ni Made Rai Sunarini, Ni Made Rai Ni Putu Desy Sonnya Suandhari Nina Eka Putriani Nurlaeli Dwi Safitri Ongkowidjojo, Maria Christina Paramartha, I Putu Adi Surya Permadi, Giovanni Brewijaya Putra Prasetya, Ignasius Gede Aldo Dani Prastiti, Ni Putu Suci Pratama, Putu Angga Putriani, Nina Eka Rai, Sunarini Ratna Cora Sudharsana, Tjok Istri Ratnamaya, A. A. Ista Remawa, Anak Agung Gede Rai Ricky Fernando Rosaline, Nelly Rosaline, Nelly Samuel Samuel Sarjani, Ni Ketut Pande Satrio Hutomo, Adam Shienny Megawati Sutanto Simanjuntak, Yessica Yosia Virginia Soelistyowati Soelistyowati Sri Marwati Sri Marwati Sudibya, I Gusti Ngurah Suharto, I Sukajaya, I Komang Supandi, Fajar Persada Sutrisnayanti, Ni Nyoman Syahrian, Alfin Teresia Hanna Sanjaya Wasista, I Putu Udiyana Wayan Karja Wicaksana, Dewa Gede Ardawa Putra Wirawan, I Gusti Ngurah Yanti Heriyawati Yogantara, Wayan Arfian