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All Journal Scriptura Interaksi : Jurnal Ilmu Komunikasi Jurnal Pekommas Jurnal Penelitian Komunikasi dan Opini Publik Jurnal Kajian Komunikasi Jurnal The Messenger KOMUNIKA JURNAL MANAJEMEN MOTIVASI Jurnal Komunikasi Jurnal ASPIKOM Jurnal Ilmu Kefarmasian Indonesia Jurnal Profetik Prologia Koneksi Jurnal Muara Ilmu Sosial, Humaniora, dan Seni Jurnal Muara Ilmu Ekonomi dan Bisnis Jurnal Abdi: Media Pengabdian Kepada Masyarakat Jurnal Abdi Insani Journal of English Teaching, Literature, and Applied Linguistics Jurnal Bakti Masyarakat Indonesia ABDI MOESTOPO: Jurnal Pengabdian pada Masyarakat Journal La Lifesci Jurnal Pengabdian Masyarakat (ABDIRA) Jurnal PkM (Pengabdian kepada Masyarakat) Jurnal Pengabdian Masyarakat : Pemberdayaan, Inovasi dan Perubahan ASPIRATION Journal Journal Of Science Education And Management Business Prosiding Seri Seminar Nasional Inter Script: Journal of Creative Communication Journal of Indonesian Society Empowerment Jurnal Mediakita : Jurnal Komunikasi dan Penyiaran Islam Jurnal Muara Medika dan Psikologi Klinis Cendikia: Jurnal Pendidikan dan Pengajaran Kiwari Comdent: Communication Student Journal Media Riset Bisnis Ekonomi Sains dan Terapan Komunikatif : Jurnal Ilmiah Komunikasi JOECE: Journal of Early Childhood Education Jurnal UNIV.BI MENGABDI Jurnal Serina Abdimas Jurnal Ilmu Komunikasi dan Bisnis

Wulan Purnama Sari

Fakultas Ilmu Komunikasi, Universitas Tarumanagara

Author-ID : 1240494

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Adverse events among pulmonary drug-resistant tuberculosis patients in Banten, Indonesia Restinia, Mita; Siddiqa, Alyya; Sari, Wulan Purnama
JURNAL ILMU KEFARMASIAN INDONESIA Vol. 23 No. 1 (2025): JIFI
Publisher : Faculty of Pharmacy, Universitas Pancasila

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35814/jifi.v23i1.1704

Drug-resistant Tuberculosis (DR-TB) treatment requires an extended duration, making adverse events (AEs) a common concern. This study aimed to assess the frequency of AEs, time to events, and their association with treatment outcomes among DR- pulmonary TB patients. A retrospective cohort study was conducted on patients aged >18 years at one of public hospitals at Tangerang, Banten, Indonesia, from March 2021 to May 2023. Bivariate analysis was used to analyze the association between AEs and treatment outcomes. Among 53 patients included in the study, all experienced at least one AEs. Number of AEs mean Â± SD; 9.724Â±4.86. Mild AEs were reported in 100% of patients, while 75.5% experienced moderate AEs, and 81.1% experienced severe AEs. The most common AEs included nausea (90.6%), anemia (73.6%), vomiting (62.3%), decreased appetite (60.4%), and joint pain (60.4%). The AEs were frequently reported during intensive phase (4-6 months). AEs have association with treatment outcome (P<0.05). The frequency of AE among DR-TB patients was high. Early detection and effective management of AEs are essential to improving treatment outcomes for DR-TB patients.

Analisa Media Sosial Instagram dan Komunikasi Pemasaran Creative Marketing Strategist @garistemu.co Wulan Purnama Sari; Suzy Azeharie
Jurnal Ilmu Komunikasi dan Bisnis Vol 9 No 2 (2024): April 2024
Publisher : Universitas Tarakanita

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36914/2xhk5h98

Garis Temu yang merupakan agensi media sosial dan creative marketing strategist juga melakukan komunikasi pemasaran digital bagi agensinya sendiri untuk dapat berlayar di tengah masyarakat sehingga jasanya dapat dipakai oleh para pebisnis. Melakukan komunikasi pemasaran bagi bisnisnya sendiri, Garis Temu telah sukses meningkatkan kredibilitasnya sehingga kini telah memiliki pengikut organik sebanyak 59.600 orang, serta secara rutin berbagi insight tentang pemasaran di media sosialnya. Tujuan penelitian ini adalah untuk menganalisis serta menjelaskan komunikasi pemasaran yang dilakukan oleh para ahli pemasaran kreatif di platform media sosial, dan juga untuk menyelidiki serta menjelaskan pola interaksi media sosial yang dimiliki oleh para ahli pemasaran kreatif. Peneliti menggunakan pendekatan kuantitatif dengan metode social network analysis, dengan dukungan dari perangkat lunak analisa.io. Subjek penelitian ini adalah akun media sosial @garistemu.co di platform Instagram, sementara objek penelitian ini adalah komunikasi pemasaran yang dilakukan oleh para ahli pemasaran kreatif di platform media sosial Instagram. Hasil penelitian menemukan bahwa engagement media sosial Garis Temu mencapai 1,01% atau kategori sedang. Secara umum, prinsip komunikasi pemasaran digital yang dilakukan oleh Garis Temu antara lain: (1) membentuk komunitas kreatif generasi muda, (2) komunikasi pemasaran digital yang beresonansi dengan cara memanusiakan merek, dan (3) komunikasi pemasaran digital yang kreatif perlu mengikuti tren terkini.

MEMBANGUN CITRA DIRI POSITIF MELALUI PEMBELAJARAN TENTANG PERSONAL BRANDING UNTUK GENERASI Z Wulan Purnama Sari; Claribel Halim; Fiona CH Bernadett
Jurnal Bakti Masyarakat Indonesia Vol. 8 No. 3 (2025): Jurnal Bakti Masyarakat Indonesia
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat, Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jbmi.v8i3.35620

Generation Z is known as digital natives who are deeply connected to social media and information technology. Their involvement in the digital space has influenced various aspects of life, including the process of identity and self-image formation. Unlike previous generations who developed their identities through direct, face-to-face interactions, Generation Z is more heavily influenced by what they consume and present on social media. This creates its own set of challenges, such as identity crises, social anxiety, and pressure to meet digitally constructed social standards. In response to these issues, this Community Service Program (PKM) was carried out to provide education on the importance of personal branding as a strategy to build a positive and authentic self-image. The program was implemented at SMKN 1 Cimahi through three main phases: pre-implementation (audience engagement and initial survey), implementation (material delivery and interactive discussions), and post-implementation (evaluation, documentation, and publication). The interactive counseling method was chosen to encourage active student participation in understanding and practicing the concept of personal branding. Evaluation results showed an increase in participants' understanding of the importance of building an authentic self-image, as well as heightened awareness of digital literacy. This activity not only had a positive impact on the participants but also supported the school’s role in fostering student character development and readiness to face the challenges of the digital world. Moving forward, similar activities are expected to continue, with a focus on advanced digital literacy and the productive use of social media.

Studi Pengelolaan Brand Voice untuk Konten Digital oleh Social Media Officer Nada, Na Quita; Sari, Wulan Purnama; Utami, Budi
Kiwari Vol. 4 No. 4 (2025): Kiwari
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/ki.v4i4.36817

As digital creative agencies handle multiple brands across different platforms, the need to maintain a clear and consistent brand voice becomes increasingly important. The paper explores how the Social Media Officer (SMO) at PT Idein Kreatif Indonesia manages this task while navigating the daily demands of content production. The analysis draws on Communication Accommodation Theory to understand how the SMO adjusts tone, rhythm, and language style to match the character of each platform, and on Symbolic Interactionism to see how meanings are shaped through collaboration with designers and decision-makers. Using a qualitative case study approach, the research is based on interviews, direct observation, and internal documents such as brand guidelines and the Creative Communication Strategy. The findings reveal several key practices: adapting the brand’s persona for different platforms, maintaining alignment between verbal and visual elements, and handling the practical challenges that appear in fast-paced creative work. These insights show that brand voice management is not simply a technical routine but a continuous process that involves negotiation, interpretation, and teamwork. The paper concludes by emphasizing the strategic role of SMO in shaping how brands “sound” and “show up” in today’s digital landscape. Dalam perkembangan industri kreatif digital, tuntutan untuk menjaga konsistensi brand voice semakin besar, terutama bagi agensi yang menangani berbagai platform sekaligus. Tulisan ini membahas bagaimana Social Media Officer (SMO) di PT Idein Kreatif Indonesia menata dan menyesuaikan gaya komunikasi brand dalam proses produksi konten sehari-hari. Dengan menggunakan Teori Akomodasi Komunikasi, pembahasan menyoroti bagaimana SMO menyesuaikan pilihan kata, ritme, dan cara bertutur agar sesuai dengan karakter audiens tiap platform. Sementara itu, pendekatan Interaksi Simbolik digunakan untuk melihat bagaimana makna pesan terbentuk melalui interaksi dengan desainer dan pengambil keputusan. Penelitian dilakukan dengan metode studi kasus melalui wawancara, observasi, dan telaah dokumen internal seperti brand guidelines dan Creative Communication Strategy. Temuan menunjukkan bahwa pengelolaan brand voice melibatkan adaptasi persona merek, penyelarasan elemen verbal dan visual, serta penanganan tantangan yang muncul ketika ritme kerja berubah-ubah. Keseluruhan proses memperlihatkan bahwa menjaga brand voice bukan tugas teknis semata, melainkan proses strategis yang menuntut interpretasi, koordinasi, dan pemahaman mendalam terhadap identitas merek. Melalui hasil ini, peran SMO tampak semakin penting dalam membentuk kehadiran digital sebuah merek.

Representasi Toxic Positivity dalam Anime Takopi's Original Sin (Perspektif Roland Barthes) Nikita, Moira; Sari, Wulan Purnama
Kiwari Vol. 4 No. 4 (2025): Kiwari
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/ki.v4i4.36819

Anime serves as a medium that can portray social behavior while communicating cultural values to its audience. This study examines the representation of toxic positivity and its connection to trauma in Takopi’s Original Sin using Roland Barthes’ semiotics. The analysis draws on social construction theory, interpersonal communication, and mass communication to understand how emotional norms are formed and reproduced through visual narratives. A qualitative approach is applied through Barthes’ semiotic method, supported by scene documentation and interviews with a psychology lecturer to validate the interpretation. The findings show that toxic positivity appears through verbal and nonverbal signs such as forced smiles, repeated positive statements, and physical gestures used to suppress or conceal negative emotions. Through the layers of denotation, connotation, and myth, these signs reveal how characters internalize social expectations to appear stable despite experiencing emotional pressure. The analysis also shows that traumatic experiences shape how the characters respond to conflict, making the optimism they display function more as a coping mechanism. Overall, the study concludes that toxic positivity in Takopi’s Original Sin is portrayed as an emotional pattern shaped by social pressure, unhealthy relational dynamics, and the characters’ inability to process negative experiences. Anime menjadi media yang mampu menggambarkan perilaku sosial sekaligus menyampaikan nilai budaya kepada penonton. Penelitian ini menganalisis representasi toxic positivity dan kaitannya dengan trauma dalam Takopi’s Original Sin dengan menggunakan semiotika Roland Barthes. Penelitian mengacu pada teori konstruksi sosial, komunikasi interpersonal, dan komunikasi massa untuk melihat bagaimana norma emosional dibentuk dan direproduksi melalui narasi visual. Pendekatan kualitatif diterapkan melalui teknik analisis semiotika Barthes, didukung dokumentasi adegan dan wawancara dengan dosen psikologi sebagai validasi interpretasi. Hasil penelitian menunjukkan bahwa toxic positivity muncul melalui tanda verbal dan nonverbal seperti senyum yang dipaksakan, ucapan positif yang diulang, serta gestur fisik yang digunakan untuk menahan atau menutupi emosi negatif. Melalui lapisan denotasi, konotasi, dan mitos, tanda-tanda tersebut memperlihatkan bagaimana karakter mengingat tuntutan sosial untuk terlihat stabil meski sedang tertekan. Analisis juga memperlihatkan bahwa pengalaman traumatis membentuk cara tokoh merespons konflik, sehingga optimisme yang mereka tampilkan lebih berfungsi sebagai mekanisme bertahan. Secara keseluruhan, penelitian ini menyimpulkan bahwa toxic positivity dalam Takopi’s Original Sin direpresentasikan sebagai pola emosional yang terbentuk oleh tekanan sosial, dinamika hubungan yang tidak sehat, dan ketidakmampuan karakter memproses pengalaman negatif.

Analisis Regresi Komunikasi Pemasaran terhadap Minat Menonton Film Siksa Kubur di Instagram Edsel, Audric; Sari, Wulan Purnama
Kiwari Vol. 5 No. 1 (2026): Kiwari
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/ki.v5i1.36988

For ordinary Indonesian audiences who view films as a form of entertainment, the availability of online streaming platforms remains a key factor in deciding whether to watch a film in theaters or wait for it to be available at home. In the modern era where social media is inseparable from people's daily lives, competition seems to be intensifying among business actors, including a number of production houses in Indonesia, competing to build brand awareness while simultaneously marketing their films to the general public by keeping up with current trends. This study was conducted to analyze and describe the impact of production house marketing communications on Instagram on interest in watching the film Siksa Kubur. The method used was numerically descriptive, and a list of statements was distributed with a Likert scale assessment. 100 respondents were selected as the population and sample of the study using purposive sampling. The regression test results were 3.706 and 0.242, respectively, and the hypothesis test rejected H0 and accepted H1. The results showed that there were eight elements of the marketing communication mix and three aspects of viewing interest were used as a theoretical basis. The analyzed data indicated that marketing communications had a significant impact on viewing interest. Bagi penonton awam Indonesia yang menjadikan tontonan film sebagai bentuk hiburan, ketersediaan platform online streaming masih menjadi salah satu acuan dalam mengambil keputusan untuk menonton film di bioskop atau menunggu film tersebut dapat diakses di rumah. Di tengah era modern di mana keberadaan media sosial tidak dapat dipisahkan dari keseharian manusia, tampaknya kesengitan terjadi antara para pelaku usaha, termasuk sejumlah rumah produksi di Indonesia yang bersaing untuk membangun brand awareness perusahaan sekaligus memasarkan film-film keluarannya kepada khalayak umum dengan mengikuti perkembangan zaman yang cenderung mengedepankan tren. Penelitian ini dilakukan untuk menganalisis dan mendeskripsikan dampak komunikasi pemasaran rumah produksi di Instagram pada minat menonton film Siksa Kubur. Metode yang digunakan berbasis angka dengan sifat deskriptif, lalu menyebarkan daftar pernyataan dengan penilaian menggunakan skala likert. Terseleksi 100 responden sebagai populasi dan sampel penelitian menggunakan purposive sampling. Hasil uji regresi 3,706 dan 0,242, kemudian uji hipotesis menolak H0 dan menerima H1. Hasil penelitian menunjukkan, terdapat delapan elemen bauran komunikasi pemasaran serta tiga aspek minat menonton digunakan sebagai landasan teori. Data yang dianalisis mengindikasikan bahwa komunikasi pemasaran memiliki dampak yang berarti pada minat menonton.

Komunikasi Digital Membangun Loyalitas Pelanggan Somethinc dalam Shopee Tanuwijaya, Rio; Sari, Wulan Purnama
Kiwari Vol. 5 No. 1 (2026): Kiwari
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/ki.v5i1.36999

Digital communication has become an important component of customer engagement strategies in e-commerce platforms. This study analyzes how digital communication contributes to the development of customer loyalty toward the Somethinc brand on Shopee. The theoretical framework covers interactivity, information quality, responsiveness, and participation as indicators of digital communication. A quantitative method was applied through a survey of one hundred respondents selected using purposive sampling. Data analysis includes validity testing, reliability testing, normality testing, Pearson correlation, simple linear regression, and the t test using SPSS software. Results show that digital communication has a positive and significant effect on customer loyalty. The coefficient of determination indicates that digital communication contributes 5.9 percent to loyalty, while the remaining percentage is influenced by other external variables. The regression coefficient confirms that each unit increase in digital communication contributes to an increase in customer loyalty. These findings emphasize the significance of well managed digital communication in supporting brand consistency and sustaining customer loyalty in competitive e-commerce environments. Komunikasi digital menjadi bagian penting dalam mengelola hubungan antara merek dan pelanggan pada platform e-commerce. Penelitian ini menganalisis kontribusi komunikasi digital terhadap pembentukan loyalitas pelanggan Somethinc di Shopee. Kerangka teori mencakup interaktivitas, kualitas informasi, responsivitas, dan partisipasi sebagai indikator komunikasi digital. Penelitian menggunakan metode kuantitatif dengan survei terhadap seratus responden melalui teknik purposive sampling. Analisis data meliputi uji validitas, reliabilitas, normalitas, korelasi Pearson, regresi linear sederhana, serta uji t dengan bantuan SPSS. Hasil menunjukkan bahwa komunikasi digital berpengaruh positif dan signifikan terhadap loyalitas pelanggan. Koefisien determinasi menunjukkan bahwa komunikasi digital memberikan kontribusi sebesar 5.9 persen terhadap loyalitas, sedangkan persentase lainnya dipengaruhi oleh faktor eksternal. Koefisien regresi mengonfirmasi bahwa peningkatan komunikasi digital berhubungan dengan peningkatan loyalitas pelanggan. Temuan ini menegaskan pentingnya pengelolaan komunikasi digital sebagai strategi untuk mempertahankan loyalitas di tengah persaingan e-commerce.

Analysis of the influence of satisfaction on consumer loyalty in standard rooms at Setia Hotel in Sintang District Sari, Wulan Purnama; Lestari, Saodah Dwi
JURNAL MANAJEMEN MOTIVASI Vol 14 No 2 (2018): Jurnal Manajemen Motivasi
Publisher : Universitas Muhammadiyah Pontianak

This study aims to know the influence of satisfaction on customer loyalty of standard rooms of Setia Hotel in Sintang District. Because moving in the field of services, then the hotel must provide a satisfactory service for consumers to be loyal. The population in this study were consumers who had stayed at the Hotel Setia Sintang, with a sample of 100 respondents. Sampling technique in this research uses purposive sampling method. Data of simple linear regression at analysis, coefficient, the coefficient of determination, and last test. The results of simple linear regression analysis show: = -0.388 + 1.050X. The coefficient result gives an R-value of 0.798 which means that the high is high between satisfaction (X) and loyalty (Y). Value (RSquare) of 0.637 or 63%. It shows that the independent variable (satisfaction) to the honest variable (loyalty) of 63% while the number of 37% or variable with others not included in this study. The loss test shows that the value of t () is 13.110 and Knowing of 1.98447 because it is bigger than then Ho is rejected. Thus, there is a positive relationship between satisfaction and loyalty of the standard hotel loyalty in Sintang Regency.

The Influence of Brand Storytelling on Perceived Brand Authenticity with Brand Trust as a Mediating Variable on Gen Z Consumers at Kopi Tuku Wulan Purnama Sari; Fiona CH Bernadett; Claribel Halim
Jurnal Komunikasi Vol. 17 No. 2 (2025): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v17i2.37476

The development of modern marketing strategies requires brands to not only offer quality products but also convey value through strong narratives. Brand storytelling is becoming an increasingly important approach, especially in reaching Generation Z, a consumer group that grew up in the digital era, is critical of authenticity, and has high expectations for brand transparency. This study aims to examine how brand storytelling influences perceived brand authenticity by considering brand trust as a mediating variable. This study focuses on Generation Z consumers of Kopi Tuku, a local brand known for its inclusive narratives. A quantitative approach was used through a survey with a purposive sampling technique, involving respondents aged 18–28 who have consumed Kopi Tuku products. Data analysis was conducted using the Partial Least Squares Structural Equation Modeling (PLS-SEM) method through SmartPLS software. Based on the results of the study, it can be concluded that brand storytelling has a positive and significant effect on brand trust and perceived brand authenticity among Generation Z consumers at Kopi Tuku. The analysis results show that a clear, consistent, and close-to-consumer brand narrative can increase consumer trust in the brand. This study also shows that brand trust acts as a partial mediator in the relationship between brand storytelling and perceived brand authenticity. This means that good storytelling not only directly shapes the perception of brand authenticity, but also works more powerfully by building consumer trust first.

Komunikasi Digital dan Monetisasi Kreatif: Affiliate, Ads, dan Kolaborasi Merek Wulan Purnama Sari; Claribel Halim; Tracy Zagitania; William Pradipta
Journal of Indonesian Society Empowerment Vol. 4 No. 1 (2026): June
Publisher : Yayasan Lentera Avanya Nagari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61105/jise.v4i1.464

The contemporary media ecosystem rapidly shifts message production to algorithm-based platforms, generating economic value from digital content. However, this opportunity must be balanced with adequate marketing communication literacy among the younger generation, particularly high school students, to navigate emerging ethical and compliance challenges. Addressing this urgency, this Community Service (PKM) program aims to enhance digital marketing communication literacy and responsible monetization skills among students at Santa Maria High School in Cirebon. The intervention is designed as an interactive face-to-face workshop covering two main areas: (1) core concepts including integrated message planning, channel selection, and ethical compliance (sponsor disclosure, copyright, privacy); and (2) structured practice involving scriptwriting, content production, and monetization simulations (affiliate, platform advertising, and brand collaboration), utilizing Claude Sonnet 4.6 for publication ideation and optimization. The theoretical framework integrates Integrated Marketing Communications, Uses and Gratifications, and Diffusion of Innovations to ensure message consistency and readiness to adopt new digital features. Evaluation is conducted through pre-post-test questionnaires to assess improvements in knowledge, attitudes, and practical readiness. Program outputs include formal reports, national journal publications, prototype reports, and intellectual property rights. Ultimately, this initiative aligns with the RIP-PKM agenda to strengthen community communication quality and develop a talent-based creative economy that is ethical, effective, and measurable. Ekosistem media kontemporer bergerak cepat ke ranah digital, menempatkan produksi dan sirkulasi pesan pada platform berbasis algoritma, serta membuat nilai ekonomi tercipta dari konten yang diproduksi. Peluang ini juga harus diimbangi dengan kesiapan literasi komunikasi pemasaran di kalangan generasi muda, khususnya pelajar SMA. Adanya bentuk baru dari pemasaran digital juga menimbulkan kendala baru dalam hal isu etika dan kepatuhan. Di sinilah urgensi program Pengabdian kepada Masyarakat (PKM) untuk sekolah menengah. Program Pengabdian kepada Masyarakat (PKM) ini bertujuan meningkatkan literasi komunikasi pemasaran digital dan kapasitas keterampilan monetisasi yang bertanggung jawab pada siswa SMA Santa Maria Cirebon. Intervensi dirancang dalam bentuk workshop tatap muka, yang berisikan: (1) penguatan konsep inti—perencanaan pesan terpadu, pemilihan kanal, dan kepatuhan etika (disclosure sponsor, hak cipta, privasi); (2) praktik terstruktur—penyusunan naskah, produksi konten, serta simulasi alur monetisasi melalui tiga skema utama (afiliasi, iklan platform, dan kolaborasi merek) termasuk pemanfaatan alat berbasis AI untuk ide dan optimasi publikasi. Kerangka teoretis mengintegrasikan Integrated Marketing Communications guna memastikan konsistensi pesan, relevansi kebutuhan audiens, dan kesiapan adopsi fitur baru. Evaluasi dilakukan melalui pra–pasca uji (kuesioner) untuk menilai peningkatan pengetahuan, sikap, dan kesiapan praktik. Luaran meliputi laporan, publikasi di jurnal nasional, laporan prototype, dan hak kekayaan intelektual berupa hak cipta. Program ini selaras dengan RIP-PKM pada agenda penguatan kualitas komunikasi masyarakat dan kontribusi pada pengembangan ekonomi kreatif berbasis talenta muda yang etis, efektif, dan terukur.

Co-Authors A , Tyas Martika Abner lumika Arung Ai Ping Teoh Aldi Nirjana Alexandra Virginia Alyya Siddiqa, Alyya Amalia, Tasya Syawa Amesz, Mutiara Fransisca Andi Setiawan Andrea, Dika Aqila, Mu’Amar Zaki Archie Gredyon Arrafi, Muhamad Iman Artika Naila Vania Atwar Bajari Audrey Sugito Augustine, Michelle Auliya, Puri Ben Thiodanu Budi Utami Cahyani, Regita Emelia Carolina, Alexandra Carolina, Christine Vonny Catherine Dwitama Shan Catherine Gisela Chandra Ronaldo Chang, Keysha Abigail Christabella, Marvelyn Christin Kurniawati Ruki Christina Christina Christine Natalia Chandra Christine Vonny Carolina Cindy Cindy Claribel Halim Claribel Halim Clarisa Tan Clemens Clemens Daniel Kurniawan Harijanto Devita Novelia Dewi Dewi DF, Filia Klarasinta Dionisius Kevin Doddy Salman Edsel, Audric Eko Harry Susanto Elvi Valentina Enzo Scifo Jauwinata Evelyn Thelia Farid Fatmoko, Adlim Dwi Febi Yola Felicia Masali Felisia Ferina, Sheren Fiona CH Bernadett Fitria, Khofifah Habibah Fransisca Graciela M B Fransisca Kristy Franslie, Reynaldo Frinico Alfian Friscilla Purnama Sari Gavrila, Sherina Grace Nathasya Graceica Octavia Haikal, Faldie Muhamad Hanny Hafiar Hardja, Diovanny Helen, Helen Heru Chandra Litmanen Hetty Karunia Tunjungsari Hidayat, Angel Hokky Putra Pangestu Hutomo Rio Pangesthio Ibanez Vienoza Ngan Ihsan, Zainur Irena, Lydia Ivan Surya Ivander Stefanus Jason Subandi Jennifer Jennifer Jennifer Lauren Jesselyn, Eunike Jessica Febriani Thoeng Jessyca Indra Joko Susilo Jonathan, Maureen Julianto, Irwan Dwi Junaidi Diharyo Karina Wongso KENI KENI Kezia Stephanie Halim Khairunnisa, Julia Khang, Helen Kristina Kristina Lady Ta, Yesha Lestari, Puji Lestari, Saodah Dwi Lie, Michelle Lioni Lioni Lulu Ferent Lusia Savitri Setyo Utami Maulana, Muhammad Irfan Mei Ie Messy Stella Fabiola Michelle Augustine Michelle Jennifer Michelle, Laurencia Mita Restinia Morisca Morisca Moureen Keisya Natania Myesha Adira Nada, Na Quita Nadia Ayu Rahma Lestari Nigar Pandrianto Nikita, Moira Nirwasita, Wulan Novianty, Melinda Nurtami Soedarsono Paramita, Sinta Pearlees Tjoeng Pesik, Vanessa Thabita Regina Phillip, Olivia Yuriko Prulicia Maharani Nitami PUJI LESTARI Putra, Kiki Pradana Putra, Rio Sanjaya Putri, Aneesa Joenice Qonitha Risky Queennie Millendian Rahmawati, Dea Indi Ravinazan, Ravinazan Reginald Gusli Reniati Reniati Rheza Alfredo Bunyamin Ria Puspitawati Rianty, Fety Fajar Ridwan, Salwa Salsabilla Rika Rachmawati Riris Loisa Risky, Qonitha Riwanda, Josephine Kayla Rizky Ferdy Rizky, Fitri Nur Romi Ferdian Rosario, Fernando Roswita Oktavianti, Roswita Ruth Ambar Safira Husna Santoso, Maria Regina Yanuarika Putri Sella Desember Selvina Suryanto Shafira Nusa Kusuma Shella Oskania Shella Shella shinta Octavia Shinta Octavia, Shinta Sinta Paramita Sinta Paramita Sri Wahyuni Stefany Stefany Stephanie Violita Chandra Sukendro, Gregorius Genep Suzy Azeharie Suzy Azeharie, Suzy Tanuwijaya, Rio Teuku Rezasyah Theja, Calista Takako Thing, Yi Tindaon, Elisabeth Indira Dameria Tomy Andreas Tracy Zagitania Tursilawati , Heri Tuwendi, William Alexander Vendy Octavian Verina Bellini Haryadi Vincent Vincent Viriyaputra, Kevin Vony Anatya William Pradipta Winduwati, Septia Winnie Agustina Wiraguna, Daniel Gabriel Yasir Hudzaifah Yeni Yeni Yoedtadi, M. Gafar Yohanes Yohanes Zhafirah Sholihah

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