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All Journal Humaniora Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya HUMANIKA Sosiohumaniora KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE JURNAL PESONA Jurnal Ilmu Komunikasi Jurnal Sosioteknologi Mozaik Humaniora Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya ATAVISME JURNAL ILMIAH KAJIAN SASTRA Extension Course Filsafat ( ECF ) Panggung Aksara Patanjala : Jurnal Penelitian Sejarah dan Budaya METASASTRA: Jurnal Penelitian Sastra Jurnal Invensi (Jurnal Penciptaan dan Pengkajian Seni) Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Capture : Jurnal Seni Media Rekam Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Arkhais - Jurnal Ilmu Bahasa dan Sastra Indonesia Suar Betang Metahumaniora Journal Albion : Journal of English Literature, Language, and Culture MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan Jurnal Ide Bahasa AKSARA: Jurnal Bahasa dan Sastra Journal of Language and Literature Studies Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia Midang Jurnal Sastra Indonesia Lire Journal (Journal of Linguistics and Literature) Panggung Aksara
Aquarini Priyatna
Fakultas Ilmu Budaya, Universitas Padjadjaran
Religion Arts Humanities Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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GENDER STEREOTYPES OF A WIFE CHARACTER IN A JAVANESE FILM MUDIK (2020) Jordy Satria Widodo; Aquarini Priyatna; Raden Muhammad Mulyadi
Journal Albion : Journal of English Literature, Language, and Culture Vol 4, No 2 (2022): Volume 4 Number 2 2022
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v4i2.6431

Abstract

Dadi Wong (Being a successful person) has been socialized through gender stereotypes in Javanese communities. The thought has also been contested with the opposite concept, namely Durung Tutug (Being an unsuccessful person). One can be included in either classification provided that he or she meets the criteria which are manifested in gender stereotypes. This article aims at identifying gender stereotypes of a Javanese wife character named Santi in film Mudik (2020). This article is analyzed using film narratology along with gender performativity and power relations. The elements, such as kernel and satellites, which show gender stereotypes of a Javanese wife character, Santi, were studied. The results present that Santi is represented as a wife who can not fulfill the criteria of Dadi Wong so that she is labelled Durung Tutug due to not having an intact family following her husband’s passing. However, she negotiates it by getting married again with another man to meet the condition of Dadi Wong in Javanese society.  Keywords: film; gender stereotypes; Javanese wife; narratology.
Celebrity Auto/Biography and the Construction of Ageing Selves Priyatna, Aquarini
Komunitas Vol 9, No 2 (2017): September 2017
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v9i2.10956

Abstract

This paper investigates the notion ageing femininity as it is performed within the frame of celebrity culture which privileges youthfulness in beauty and body image. It focuses on the issues of age, the process of ageing, the significance of ageing, the impact of ageing as part of the construction of celebrity identity and femininity. Age[ing] is an important context that female celebrities need to negotiate and embrace the ways in which cultural values need to be considered as well. Looking into the portrayal of the auto/biographical subjects and the visual images used, the paper argues that celebrities negotiate, transform and extend their forms of femininity as they age. Both auto/biographies present their auto/biographical subjects to show the construction of appealing ageing celebrity femininities that are closely linked to the characteristics of the Third Agers, being fit, fashionable, functional and flexible. 
The Malangese Mask Wayang:The Process of Art Commodification at Asmorobangun Art Center, Pakisaji, Malang Wibowo, Arining; Priyatna, Aquarini; Sobarna, Cece
Komunitas Vol 11, No 1 (2019): March 2019
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v11i1.18478

Abstract

The article aims to describe the process of commodification of the Malangese Mask Wayang Art at Asmorobangun Art Center, Pakisaji Sub-district, Malang, Indonesia. Asmorobangun Art Center is one of the surviving art centers engaged in the efforts to preserve and develop the Malangese mask wayang art. The data used in this qualitative study were collected by means of interview, observation, and examination of relevant documents. The results show that the process of commodification of the Malangese mask wayang art manifests in three practices namely the gebyak senin-legian mask wayang performances, art tourism packaging, and mask production. Commodification has transformed the art into commodities/products that are part of the local tourism industry.
Konstruksi Maskulinitas dalam Penari Balian Bawo Dayak Deah Ikeh, Tri Sulapmi Dolina; Priyatna, Aquarini; Adji, Muhammad
Paradigma: Jurnal Kajian Budaya Vol. 10, No. 1
Publisher : UI Scholars Hub

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Abstract

Balian Bawo dancer is an important figure in the traditional ceremony of the Dayak Deah tribe. A Balian Bawo is believed to be the link between humans and spirits. This dance should only be performed by a man. One representation of Dayak life is presented in the body of the dancer. This study has a qualitative design and examines the representation of masculinity that is manifested in the body of Balian Bawo dancers. Data collection was conducted by compiling photo and video documentation which was then analyzed using the theory of denotation semiotics and Roland Barthes connotations. The results of the analysis show that the representation of masculinity is manifested through the attribution of clothing that features an open chest, a large bracelet that connotes strength and the use of special space that underlies Balian Bawo dancers. The dominance of masculinity is also manifested through female companions who play a role in preparing all the needs of a Balian Bawo.
Kebaya feminism; Political strategies in the works of Indonesian women writers Priyatna, Aquarini
Wacana, Journal of the Humanities of Indonesia Vol. 24, No. 1
Publisher : UI Scholars Hub

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Abstract

This article attempts to show and map the feminist agenda in the writings of Indonesian women writers. Focusing on selected prominent Indonesian women writers whose works can be categorized as articulating feminist ideas and perspectives, namely Suwarsih Djojopuspito, Nh Dini, Oka Rusmini, Ratih Kumala, and Intan Paramaditha, I demonstrate how these writers question and examine cultural attributes as a crucial part of gender construction in their works. This article only focuses on writing in prose. By investigating how these writers articulate themselves and how women are written in[to] their works, this research elaborates on women’s writing as rebellion and protest and offers, even provokes gender transgression. Responding to their specific backgrounds and in light of the political and cultural development, the selected writers display protest against and deviance from the patriarchal norms and collectively contribute to the formation of what I coin kebaya feminism, namely feminism that is deeply rooted in Indonesian culture, but accommodates with agility to ideas in the intersections with other cultures.
Tantangan Profesi Jurnalis Perempuan dalam Liputan di Wilayah Konflik Mia Dwianna Widyaningtyas; Aceng Abdullah; Siti Karlinah; Aquarini Priyatna
Jurnal Ilmu Komunikasi Vol 21, No 2 (2023): Agustus 2023
Publisher : Univeritas Pembangunan Nasional "Veteran" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31315/jik.v21i2.7725

Abstract

Penelitian ini membahas profesi jurnalis perempuan Indonesia dalam meliput di wilayah konflik. Pemberitaan konflik merupakan tantangan berat bagi jurnalis, khususnya jurnalis perempuan. Kajian tentang perempuan menjadi perhatian utama banyak peneliti karena pengalaman hidup perempuan merupakan bentuk pengetahuan yang penting. Artikel ini bertujuan mengungkap pengalaman jurnalis perempuan dalam meliput konflik, perandan keberadaan Perempuan di dunia jurnalistik. Pendekatan yang digunakan adalah pendekatan kualitatif dengan jenis penelitian fenomenologi. Pemilihan jenis penelitian ini secara khusus dapat mengungkap pengalaman jurnalis perempuan dalam melaporkan konflik. Subjek penelitian ini adalah lima (5) jurnalis perempuan Indonesia yang berpengalaman dalam meliput konflik. Kajian ini menghasilkan konsep terkaitpengalaman jurnalis perempuan dan tantangan selama meliput di wilayah konflik, posisi jurnalis Perempuan di zona konflik, pengalaman terkait strategi jurnalis perempuan dalam menghadapi tantangan dalam peliputan konflik. Hasil penelitian menunjukkan bahwa jurnalis perempuan mampu meliput konflik meskipun berstatus minoritas dan fakta bahwa kemampuannya dipertanyakan karena identitasnya sebagai perempuan. Agar berhasil meliput konflik, jurnalis perempuan harus bekerja lebih keras daripada jurnalis laki-laki. Perempuan dapat meliput dari perspektif yang berbeda yakni perspektif perempuan yang tidak dimiliki oleh jurnalis laki-laki. Penelitian ini memberi kontribusi kepada jurnalis untuk memahami dan menghargai pekerjaan jurnalis perempuan di wilayah konflik.
PELATIHAN PENULISAN AUTO/ BIOGRAFI DAN WIKIPEDIA DI KOMUNITAS KELOMPOK SASIKIRANA DANCE CAMP Aquarini Priyatna; Lina Meilinawati; Tisna Prabasmoro; Amaliatun Saleha; Muhamad Adji; Mega Subekti
Midang Vol 1, No 1 (2023): Midang: Jurnal Pengabdian Kepada Masyarakat, Februari 2023
Publisher : Unpad Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/midang.v1i1.44468

Abstract

Aktivitas menulis dapat dianggap sebagai sebuah proses pendokumentasian sejarah tentang seni tari di Indonesia. Relatif belum banyaknya dokumentasi mengenai sejarah perkembangan seni tari di Indonesia terutama yang terdapat di ruang digital Indonesia menjadi salah satu alasan penting diselenggarakannya kegiatan PPM yang melibatkan mahasiswa KKN dan kelompok penari Sasikirana KoreoLAB & Dance Camp (SKDC) Bandung. Kegiatan yang dilangsungkan sebanyak dua sesi ini memfokuskan pada dua hal. Yang pertama adalah menumbuhkan kesadaran para penari mengenai pentingnya aktivitas menulis itu sendiri. Selanjutnya adalah mengenai pengenalan fitur-fitur wikipedia sebagai ruang digital tempat untuk memublikasikan hasil tulisan dari para peserta yang terlibat dalam kegiatan penulisan tersebut. Tulisan ini ditujukan untuk mengungkapkan dan mendeskripsikan gambaran kegiatan pelatihan penulisan auto/biografis dan pengenalan fitur Wikipedia yang dilangsungkan dan kontribusinya dalam proses pendokumentasian sejarah perkembangan seni tari di Indonesia. Kegiatan ini setidaknya dianggap mampu menggugah kesadaran tentang pentingnya aktivitas menulis sebagai bagian penting dari usaha untuk menunjukkan kepedulian mereka terhadap perkembangan seni tari di Indonesia. Hal itu terlihat dari relatif besarnya minat para penari yang terlibat dalam acara dan juga kuantitas serta kualitas jumlah artikel yang berhasil diunggah pada situs Wikipedia.org di acara penutupan.
THE AMBIVALENT PORTRAYAL OF THE ECOFEMINIST MOVEMENT IN TANAH IBU KAMI (2020) Zhafirah, Faizzah Shabrina; Priyatna, Aquarini; Adipurwawidjana, Ari Jogaiswara
Metahumaniora Vol 13, No 3 (2023): METAHUMANIORA, DESEMBER 2023
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v13i3.48736

Abstract

Tanah Ibu Kami (2020), a documentary film produced by The Gecko Project and Mongabay, published on YouTube, follows the travels of journalist Febriana Firdaus to four rural areas in Indonesia where she meets Sukinah from Kendeng, Central Java; Lodia Oematan and Aleta Baun from Mollo, East Nusa Tenggara; Eva Bande from Banggai, Central Sulawesi; and Farwiza from Banda Aceh, Aceh. The film portrays these women leading socio-ecological movements that fight for their rights along with their land rights, as they face the risks of violence, imprisonment, and judgment from large corporations and patriarchal customs and beliefs. Placing the documentary within the ecofeminist framework, exemplified by Warren (2000) and Shiva and Mies (2018), I would like to show how the documentary portrays the state and the cultural institutions having control over women and nature. In its narrative method, the film tends to look at the environmentalism done by women as something to be highlighted not because of its substantial aspects but more as a valorized act because of its masculine attributes. Thus, while the film glorifies women as empowered environmentalists with the ability to exert agency, the structure of and behind the film is based on patriarchal assumptions.
KINGSTON’S THE WOMAN WARRIOR AND CHINA MEN: GENDERED CONSTRUCTION OF ABJECT THROUGH GHOSTS Yovela, Stasya; Priyatna, Aquarini; Prabasmoro, Tisna
Metahumaniora Vol 14, No 2 (2024): METAHUMANIORA, SEPTEMBER 2024
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v14i2.54308

Abstract

The autobiographical works by Maxine Hong Kingston, The Woman Warrior: Memoirs of a Girlhood Among Ghosts (1989) and China Men (1989), portray a gendered construction of the abject through the ghosts of Kingston’s deceased family members in the novels. As Chinese descendants, the family should uphold a tradition of honoring their dead, feeding them food, and remembering them. However, Kingston’s family in the novels rejects their ghosts instead because the dead are thought to bring shame and discomfort to the family, who are now living as Americans. We see such ambiguity where the ghosts are simultaneously seen as part of the family yet also discomforting as related to the abject. By utilizing the framework of feminist narratology and theories of abjection, we see that the family abjects them by forgetting and not acknowledging them. These ghosts are part of the family but simultaneously expelled as the abject. However, despite all of the ghosts being the abject, we argue that their individual abjections vary based on their gender where the female ghosts and male ghosts are abjected differently. We argue that the abject constructed through the female ghosts is portrayed as disobedient, disturbing borders, and traumatic, whereas through the male ghosts is portrayed as passively expelled from a place of power and silenced. Despite all of the deceased being treated as outcasts, we see that the deceased women are able to reclaim subjectivity through their abjection, whereas the abjection from the male ghosts reflects ambiguity.
GENDER STEREOTYPES OF A WIFE CHARACTER IN A JAVANESE FILM MUDIK (2020) Widodo, Jordy Satria; Priyatna, Aquarini; Mulyadi, Raden Muhammad
Journal Albion : Journal of English Literature, Language, and Culture Vol 4, No 2 (2022): Issue 2
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v4i2.6431

Abstract

Dadi Wong (Being a successful person) has been socialized through gender stereotypes in Javanese communities. The thought has also been contested with the opposite concept, namely Durung Tutug (Being an unsuccessful person). One can be included in either classification provided that he or she meets the criteria which are manifested in gender stereotypes. This article aims at identifying gender stereotypes of a Javanese wife character named Santi in film Mudik (2020). This article is analyzed using film narratology along with gender performativity and power relations. The elements, such as kernel and satellites, which show gender stereotypes of a Javanese wife character, Santi, were studied. The results present that Santi is represented as a wife who can not fulfill the criteria of Dadi Wong so that she is labelled Durung Tutug due to not having an intact family following her husbands passing. However, she negotiates it by getting married again with another man to meet the condition of Dadi Wong in Javanese society.  Keywords: film; gender stereotypes; Javanese wife; narratology.
Co-Authors Aceng Abdullah Aceng Abdullah Acep Iwan Saidi Adi Kurniawan Adipurwawidjana, Ari J Adji, Muhammad Ageza, Gorivana Aida Anwariyatul Fuadah Aksa, Yati Amalia, Sira Kamila Dewanti Amaliatun Saleha Anastasia Dewi Wulandari Anastasia Dewi Wulandari Ani Rostiyati Aprilia, Nurul Hanifa Ari J. Adipurwawidjana Ari J. Adipurwawidjana Ari Jogaiswara Adipurwawidjana Arining Wibowo Asep Yusup Hudayat Cece Sobarna Dadan Suwarna Dade Mahzumi Dade Mahzumi, Dade Darmawan, Adam Dessyratna Putry Dimas Yudhistira Dimas Yudhistira, Dimas Dzulfikar Al-anbiya Eka Ayu Wahyuni Ekaning Krisnawati Endah Istiqomah Apriliani Ezzah Fathinah Fauziah Ismi Desiana Faza Fauzan Azhima Gian Nova Sudrajat Nur Hanifah Puji Utami Hary Ganjar Budiman Hazbini Hazbini Heri Isnaini Hermawati, Diyana Mareta Hilda Septriani Ikeh, Tri Sulapmi Dolina Indrawan Dwisetya Suhendi, Indrawan Dwisetya Indriyani Rachman Jordy Satria Widodo Lilis Suryani Lina Meilinawati Lina Meilinawati Rahayu Lina Meilinawati Rahayu Lina Meilinawati Rahayu Lina Meilinawati Rahayu Lina Meilinawati Rahayu, Lina Meilinawati Lina Meilinawati, Lina Luqman, Arief Mecca, Ali Mega Subekti Mega Subekti Mia Dwianna Widyaningtyas Mori, Alifa Syauqina Muhamad Adji Muhamad Adji Muhtadin, Teddi Mulyadi, R.M Mumuh Muhsin Zakaria Nisa'ul Fithri Mardani Shihab Nita, Ida Ayu Eka Vania Cahya Novia Nurul Ulfah Nurhayati, Nita Nurullah, Maria Fiducia Permata, Denti Primiani, Nurrahma Probowati, Andarini Rani R. M. Mulyadi R. M. Mulyadi R.M. Mulyadi R.M. Mulyadi Raden Mohamad Herdian Bhakti Raden Muhammad Mulyadi Rahayu, Lina Meilinawati Rahmasari, Rifka Alif Rani, Seni Melia Rasus Budhyono Renti Mahkota Resa Restu Pauji Ridwan, Muhammad Fauzi Rifki Zamzam Mustafa Rifki Zamzam Mustaffa Rikma Dewi, Nenden Rojak, Mohamad Abdul Rosyidah Antoni, Cheryl Desyanti Safrina Noorman, Safrina Sartika Sari Siti Karlinah Sri Rijati Wardiani syukur, andi abd khaliq Teddi Muhtadin Tisna Prabasmoro Tisna Prabasmoro Tri Sulapmi Dolina Ikeh wibowo, arining Wibowo, Arining Yovela, Stasya Yuris Fahman Zaidan Zhafirah, Faizzah Shabrina