Article Per Year (5 Year)
p-Index From 2021 - 2026
10.38
P-Index
This Author published in this journals
All Journal Jurnal Komunikasi Prologia Koneksi Jurnal Gema Ngabdi Jurnal Muara Ilmu Sosial, Humaniora, dan Seni Jurnal Muara Ilmu Ekonomi dan Bisnis Jurnal Bakti Masyarakat Indonesia PRIMA : Portal Riset dan Inovasi Pengabdian Masyarakat ASPIRATION Journal Inter Script: Journal of Creative Communication Kiwari Jurnal Serina Abdimas
Winduwati, Septia
Universitas Tarumanagara
Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Chemical Engineering, Chemistry & Bioengineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Veterinary Other

Published : 99 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 99 Documents
Search

 6   7   8   9   10 
Persepsi Konsumen terhadap Narasi Black Campaign: Studi Kualitatif tentang Reputasi Merek Deodoran X di Media Sosial Syaharani, Pricilla Tirta Ayu; Winduwati, Septia
Kiwari Vol. 5 No. 1 (2026): Kiwari
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/ki.v5i1.37012

Abstract

This study analyzed consumer perceptions formed against the Black campaign narrative about deodorant X on social media. Using a qualitative approach through in-depth interviews thematic analysis, observation of the spread of questionnaires, traces of digital analysis on social media. The study linked the findings to theoretical frameworks ELM, source credibility, prosumer theory, negativity bias, and E-WOM. The results show that negative perceptions are primarily formed through repeated exposure to content on platforms such as X (Twitter) and TikTok. Consumers with no usage experience are more receptive to negative narratives because they rely on peripheral cues, whereas experienced users tend to reject issues through more critical evaluation. Communicator credibility, negative E-WOM, and social proof strengthen the formation of public opinion, especially in vulnerable consumer groups. These findings confirm the perception of the black campaign is a social construct that is influenced by the interaction between platform algorithms, source credibility, and personal experience. Consumers without experience are more easily affected, while experienced users are more critical. Perception arises from the interaction of algorithms, message sources, and personal experiences. Penelitian ini menganalisis persepsi konsumen terbentuk terhadap narasi black campaign mengenai Deodoran X di media sosial. Menggunakan pendekatan studi kasus kualitatif melalui wawancara mendalam, observasi penyebaran kuesioner, jejak analisis digital di media sosial. Penelitian mengaitkan temuan dengan kerangka teori ELM, source credibility, prosumer theory, negativity bias, dan E-WOM. Hasil menunjukkan bahwa persepsi negatif terutama terbentuk melalui paparan konten yang berulang di platform seperti X (Twitter) dan TikTok. Konsumen tanpa pengalaman penggunaan lebih mudah menerima narasi negatif karena mengandalkan isyarat periferal, sedangkan pengguna berpengalaman cenderung menolak isu melalui evaluasi yang lebih kritis. Kredibilitas komunikator, E-WOM negatif, dan social proof memperkuat pembentukan opini publik, terutama pada kelompok konsumen yang rentan. Temuan ini menegaskan persepsi terhadap black campaign merupakan konstruksi sosial yang dipengaruhi interaksi antara algoritma platform, kredibilitas sumber, dan pengalaman personal. Konsumen tanpa pengalaman lebih mudah terpengaruh, sedangkan pengguna berpengalaman lebih kritis. Persepsi muncul dari interaksi algoritma, sumber pesan, dan pengalaman personal.
Social Media Monitoring of Superpriority Destination Svargabumi Borobudur Lydia Irena; Ananias Reszki; Septia Winduwati
Jurnal Komunikasi Vol. 17 No. 1 (2025): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v17i1.34260

Abstract

Svargabumi has emerged as one of the premier tourism destinations in the Borobudur area, part of the Borobudur super-priority tourism destinations. Svargabumi offers a blend of natural beauty and a variety of Instagram-worthy photo spots, making it a popular attraction. Promoting such destinations through social media is recognized as one of the most effective ways to showcase cultural richness. However, social media promotion must be accompanied by monitoring to ensure strategic accuracy and evaluate public opinion and sentiment. This process, known as social media monitoring, faces the challenge of managing the vast volume of data generated by online activities. Therefore, appropriate tools are essential for this purpose, one of which is Brand24, which provides comprehensive analysis, including statistical data and detailed information on all related media coverage. The research question posed is how to analyze the social media monitoring of the super-priority destination Svargabumi Borobudur. This study aims to analyze the social media monitoring of Svargabumi Borobudur as a super-priority destination. Using a mixed-methods approach, the study seeks to produce comprehensive and objective data. The research subjects are public sentiment and opinions on social media about Svargabumi, with the key informant being Svargabumi’s Marketing Manager, referred to as A. The research object is the social media monitoring of the super-priority destination Svargabumi Borobudur. The data collection technique used in this study was the social media monitoring tool, Brand24. Social media monitoring using Brand24 revealed that Svargabumi has a significant digital presence on Instagram, the primary platform for discussions about the destination. Svargabumi also has significant economic value through mentions, with an estimated Advertising Value Equivalency (AVE) of $7,008. Positive sentiments, with 33 items, also dominated, indicating that Svargabumi has successfully built a strong digital reputation among tourists. Furthermore, user-generated content and contributions from micro- and nano-influencers are key elements in increasing audience exposure and engagement. However, engagement on platforms like TikTok and YouTube can still be improved to maximize potential reach.
The Role of Social Media as a Guide and Reference During Travel: Case Study on Indonesian Millennial Tourists in Japan Septia Winduwati; Cahaya Rizka Putri
Jurnal Komunikasi Vol. 17 No. 1 (2025): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v17i1.35386

Abstract

Social media plays a central role in travel planning, particularly among Indonesian millennial tourists who seek information, inspiration, and real-time guidance. This study examines how social media shapes the behavior of Indonesian tourists visiting Japan, employing the framework of digital tourism communication and the theory of electronic word-of-mouth (eWOM). A mixed-methods design was applied, combining a survey of 494 respondents with in-depth interviews to explore travel habits, digital engagement, and decision-making processes. Findings reveal that Instagram and TikTok serve as primary triggers of travel inspiration, while YouTube, blogs, and Google Reviews are primarily used for information verification and detailed itinerary planning. User-generated content (UGC) is perceived as more credible than commercial content, underscoring the importance of authenticity and trust. However, the viral nature of social media also contributes to overtourism, highlighting the need for sustainable destination management strategies. Theoretically, this study advances the literature by linking UGC, flow experience, and travel decision-making in the context of a developing country. Practically, it provides recommendations for destination managers, policymakers, and service providers to leverage social media strategically while promoting responsible and sustainable tourism practices.  
Influencer Strategies in Promoting Yogyakarta Tourism: AI Analysis of Engagement and Digital Narrativesl Septia Winduwati; Resfirahma Resfirahma; Manda Aulia Az Zahra
Jurnal Komunikasi Vol. 17 No. 2 (2025): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v17i2.37653

Abstract

Social media has become crucial in tourism destination marketing, with influencers playing a significant role in shaping tourist perceptions and decisions. In Yogyakarta, promotions by influencers on platforms like Instagram and TikTok have increased the popularity of various tourist attractions. This phenomenon demonstrates a shift in tourism information search patterns, which are increasingly reliant on digital recommendations and visual experiences shared online. However, academic studies on the effectiveness of influencer communication strategies and audience engagement, particularly those related to the use of Artificial Intelligence (AI), are still limited. This study analyzes influencers' digital communication strategies in promoting Yogyakarta tourism and explores the potential of AI in analyzing digital engagement and narratives. Using a mixed-methods approach with qualitative analysis of in-depth interviews, the study uncovers influencer strategies that focus on aesthetic content, authentic narratives, audience interaction, and trend adaptation. Furthermore, the study highlights the importance of message consistency and influencer credibility in building audience trust. AI is beginning to be utilized for creative efficiency (caption writing, visual editing) and has significant potential for analyzing audience engagement and sentiment. The findings indicate that digital influencer promotions have a positive impact on tourist decisions and support local tourism, although challenges of originality and content competition remain. Theoretically, this research contributes to the study of digital communication and tourism marketing, while practically, the results can be utilized by influencers, the tourism industry, and policy makers in designing data-based marketing strategies.
FOMO dan Perilaku Pembelian Blind Box: Analisis Peran TikTok terhadap Konsumen Gen Z Theresa Indira Suwirya; Septia Winduwati
Prologia Vol. 10 No. 1 (2026): Prologia
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/pr.v10i1.36380

Abstract

This study aims to understand how social media and Electronic Word-of-Mouth (E-WoM) shape the FOMO phenomenon in the blind box trend among Gen Z. The theories used in this study include Media Dependency Theory, Prosumer Theory, Social Influence Theory, and Social Cognitive Theory. This study uses a qualitative approach with a case study method with non-participatory observation data collection techniques and in-depth interviews with four Gen Z informants and interviewed one digital communication expert. The results of the study indicate an initial exposure to viral content driven by the TikTok algorithm, namely UGC content of a K-Pop artist. Based on the findings of in-depth interviews with four informants, it was found that the algorithm participates in presenting blind box content through two mechanisms: through the virality of a content and the interaction and activity (likes, comments, shares, and viewing duration) of informants with similar content. Through the algorithm, UGC blind box content with high traffic will be recommended to informants. Repeated exposure creates curiosity and emotional involvement, especially in the feeling during unboxing, which encourages informants to participate in the trend. These factors are the drivers of FOMO.   Penelitian ini bertujuan untuk memahami bagaimana media sosial dan Electronic Word-of-Mouth (E-WoM) membentuk fenomena FOMO pada tren blind box di kalangan Gen Z. Teori – teori yang digunakan pada penelitian ini meliputi Teori Ketergantungan Media, Teori Prosumer, Teori Pengaruh Sosial, dan Teori Kognitif Sosial. Penelitian ini menggunakan pendekatan kualitatif dengan metode studi kasus dengan teknik pengumpulan data observasi non-partisipatif dan wawancara mendalam dengan empat informan Gen Z serta mewawancarai satu narasumber ahli pakar komunikasi digital. Hasil penelitian menunjukkan adanya paparan awal dari konten viral yang didorong oleh algoritma TikTok, yakni konten UGC salah satu artis K-Pop. Berdasarkan hasil temuan dari wawancara mendalam dengan empat informan, didapatkan bahwa algoritma berperan dalam menghadirkan konten blind box melalui dua mekanisme yaitu lewat viralitas suatu konten dan interaksi serta aktivitas (likes, comments, shares, dan durasi menonton) para informan dengan konten serupa. Lewat algoritma, konten UGC blind box dengan trafik tinggi akan direkomendasikan ke para informan. Paparan berulang ini menimbulkan rasa penasaran dan keterlibatan emosional terutama pada perasaan saat unboxing yang mendorong para informan untuk ikut berpartisipasi dalam tren. Faktor – faktor tersebutlah yang menjadi pendorong FOMO.
Pemaknaan Promosi Live Streaming YSL Beauty di TikTok oleh Generasi Z Urban Amanda Khaerunnisa; Septia Winduwati
Prologia Vol. 10 No. 1 (2026): Prologia
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/pr.v10i1.36381

Abstract

Changes in communication patterns in the digital era encourage luxury brands to reach audiences through open social media platforms. TikTok, with its interactive live streaming feature, has emerged as a new space for Yves Saint Laurent (YSL) Beauty Indonesia to build relationships with a broader audience. However, this strategy raises questions about how the exclusivity traditionally associated with luxury brands is interpreted by young consumers. This study aims to explore how urban Generation Z interprets YSL Beauty Indonesia’s live promotions on TikTok, using Stuart Hall’s encoding–decoding theory as the analytical framework. A qualitative phenomenological approach was employed through in-depth interviews with four informants who actively use TikTok and have watched YSL Beauty’s live sessions. In addition, a questionnaire was distributed to provide preliminary insights into audience experiences. The findings show that audiences occupy dominant, negotiated, and oppositional decoding positions, shaped by their experiences, preferences, and social backgrounds. Overall, the study demonstrates that the exclusivity of luxury brands in digital spaces is more fluid and can be negotiated through interactions between brands and audiences. Perubahan pola komunikasi di era digital mendorong merek mewah untuk menjangkau audiens melalui media sosial yang bersifat terbuka. TikTok, dengan fitur live streaming yang interaktif, menjadi ruang baru bagi Yves Saint Laurent (YSL) Beauty Indonesia untuk membangun relasi dengan audiens yang lebih luas. Namun, strategi ini menimbulkan pertanyaan mengenai bagaimana eksklusivitas yang identik dengan merek mewah dimaknai oleh konsumen muda. Penelitian ini bertujuan untuk menelusuri pemaknaan Generasi Z urban terhadap promosi live YSL Beauty Indonesia di TikTok dengan menggunakan teori encoding–decoding Stuart Hall sebagai kerangka analisis interpretasi audiens terhadap pesan merek. Penelitian ini menggunakan pendekatan fenomenologi kualitatif melalui wawancara mendalam terhadap empat informan yang aktif menggunakan TikTok dan pernah menonton TikTok Live YSL Beauty. Kuesioner disebarkan sebagai gambaran awal untuk memahami pengalaman audiens terhadap siaran langsung tersebut. Hasil penelitian menunjukkan bahwa audiens menempati posisi decoding yang beragam, yaitu dominan, negosiasi, dan oposisi, yang dipengaruhi oleh pengalaman, preferensi, serta latar belakang sosial masing-masing. Secara keseluruhan, temuan penelitian menunjukkan eksklusivitas merek mewah di ruang digital bersifat lebih cair dan dapat dinegosiasikan melalui interaksi antara merek dan audiens.
Pemanfaatan Instagram dalam Kampanye Online Advokasi Isu Palestina oleh Beauty Brand Kula Nathalie Tresya Awantara; Septia Winduwati
Prologia Vol. 10 No. 1 (2026): Prologia
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/pr.v10i1.37202

Abstract

This study analyzes KULA’s online campaign as a value-driven beauty brand in advocating for humanitarian issues in Palestine and in developing a positive brand image through Instagram. The research is grounded in digital communication, audience engagement, public relations, corporate social advocacy (CSA), and corporate image theory. Using a qualitative descriptive approach with a case study design, data were collected from digital documentation of KULA’s 2025 campaign uploads and semi-structured interviews with two Instagram followers and one public relations practitioner, supported by validation from an expert informant. The findings indicate that KULA consistently integrates humanitarian values such as solidarity, empathy, and transparency into its online campaign strategies. Overall, the study concludes that value-driven communication and accountable digital practices significantly contribute to the formation of a credible and positive brand image. These results highlight how social advocacy, when communicated authentically, enhances audience trust and strengthens brand positioning in the digital landscape. Penelitian ini menganalisis kampanye online KULA sebagai value-driven beauty brand dalam mengadvokasi isu kemanusiaan Palestina serta mengembangkan citra positif melalui Instagram. Penelitian ini dilakukan berdasarka sejumlah konse maupun teori komunikasi digital, keterlibatan audiens, public relations, corporate social advocacy (CSA), dan manajemen citra. Penelitian menggunakan pendekatan kualitatif deskriptif dengan desain studi kasus. Data diperoleh melalui dokumentasi digital atas unggahan kampanye KULA selama tahun 2025 serta wawancara semi-terstruktur dengan dua pengikut Instagram KULA dan satu praktisi PR, yang kemudian dikonfirmasi melalui narasumber ahli. Hasil penelitian menunjukkan bahwa KULA konsisten mengintegrasikan nilai kemanusiaan seperti solidaritas, empati, dan transparansi melalui storytelling, pembaruan rutin, serta dokumentasi distribusi bantuan. Integrasi PR dan CSA terlihat dari keberanian brand mengambil posisi moral dan menampilkan proses donasi secara terbuka. Penelitian ini menyimpulkan bahwa komunikasi berbasis nilai dan praktik digital yang akuntabel berperan penting dalam mengembangkan citra positif, kredibel, dan relevan bagi brand kecantikan di era media sosial.
Representasi Toxic Masculinity Pada Film Monster (Analisis Semiotika Ferdinand De Saussure) Raihan Zahran Wicaksono; Septia Winduwati
Koneksi Vol. 10 No. 1 (2026): Koneksi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/kn.v10i1.33321

Abstract

In mass communication research, films are often recognized as a powerful medium for conveying social and cultural messages to audiences. As a form of visual communication, films serve not only as entertainment but also as a platform that reflects societal realities, including family dynamics and gender roles. This study applies mass communication theory, focusing on film as a medium, alongside family communication theory, and employs a qualitative descriptive approach using discourse analysis based on Ferdinand de Saussure’s semiotic theory to interpret the meanings embedded in the visual and verbal symbols within the film. The primary objective of this study is to examine how the film portrays the construction of toxic masculinity and how dysfunctional family communication dynamics reinforce harmful masculine behaviors. By applying family communication theory, this research explores the role of communication in shaping gender identities and how family communication patterns influence the development of social behaviors. The findings of this study illustrate how the culture of toxic masculinity in dysfunctional families shapes behavioral patterns that portray men as dominant figures, emphasizing masculinity from the perspective of mass communication. Dalam kajian komunikasi massa, film sering dipandang sebagai salah satu bentuk media yang efektif dalam menyampaikan pesan sosial dan budaya kepada audiens. Sebagai produk komunikasi visual, film tidak hanya berfungsi sebagai hiburan, tetapi juga sebagai medium yang dapat merepresentasikan realitas sosial, termasuk dinamika hubungan keluarga dan konstruksi gender. Penelitian ini menggunakan teori Komunikasi massa dengan film sebagai produknya, komunikasi keluarga, dan penelitian ini menggunakan pendekatan kualitatif  deskriptif dengan metode analisis wacana berdasarkan teori semiotika Ferdinand de Saussure untuk menggali makna yang terkandung dalam simbol-simbol visual dan verbal dalam film. Fokus utama dari penelitian ini adalah untuk menganalisis bagaimana film tersebut menggambarkan konstruksi maskulinitas yang toksik, serta bagaimana dinamika komunikasi dalam keluarga disfungsional memperkuat perilaku-perilaku maskulin yang destruktif. Dengan menggunakan teori komunikasi keluarga, penelitian ini mengeksplorasi peran komunikasi dalam membentuk identitas gender dan bagaimana pola komunikasi dalam keluarga mempengaruhi pembentukan perilaku sosial. Hasil penelitian ini merepresentasikan bagaimana budaya toxic masculinity dalam keluarga disfungsional dapat membentuk pola perilaku yang mencerminkan gambaran laki-laki sebagai sosok dominan, yang memperkuat maskulinitas dari perspektif komunikasi massa.
Semiotika Saussure dan Narasi Feminisme Liberal dalam Lagu "The Man" oleh Taylor Swift Alexandra Carolina; Septia Winduwati
Koneksi Vol. 10 No. 1 (2026): Koneksi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/kn.v10i1.37142

Abstract

Music can convey experiences and social criticism. This study examines how Taylor Swift’s song “The Man” represents liberal feminism through symbolic language in popular music. The significance of this research lies in understanding how mass media, particularly music, serves as a medium for articulating and disseminating feminist discourse amid persistent gender bias in society. The aim of this study is to identify forms of criticism toward double standards, stereotypes, and unequal treatment experienced by women as depicted in the lyrics. The analysis employs Ferdinand de Saussure’s semiotics combined with Stuart Hall’s Representation Theory and the concept of liberal feminism as the conceptual framework. The methodology used is a qualitative approach through textual analysis and informant triangulation to enrich the interpretation of meaning. The findings show that the hypothetical scenario “if I were a man” functions as a critical strategy highlighting male privilege in various contexts. The relationship between signifier and signified in the lyrics illustrates women’s experiences of having to work harder yet still being treated differently from men. Additional insights from informants reinforce that this message remains highly relevant to the conditions faced by women today, who continue to encounter bias, stereotypes, and unequal opportunities across social and professional spheres. Musik dapat menyampaikan pengalaman dan kritik sosial. Penelitian ini mengkaji bagaimana lagu “The Man” karya Taylor Swift merepresentasikan feminisme liberal melalui bahasa simbolik dalam musik populer. Signifikansi penelitian terletak pada pentingnya memahami bagaimana media massa, khususnya musik, menjadi sarana artikulasi dan penyebaran wacana feminisme di tengah masih kuatnya bias gender dalam masyarakat. Tujuan penelitian ini adalah mengidentifikasi bentuk kritik terhadap standar ganda, stereotipe, serta ketidakadilan perlakuan yang dialami perempuan sebagaimana ditampilkan dalam lirik lagu. Analisis dilakukan dengan menggunakan semiotika Ferdinand de Saussure yang dikombinasikan dengan Teori Representasi Stuart Hall dan konsep feminisme liberal sebagai kerangka konseptual. Metodologi yang digunakan berupa pendekatan kualitatif melalui analisis teks dan triangulasi data informan untuk memperkaya interpretasi makna. Hasil penelitian menunjukkan bahwa skenario hipotetik “jika saya laki-laki” berfungsi sebagai strategi kritik yang menyoroti privilese laki-laki dalam banyak hal. Relasi antara penanda dan petanda dalam lirik menggambarkan pengalaman perempuan yang harus berupaya lebih keras namun tetap diperlukan berbeda dengan laki-laki. Tambahan wawasan dari informan memperkuat temuan bahwa pesan ini masih sangat relevan dengan kondisi perempuan masa kini, yang masih menghadapi bias, stereotipe, dan ketimpangan peluang dalam berbagai ranah sosial maupun profesional.
Co-Authors Abdul Rijwan Adiwinata, Arcelia Emmanuella Agatha Christy Adriani Aletheia Imanuel Alexandra Carolina Alfira Dittya Raihan Amanda Khaerunnisa Ananias Reszki Ananta, Della Angel, Valentina Kyrie Angelyn, Felycia Angie Lavenia Aprilia, Elvira Arvin Stephensius Ayu Reni Anisa Buche Christian Sapulette Cahaya Rizka Putri Caroline Caroline Chandra, Surya Charenina, Putri Chery, Nabila Aurellia Christianto, Ivania Ariella Christina Cynthia Dora Moudy Daniel Dwi Fabian Deka Marcella Dhiya Fauziani Hediana Eko Harry Susanto Eldiani Febyola Elvan Eunike Tania Evelyn Natasha Ezra Krisna Farid Rusdi Fasa Bikati Sabka Fauziek, Catherine Febriana Agatha Flavia Veilieta Frank Marco Frans Carlos Yosephin Garcia, Giorgiana Hadi Artomo Hidayatullah, Bagas Syarip Ika Widyani, Agustina Iren Chienita Irena, Lydia Ivan Setiawan Japutra, Josephine Patricia Jaya, Daniel Putra Jesselin Rahardja Jesslyn Jesslyn Jocelin Citra Tanjaya Kusmayani, Zakia Syahlail Kyra, Ancilla Lie, Daniel Lie, David Sugianto Linsye Linori Tanama Lisa Harsono Liu, Hansen Manda Aulia Az Zahra Marvhieno Ardhian Dumalang Michelle Angela Michelle Levine Muhammad Fauzan Azhar Muhammad Rakha Rizky Pratama Natalia Natalia Natalia, Dinda Nathali, Gisela Anastasia Nathalie Tresya Awantara Paramita, Sinta Pasanea, Debora Natalia Pertiwan, Indah Pinckey Triputra Pinckey Triputra Putri, Cahaya R. Putri, Edsa Estella Amrikasari Queentania Suherman Raihan Zahran Wicaksono Randy Wijaya Rani Febriyani Resfirahma Resfirahma Rika Mandasari, Rika Riris Loisa Rodhiah, Rodhiah Roswita Oktavianti Ryan Refael Zabdi Safira Amelia Salsabila, Salsabila Samsunuwiyati Mar’at Sarah Shafira Saraswati, Kiky Dwi Hapsari Sekar Mayang Setyo Riani Setyanto, Yugih Shania, Shania Sharka, Yoliandra Nur Shinta Darmawaty Sofian Arissaputra Syaharani, Pricilla Tirta Ayu Tan, Stephanie Tandres, Herliany Tanjaya, Aldrich Tanuja, Vico Tasya Theresa Indira Suwirya Thio Audrey Fransisca Gunawan Valentika Valentika Wahyutristama, Biyan Nugraha Wangi Puspitaningrahayu Wanli Wanli Widyani, Augustina Ika Wijaya, Calvin William William Wulan Purnama Sari Yolanda Octha Verren Young, Cindy