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All Journal Humaniora Cakrawala Pendidikan Jurnal Kependidikan: Penelitian Inovasi Pembelajaran DIKSI Litera Parole: Journal of Linguistics and Education Nusa: Jurnal Ilmu Bahasa dan Sastra Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora RETORIKA: Jurnal Ilmu Bahasa Indonesian Journal of Applied Linguistics (IJAL) LiNGUA: Jurnal Ilmu Bahasa dan Sastra BAHASA DAN SASTRA Poetika: Jurnal Ilmu Sastra LingTera OKARA: Jurnal Bahasa dan Sastra Indonesian Language Education and Literature EDULITE: Journal of English Education, Literature and Culture Al Ishlah Jurnal Pendidikan Script Journal: Journal of Linguistic and English Teaching RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya LLT Journal: A Journal on Language and Language Teaching Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra IJoLE: International Journal of Language Education Ranah: Jurnal Kajian Bahasa International Journal of Pedagogy and Teacher Education Indonesian Journal of English Language Teaching and Applied Linguistics Adabiyyat: Jurnal Bahasa dan Sastra Linguistik Indonesia Metalingua: Jurnal Penelitian Bahasa Journal of English Language Teaching and Linguistics Piwulang : Jurnal Pendidikan Bahasa Jawa JOLLT Journal of Languages and Language Teaching Britain International for Linguistics, Arts and Education Journal (BIoLAE Journal) Journal of Pragmatics and Discourse Research Indonesian Journal of EFL and Linguistics Asalibuna Widyaparwa JELTEC: Journal of English Language Teaching, Literature and Culture Studies in English Language and Education International Journal of Contemporary Studies in Education Leksema: Jurnal Bahasa dan Sastra REGISTER JOURNAL Journal of Culture, Literature, and Foreign Language Teaching Sawerigading
Sulis Triyono
Universitas Negeri Yogyakarta
Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Journal : Humaniora

 1 
Satuan Lingual Penanda Gender Sulis Triyono
Humaniora Vol 15, No 3 (2003)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (55.877 KB) | DOI: 10.22146/jh.798

Abstract

Bahasa sebagai suatu sistem memiliki seperangkat subsistem yang masing-masing mengorganisasikan komponen- komponennya sehingga membentuk keteraturan yang sistemik. Perangkat subsistem yang dimaksud adalah subsistem bunyi, subsistem gramatikal, dan subsistem makna. Tiap-tiap subsistem itu memiliki unsur-unsur yang secara terorganisasi membentuk subsistemnya sendiri-sendiri. Unsur-unsur subsistem yang dimaksud adalah fonem sebagai satuan lingual terkecil sampai wacana sebagai satuan yang terbesar. Satuan-satuan lingual tersebut memiliki fungsi masing-masing. Ada yang berfungsi sebagai penanda jumlah (number), penanda kala (tenses), dan ada pula yang berfungsi sebagai penanda jenis kelamin (gender). Penandaan yang berkenaan dengan jumlah, dalam bahasa Indonesia misalnya, ditandai dengan digunakannya satuan lingual berupa bentuk perulangan (reduplikasi), misalnya: dari kata rumah menjadi rumah-rumah 'banyak rumah'; kata memukul menjadi memukul-mukul 'berkalikali memukul', dan sebagainya. Sementara itu, satuan lingual sebagai pewujud keterangan waktu dapat berupa kata seperti: kemarin, sekarang, besok , dan sebagainya. Dalam hubungan dengan satuan lingual penanda gender dalam bahasa Indonesia cenderung dipengaruhi oleh faktor sosiobudaya dan semantis. Walaupun demikian, aspek-aspek kebahasaan seperti fonologi, morfologi, dan sintaksis tidak mustahil juga berpengaruh. Dengan kata lain, satuan lingual penanda gender mungkin dapat berwujud fonem, morfem, kata, dan frasa. Misalnya, dalam tataran fonologi, fonem /a/ dapat menandai gender maskulin, sedangkan fonem /i/ menandai gender feminin seperti terlihat pada contoh kata putra dan putri. Kata putra mengacu pada gender maskulin, sedangkan kata putri mengacu pada gender feminin. Perbedaan antara kedua kata itu semata-mata hanya karena perbedaan fonem /a/ pada kata putra dan fonem /i/ pada kata putri. Dengan kata lain, perbedaan kedua gender tersebut berada pada tataran fonologis. Kata-kata lain yang beranalogi dengan pasangan di atas, sekalipun jumlahnya terbatas, terdapat pada pasangan kata-kata dewa-dewi, siswa-siswi, muda-mudi, dan sebagainya.
Meanings of Objektive und Subjektive Constructions in German Sentences and Their Equivalences in Indonesian Sulis Triyono
Humaniora Vol 29, No 3 (2017)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (12717.449 KB) | DOI: 10.22146/jh.17875

Abstract

This study aims to describe: (1) objektive und subjektive constructions in German sentences, (2) meanings of objektive und subjektive in German sentences, and (3) equivalences of objektive und subjektive in German sentences in Indonesian.This was a qualitative descriptive study. The objects of the research data were lingual units of modality constructions with objective and subjective meanings in both German phrases and sentences. The subjects of the data were modal verbs in German sentences. The data sources were the magazine NADI Indonesia Deutsch Edisi I/No. 16 Tahun 2012, Edisi I/No. 17 Tahun 2013, and Edisi II/No. 18 Tahun 2013. The data were collected by means of reading and noting techniques and analyzed by means of the translational, equivalent, and distributional techniques. The data validity was assessed through the semantic validity and the inter-rater and intra-rater techniques.The research findings are as follows. (1) the objektive construction in German is S - Inf+Modalverb and the subjektive construction is S+Inf – Modalverb. (2) Meanings of objektive are those which are loose in nature because because lexical elements of modality can reveal utterance contents while meanings of subjektive are those outside lexical elements because they are affected by speakers’ subjective intentions. (3) The equivalences of objektive und subjektive in German sentences in Indonesian are in the form können appearing 107 times, equivalent to meanings of dapat, bisa, ada, menjadi, berhasil, mampu, meraih, terdiri, sungguh, and makna zero. Dürfen (8) are equivalent to meanings of dapat, boleh, and makna zero. Modalverb sollen (27) are equivalent to meanings of harus, akan, bisa, seharusnya, perlu, dan makna zero. Wollen (3) are equivalent to meanings of ingin, terus terang, and makna zero. Müssen (31) are equivalent to meanings of harus, dapat, bisa, and makna zero. Möchten (16) are equivalent to meanings of ingin, berminat, perlu, and makna zero.
"We Shall Overcome" A Humanity Song by Roger Waters: Critical Discourse Analysis Inike Tesiana Putri; Sulis Triyono
Humaniora Vol 30, No 2 (2018)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (352.693 KB) | DOI: 10.22146/jh.32775

Abstract

Language is an essential feature of communication for all poeple. It is utilized through various tools and media, and singing songs is one of the traditional forms of communication. Songs are usually written for particular reasons, messages, and purposes, and sometimes targeted for specific audience or listeners. Song lyrics usually contain various themes such as social and current issues and problems which the songwriter strives to share through expressions of his or her ideology, thoughts and feelings. This paper is aimed to find out the text analysis, social cognition and social context in the humanity song entitled We Shall Overcome through Teun A. van Dijk’s Critical Discourse Analysis model. This model shows that the choice of words or the diction is cohesive and coherent and is able to communicate the general meaning of this humanity song. Furthermore, the social cognition in this humanity song is related with the current social context which involves the recent situation in Palestinine, where there is still in conflict with Israel.
Power Relation of a Sexual Harassment Victim in Penyalin Cahaya: A Critical Discourse Analysis Ammar, Faris Faishal; Triyono, Sulis; Margana, Margana
Humaniora Vol 35, No 2 (2023)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.75418

Abstract

This study aims to analyze the struggle of sexual harassment victims depicted in the film entitled Penyalin Cahaya. This study uses Fairclough’s critical discourse analysis (CDA) model and the Outrage Management model (Scott & Martin, 2006) to examine the verbal and visual aspects of the film. The dimensions that are analyzed include the text, the discourse practice, and sociocultural practice. The key dialogues and scenes are extracted by selecting and retrieving excerpt of dialogues and scenes which depict conflict and power imbalances between the victims and the perpetrators. The results show that power imbalance and its manifestation between them can be found by observing the dialogue and the scenes. It demonstrates that there are several ways through which the abusers exercise their power over the victims. It also highlights the attempts by the victims to fight against sexual harassment, which is often ignored. Furthermore, the sociocultural state of Indonesian society, especially regarding patriarchal culture and power struggles over women, became the main driver that led to the production of this film. The significance of this study is that it can provide insight into the positions, emotions, and obstacles faced by sexual harassment victims in Indonesia, as depicted in the film.
Co-Authors 'Ain, Qurrata Adaninggar Septi Subekti Aditya Rikfanto Akmalia, Frida Akmarzhan A. Nogaibayeva Ammar, Faris Faishal Ani Latifah Ani Maghfiroh Ashadi Ashadi Ashadi Aufa, Novia Nurul Ayu Humairoh Hakim Ayuningtyas, Nawang Asri Aziz, Muhammad Fahruddin Azizah, Hilma Azmi Binar Winantaka Dian Lestari DIAN LESTARI Doni Dwi Hartanto Dwiyanto Djoko Pranowo Endang Nurhayati Eri Kurniawan Erna Andriyanti Fath, Sahnaz Natasya Fikri, Ahmad Rifat Fitri Yuliana Fitri Yuliana, Fitri Gulzhaina K. Kassymova Haliza, Nur Hasibuan, Hapni Nurliana H.D Hendri Pitrio Putra Herman Dwi Surjono Inike Tesiana Putri Ivan Bachrul Muslim Jannatussholihah, Siti Kusumaningtyas, Vita Latifah, Ani Lia Malia Lusi Nurhayati Maman Suryaman Manalu, Manna Maria Sopiana Manna Maria Sopiana Manalu Margana Margana Meliana, Riska Muhammad Arif Nabillah, Muchamad Rifqi Nabillah Nawang Asri Ayuningtyas Noventi, Kinanti Diahayu Nur Hidayanto Pancoro Setyo Putro Nursanti, Rachmi Retno Prastitasari, Maydita Piety Pratomo Widodo Pujiono, Setyawan Puspa Fortuna Zulfa Putra, Hendri Pitrio Putra, Rizky Anugrah Rahma Kurnia Novitasari Rahmani, Irfa Luthfia Ramadhan Mahendra Retna Endah Sri Mulyati Rifanda Cynthia Goni Rochma, Anis Firdatul Saiful, Jepri Ali Salsabila, Hanania Saragih, Rode Arta Yuliani Saragupita, Angela Tanjung Sari, Inda Permata Satria, Dadi Setyawan Pujiono Setyoningrum, Vita Diah Sipri Hanus Tewarat Siti Sumarti Sri Megawati Sulaimon Jamiu Tamitope Suwarsih Madya Syamsi, Kastam Tema, Nurul Huda Gus Tri Nugroho Budi Santoso Try Mahendra Siregar Wardani, Umi Sismia Wardani, Vistaria Kusuma Wening Sahayu Zahrina Sanni Musahadah Zefki Okta