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Conflict and Harmony Between Desa Adat and the Bali Provincial Government Following the Enactment of the Regional Regulation on Customary Village 2019 I Putu Gede Sridana; I Wayan P. Windia; I Nyoman Suarka; Ni Luh Sutjiati Beratha
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 14 No. 2 (2024): Reclaiming Cultural Heritage
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i02.p12

Abstract

The Bali Provincial Government collaborates with desa adat (customary village) to enhance their strength and resilience, notably through the enactment of Province of Bali Regulation Number 4 of 2019. However, excessive regulatory impact may diverge from this goal. This study explores the ideological framework shaping interactions between desa adat and the government post-regulation. Using a qualitative methodology, data were collected through literature review, observations, and in-depth interviews. The findings draw on theories of hegemony, ideology, discourse, and the power of knowledge. Hidden ideologies of power, capital, and religion influence these interactions. The regulation's uniform framework on diverse desa adat leads to resistance and inefficiency, reflecting hegemonic control and the use of ideology and knowledge to legitimize power. This article contributes to developing legislation that empowers the desa adat while maintaining their unique characteristics.
Actualization of the Spirit of Nationhood in Karawitan Musical Compositions by Balinese Maestro I Wayan Beratha I Gede Yudarta; Ni Luh Sutjiati Beratha; I Komang Sudirga
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p12

Abstract

Like other art forms, dance and music serve as expressive media for conveying social messages, including nationalism. However, nationalism in musical rhythms is often less explicit than in verbal or visual arts. This article explores the actualization of the spirit of nationhood in dance and karawitan—traditional Balinese musical compositions—by I Wayan Beratha (1926–2014), a maestro who created over 50 works, including dance pieces and instrumental compositions inspired by the national spirit of their time. Using a qualitative approach, this study gathers data through literature reviews, document analysis, and in-depth interviews. Ricoeur’s hermeneutical theory informs the analysis, positioning texts as a foundation for interpreting their social and ideological contexts. Findings reveal that Beratha’s works embody ideological themes, creative expression, and a deep commitment to national unity. His contributions continue to inspire contemporary artists, encouraging them to preserve and expand upon his legacy.
Conflict and Harmony Between Desa Adat and the Bali Provincial Government Following the Enactment of the Regional Regulation on Customary Village 2019 I Putu Gede Sridana; I Wayan P. Windia; I Nyoman Suarka; Ni Luh Sutjiati Beratha
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 14 No. 2 (2024): Reclaiming Cultural Heritage
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i02.p12

Abstract

The Bali Provincial Government collaborates with desa adat (customary village) to enhance their strength and resilience, notably through the enactment of Province of Bali Regulation Number 4 of 2019. However, excessive regulatory impact may diverge from this goal. This study explores the ideological framework shaping interactions between desa adat and the government post-regulation. Using a qualitative methodology, data were collected through literature review, observations, and in-depth interviews. The findings draw on theories of hegemony, ideology, discourse, and the power of knowledge. Hidden ideologies of power, capital, and religion influence these interactions. The regulation's uniform framework on diverse desa adat leads to resistance and inefficiency, reflecting hegemonic control and the use of ideology and knowledge to legitimize power. This article contributes to developing legislation that empowers the desa adat while maintaining their unique characteristics.
Connotative Meanings In The Novel Ghostgirl: Homecoming Widiani, Ni Made Rita; Beratha, Ni Luh Sutjiati; Putra, I Komang Sumaryana
Jurnal Ilmiah Wahana Pendidikan Vol 12 No 2.D (2026): Jurnal Ilmiah Wahana Pendidikan
Publisher : Peneliti.net

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study examines the connotative meanings in Tonya Hurley’s novel Ghostgirl: Homecoming, emphasizing the role of language in conveying emotional and cultural nuances in literature. The research underscores the growing importance of connotative analysis in understanding literary expression, particularly in a globalized context where cultural differences influence textual interpretation. The primary objectives are to identify the types of connotative meanings—positive, neutral, and negative—and analyze the messages in the novel’s narrative. Grounded in Leech’s (1981) and Hook’s (1989) theories on connotation, this qualitative study employs a semantic analysis of the novel’s text. Data collection involves documenting and categorizing connotative expressions, followed by a descriptive presentation of findings. The results reveal a predominance of negative connotations, aligning with the novel’s themes of identity, mortality, and self-acceptance. This research enhances readers’ appreciation of Hurley’s narrative craftsmanship and contributes to broader discussions on semantics in literature, highlighting the dynamic interplay between language, emotion, and societal narratives.
THE DEPICTION OF THE MAIN CHARACTER'S RESISTANCE AGAINST GENDER ROLES IN BRAVE Satya, I Nyoman Darma; Sukarini, Ni Wayan; Beratha, Ni Luh Sutjiati
ELITERATE : Journal of English Linguistics and Literature Studies Vol 5, No 1 (2025): ELITERATE : Journal of English Linguistics and Literature Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eliterate.v5i1.77375

Abstract

The representation of gender roles in media such as movies plays an important role in shaping the social and cultural values of behavioral expectations of individuals within society. While many studies have examined the depiction of traditional gender roles in movies, a few of them focuses on how the main character resists these roles and challenge patriarchal traditions. This study analyzes Brave with a focus on the main character’s resistance against gender roles through the perspective of radical feminism. The purpose of this study is to describe how the main character challenges patriarchal expectations and traditional gender norms in the narrative, and asserts her independence within a patriarchal context. The data were collected the movie scenes and dialogues through documentation and note-taking techniques. The data were analyzed using narrative analysis in qualitative method by applying feminism theory proposed by Tong (2009), which focusing on radical feminism as a lens. The findings identify three forms of resistance by the main character: the resistance against arranged marriage, the resistance against femininity roles, and the resistance of personal autonomy. These forms of resistance reflect radical feminist principles by directly opposing patriarchal structures and affirming women’s right to self-determination. The study concludes that Brave not only illustrates gender roles but also provides a critical narrative of resistance, demonstrating the potential of animated movies to question and reconstruct social and cultural understandings of gender.Keywords: gender, gender roles, radical feminism, resistance 
‘Balish’: Bahasa Inggris Dialek Pekerja Pariwisata di Kawasan Wisata Kuta Bali Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 11 No. 2 (2021): Volume 11 No 2 Oktober 2021
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2021.v11.i02.p11

Abstract

English plays an important role for workers in the tourism sector of all classes, including wholesalers, massage therapists, parking attendants, and shop assistants. Preliminary observations show that they, in general, use Balinese dialect of English or Balish. This article describes the Balish used in tourism area of Kuta, Bali, by tourism workers who have naturalized the English language by adopting several language features, especially Balinese and Indonesian, such as sentence structures, words, and expressions. The data were analyzed using The New Englishes theory and the results showed that the use of Balinese and Indonesian words in English resulted in the creation of new words, grammatical shifts, changes in word meanings, use of idioms, use of groups of verbs, and repetition of forms. Balish has adopted several grammatical features, both from Balinese and Indonesian, and it is hoped that one day it will have regular speakers so that it becomes a pidgin.
Fungsi Ekoleksikon Kecantikan dalam Lontar Bali Indrani Sastra Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 10 No. 1 (2020): BALI DIASPORA
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2020.v10.i01.p08

Abstract

This article analyses the phenomena of language related to the prescription of beauty from Balinese Traditional Manuscript (Lontar) entitled Lontar Indrani Sastra (Indrani Sastra Manuscript). The beauty of recipe in the Lontar Indrani Sastra is an ancestry cultural inheritance which has been already merged with the lives of the Balinese. Bali is famous because has conserved traditional manuscripts that become cultural heritage of the island. This article does not only apply the method of library research and field research but also descriptive qualitative method. The theory that is used to analyze the data is the theory of language functions. The function of beauty ecolexicon in the Lontar Indrani Sastra can be divided into three functions, namely (1) informative function, (2) interactive function, and (3) imaginative function. The informative function relates to various information about beauty prescription plants, body parts that can be treated and methods of treatment. Interactive functions are found through dialogue between Dewi Saci and Rukmini. Similarly, imaginative functions are discovered through the use of metaphors such as crocodile's calla (panggal buaya) and the Arjuna ecolexicons.
Causativity And Alternation Me-Kan /-I In Indonesian Robert Masreng; Ni Luh Sutjiati Beratha; I Nengah Sudipa; I Ketut Darma Laksana
e-Journal of Linguistics Vol. 13 No. 1 (2019): January
Publisher : The Doctoral Studies Program of Linguistics of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/eJL.2019.v13.i01.p04

Abstract

Language study is a way of expressing various language phenomena based onmacrolinguistics and microlinguistics point of view. The study of macrolinguistic aspects focuseson languages relating to other disciplines. On the contrary, microlinguistic study focuses more onlanguage structures, such as phonology, morphology, syntax, and semantics. In this paper, theanalysis focuses on the aspect of the Indonesian typology phenomenon from the ponit of view ofvalence verb of transitive verb based on verb formation process meng-kan/i. The analysis resultsdescribe that verbs with affix me-i/-kan form causative construction of both formal and semanticparameters; Verb alternation with affix me-i/-kan can be applied when verbal constructionpresents locative and benefactive roles in two different constructions; The alternation occursbecause it is tied to grammatical relation constructing a clause construction; and the alternationof meng/i raises the verb's valence level in the clause construction
Co-Authors A A Ayu Cindy Karina Ivana Irawan Adnyani, Ni Luh Putu Sri Amara Josephine Mendi Anak Agung Ngurah Kenata Janamejaya Antari, Ni Made Suwari Ariani, Ni Putu Aritorang, Athalia Beshorah Daar, Gabriel Fredi Darwin Fajar Desak Komang Kharisma Jandinhi Dewik Yuwandani Dini Siamika Tito Prayogi Efron Yohanis Loe Erisa Octavianti Fardini Sabilah Felisha Firstania Putri Grandi I Gede Yudarta, I Gede I Gst. Agung Triana Rakanita I Gusti Ayu Mahatma Agung I Gusti Made Sutjaja I Kadek Ari Wiguna I Ketut Darma Laksana I Komang Edy Wirawan I Komang Sudirga I Komang Sumaryana Putra I Made Budiarsa I Made Netra I MADE RAJEG I Made Suastra I Nengah Sudipa I Nyoman Dhana I Nyoman Suarka I NYOMAN SUPARWA I Nyoman Udayana I Putu Gede Sridana I Wayan Ardika I Wayan P. Windia I WAYAN PASTIKA Ida Ayu Made Puspani Ida Ayu Rai Nayma Mahadewi Ida Ayu Tantri Saraswathy Ida Bagus Putra Yadnya IGM Sutjaja Julie Puspitasari Km Tri Sutrisna Agustia Laksono Trisnantoro Lina Yuni Lestari Mahyuni Mahyuni Mareta, Ni Putu Dita Melani, Dian Angga Meyliana Eka Putri Muhammad Sukri Mulyadi Mulyadi Ni Kadek Dinda Pratiwi Ni Kadek Jessica Sarindra Dwije Ni Kadek Mirayanti Ni Kadek Sindy Arista Ni Komang Ayu Udyani Ni Luh Ayu Shinta Andriani Ni Luh Nyoman Seri Malini Ni Luh Putri Ayu Febriani Ni Made Dhanawaty Ni Made Dwijayani Ni Made Suwari Antari Ni Nyoman Tri Gitayani Ni Putu Narista Devi Ni Putu Tifani Puspa Lestari Ni Putu Wahyu Febriyani Ni Wayan Nandira Paraswari Ni Wayan Peni Ni Wayan Sukarini Nirwana Nilam Sari Nugraha, Komang Yoga Artha Oktavianus Oktavianus Peni, Ni Wayan Pratiwi, Ni Made Listya Ayu Putra, I Komang Sumaryana Putu Ayu Asty Senja Pratiwi Putu Dewi Merlyna Yuda Pramesti Putu Giorgiana Ananta Suyasa Putu Weddha Savitri Rina P Pamantung Robert Masreng Robert Masreng Safitri, Luh Mega Sang Ayu Isnu Maharani Sarwadi sarwadi Satya, I Nyoman Darma Savitri, Putu Wedda savitri, weddha Si Luh Putu Arik Aryawathi Suwari Antari, Ni Made Widiani, Ni Made Rita Yayi Suryo Prabandari