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Causativity And Alternation Me-Kan /-I In Indonesian Robert Masreng; Ni Luh Sutjiati Beratha; I Nengah Sudipa; I Ketut Darma Laksana
e-Journal of Linguistics Vol. 13 No. 1 (2019): January
Publisher : The Doctoral Studies Program of Linguistics of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/eJL.2019.v13.i01.p04

Abstract

Language study is a way of expressing various language phenomena based onmacrolinguistics and microlinguistics point of view. The study of macrolinguistic aspects focuseson languages relating to other disciplines. On the contrary, microlinguistic study focuses more onlanguage structures, such as phonology, morphology, syntax, and semantics. In this paper, theanalysis focuses on the aspect of the Indonesian typology phenomenon from the ponit of view ofvalence verb of transitive verb based on verb formation process meng-kan/i. The analysis resultsdescribe that verbs with affix me-i/-kan form causative construction of both formal and semanticparameters; Verb alternation with affix me-i/-kan can be applied when verbal constructionpresents locative and benefactive roles in two different constructions; The alternation occursbecause it is tied to grammatical relation constructing a clause construction; and the alternationof meng/i raises the verb's valence level in the clause construction
FIGURATIVE LANGUAGE AND ITS MEANING ON ED SHEERAN’S SONG LYRICS Darwin Fajar; I Made Netra; Ni Luh Sutjiati Beratha
Kulturistik: Jurnal Ilmu Bahasa dan Budaya Vol. 8 No. 1 (2024): January 2024
Publisher : Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/kulturistik.8.1.6821

Abstract

This study is aimed to identify the figurative language and to analyze the meaning found on Ed Sheeran’s Song Lyrics. The data sources were four Ed Sheeran’s songs namely Photograph, Thinking Out Loud, Afire Love, and Dive taken from YouTube for the audios and a website called genius.com for the lyrics. The data were collected through documentation method and note-taking technique. Descriptive-qualitative method was applied to analyze the data using theory of figurative language by Knickerbocker and Reninger and theory of meaning by Leech. The result of the study shows that there are 6 kinds of figurative language found, namely simile, metaphor, personification, synecdoche, hyperbole, and irony. The lyrics containing figurative expression show implied meanings that can be classified into connotative and affective. The meanings found are about love, sadness, and awareness of each other.
Sanskrit Event Verbs in the Bhagavad Gita: A Natural Semantic Metalanguage Analysis Ni Nyoman Tri Gitayani; Ni Luh Sutjiati Beratha; I Made Rajeg
International Journal of Multilingual Education and Applied Linguistics Vol. 3 No. 2 (2026): International Journal of Multilingual Education and Applied Linguistics
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/ijmeal.v3i2.470

Abstract

Sanskrit verbs constitute a compelling object within linguistic research because of their semantic and structural complexity, which has not yet been widely explored. A proper understanding of Sanskrit verb usage can help prevent errors, especially among Hindus who use the language in cultural or religious contexts. Therefore, this research aims at analyzing the structure and semantic role of Sanskrit event verbs through the Natural Semantic Metalanguage approach. The data sources were from three chapters of the Bhagavad Gita (Chapters IX, X, and XI). The data were gathered using documentation and systematic note-taking techniques, and subsequently analyzed through qualitative methods by implementing the Natural Semantic Metalanguage approach conducted by Wierzbicka, supported by the semantic macroroles theory by van Valin and Lapolla. From this research, five Sanskrit event verbs were found in those chapters, namely cyavanti “to fall down”, pravartate “to develop”, vepamānaḥ “to tremble”, abhivijvalanti “to blaze”, and pratapanti “burns”. Further analysis showed that these event verbs can be classified into MOVE and HAPPEN types. In addition, the semantic macroroles of the Sanskrit event verb arguments found can be identified in the form of AGENT, PATIENT, EXPERIENCER, SOURCE, and THEME.
Balinese language ecology: Study about language diversity in tourism area at Ubud village Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 7 No. 2 (2017): BUDAYA EKONOMI BALI
Publisher : Universitas Udayana

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Abstract

Ubud Village in Gianyar Regency is one of the tourism areas in Bali where Balinese people are bilingual because they have mastered more than one languages. In the environment of Balinese language, there also live other languages including national language (Indonesian) and foreign languages (such as English, Japanese, and Mandarin). Balinese people nowadays, especially in tourism area, have difficulties in using Balinese language so they use mixed languages, namely Balinese language with Indonesian language, with English language, or Mandarin. This phenomenon might indicate that Balinese language appears to be marginalized. This article aims at investigating languages that are used in Balinese language environment in Ubud. Qualitative method is applied with sociocultural approach, and theories related to the use of language are applied. The study shows that the marginalization of Balinese language appears to exist because there are various ethnic groups of immigrants who live in this village. The village of Ubud has already been occupied by expatriates who deliberately come to Bali and settle in Ubud. This effects the choice and use of a language.
Hibridisasi Seni Kerajinan Patung di Desa Kedisan, Bali Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 6 No. 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI
Publisher : Universitas Udayana

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Abstract

This article discusses Balinese handicraft especially statue handicraft produced by craftsmen at Kedisan Village, Tegal-lalang District, Gianyar Residence. The competitiveness of the product is very high in tourism market and has the process of hybridization. The specific target that will be achieved related to the identity maintenance of Balinese culture. Thus the main discussion of this article is the caused of hybridization on statue handicraft in Bali. In the era of globalization the fusion between local and global cultures has already happened and this is a phenomenon of postmodernism because there is relationship of cultural influences. This condition can be comprehended from hybridization phenomenon on statue handicraft in Bali. Theories of globalization and glocalization are applied to analyse the data in this article. Qualitative method is used to achieve the objective and target through the implementation of participated observation technique and in-depth interview. The whole data is analysed descriptively, holisticly, and interpretatively. The Balinese artists on statue have done the changes in the form of statue through hybridization against the statue as the effect of made to order because of internal and external factors.
THE DEPICTION OF THE MAIN CHARACTER'S RESISTANCE AGAINST GENDER ROLES IN BRAVE I Nyoman Darma Satya; Ni Wayan Sukarini; Ni Luh Sutjiati Beratha
ELITERATE : Journal of English Linguistics and Literature Studies Vol 5, No 1 (2025): ELITERATE : Journal of English Linguistics and Literature Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eliterate.v5i1.77375

Abstract

The representation of gender roles in media such as movies plays an important role in shaping the social and cultural values of behavioral expectations of individuals within society. While many studies have examined the depiction of traditional gender roles in movies, a few of them focuses on how the main character resists these roles and challenge patriarchal traditions. This study analyzes Brave with a focus on the main character’s resistance against gender roles through the perspective of radical feminism. The purpose of this study is to describe how the main character challenges patriarchal expectations and traditional gender norms in the narrative, and asserts her independence within a patriarchal context. The data were collected the movie scenes and dialogues through documentation and note-taking techniques. The data were analyzed using narrative analysis in qualitative method by applying feminism theory proposed by Tong (2009), which focusing on radical feminism as a lens. The findings identify three forms of resistance by the main character: the resistance against arranged marriage, the resistance against femininity roles, and the resistance of personal autonomy. These forms of resistance reflect radical feminist principles by directly opposing patriarchal structures and affirming women’s right to self-determination. The study concludes that Brave not only illustrates gender roles but also provides a critical narrative of resistance, demonstrating the potential of animated movies to question and reconstruct social and cultural understandings of gender.Keywords: gender, gender roles, radical feminism, resistance 
‘Balish’: Bahasa Inggris Dialek Pekerja Pariwisata di Kawasan Wisata Kuta Bali Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 11 No. 2 (2021): Volume 11 No 2 Oktober 2021
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2021.v11.i02.p11

Abstract

English plays an important role for workers in the tourism sector of all classes, including wholesalers, massage therapists, parking attendants, and shop assistants. Preliminary observations show that they, in general, use Balinese dialect of English or Balish. This article describes the Balish used in tourism area of Kuta, Bali, by tourism workers who have naturalized the English language by adopting several language features, especially Balinese and Indonesian, such as sentence structures, words, and expressions. The data were analyzed using The New Englishes theory and the results showed that the use of Balinese and Indonesian words in English resulted in the creation of new words, grammatical shifts, changes in word meanings, use of idioms, use of groups of verbs, and repetition of forms. Balish has adopted several grammatical features, both from Balinese and Indonesian, and it is hoped that one day it will have regular speakers so that it becomes a pidgin.
Fungsi Ekoleksikon Kecantikan dalam Lontar Bali Indrani Sastra Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 10 No. 1 (2020): BALI DIASPORA
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2020.v10.i01.p08

Abstract

This article analyses the phenomena of language related to the prescription of beauty from Balinese Traditional Manuscript (Lontar) entitled Lontar Indrani Sastra (Indrani Sastra Manuscript). The beauty of recipe in the Lontar Indrani Sastra is an ancestry cultural inheritance which has been already merged with the lives of the Balinese. Bali is famous because has conserved traditional manuscripts that become cultural heritage of the island. This article does not only apply the method of library research and field research but also descriptive qualitative method. The theory that is used to analyze the data is the theory of language functions. The function of beauty ecolexicon in the Lontar Indrani Sastra can be divided into three functions, namely (1) informative function, (2) interactive function, and (3) imaginative function. The informative function relates to various information about beauty prescription plants, body parts that can be treated and methods of treatment. Interactive functions are found through dialogue between Dewi Saci and Rukmini. Similarly, imaginative functions are discovered through the use of metaphors such as crocodile's calla (panggal buaya) and the Arjuna ecolexicons.
Balinese language ecology: Study about language diversity in tourism area at Ubud village Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 7 No. 2 (2017): BUDAYA EKONOMI BALI
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Ubud Village in Gianyar Regency is one of the tourism areas in Bali where Balinese people are bilingual because they have mastered more than one languages. In the environment of Balinese language, there also live other languages including national language (Indonesian) and foreign languages (such as English, Japanese, and Mandarin). Balinese people nowadays, especially in tourism area, have difficulties in using Balinese language so they use mixed languages, namely Balinese language with Indonesian language, with English language, or Mandarin. This phenomenon might indicate that Balinese language appears to be marginalized. This article aims at investigating languages that are used in Balinese language environment in Ubud. Qualitative method is applied with sociocultural approach, and theories related to the use of language are applied. The study shows that the marginalization of Balinese language appears to exist because there are various ethnic groups of immigrants who live in this village. The village of Ubud has already been occupied by expatriates who deliberately come to Bali and settle in Ubud. This effects the choice and use of a language.
Hibridisasi Seni Kerajinan Patung di Desa Kedisan, Bali Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 6 No. 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article discusses Balinese handicraft especially statue handicraft produced by craftsmen at Kedisan Village, Tegal-lalang District, Gianyar Residence. The competitiveness of the product is very high in tourism market and has the process of hybridization. The specific target that will be achieved related to the identity maintenance of Balinese culture. Thus the main discussion of this article is the caused of hybridization on statue handicraft in Bali. In the era of globalization the fusion between local and global cultures has already happened and this is a phenomenon of postmodernism because there is relationship of cultural influences. This condition can be comprehended from hybridization phenomenon on statue handicraft in Bali. Theories of globalization and glocalization are applied to analyse the data in this article. Qualitative method is used to achieve the objective and target through the implementation of participated observation technique and in-depth interview. The whole data is analysed descriptively, holisticly, and interpretatively. The Balinese artists on statue have done the changes in the form of statue through hybridization against the statue as the effect of made to order because of internal and external factors.
Co-Authors A A Ayu Cindy Karina Ivana Irawan Adnyani, Ni Luh Putu Sri Amara Josephine Mendi Anak Agung Ngurah Kenata Janamejaya Antari, Ni Made Suwari Ariani, Ni Putu Aritorang, Athalia Beshorah Daar, Gabriel Fredi Darwin Fajar Desak Komang Kharisma Jandinhi Dewik Yuwandani Dini Siamika Tito Prayogi Efron Yohanis Loe Erisa Octavianti Fardini Sabilah Felisha Firstania Putri Grandi I Gede Yudarta, I Gede I Gst. Agung Triana Rakanita I Gusti Ayu Mahatma Agung I Gusti Made Sutjaja I Kadek Ari Wiguna I Ketut Darma Laksana I Komang Edy Wirawan I Komang Sudirga I Komang Sumaryana Putra I Made Budiarsa I Made Netra I MADE RAJEG I Made Rajeg I Made Suastra I Nengah Sudipa I Nyoman Darma Satya I Nyoman Dhana I Nyoman Suarka I NYOMAN SUPARWA I Nyoman Udayana I Putu Gede Sridana I Wayan Ardika I Wayan P. Windia I WAYAN PASTIKA Ida Ayu Made Puspani Ida Ayu Rai Nayma Mahadewi Ida Ayu Tantri Saraswathy Ida Bagus Putra Yadnya IGM Sutjaja Julie Puspitasari Km Tri Sutrisna Agustia Laksono Trisnantoro Lina Yuni Lestari Mahyuni Mahyuni Mareta, Ni Putu Dita Melani, Dian Angga Meyliana Eka Putri Muhammad Sukri Mulyadi Mulyadi Ni Kadek Dinda Pratiwi Ni Kadek Jessica Sarindra Dwije Ni Kadek Mirayanti Ni Kadek Sindy Arista Ni Komang Ayu Udyani Ni Luh Ayu Shinta Andriani Ni Luh Nyoman Seri Malini Ni Luh Putri Ayu Febriani Ni Made Dhanawaty Ni Made Dwijayani Ni Made Suwari Antari Ni Nyoman Tri Gitayani Ni Nyoman Tri Gitayani Ni Putu Narista Devi Ni Putu Tifani Puspa Lestari Ni Putu Wahyu Febriyani Ni Wayan Nandira Paraswari Ni Wayan Peni Ni Wayan Sukarini Nirwana Nilam Sari Nugraha, Komang Yoga Artha Oktavianus Oktavianus Peni, Ni Wayan Pratiwi, Ni Made Listya Ayu Putra, I Komang Sumaryana Putu Ayu Asty Senja Pratiwi Putu Dewi Merlyna Yuda Pramesti Putu Giorgiana Ananta Suyasa Putu Weddha Savitri Rina P Pamantung Robert Masreng Robert Masreng Safitri, Luh Mega Sang Ayu Isnu Maharani Sarwadi sarwadi Savitri, Putu Wedda savitri, weddha Si Luh Putu Arik Aryawathi Suwari Antari, Ni Made Widiani, Ni Made Rita Yayi Suryo Prabandari