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Temporal Deictic Expressions in the Song Lyrics of Pale Waves’ My Mind Makes Noises Album Ida Ayu Rai Nayma Mahadewi; Ni Luh Sutjiati Beratha; Sang Ayu Isnu Maharani
Stilistika : Journal of Indonesian Language and Literature Vol 2 No 2 (2023): Volume 2 No 2, April 2023
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/STIL.2023.v02.i02.p14

Abstract

"Temporal Deictic Expressions in the Song Lyrics of Pale Waves’ "My Mind Makes Noises" Album" is the title of this article. This article focused on temporal deictic expressions in "My Mind Makes Noises" song lyrics that have official music videos. This article had two aims: first, to identify the temporal deictic expressions in the album's song lyrics; and second, to explain and analyze the deictic usages of the album's temporal deictic expressions. This article used a qualitative method and content analysis technique to analyze the data, with Huang's pragmatics theory as the grand theory and Halliday's context of situation theory as the supporting theory. The data for this article was gathered through the use of documentation and note-taking method and technique. This article used an informal method and descriptive technique to present the analysis, which means the results were presented in the form of descriptive words and sentences. There were six temporal deictic expressions analyzed in this article, which were then categorized into three categories based on the time of the event using pragmatics method, the context of the situation, and then the deictic usage of each temporal deictic expression. This article demonstrated that gestural deictic usage offers a clearer identification of the time of the event in temporal deictic expression, as well as an easier understanding of the context of situation.
Humor in the Gricean Maxim Non-observance of Animated Sitcom Show “Family Guy” Anak Agung Ngurah Kenata Janamejaya; Ni Wayan Sukarini; Ni Luh Sutjiati Beratha
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 30 No 2 (2023): September
Publisher : Program Magister Linguistik Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/ling.2023.v30.i02.p02

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This article aimed to find out how the non-observance of Gricean maxims was affecting the humor of the sitcom “Family Guy”. This article used a qualitative method where the data was taken from animated sitcom show “Family Guy” in a form of question-and-answer adjacency pair. This article used the observation method in collecting the data. Furthermore, the data was analyzed using content analysis method based on Grice’s cooperative principle theory which focused more on the maxim non-observance aspect. From the data collection, it showed that there were 33 maxim non-observance found, containing 19 violations of maxim, 10 flouts of maxim, 3 maxims opt out, and 1 clash of maxim. Based on the analysis, it was revealed that violation of maxim was the most used maxim non-observance due to how easy it was to create humorous situation when ones have the intention to disobey the maxim. On the other hand, the occurrences of the flout of maxim were on the second most occurred maxim non observance. The last two were opt out and clash which were not suitable when both were used for the humor aspect.
THE MAPPING OF NEGATIVE EMOTIONS WITH REFERENCE TO LOOKING FOR ALASKA INTO MENCARI ALASKA: A NATURAL SEMANTIC METALANGUAGE APPROACH I Gst. Agung Triana Rakanita; Ni Luh Sutjiati Beratha; Ida Ayu Made Puspani
LITERA : Jurnal Bahasa Dan Sastra Vol. 4 No. 1 (2018): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v4i1.597

Abstract

ABSTRAKTujuan artikel ini adalah untuk mendeskripsikan emosi negatif dalam novel Looking for Alaska danterjemahannya Mencari Alaska dipetakan. Semantik leksikal emosi negatif dianalisis dengan menerapkanteori Metabahasa Semantik Alami (MSA) yang diusulkan oleh Wierzbicka (1996). Hasil penelitianmenunjukkan bahwa kategori emosi yang ditemukan dalam novel tersebut adalah ‘sesuatu yang buruk bisaterjadi’. Melalui pendekatan eksplikasi, leksikon itu menunjukkan fitur-fitur semantiknya. Leksikontersebut dapat dianalisis dengan menggunakan pendekatan eksplikasi untuk membuktikan bahwa keduabahasa sumber dan bahasa sasarannya menunjukkan kesetaraannya. Pendekatan NSM sangat membantudalam menentukan eksponen makna emosi negatif.Kata kunci: Emosi Negatif, NSM, EksplikasiABSTRACTThe aim of this study was to describe the negative emotions in the novel Looking for Alaska andits translation into Mencari Alaska were mapped. Its lexical semantic of negative emotions wereanalyzed by applying the theory of Natural Semantic Metalanguage (NSM) approach proposed byWierzbicka (1996). The results showed that the category of emotion found in the novel was badthings can happen. Through the explication approach, those lexicons showed their semanticfeatures. It can be analyzed using explication approach to prove that both source language andtarget language lexical items are equivalent. The NSM approach is helpful in determining theexponents of the negative emotion meaning.Keywords: Negative Emotions, NSM, Explication
FIGURATIVE LANGUAGE AND ITS MEANING ON ED SHEERAN’S SONG LYRICS Darwin Fajar; I Made Netra; Ni Luh Sutjiati Beratha
Kulturistik: Jurnal Ilmu Bahasa dan Budaya Vol. 8 No. 1 (2024): January 2024
Publisher : Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/kulturistik.8.1.6821

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This study is aimed to identify the figurative language and to analyze the meaning found on Ed Sheeran’s Song Lyrics. The data sources were four Ed Sheeran’s songs namely Photograph, Thinking Out Loud, Afire Love, and Dive taken from YouTube for the audios and a website called genius.com for the lyrics. The data were collected through documentation method and note-taking technique. Descriptive-qualitative method was applied to analyze the data using theory of figurative language by Knickerbocker and Reninger and theory of meaning by Leech. The result of the study shows that there are 6 kinds of figurative language found, namely simile, metaphor, personification, synecdoche, hyperbole, and irony. The lyrics containing figurative expression show implied meanings that can be classified into connotative and affective. The meanings found are about love, sadness, and awareness of each other.
MORFOLOGI INFLEKSIONAL DAN DERIVASIONAL PADA BAHASA BALI STANDAR Beratha, Ni Luh Sutjiati
Linguistik, Terjemahan, Sastra (LINGTERSA) Vol. 3 No. 1 (2022): LINGTERSA
Publisher : TALENTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (530.917 KB) | DOI: 10.32734/lingtersa.v3i1.8556

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Bahasa Bali tergolong ke dalam rumpun bahasa Austronesia yang berasal dari Bahasa Bali Kuna kemudian berkembang menjadi bahasa Bali (yang dalam artikel ini disebut Bahasa Bali Standar (BBS), dan merupakan bahasa ibu orang Bali. Artikel ini membahas tentang morfologi infleksional dan derivasional BBS. Morfologi adalah bidang yang mempelajari pembentukan kata termasuk terciptanya kata-kata baru, dan terbentuknya kata bergantung pada bentuk dasar yang dilekati afiks. Data untuk BBS diambil dari Kesusastraan Bali yang diterbitkan oleh Balai Penelitian Bahasa. Metode yang digunakan untuk menganalisis data adalah metode deskriptif kualitatif, dan teori yang digunakan untuk menganalisis data adalah teori morfologi bracketing paradox yang dikembangkan oleh Leiber (2009), dan Plag (2002). Teori ini digunakan untuk menjelaskan bentuk sistematik pada pembentukan kata berdasarkan makna. Hasil analisis data menunjukkan bahwa infleksi dibedakan dari derivasi dalam hal produktivitas. Kaidah morfologi derivasional pada BBS adalah relatif produktif, dan sepenuhnya produktif. Sebaliknya kaidah infleksi hampir selalu sepenuhnya produktif. Mofologi infleksional memiliki ciri-ciri: tidak pernah mengubah kategori kata, menambah arti gramatikal, penting dalam sintaksis, dan biasanya sepenuhnya produktif. Sedangkan morfologi derivasional ciri-cirinya adalah dapat mengubah kategori, biasanya menambah makna leksikal, membentuk leksem baru, tidak produktif sampai produktif sepenuhnya, afiks derivasional bisa terjadi dalam bentuk infleksi.
Analysis of Positive Politeness Strategies In Wish Movie Ni Luh Putri Ayu Febriani; Ni Wayan Sukarini; Ni Luh Sutjiati Beratha
SPHOTA: Jurnal Linguistik dan Sastra Vol. 16 No. 2 (2024): SPHOTA: Jurnal Linguistik dan Sastra
Publisher : Fakultas Bahasa Asing (FBA) Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/sphota.v16i2.9138

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This undergraduate thesis is aimed to analyze the positive politeness strategies of the characters in the “Wish” movie. The collected data of this undergraduate thesis was analyzed based on the politeness theory by Brown and Levinson (1987). The method used in this undergraduate thesis was descriptive qualitative method. The results of this undergraduate thesis indicate that twelve positive politeness strategies were identified in the conversations of the characters in the "Wish" movie. These are; attend to H (Strategy 1), exaggeration (strategy 2), intensifying interest towards the hearer (strategy 3), employing in-group identity markers (strategy 4), seeking agreement (strategy 5), avoiding disagreement (strategy 6), joke (8) offering and promising (strategy 10), be optimistic (strategy 11), involving both speaker and hearer in activities (strategy 12), give or ask for reasons (13) and gifts to the hearer (strategy 15), which may include goods, sympathy, understanding, or cooperation.
Verbal humor created by flouting maxims in how i met your mother series Aritorang, Athalia Beshorah; Beratha, Ni Luh Sutjiati; Sukarini, Ni Wayan
Aksara: Jurnal Bahasa dan Sastra Vol 24, No 2 (2023): Aksara: Jurnal Bahasa dan Sastra
Publisher : Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/aksara/v24i2.pp625-633

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This article is entitled Humorous Situation Created by Flouting of Maxim in Comedy Series How I Met Your Mother. It is aimed at identifying the types of maxims being used in order to create verbal humor. The data was taken from “How I Met Your Mother” comedy series. This undergraduate thesis applied two theories to solve the problems. The first is the theory is the Grice’s maxims to identify what are the maxims flouted in the series and also to find which maxim is dominantly flouted. Whereas, the second theory is the theory of verbal humor by Shade. This undergraduate thesis used the documentation method for collecting data, the data was collected from the comedy series by watching the series, reading the movie script as well as seen at the subtitle of the series. Then identify the maxims flouted by the characters in it. The result of this undergraduate thesis shows that all maxims were flouted in the series. And there were four types of verbal humor implied in the series How I Met Your Mother.
Types of Directive Illocutionary Acts in Barbie Movie Ni Kadek Jessica Sarindra Dwije; Ni Wayan Sukarini; Ni Luh Sutjiati Beratha
International Journal of Education and Literature Vol. 3 No. 2 (2024): August : International Journal of Education and Literature
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/ijel.v3i2.109

Abstract

This article analyzed the six types of directive illocutionary acts that used by the main character in Barbie movie, named Barbie Margot. The aims of this article is to find out the types of directive illocutionary acts that used by the main character in Barbie movie. The descriptive method used to analyzed the data source based on Allan (1986) theory on six types of directive illocutionary acts and the theory of context situation byHolmes (2013) as a support theory to identifying the data. The data was collected using observing method with the technique of listening, reading, documentation and note taking to observe and collect the data. As a result this article showed that the Barbie Margot used four types of directive illocutionary acts, there are; requirement (1), request (2). question (4) and prohibition (2).
Violations Of Grice’s Maxim Ni Kadek Mirayanti; Ni Luh Sutjiati Beratha; Ni Wayan Sukarini
International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities Vol. 2 No. 2 (2024): May : International Journal of Education, Language, Literature, Arts, Culture,
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/ijellacush.v2i2.792

Abstract

Violations in conversation are found not only in everyday life when people interact with other people, but also, in drama and films performed by characters, in novels, interviews, debates, and other forms of social interaction performed for various reasons. This study examines the violations of Grice's Maxim in the movie Jack Reacher: Never Go Back, focusing on the characters' conversational utterances. Using observation method and note-taking technique, the descriptive qualitative method was applied, analyzing data using the Theory of Cooperative Principles and Context of Situation. The results showed twenty-nine data of conversation were violated by the characters in the movie. Maxim of Quality (51,7%), Maxim of Quantity (13,8%), Maxim of Relation (10,4%), and Maxim of Manner (24,1%).
Women’s Language Features In The Lady Bird Movie Ni Putu Tifani Puspa Lestari; Ni Luh Sutjiati Beratha; Ni Wayan Sukarini
International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities Vol. 2 No. 2 (2024): May : International Journal of Education, Language, Literature, Arts, Culture,
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/ijellacush.v2i2.793

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This research analyzed women’s language used in Lady Bird movie, focusing on Christine’s utterances as the main character of the movie. The data was collected using documentation method and note-taking technique. The descriptive qualitative method was used to analyze the data based on Lakoff’s theory on women’s language features and Pearson’s theory on language functions. The results were presented in sentences. The result showed that Christine uses lexical hedges or fillers, tag questions, rising intonation on declaratives, empty adjectives, intensifiers, hypercorrect grammar, super polite forms, avoidance of strong swear words, and emphatic stress. Precise color term is found in Marion’s utterance. These features are used for expressing uncertainty, seeking responses, softening utterances, initiating discussion, and conveying emotion, according to Pearson’s five language functions.
Co-Authors A A Ayu Cindy Karina Ivana Irawan Adnyani, Ni Luh Putu Sri Amara Josephine Mendi Anak Agung Ngurah Kenata Janamejaya Antari, Ni Made Suwari Ariani, Ni Putu Aritorang, Athalia Beshorah Daar, Gabriel Fredi Darwin Fajar Desak Komang Kharisma Jandinhi Dewik Yuwandani Dini Siamika Tito Prayogi Efron Yohanis Loe Erisa Octavianti Fardini Sabilah Felisha Firstania Putri Grandi I Gede Yudarta, I Gede I Gst. Agung Triana Rakanita I Gusti Ayu Mahatma Agung I Gusti Made Sutjaja I Kadek Ari Wiguna I Ketut Darma Laksana I Komang Edy Wirawan I Komang Sudirga I Komang Sumaryana Putra I Made Budiarsa I Made Netra I MADE RAJEG I Made Suastra I Nengah Sudipa I Nyoman Dhana I Nyoman Suarka I NYOMAN SUPARWA I Nyoman Udayana I Putu Gede Sridana I Wayan Ardika I Wayan P. Windia I WAYAN PASTIKA Ida Ayu Made Puspani Ida Ayu Rai Nayma Mahadewi Ida Ayu Tantri Saraswathy Ida Bagus Putra Yadnya IGM Sutjaja Julie Puspitasari Km Tri Sutrisna Agustia Laksono Trisnantoro Lina Yuni Lestari Mahyuni Mahyuni Mareta, Ni Putu Dita Melani, Dian Angga Meyliana Eka Putri Muhammad Sukri Mulyadi Mulyadi Ni Kadek Dinda Pratiwi Ni Kadek Jessica Sarindra Dwije Ni Kadek Mirayanti Ni Kadek Sindy Arista Ni Komang Ayu Udyani Ni Luh Ayu Shinta Andriani Ni Luh Nyoman Seri Malini Ni Luh Putri Ayu Febriani Ni Made Dhanawaty Ni Made Dwijayani Ni Made Suwari Antari Ni Nyoman Tri Gitayani Ni Putu Narista Devi Ni Putu Tifani Puspa Lestari Ni Putu Wahyu Febriyani Ni Wayan Nandira Paraswari Ni Wayan Peni Ni Wayan Sukarini Nirwana Nilam Sari Nugraha, Komang Yoga Artha Oktavianus Oktavianus Peni, Ni Wayan Pratiwi, Ni Made Listya Ayu Putra, I Komang Sumaryana Putu Ayu Asty Senja Pratiwi Putu Dewi Merlyna Yuda Pramesti Putu Giorgiana Ananta Suyasa Putu Weddha Savitri Rina P Pamantung Robert Masreng Robert Masreng Safitri, Luh Mega Sang Ayu Isnu Maharani Sarwadi sarwadi Satya, I Nyoman Darma Savitri, Putu Wedda savitri, weddha Si Luh Putu Arik Aryawathi Suwari Antari, Ni Made Widiani, Ni Made Rita Yayi Suryo Prabandari