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Hibridisasi Seni Kerajinan Patung di Desa Kedisan, Bali Ni Luh Sutjiati Beratha; Ni Wayan Sukarini; I Made Rajeg
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 6 No. 2 (2016): RUANG IMAJINER DAN RUANG PUBLIK DI BALI
Publisher : Universitas Udayana

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Abstract

This article discusses Balinese handicraft especially statue handicraft produced by craftsmen at Kedisan Village, Tegal-lalang District, Gianyar Residence. The competitiveness of the product is very high in tourism market and has the process of hybridization. The specific target that will be achieved related to the identity maintenance of Balinese culture. Thus the main discussion of this article is the caused of hybridization on statue handicraft in Bali. In the era of globalization the fusion between local and global cultures has already happened and this is a phenomenon of postmodernism because there is relationship of cultural influences. This condition can be comprehended from hybridization phenomenon on statue handicraft in Bali. Theories of globalization and glocalization are applied to analyse the data in this article. Qualitative method is used to achieve the objective and target through the implementation of participated observation technique and in-depth interview. The whole data is analysed descriptively, holisticly, and interpretatively. The Balinese artists on statue have done the changes in the form of statue through hybridization against the statue as the effect of made to order because of internal and external factors.
THE DEPICTION OF THE MAIN CHARACTER'S RESISTANCE AGAINST GENDER ROLES IN BRAVE I Nyoman Darma Satya; Ni Wayan Sukarini; Ni Luh Sutjiati Beratha
ELITERATE : Journal of English Linguistics and Literature Studies Vol 5, No 1 (2025): ELITERATE : Journal of English Linguistics and Literature Studies
Publisher : Faculty of Languages and Literature, Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/eliterate.v5i1.77375

Abstract

The representation of gender roles in media such as movies plays an important role in shaping the social and cultural values of behavioral expectations of individuals within society. While many studies have examined the depiction of traditional gender roles in movies, a few of them focuses on how the main character resists these roles and challenge patriarchal traditions. This study analyzes Brave with a focus on the main character’s resistance against gender roles through the perspective of radical feminism. The purpose of this study is to describe how the main character challenges patriarchal expectations and traditional gender norms in the narrative, and asserts her independence within a patriarchal context. The data were collected the movie scenes and dialogues through documentation and note-taking techniques. The data were analyzed using narrative analysis in qualitative method by applying feminism theory proposed by Tong (2009), which focusing on radical feminism as a lens. The findings identify three forms of resistance by the main character: the resistance against arranged marriage, the resistance against femininity roles, and the resistance of personal autonomy. These forms of resistance reflect radical feminist principles by directly opposing patriarchal structures and affirming women’s right to self-determination. The study concludes that Brave not only illustrates gender roles but also provides a critical narrative of resistance, demonstrating the potential of animated movies to question and reconstruct social and cultural understandings of gender.Keywords: gender, gender roles, radical feminism, resistance 
Co-Authors A A Ayu Cindy Karina Ivana Irawan Adnyani, Ni Luh Putu Sri Amara Josephine Mendi Anak Agung Ngurah Kenata Janamejaya Antari, Ni Made Suwari Ariani, Ni Putu Aritorang, Athalia Beshorah Daar, Gabriel Fredi Darwin Fajar Desak Komang Kharisma Jandinhi Desak Putu Eka Pratiwi, Desak Putu Dewik Yuwandani Dini Siamika Tito Prayogi Efron Yohanis Loe Erisa Octavianti Fardini Sabilah Felisha Firstania Putri Grandi I Gede Yudarta, I Gede I Gst. Agung Triana Rakanita I Gusti Ayu Mahatma Agung I Gusti Made Sutjaja I Kadek Ari Wiguna I Ketut Darma Laksana I Komang Edy Wirawan I Komang Sudirga I Komang Sumaryana Putra I Made Budiarsa I Made Netra I MADE RAJEG I Made Suastra I Nengah Sudipa I Nyoman Darma Satya I Nyoman Dhana I Nyoman Suarka I NYOMAN SUPARWA I Nyoman Udayana I Putu Gede Sridana I Wayan Ardika I Wayan P. Windia I WAYAN PASTIKA Ida Ayu Made Puspani Ida Ayu Rai Nayma Mahadewi Ida Ayu Tantri Saraswathy Ida Bagus Putra Yadnya IGM Sutjaja Julie Puspitasari Km Tri Sutrisna Agustia Laksono Trisnantoro Lina Yuni Lestari Mahyuni Mahyuni Mareta, Ni Putu Dita Melani, Dian Angga Meyliana Eka Putri Muhammad Sukri Mulyadi Mulyadi Ni Kadek Dinda Pratiwi Ni Kadek Jessica Sarindra Dwije Ni Kadek Mirayanti Ni Kadek Sindy Arista Ni Ketut Puji Astiti Laksmi, Ni Ketut Ni Komang Ayu Udyani Ni Luh Ayu Shinta Andriani Ni Luh Nyoman Seri Malini Ni Luh Putri Ayu Febriani Ni Made Dhanawaty Ni Made Dwijayani Ni Made Suwari Antari Ni Nyoman Tri Gitayani Ni Nyoman Tri Gitayani Ni Putu Narista Devi Ni Putu Tifani Puspa Lestari Ni Putu Wahyu Febriyani Ni Wayan Nandira Paraswari Ni Wayan Peni Ni Wayan Sukarini Nirwana Nilam Sari Nugraha, Komang Yoga Artha Oktavianus Oktavianus Peni, Ni Wayan Pratiwi, Ni Made Listya Ayu Putra, I Komang Sumaryana Putu Ayu Asty Senja Pratiwi Putu Dewi Merlyna Yuda Pramesti Putu Giorgiana Ananta Suyasa Putu Weddha Savitri Rina P Pamantung Robert Masreng Robert Masreng Safitri, Luh Mega Sang Ayu Isnu Maharani Sarwadi sarwadi Savitri, Putu Wedda savitri, weddha Si Luh Putu Arik Aryawathi Suwari Antari, Ni Made Widiani, Ni Made Rita Yayi Suryo Prabandari