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All Journal Kolaboratif E-Journal Home Economic and Tourism Jurnal Pendidikan Teknologi dan Kejuruan Jurnal Sendratasik Gorga : Jurnal Seni Rupa Jurnal Ilmiah Universitas Batanghari Jambi Jurnal Penelitian Pendidikan IPA (JPPIPA) SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan IRJE (Indonesian Research Journal in Education) JURNAL PENDIDIKAN TAMBUSAI Jurnal Basicedu Jurnal Ilmiah Pendidikan dan Pembelajaran Journal of Educational Research and Evaluation Jurnal Sosiologi Agama International Journal of Educational Dynamics (IJEDS) JPGI (Jurnal Penelitian Guru Indonesia) Jurnal Pendidikan dan Keluarga Jurnal Manajemen Perhotelan dan Pariwisata Suluah Bendang: Jurnal Ilmiah Pengabdian Kepada Masyarakat Ranah Seni: Jurnal Seni dan Desain Jurnal Manajemen Pendidikan dan Ilmu Sosial (JMPIS) Humantech : Jurnal Ilmiah Multidisiplin Indonesia Indo-MathEdu Intellectuals Journal Jurnal Basicedu Langgam International Journal of Social Science Education, Art and Culture Jurnal Pengabdian Masyarakat dan Riset Pendidikan Journal of Authentic Research The Indonesian Journal of Computer Science TRJ (Tourism Research Journal) Jurnal Ilmiah Pariwisata
Agusti Efi
Universitas Neger Padang
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Study on the motives of Perahu Baganduang in Batik Kuansing Batik Nagori Business Azzahra, Ridawati; Efi, Agusti
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i2.62066

Abstract

The Batik Perahu Baganduang motif originates from the Perahu Baganduang Tradition, a cultural practice in Kuantan Singingi Regency. Despite its growing popularity, many people are unaware of its cultural roots due to a lack of understanding. This research aims to contribute to the knowledge and appreciation of the motif, its sources of inspiration, and the symbols and meanings it carries, focusing on its application in the Kuansing Batik Nagori Batik Business. Using a qualitative approach, the research gathers primary and secondary data through observation, interviews, and documentation. The analysis follows a process of data reduction, presentation, and conclusion drawing. The findings reveal that: 1) The Batik Perahu Baganduang motif is designed to resemble the Perahu Baganduang, a boat paraded by the Lubuk Jambi community. This boat consists of two or three boats combined into one using bamboo, decorated with various colorful traditional symbols. 2) The transformation of the motif is rooted in the Perahu Baganduang Tradition itself, combined with motifs from Kuansing Batik Nagori and traditional Riau Malay designs. 3) The symbols embedded in the Batik Perahu Baganduang motif carry deep cultural significance: the Boat symbolizes unity, the Dome represents religiosity, the Buffalo Horn signifies strength, the Ani-ani symbolizes prosperity, the Gourds represent unity, the Cerano symbolizes respect, the Umbrella signifies protection, and the Colorful Cloth and Marowagh represent the indigenous community.This research provides valuable insights into the rich cultural heritage behind the Batik Perahu Baganduang motif, enhancing its appreciation and understanding within the broader community.
Implementation of Batik Colouring Using Jengkol Peels Extract at Rang Minang Batik House in Padang Panjang City Wulandari, Indah; Efi, Agusti
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i2.62157

Abstract

The use of synthetic dyes in the batik industry, considered practical and efficient, has had negative impacts on health and the environment. This study aims to explore the production and application of natural dye extracts from jengkol (Archidendron pauciflorum) peels as an alternative dye in the batik dyeing process at Rumah Batik Rang Minang. A descriptive qualitative approach was used, with data collection methods including documentation, interviews, and observation. The study results show that the jengkol peel extract is produced through a boiling process and applied to batik fabric using the dipping technique. The dyeing process involves soaking the fabric in jengkol peel extract and repeating the dipping to ensure color durability. The use of this extract produces a distinctive and long-lasting color, offering an eco-friendly solution for the batik industry.
Development of Interactive E-Modules on Drawing Female Body Anatomy Comparison of 11xHead Height in Class X Sari, Nur Amelia; Efi, Agusti
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i2.62803

Abstract

Students of SMK Negeri 3 Kota Solok have difficulty learning the basics of fashion learning material on drawing body anatomy as a basis for designing clothes. Therefore, the development of interactive e-modules aims to be an alternative means to help in learning the basics of fashion. This study uses a 4D (four D) development model, consisting of Define, Design, Development, and Disseminate, and this study was only carried out up to the development stage. The data collected from this study are data analysis of media validity tests and practicality tests. Based on the results of the study, it can be concluded that the e-module of anatomical drawings for fashion students that was developed is valid and practical, thus the interactive e-module of the material on drawing the anatomy of a woman's body with a ratio of 11xhead height is suitable for use as a learning medium at SMK Negeri 3 Kota Solok.
Comparison of Cotton Fabric Dyeing Intensity with Rice Field Clay (Liek) and Land Cliff (Liek) Yulasna, Mayang; Efi, Agusti
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i2.62875

Abstract

The use of natural clay materials as textile coloring as an effort to restore the use of environmentally friendly natural dyes and abandon the use of synthetic dyes that are dangerous because they can pollute the environment and have an impact on humans in textile coloring. This study aims to describe the coloring results of natural coloring, namely rice field liek soil and cliff liek soil, as well as the color intensity/dark light color produced using tunjung mordant on the results of cotton fabric coloring with different soaking times. The approach used is an experiment with a data collection technique using a questionnaire from 15 panelists, for the results of color intensity/dark light color (Value), the resulting color is not significant at a significance level of 0.439> 0.05. This means that there is no significant difference due to the type of clay used in soaking cotton materials with rice field liek soil and cliff liek soil.
Development of Video Learnning Media for Casual Fashion Design Class X Fashion Management at SMK Negeri 1 Ampek Angkek Khairani, Kiki; Efi, Agusti
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i2.62880

Abstract

This study aims to develop video learning materials for the Fashion Design subject in Fashion Design class X at SMK Negeri 1 Ampek Angkek. The problems identified include conventional teaching methods, low student motivation and creativity, and many students who have not achieved the Minimum Completion Criteria (KKM). Video learning materials have been developed to visualize the concept and steps of designing casual clothing in a more effective and interesting way. This study uses a Research and Development (R&D) approach with the ADDIE (Analysis, Design, Development, Implementation and Evaluation) development model. The results of the study indicate that the developed video learning media is useful and practical for use in the learning process, and is able to improve students' understanding and creativity in designing clothing.
Development of Video Tutorials on Drawing Female Body Anatomy for Students of Class X SMK Pembangunan Bagan Batu Aulia, Tiara; Efi, Agusti
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i2.62882

Abstract

The teaching and learning process of body anatomy drawing material in the Class X Fashion Basics subject at SMK Pembangunan is not in accordance with the expected learning outcomes. Researchers offer alternative learning media in video tutorial development research on drawing female body anatomy which aims to: 1). Develop a video tutorial for drawing female body anatomy in comparison to 11 x head height. 2). Test the validity and practicality of video tutorials for drawing female body anatomy in comparison to 11 x head height. This study used the 4D model research and development (R&D) method, which consists of four stages: define, design, and development. The dissemination stage was not conducted due to the limited research. Data in this study were collected through observation, interview, and questionnaire. This study conducted a feasibility test with the results of the media expert validation test with a very valid category. Validation by material experts with a very valid category. The results of the practicality assessment of students in two large groups with very practical and small categories with very practical categories. So that video tutorials for drawing female body anatomy can be utilized in teaching and learning activities.
Pendampingan Digital Marketing bagi Pengrajin Batik Minang Putiandam Irianto, Agus; Efi, Agusti; Friyatmi, Friyatmi; Putra, Gilang Oritaliano; Febrina, Suci
Suluah Bendang: Jurnal Ilmiah Pengabdian Kepada Masyarakat Vol 23, No 2 (2023): Suluah Bendang: Jurnal Ilmiah Pengabdian kepada Masyarakat
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sb.03320

Abstract

Batik Minang memiliki banyak potensi untuk menjadi produk yang lebih baik di wilayah Sumatera Barat. Namun, Batik Putiandam masih menghadapi sejumlah tantangan terkait pemasaran produk agar dikenal masyarakat luas. Pelatihan pemasaran digital bagi perajin batik adalah salah satu opsi yang ditawarkan untuk mengurangi masalah yang terjadi. Kelompok perajin batik Putiandam berpartisipasi dalam Pengembangan Produk Unggulan Daerah ini melalui kegiatan pelatihan dan praktik terbimbing. Para pengrajin dibekali teknik pembuatan kemasan produk, teknik foto produk fashion, dan pembuatan konten pemasaran digital. Pelaksanaan kegiatan pendampingan mencapai hasil sesuai dengan tujuan. Hasil dari kegiatan ini berupa packaging produk dan peningkatan skill mitra dalam promosi produk dalam bentuk pemasaran digital.
Pemberdayaan Pengrajin Batik Untuk Optimalisasi Produk Unggulan Batik Minang Berbasis Kearifan Lokal Irianto, Agus; Efi, Agusti; Friyatmi, Friyatmi; Marna, Jean Elikal
Suluah Bendang: Jurnal Ilmiah Pengabdian Kepada Masyarakat Vol 22, No 2 (2022): Suluah Bendang: Jurnal Ilmiah Pengabdian kepada Masyarakat
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sb.02430

Abstract

Batik Minang memiliki potensi yang tinggi untuk menjadi produk unggulan daerah Sumatera Barat, namun sayangnya masih terdapat berbagai hambatan yang dialami oleh kelompok pengrajin batik untuk mewujudkan hal tersebut baik itu dalam aspek produksi aspek produksi, pemasaran, maupun keuangan. Salah satu solusi yang ditawarkan dalam meminimalisir masalah yang muncul adalah dengan melatih pengrajin batik dengan skill disain dan inovasi motif batik berbasis kearifan local dan disain brand usaha mitra. Program Pengembangan Produk Unggulan Daerah ini melibatkan sebelas orang pengrajin batik di Sumatera Barat yang dilaksanakan dengan metode observasi, demonstrasi, pelatihan, latihan terbimbing, praktek, FGD, dan brainstorming. Hasil kegiatan pengabdian dapat dikatakan efektif karena telah mencapai tujuan dari kegiatan ini. Hasil pelatihan memberikan skill nyata kepada mitra terhadap disain dan inovasi motif batik berbasis kearifan lokal. Mitra juga telah memiliki brand usaha yang dapat menjadi identitas sehingga aspek pemasaran produk batik Minang dapat lebih dioptimalkan.
PEWARNAAN ALAM DENGAN BIJI KESUMBA DAN DAUN KETAPANG: STUDI KASUS DI KABUPATEN BUNGO Zola, Ami; Efi, Agusti
Gorga : Jurnal Seni Rupa Vol. 11 No. 1 (2022): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v11i1.32195

Abstract

This research is about natural coloring in batik with kesumba seeds and ketapang leaves at Rumah Warna Dedaunan, Bungo Regency, which only uses natural dyes as batik dyes. Although the use of synthetic materials is widely used by batik craftsmen because of the easy and practical use process, Rumah Warna Dedaunan still maintains natural coloring as batik dyes. In addition, natural coloring is also friendly to the environment so that it can reduce pollution, especially in water. The purpose of this study was to describe how to make extracts of natural colors with kesumba seeds and ketapang leaves, natural coloring techniques with kesumba seeds and ketapang leaves, and the color produced by natural coloring of kesumba seeds and ketapang leaves at Rumah Warna Dedaunan, Bungo Regency. This research method is a qualitative descriptive method. The type of data is in the form of primary data and secondary data. The informants of this research are the leaders as well as owners and craftsmen at Rumah Warna Dedaunan. Data collection techniques through observation, interviews, and documentation. The data analysis technique was carried out by using interactive model analysis techniques related to the subject matter of data collection, data reduction, data presentation, and drawing conclusions. The results of this study are natural coloring with extracts of kesumba seeds and leaves of Ketapang, among others: 1) making extracts of kesumba seeds and leaves of ketapang first preparing the tools and materials, kneading the seeds of kesumba, cutting the leaves of ketapang into small pieces, then looking for, left overnight, rediscovered, filtered, and carried away, 2) dyeing technique by dipping cloth, soaked with laundry soap, dyed with alum for two nights then dyeing with extract and then dyeing with whiting and tunjung locks, 3) the color of the Kesumba seeds are brown in color, Ketapang leaves produce a light yellow color, using lime fixation produces a dark yellow color and tunjung leaves produce a yellow color. Thus, natural dyeing with kesumba seed extract and ketapang leaves can be used in batik coloring.Keywords: coloring, coriander seeds, ketapang leaves. AbstrakPenelitian ini adalah tentang pewarnaan alam pada batik dengan biji kesumba dan daun ketapang di Rumah Warna Dedaunan Kabupaten Bungo yang hanya menggunakan pewarnaan alam saja sebagai pewarna batik. Meskipun penggunaan bahan sintentis ramai digunakan oleh pengrajin batik dikarenakan proses penggunaan yang mudah dan praktis, Rumah Warna Dedaunan tetap mempertahan pewarnaan alam sebagai pewarna batik. Selain itu pewarnaan alam juga ramah terhadap lingkungan sehingga dapat mengurangi pencemaran terutama pada air. Tujuan dari penelitian ini adalah untuk mendeskripsikan cara pembuatan ekstrak warna alam dengan biji kesumba dan daun ketapang, teknik pewarnaan alam dengan biji kesumba dan daun ketapang, dan warna yang dihasilkan dari pewarnaan alam biji kesumba dan daun ketapang di Rumah Warna Dedaunan Kabupaten Bungo. Metode penelitian ini adalah metode deskriptif kualitatif. Jenis data yaitu berupa data primer dan data sekunder. Informan penelitian ini adalah pimpinan sekaligus pemilik dan pengrajin di Rumah Warna Dedaunan. Teknik pengumpulan data melalui observasi, wawancara, dan dokumentasi. Teknik analisis data dilakukan dengan teknik analisa model interaktif yang berkaitan dengan pokok permasalahan dengan pengumpuan data, reduksi dara, penyajian data, dan penarikan kesimpulan. Hasil penelitian ini yaitu pewarnaan alam dengan ekstrak biji kesumba dan daun Ketapang, antara lain: 1) membuat ekstrak biji kesumba dan daun ketapang yang pertama menyiapkan alat dan bahan, biji kesumba diremas-remas, daun ketapang di potong kecil-kecil, kemudian direbus, didiamkan semalaman, direbus kembali, disaring, dan didinginkan, 2) teknik pewarnaan dengan cara mencelupkan kain, direndam dengan sabun cuci, dicelup dengan tawas selama dua malam kemudian pencelupan dengan ekstrak dan selanjutnya pencelupan dengan pengunci kapur sirih dan tunjung, 3) warna yang dihasilkan dari biji kesumba yaitu  warna oren kecoklatan, daun Ketapang menghasilkan warna kuning muda, menggunakan fixsasi kapur menghasilkan warna kuning tua dan tunjung menghasilkan warna kecoklatan. Dengan demikian, pewarnaan alami dengan ekstrak biji kesumba dan daun ketapang dapat digunakan dalam pewarnaan batik.Kata Kunci:pewarnaan, biji kesumba, daun ketapang. Authors:Ami Zola : Universitas Negeri PadangAgusti Efi : Universitas Negeri Padang References:Eriani, W., & Herry, P. (2017). Pengaruh Waktu Maserasi, Perlakuan Bahan Daun Zat Fiksasi Pada Pembuatan Warna Alami Daun Ketapang (Terminalia Catappa Linn). Skripsi. Surakarta: Universitas Muhammadiyah Surakarta.Purnomo, M. A. J. (2004). Zat Pewarna Alam sebagai Alternatif Zat Warna yang Ramah Lingkungan. Jurnal Seni Rupa STSI Surakarta, 1(2): 57-61.Purwaningsih D. (2013). Pemanfaatan Biji kesumba (BixaOrellana) Sebagai Pewarna Alami Daun Antioksidan (Vitamin C) Untuk Pembuatan Kue Bolu Dari Berbagai Macam Tepung. Surakarta: Universitas Muhamadiah Surakarta.Sunarto. (2008). Teknologi Pencelupan Daun Pengecapan. Jakarta: Direktorat Pembinaan Sekolah Menengah Kejuruan, Departemen Pendidikan Nasional.Susanto, Koko, M. Sn Erwin,&M. Sn Minarsih. (2015). Bentuk, Fungsi daun Makna Motif Batik Bungo di Kecamatan Pelepat Ilir Kabupaten Muara Bungo. Serupa The Journalof Art Education, 3(2).
STUDI TENTANG TEKNIK MENENUN SONGKET RAWANG MENGGUNAKAN ALAT TENUN BUKAN MESIN (ATBM) DI RUMAH TENUN SONGKET RAWANG KABUPATEN AGAM Putri, Atika Dwi; Efi, Agusti
Gorga : Jurnal Seni Rupa Vol. 11 No. 1 (2022): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v11i1.32711

Abstract

This research aims to describe the shape of the loom, the function of the loom, and the technique of weaving using a non-machine loom (ATBM) at the Songket Rawang Weaving House. The research method used is descriptive qualitative. Types of data in the form of primary and secondary data. The informants of this research are the leaders, coaches and craftsmen at the Songket Rawang Weaving House. Data collection techniques in the form of observation, interviews and documentation. Data analysis techniques by means of data collection, data reduction, data presentation, and drawing conclusions. The results showed that the Rawang songket weaving technique using ATBM can store motifs directly without having to make motifs continuously. The technique of storing motifs in ATBM uses a tool called a gun/karok motif. The motifs that have been made can be stored in the motif gun/karok so that the process of making further motifs does not need to be remade, because it is already stored in the motif karok. The process of storing this motif is first stored in the motif sungkit then the motif is temporarily stored in sticks, after all the motifs are formed, they are transferred to the motif karok to be stored. Keywords: songket rawang, weaving technique, ATBM. AbstrakPenelitian ini bertujuanuntuk mendeskripsikan bentuk alat tenun, fungsi alat tenun, dan teknik menenun dengan menggunakan alat tenun bukan mesin (ATBM) di Rumah Tenun Songket Rawang. Metode penelitian yang digunakan adalah deskriptif kualitatif. Jenis data berupa data primer dan sekunder. Informan penelitian ini adalah pimpinan, pembina dan pengrajin di Rumah Tenun Songket Rawang. Teknik pengumpulan data berupa observasi, wawancara dan dokumentasi. Teknik analisis data dengan cara pengumpulan data, reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian diketahui bahwa teknik menenun songket Rawang dengan menggunakan ATBM dapat menyimpan motif secara langsung tanpa harus membuat motif secara terus menerus. Teknik menyimpan motif pada ATBM menggunakan alat yang disebut dengan gun/karok motif. Motif yang sudah dibuat dapat disimpan pada gun/karok motif sehingga proses pembuatan motif selanjutnya tidak perlu lagi dibuat kembali, karena sudah tersimpan di karok motif. Proses penyimpanan motif ini terlebih dahulu disimpan di sungkit  motif kemudian motif tersebut di simpan sementara di lidi-lidi, setelah semua motif terbentuk baru di pindahkan ke karok motif  untuk disimpan.Kata Kunci:teknik menenun, songket rawang, ATBM.Authors:Atika Dwi Putri : Universitas Negeri PadangAgusti Efi : Universitas Negeri Padang References:Affendi, Y. (1980). Seni Tenun Silungkang dan Sekitarnya. Proyek Media Kebudayaan Jakarta. Jakarta: Direktorat Jenderal Kebudayaan, Departemen Pendidikan dan Kebudayaan.Bart, B., Utama, E., & AZwar, N. (2006). Revitalisasi Songket Lama Minangkabau. Padang: Studio Songket Erika Rianti.Hertis, Sefni. (2001). Studi Tentang Ktiya Songket Di Silungkang. Padang: Jurusan Seni Rupa Fakultas Bahasa Sastra dan Seni Universitas Negeri PadangJuistry, Febriyani. (2013). Kerajina Tenun Songket Minang Saiyo di Nagari Unggan Kabupaten Sijungjung. Padangpanjang: Jurusan Kriya FSRD ISI Padang Panjang.Lubis, S. K., Retnowati, T. H., & Syawalina, S. (2020). Predictive Power of Intellectual Ability Test Score on Students™ Fine Art Learning Outcomes. In 3rd International Conference on Arts and Arts Education (ICAAE 2019) (pp. 41-44). Atlantis Press.Riris, W. Widati. (2002). Perempuan Dalam Usaha Pertenunan Sulawesi Selatan. Jurnal Perempuan edisi, 22.Saputra, H. (2019). Seni dan Budaya Tenun Ikat Nusantara. Res. Gate, 1, 1-15.Yudoseputro, W. (1995). Desain Kerajinan Tekstil. Jakarta: Departemen Pendidikan dan Kebudayaan Direktorat Jenderal Pendidikan Dasar Menengah Direktorat Pendidikan Menengah Kejuruan.
Co-Authors ADRIANI ADRIANI Agus Irianto Agustina Agustina Agustina Agustina Agustina Agustina Aidil Dewi Angriani Ambiyar, Ambiyar Ami Zola Anggun Yodansi Anni Faridah Apri Marlina Aprianti, Viki Ardipal Ardipal Astari Ayuni Atika Dwi Putri Aulia Annisa Fitri Aulia, Tiara Ayu Puspita Sari Azzahra, Ridawati Budiwirman Budiwirman Budiwirman Budiwirman, Budiwirman Budiwirman, Budiwirman Bunga Naselia DARMANSYAH . Daryusti Daryusti - Derisa Derisa Desmaleni, Rahayu Dian Eka Oktavia Efrashia, Tiara Husnun Elida elida elida Elpalina, Srimutia Elsa Pitaloka Erianjoni Erianjoni Ernawati Ernawati Ezriani, Ezriani Fadhillah, Fadhillah Fauziah, Qori Febrina, Suci Ferdian, Feri Fitri, Aulia Annisa Fitrisia, Azmi Freddy Antara Friyatmi Friyatmi Gita Noveri Eza Gusrini, Esi Gustina Gustina Hadiastuti, Hadiastuti Handri Arni Happytri, Leony Harmawan, Violintikha HARYONO Hurahmi, Intah Mifta Ida Ayu Putu Sri Widnyani Idha, Muhammad Trio Idris Ilham Zamil Indah Wulandari Indah Wulandari Joel Franky Situmeang Kasman Rukun Khairani, Kiki Kiki Khairani Lasmi, Ami Lasmi, Lasmi Lestari, Mia Febria Lorenzo, Naufal Lufri Lufri Maharani, Anjelina Mansyera Pratama, Vischa Mariana Heristian Mariana Heristian Marna, Jean Elikal Martin, Yona Mayang Yulasna Mega Kencana Meifitriadi Meifitriadi Mia Febria Lestari Mitra Lusiana Muhammad Agus Muljanto Muhammad Ridho Muharika Dewi Mutia, Gabila Heira Nita Sahara Nofiyanti Nofiyanti Nofiyanti Nofiyanti, Nofiyanti Novrita, Sri Zulfia Nur Amelia Sari Nur Amelia Sari Nurhizrah Gistituati Nurul Inayah Hutasuhut Oktaviani, Melsa Puji Hujria Suci Putra, Gilang Oritaliano Putri, Atika Dwi Putri, Yuzia Eka Rahman, Doni Rahmi, Fathiah Rahmiati . Rendi Rezki Reni Fitria Reska Mayefis Retno Desti Dwi Rezki Datmi Rezki, Rendi Ridawati Azzahra Ririn Amaliah Putri Sarah Rizal Arifin Lubis Rochanawati, Ida Roni Sarwani Ruth Meliani Tatubeket Safrina, Nova Sarah, Ririn Amaliah Putri sari, Mutia Selvia Frety Yunia Enjelina Setiawati, Erlin Shaheed Fikar Sofrina Zulida Fatma SYAFITRI, YESI Syafrizal Syafrizal Tiara Aulia Tiara Husnun Efrashia Umaroh, Aufa Vinna Aulya Wahyu Eka Saputra Wakhinuddin Wakhinuddin Wati, Lulu Fajar Weni Nelmira Yadona, Putri Yahya Yahya Yazel Aze, Hazevi Atila Yeni Elviza Febrianti Yenni Idrus Yetti, Silvia Yona Martin Yudistira, Sukma Yulasna, Mayang Yulia Aryati Yuliana Dewi Yuliana Yuliana Yuliarma, Yuliarma Yumielda , Vivi Destri Yunus, Rona Rahayu Yusman, Ahmad Fauzan Yusmerita Yusmerita Yusmerita Zamil, Ilham Zola, Ami Zulmayelti, Zulmayelti