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All Journal ISLAMICA: Jurnal Studi Keislaman KOMUNIKE: Jurnal Komunikasi Penyiaran Islam ANIDA : Aktualisasi Nuansa Ilmu Dakwah Jurnal Orasi Isamic Communication Journal Al-I´lam: Jurnal Komunikasi dan Penyiaran Islam Kamaya: Jurnal Ilmu Agama Edukasi Islami: Jurnal Pendidikan Islam An-Nida : Jurnal Komunikasi Islam Jurnal Ilmiah Sosiologi Agama (JISA) Jurnal Ilmu Dakwah The Journal of Society and Media Proceedings of International Conference on Da'wa and Communication Al-Majaalis : Jurnal Dirasat Islamiyah Idarotuna: Jurnal Kajian Manajemen Dakwah TADBIR: Jurnal Manajemen Dakwah FDIK IAIN Padangsidimpuan Jurnal Kopis: Kajian Penelitian dan Pemikiran Komunikasi Penyiaran Islam Jurnal Dakwah dan Komunikasi Syiar: Jurnal Komunikasi dan Penyiaran Islam Tebuireng: Journal of Islamic Studies and Society Inteleksia: Jurnal Pengembangan Ilmu Dakwah Jurnal Komunikasi Islam Jurnal Multidisiplin Madani (MUDIMA) JASNA : Journal For Aswaja Studies BUANA GENDER : Jurnal Studi Gender dan Anak QANUN: Journal of Islamic Laws and Studies Setyaki : Jurnal Studi Keagamaan Islam HIKMAH: Jurnal Ilmu Dakwah dan Komunikasi Islam Jurnal Mediakita : Jurnal Komunikasi dan Penyiaran Islam Journal of Islamic Communication Studies Al-Wasatiyah: Journal of Religious Moderation Jurnal Bimbingan dan Konseling Islam Jurnal Ilmiah Syi'ar Indonesian Journal of Islamic Communication Orasi: Jurnal Dakwah dan Komunikasi WASILATUNA: JURNAL KOMUNIKASI DAN PENYIARAN ISLAM
Luluk Fikri Zuhriyah
Universitas Islam Negeri Sunan Ampel Surabaya
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Analisis Dakwah Kh. Mustofa Bisri Dalam Konteks Masyarakat Modern Hadi, Moch Alfin; widadi, Widadi; Zuhriyah, Luluk Fikri
Tadbir: Jurnal Manajemen Dakwah FDIK IAIN Padangsidimpuan Vol 7, No 2 (2025): TADBIR: JURNAL MANAJEMEN DAKWAH FDIK IAIN PADANGSIDIMPUAN
Publisher : FDIK IAIN Padangsidimpuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24952/tadbir.v7i2.15912

Abstract

Da’wah as an instrument of socio religious tranformation, plays a strategic role in shaping public ethics, thought patterns, and communal character. KH. Ahmad Mustofa Bisri, a prominent Indonesian Muslim scholar, poet and cultural figure, stands out as a central figure in promoting moderate Islam in Indonesian. This study aims to identify, analyze, and contextualize the methods and focus of KH. Mustofa Bisri da’wah within the framework of modern, pluralistic society. Using a descriptive qualitative approach and literature review as the primary technique, the study reveals tha KH. Mustofa Bisri employ a humanistic, aesthetic, contextual, and spiritually reflective approach to da’wah. His methods include dialogical and empathetic preaching, inclusive aducational practices, the use of social media, religious literature and poetry, as well as the integration of Islamic values with artistic expression. The focus of this da’wah extends beyond ritual observance, emphasizing religious consciouness, interfaith tolerance, moderate theology, social critique through non provocative language, and intellectual ampowerment of the youth. His soft spoken, inclusive communication style proves effective in promoting an understanding of Islam as a peaceful, substantial, and humanistic faith. In conclusion, KH. Mustofa Bisri da’wah model offers a strategic paradigm for contemporary Islamic propagation one that is relevant to the challenges of the modern age and rooted in the values of peace, justice and human dignity.
MODEL DAKWAH BERBASIS EKOPEDAGOGI: Pengarustamaan UIN Sunan Ampel Surabaya dalam Integrasi Pendidikan Islam dan Kesadaran Lingkungan Fikri Zuhriyah, Luluk; Rahmawati, Pudji; Andik Izzuddin, Muhammad; Yusuf, M.
Edukasi Islami: Jurnal Pendidikan Islam Vol. 12 No. 02 (2023): Edukasi Islami: Jurnal Pendidikan Islam
Publisher : Sekolah Tinggi Agama Islam Al Hidayah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30868/ei.v12i03.9246

Abstract

artikel ini bertujuan untuk menganalisis model dakwah berbasis ekopedagogi di UIN Sunan Ampel Surabaya sebagai bentuk integrasi antara nilai-nilai keislaman dan kesadaran ekologis. Kajian ini menggunakan pendekatan kualitatif-studi kasus dengan metode studi lapangan, melalui observasi, wawancara mendalam, dan analisis dokumen institusional. Data dikumpulkan dari dosen, mahasiswa, dan dokumen-dokumen, kemudian dianalisis menggunakan teori Ecopedagogy dari Paulo Freire, Moacir Gadotti, dan Richard Kahn. Hasil penelitian menunjukkan bahwa UIN Sunan Ampel Surabaya telah menerapkan prinsip-prinsip ekopedagogi melalui lima komponen utama: (1) landasan teologis, berupa pemahaman manusia sebagai khalifah fil ardh; (2) integrasi kurikulum, melalui mata kuliah dan program lingkungan berbasis nilai Islam; (3) aksi sosial-ekologis, seperti program Eco-Campus, Bank Sampah Syariah, dan kegiatan penghijauan; (4) institusionalisasi nilai ekopedagogi dalam visi dan kegiatan kampus; serta (5) refleksi dan evaluasi melalui kegiatan keagamaan dan pengabdian masyarakat. Model dakwah ini berfungsi sebagai proses pendidikan transformatif yang tidak hanya menanamkan kesadaran ekologis, tetapi juga membentuk perilaku dan etika lingkungan berbasis spiritualitas Islam. Artikel ini menyimpulkan bahwa model dakwah berbasis ekopedagogi di UIN Sunan Ampel Surabaya merupakan contoh nyata implementasi education for ecological consciousness dalam konteks pendidikan tinggi Islam. Model ini memperluas makna dakwah menjadi gerakan pembebasan ekologis yang mengintegrasikan ilmu, iman, dan aksi sosial.
Desain Dakwah Ustadz Hanan Attaki melalui Media Sosial Instagram @ayah_amanah Ismiati, Ismiati; Sofiatin, Sofiatin; Zuhriyah, Luluk Fikri
Anida (Aktualisasi Nuansa Ilmu Dakwah) Vol. 24 No. 1 (2024): ANIDA (Aktualisasi Nuansa Ilmu Dakwah)
Publisher : Fakultas Dakwah dan Komunikasi UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/anida.v24i1.34626

Abstract

The purpose of this study is to examine the design of millennial da'wah Ustadz Hanan Attaki in an Instagram social media account under the name @ayah_amanah, such as da'wah strategies, delivery methods, mad'u targets, and message choices conveyed by Ustadz Hanan Attaki. Using a descriptive qualitative research approach, as well as data deepening with observation, interview, and social media content analysis methods. The results of the research illustrate that Ustadz Hanan Attaki in this @ayah_amanah Instagram social media preaches directly from city to city which is then documented and uploaded through @ayah_amanah Instagram account.  For the da'wah strategy used by Ustadz Hanan Attaki, namely persuasive and sentimental da'wah, namely preaching by captivating the hearts of mad'u, as evidenced by the messages and themes chosen in his study are light, easy to understand, use millennial language, and are considered in accordance with the condition of the target da'wah, namely young people. The implication in this study is to provide a reference for da'wah in the latest way and follow digital developments, da'wah is designed to be flexible, relaxed, and creative.
Abdurrahman Wahid's Policy Motivation for the Cheng-ho Mosque (Multicultural Da'wah Communication Perspective) Husnan, Moch; Zuhriyah, Luluk Fikri
Jurnal Multidisiplin Madani Vol. 3 No. 10 (2023): October, 2023
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/mudima.v3i10.6322

Abstract

This research aims to find a motive that underlies Abdurrahman Wahid's approach to the Cheng-ho Mosque in the context of multicultural da'wah. Cheng-ho Mosque, is a mosque that is quite often located in Indonesia. This mosque attracts attention because of its unique combination of architecture and cultural diversity. The focus of this research is to understand the motivation behind Abdurrahman Wahid's support for this mosque, and how this is reflected in his multicultural da'wah approach. The research method used is qualitative with a literature analysis and literature study approach. Primary data is collected through books, articles, newspapers, historical records, journals, encyclopedias and digital archives to collect data directly related to the figure. Secondary data is obtained from reviewing existing literature by examining previous research on the same subject or figure. Carrying out this literature review can help avoid repeating research that has been done previously and help have in-depth knowledge of Abdurrahman Wahid's thoughts and views on the Cheng-ho mosque. The research results show that Abdurrahman Wahid's motives for the Cheng-ho Mosque are rooted in his beliefs and multicultural approach in spreading Islamic teachings. He views this mosque as a symbol of cultural diversity that can become a bridge to strengthen relations between Muslims and non-Muslim communities in Indonesia. Abdurrahman Wahid sees the potential of the Cheng-ho mosque as a place for interfaith dialogue, spreading the values of tolerance, and developing social harmony. From a multicultural da'wah perspective, Abdurrahman Wahid's approach to the Cheng-ho mosque emphasizes the importance of inclusion and mutual understanding between religious communities. He promotes Islamic teachings that are able to respect cultural diversity and emphasize the values of brotherhood between religious communities. By using the Cheng-ho mosque as a means of da'wah, Abdurrahman Wahid is trying to change the paradigm of preaching from a more exclusive to an inclusive one, so that he can build a more harmonious societ
Analysis of Ustadz Das'ad Latif's Language Style in Delivering Dakwah Via Youtube nur rovida femila sari; Luluk Ilma Inun; Luluk Fikri Zuhriyah
Jurnal Ilmiah Syi'ar Vol 25, No 01 (2025): June 2025
Publisher : UIN Fatmawati Sukarno Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29300/syi'ar.v25i01.8553

Abstract

Da'wah is a very important part of Islam. A preacher should be someone who studies and knows how to preach, especially in the style of preaching language. The style of a preacher influences the interest of the listener, so a different delivery style is needed. This paper examines the style of language in Ustaz Das'ad Latif's lectures on his Youtube channel. Ustaz Das'ad Latif is famous for his relaxed lecture method and funny stories. Ustaz Da'as Latif's delivery of da'wah uses light, clear, and firm communication. The purpose of this study is to analyze the style of language in Ustaz Das'ad Latif's lectures on Youtube. The theory used in this study is language style according to Gorys Kaeraf. This study uses a qualitative method with a descriptive approach. Data were obtained from documentation in the form of journals, theses, theses and other literature sources. Analysis was carried out on data that had been described based on the theory used. The results of the study show that Ustaz Das'ad Latif applies language style based on word choice, tone and sentence structure. However, the most prominent style of preaching language uses informal language style and conversational language style. The use of a spirited and humorous tone is the uniqueness of Ustaz Das'ad Latif. While the sentence structure is conveyed through the beginning of the phrase and repetition of words.
A COMPARATIVE STUDY OF THE RELIGIOUS FILMS SANG PENCERAH AND SANG KIAI FROM THE PERSPECTIVE OF RELIGIOUS MODERATION Achmad Zaki Ghufron; Widadi .; Luluk Fikri Zuhriyah
Indonesian Journal of Islamic Communication Vol. 8 No. 1 (2025): Indonesian Journal Of Islamic Communication
Publisher : Program Studi Komunikasi dan Penyiaran Islam Pascasarjana UIN KHAS Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35719/ijic.v8i1.2298

Abstract

This study conducts a comparative analysis of religious moderation values in two significant Indonesian Islamic biographical films: Sang Pencerah (2010) and Sang Kiai (2013). Using qualitative content analysis methodology, the research examines narrative structures, character development, dialogues, and visual symbolism to uncover how each film constructs its representation of moderate Islam. The findings reveal that while both films advocate for religious tolerance and anti-extremism, they employ distinct narrative approaches reflective of their historical contexts and protagonists' ideologies. Sang Pencerah presents KH. Ahmad Dahlan as a progressive reformer who combines Islamic teachings with modern education, emphasizing rational thinking and social inclusion. The film's cinematography, featuring bright lighting and open spaces, visually reinforces these themes of enlightenment and progress. Conversely, Sang Kiai portrays KH. Hasyim Asy'ari as a traditionalist leader who preserves religious values while fostering national unity during colonial occupation, using warm color palettes and pesantren settings to symbolize cultural resilience. The study highlights three key contributions: First, it demonstrates how religious moderation can be effectively communicated through popular media. Second, it reveals the complementary nature of reformist and traditionalist approaches to Islamic moderation. Third, it provides a framework for analyzing religious values in cultural products. These insights are particularly relevant for Indonesia's multicultural society and its current efforts to promote religious harmony through cultural means.
Philanthropic Da'wah Messages in Digital Media: Content Analysis Study on Rumah Zakat YouTube Videos Muhammad Wildan Abdillah; Muhammad Naufal Nurfirdaus; Luluk Fikri Zuhriyah; Singgih Muflihhafiz Labibah
Al-I'lam: Jurnal Komunikasi dan Penyiaran Islam Vol 9, No 2 (2026): Maret 2026
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/jail.v9i2.38942

Abstract

Abstrak: Penelitian ini bertujuan menganalisis representasi dakwah filantropi dalam konten video YouTube Rumah Zakat melalui pendekatan analisis konten kualitatif. Di era digital, media visual memiliki peran signifikan dalam menyampaikan pesan dakwah secara lebih persuasif, terutama melalui narasi visual, audio, dan simbol-simbol yang dikonstruk dalam ruang digital. Penelitian ini mengkaji berbagai elemen konten seperti thumbnail, judul, caption, hashtag, transkrip naratif, serta visual layanan kesehatan dan pembagian sembako dalam video “Ekspedisi Bakti Relawan Hari Pahlawan”. Hasil analisis menunjukkan bahwa Rumah Zakat secara konsisten menampilkan nilai-nilai dakwah bil-hal melalui representasi kepedulian sosial, layanan kesehatan gratis, pemberdayaan pendidikan, mitigasi bencana, hingga kepedulian lingkungan. Setiap elemen visual dan verbal berfungsi membangun citra lembaga sebagai aktor kemanusiaan berbasis Islam yang profesional, empatik, dan responsif terhadap kebutuhan masyarakat. Selain itu, narasi video memperkuat nilai solidaritas, rahmah, ta’awun, serta semangat kepahlawanan modern. Penelitian ini menegaskan bahwa YouTube menjadi ruang strategis untuk memperluas jangkauan dakwah filantropi melalui penguatan pesan visual dan digital storytelling. Abstract:This study aims to analyze the representation of philanthropic preaching in Rumah Zakat's YouTube video content through a qualitative content analysis approach. In the digital age, visual media plays a significant role in conveying preaching messages more persuasively, especially through visual narratives, audio, and symbols constructed in the digital space. This study examines various content elements such as thumbnails, titles, captions, hashtags, narrative transcripts, as well as visuals of health services and food distribution in the video “Ekspedisi Bakti Relawan Hari Pahlawan” (Heroes' Day Volunteer Expedition). The analysis results show that Rumah Zakat consistently displays the values of dakwah bil-hal through representations of social care, free health services, educational empowerment, disaster mitigation, and environmental awareness. Each visual and verbal element serves to build the institution's image as a professional, empathetic, and responsive Islamic humanitarian actor. Additionally, the video's narrative reinforces the values of solidarity, compassion, cooperation, and the spirit of modern heroism. This study confirms that YouTube is a strategic space for expanding the reach of philanthropic da'wah through the strengthening of visual messages and digital storytelling
KOMODIFIKASI TA’ARUF DALAM PERSPEKTIF DAKWAH Eta Amala Husniya; Luluk Fikri Zuhriyah
ORASI: Jurnal Dakwah dan Komunikasi Vol. 15 No. 2 (2024): Desember 2024
Publisher : UIN Siber Syekh Nurjati Cirebon

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24235/orasi.v15i2.17365

Abstract

Penelitian ini menjelaskan komodifikasi ta’aruf dalam perspektif dakwah dengan bahasan praktik yang mengubah nilai-nilai sosial dalam ta'aruf menjadi nilai komersil. Hal ini terjadi ketika admin instagram akun @taaruf.co.id  menggunakan agama sebagai alat untuk memperoleh keuntungan finansial, Tujuan ta'aruf yang seharusnya mencari jodoh yang halal menjadi terdistorsi dan diarahkan untuk mencari keuntungan semata. Tujuan penelitian ini adalah untuk memahami proses komodifikasi ta’aruf di media online dalam perspektif dakwah di akun instagram @taaruf.co.id. Metode penelitian menggunakan pendekatan interpretatif untuk memberikan makna teks yang terkait dengan nilai dakwah. Jenis penelitian menggunakan analisis wacana model Norman Fairclough untuk memahami proses produksi teks dan praktik wacana yang digunakan akun instagram @taaruf.co.id. Analisis dalam penelitian ini adalah teks yang berkaitan dengan praktik ta’aruf online di akun instagram @taaruf.co.id. Hasil penelitian menjelaskan bahwa produksi teks dalam ta’aruf online dilakukan mengubah nilai-nilai sosial dalam ta'aruf menjadi nilai komersil. Praktik wacana yang digunakan oleh akun Instagram @taaruf.co.id adalah memanfaatkan agama sebagai alat untuk memperoleh keuntungan finansial. Teori yang digunakan adalah teori sekularisasi. Teori tersebut menggunakan fenomena yang di tandai oleh adanya pemisahan nilai-nilai dan norma keagamaan dengan kehidupan sehari hari terutama dalam bidang ekonomi. Praktik wacana menggunakan wacana ta'aruf online dalam perspektif dakwah yang melibatkan penggunaan nilai-nilai agama dalam proses mengenal dan memilih pasangan. Dakwah ta'aruf mengajarkan individu untuk menjalani proses ta'aruf dengan kesadaran akan pentingnya menjaga nilai-nilai agama dalam mencari pasangan hidup. Ta'aruf juga berfungsi sebagai sarana untuk memperkuat nilai-nilai keagamaan dalam masyarakat.
Messages of Gender Equality from Young Millennial Muslims on Social Media Zuhriyah, Luluk Fikri; Trifita, Amdjad; Rohman, Angga Nur
Journal of Islamic Communication Studies Vol. 4 No. 2 (2026): Juli
Publisher : UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jicos.2026.4.2.191-203

Abstract

This study aims to analyze the construction of gender equality da'wah messages conveyed by three millennial Muslim Instagram accounts: @kalis.mardiasih, @nurulbahrululum, and @gitasav. This research employs Sara Mills' critical discourse analysis model, focusing on subject-object positions and reader positions. Data were obtained through content observation on the Instagram accounts of these three figures related to gender equality issues. The results show that da'wah messages are constructed into three main themes: career women in Islam, women in patriarchal culture, and the right to express self-identity. These accounts successfully reclaim authority as subjects (da'i) who define female identity, shifting their position from mere legal objects to empowered subjects This method suggests utilizing social media as a platform for inclusive digital da'wah to reduce negative stigma and gender-biased religious interpretations among the younger generation This research is a study that examines the model of gender equality da'wah on social media using Sara Mills' discourse analysis to highlight the role of women as active subjects in contemporary Islamic discourse.
Gaya Dakwah Digital Gus Kautsar Pada Kajian Irsyadul ‘Ibad Di Youtube Terasgubuk Abiidah Nafisa Fiqriyah; Luluk Fikri Zuhriyah
Hikmah Vol 19, No 1 (2025): JURNAL ILMU DAKWAH DAN KOMUNIKASI ISLAM
Publisher : IAIN Padangsidimpuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24952/hik.v19i1.15978

Abstract

This study discusses Gus Kautsar's communication style in the routine study of the Irsyadul 'Ibad book delivered through the Terasgubuk YouTube channel on February 7, 2025. In the digital era, social media is currently an important space for delivering Islamic preaching. But not all preachers can adjust or align the way they deliver their preaching with the characteristics of digital audiences who tend to like relevant, reflective and communicative content. Gus Kautsar is one of the preachers who uses a unique and down-to-earth approach, he uses everyday language mixed between Indonesian and Javanese, and delivers the contents of classical books with a light but meaningful style of speech by utilizing the YouTube platform. The research method used is descriptive qualitative with discourse analysis to study the verbal and nonverbal styles used. Gus Kautsar not only delivers material informatively, but also touches on the emotional and spiritual aspects of the audience. His calm demeanor, true stories, and imaginary dialogue techniques make his preaching more alive and he and the audience can be closer. This study clearly proves that the success of digital preaching is greatly influenced by the ability to communicate empathetically, contextually, and humanely. This kind of preaching model is very relevant amidst the dynamics of modern society that thirsts for sincerity and meaning in religious messages.
Co-Authors Abdul Muhid Abiidah Nafisa Fiqriyah Achmad Zaki Ghufron Adhitama, Tias Satria Afifatur Rohimah Ainul Yaqin, Moch. Ainul Yaqin Akhmad Ainur Roziqin Al Hidayahtul Mus Qoimah Ali Mursyid Azisi Amjad Trifita Andik Izzuddin, Muhammad Angga Nur Rohman Angger Bimantara Anisatul Islamiyah, Anisatul Apria Ningrum, Velida Arianti, Qori Hajidah Asy'ari, Hasyim Bustomi, Abu Amar Chillyness, Altruis Bizurai Choirul Arif, Moch. D. Jupriono, D. Danil Kiromah Diki Taufikkurrohman Dimas Setyawan Saputro Erwin Eta Amala Husniya Faizatul Mukarromah Fano, Abiyyu Alfio Faqiih, Ahmad Wilayahtul Fitria, Alfiana Nur Hadi, Moch Alfin Hanifah, Najmy Hasniar Rofiq Hazmi Ihkamuddin Hermawati, Yuli Husnan, Moch Husniya, Eta Amala Ismaranti, Puri Ismiati Ismiati Jupriono Lilis Muchlisoh Lukman Hakim Luluk Ilma Inun Luluk Ilma Inun M. Yusuf Maftukhatul Azizah Marya Ulfa Marzuqi, Muhammad Ganda Maulidatus Syahrotin Naqqiyah Melyna Mazlin, Rosa Moch. Choirul Arif Moh Muslimin Moh. Hakim Alfarisi Muchlisoh, Lilis Muhammad Ainun Habib Muhammad Naufal Nurfirdaus Muhammad Wildan Abdillah Muhammad Zulio Hidayatul Fatah Nadhif, Wildan Nur Rovida Femila Sari Nur Rovida Femila Sari Nur Syam Pamungkas, Yudha Catur Pudji Rahmawati Putriya Hasanah, Eva Qoimah, AI Hidayahtul Mus Qusnul Qotimah, Rizka Rahman, Dicky Nur Retpitasari, Ellyda Rohimah, Afifatur Rohman , Angga Nur Romadhoni, Berlianti Karunia Ryan Purnomo Sholikhin Sidiq Ibrahim, Muh Syahril Sidik Ibrahim Singgih Muflihhafiz Labibah Sinta Purnama Sari, Sinta Purnama Siti Waqi'atul Hasanah Sofiatin Sofiatin, Sofiatin Trifita, Amdjad Trifita, Amjad Tsalits Maratun Nafiah Ubaidillah, Muhammad Farah Wahyu Agung Prasongko Wahyu Ilaihi Wati, Dini Atika Widadi Widadi . Widadi, Widadi Yasinatul, Puspa Arum Yusup, Ilham Maulana