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All Journal Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya QALAMUNA: Jurnal Pendidikan, Sosial, dan Agama JURNAL PENDIDIKAN TAMBUSAI Academy of Education Journal Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Jurnal Kridatama Sains dan Teknologi Lingua Rima: Jurnal Pendidikan Bahasa dan Sastra Indonesia Kawruh : Journal of Language Education, Literature and Local Culture CENDEKIA : Jurnal Ilmu Pengetahuan MALLOMO: Journal of Community Service TEACHING : Jurnal Inovasi Keguruan dan Ilmu Pendidikan PAEDAGOGY : Jurnal Ilmu Pendidikan dan Psikologi Multidiciplinary Output Research for Actual and International Issue (Morfai Journal) RUANG KATA: Journal of Language and Literature Studies Proceedings Series on Social Sciences & Humanities Jurnal Ilmu Sosial, Pendidikan Dan Humaniora Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Protasis: Jurnal Bahasa, Sastra, Budaya, dan Pengajarannya ATHENA: Journal of Social Culture and Society Abdibaraya: Jurnal Pengabdian Masyarakat Journal of Language, Literature, Social and Cultural Studies Journal of Linguistics, Culture and Communication Suara Bahasa: Jurnal Bahasa dan Sastra JIMAD : Jurnal Ilmiah Mutiara Pendidikan TRANSFORMATIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Tabasa: Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya
Pamungkas, Onok Yayang
Universitas Ma’arif Nahdlatul Ulama Kebumen
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Parodi Masa Lalu dan Masa Kini Novel Pangeran Diponegoro Karya Remy Sylado dalam Perspektif Metafiksi Historiografis Ratino, Ratino; Onok Yayang Pamungkas
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 12 No. 1 (2026): Penulis pada Edisi ini Terdiri dari Enam (6) Negara: Indonesia, Malaysia, Chin
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v12i1.7812

Abstract

Penelitian ini menganalisis novel Pangeran Diponegoro karya Remy Sylado melalui perspektif metafiksi historiografis. Konsep metafiksi historiografis yang mekankan adanya kegandaan, ironi, dan dekonstruksi representasi sejarah. Novel tersebut memadukan fakta sejarah dan elemen fiktif untuk menampilkan peristiwa menjelang Perang Jawa pada 1825-1830. Hasil analisis menunjukkan bahwa Remy Sylado menggunakan parodi dalam mengonstruksi ulang masa lalu secara tidak nostalgis, melainkan reflektif terhadap realitas sosial-politik di masa kini. Isu yang diangkat dalam novel ini mengenai mafia tanah, mafia pajak, sentimen anti-Cina, gratifikasi seks, pemimpin boneka, dan pejabat oportunis sebagai bentuk representasi yang masih terjadi di Indonesia pada masa kini. Selain itu, penggunaan tokoh fiktif dalam novel ini berfungsi untuk mengaitkan adat, budaya, politik, dan dinamika sosial masa kolonial dengan narasi utama. Dalam penelitian ini juga ditemukan fungsi edukatif novel dalam menumbuhkan nasionalisme, pemahaman sejarah, hingga penguatan karakter. Novel ini juga menghadirkan Trigatra Bangun Bahasa melalui bahasa Indonesia, bahasa daerah, dan bahasa asing dalam konteks historisnya. Secara umum, novel ini menjadi bukti penting bahwa karya sastra mampu merefleksikan kontinuitas sejarah sekaligus mengkritisi struktur kekuasaan dalam bingkai metafiksi historiografis.
INNER CONFLICT AND THE SEARCH FOR MEANING IN LIFE: A HUMANISTIC ANALYSIS OF WUNI NOVEL BY ERSTA ANDANTINO** Tri Puji Setyawati; Onok Yayang Pamungkas; Eko Suroso; Kuntoro
Multidiciplinary Output Research For Actual and International Issue (MORFAI) Vol. 6 No. 2 (2026): Multidiciplinary Output Research For Actual and International Issue
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/morfai.v6i2.4880

Abstract

This study aims to examine the dynamics of inner conflict and the search for meaning in life experienced by the character Jaka in the novel Wuni through a humanistic psychology approach. Inner conflict in the novel functions not merely as a narrative aesthetic element, but also as a representation of the character’s existential struggle in confronting social pressures, past trauma, and inherited cultural and spiritual values. This research employs a qualitative descriptive method using content analysis techniques applied to the novel text. The data consist of narrative units containing inner conflict and the search for meaning in life, which are systematically coded to enhance analytical validity. The findings indicate that Jaka’s inner conflict is closely related to his inability to fulfill fundamental psychological needs, such as safety, social acceptance, and self-esteem. These conflicts subsequently drive the character into a process of searching for meaning through inner reflection, spiritual experiences, and confrontation with ancestral heritage. This process ultimately leads Jaka toward self-acceptance and self-actualization, as conceptualized in humanistic psychological theory. The findings affirm that Wuni represents literature as a medium of human reflection that integrates psychological, cultural, and spiritual dimensions. This study is expected to enrich literary studies grounded in humanistic psychology and contribute to literature education oriented toward the development of humanistic values.
The Ecranisation of Ratih Kumalas Novel Gadis Kretek into the Film Gadis Kretek Directed by Kamila Andini and Ifa Isfansyah Aji, Purnomo; Pamungkas, Onok Yayang
Ruang Kata Vol 6 No 01 (2026): Ruang Kata (In Progress)
Publisher : Universitas Ma'arif Nahdlatul Ulama Kebumen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53863/jrk.v6i01.2113

Abstract

This article aims to examine a literary work that has been adapted into a film through the perspective of ekranisasi as proposed by Pamusuk Eneste. This study employs a qualitative research method. The research data were collected using a note-taking reading technique and data triangulation to ensure data validity. The data consist of excerpts of dialogue, plot elements, and narration from the film Gadis Kretek, directed by Andini and Isfansyah, as the primary source. Meanwhile, the novel Gadis Kretek by Ratih Kumala serves as the comparative source in this study. Ekranisasi encompasses three main processes: reduction, addition, and variation. These three stages form the basis for adapting and reconstructing the storyline to meet the demands of film production without altering the original message of the literary work. The implications of these findings provide insights into the process of ekranisasi in literary works adapted into films, indicating that differences in storyline or narrative ideas between a film and its source novel arise due to certain reasons, limitations, and other influencing factors in the adaptation process.
The Ecological Crisis and Environmental Ethics in the Novel Api Awan Asap by Korrie Layun Rampan Mukaromah, Umi Roisatul; Fatma Fadila; Lilis Setia Wardani; Asti Tiana Ningrum; Ayu Wandini; Purnomo Aji; Onok Yayang Pamungkas
Athena: Journal of Social, Culture and Society Vol. 4 No. 2 (2026): April 2026
Publisher : CV. Media Digital Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58905/athena.v4i2.505

Abstract

This research aims to analyze the representation of ecological crises, human relations with nature, as well as environmental ethics and human responsibility towards nature in the novel Api Awan Asap by Korrie Layun Rampan. This research uses a qualitative paradigm with a descriptive-interpretive approach through the hermeneutic method to interpret the deepest meaning behind the literary text. The source of data for this research is the novel Api Awan Asap by Korrie Layun Rampan published by Gramedia Widiasarana Indonesia in 2015. The research data is in the form of words, sentences, and discourses contained in the novel Api Awan Asap which represents the ecological crisis and human responsibility towards nature. The results of the study show that this novel represents an ecological crisis through the depiction of exploitative activities such as deforestation, land burning, and appropriation of customary territories that result in air pollution, land degradation, and ecological disasters. The relationship between humans and nature is depicted through the practice of local wisdom of indigenous peoples who live in harmony with the environment and use nature wisely. The moral principles of the environment and human obligations to nature are manifested through a value system that respects nature, tradition-based forest management, and educational and humanitarian approaches in an effort to prevent environmental damage. From the findings, it can be concluded that literary works function as instruments in building ecological awareness and motivating responsible human actions towards nature conservation.
Existential feminism in Rintik Sedu’s short stories: Female subjectivity, freedom, and the search for authentic selfhood Kusuma, Santi Dwi; Pradani, Nafa Adelia Satya; Wachid, Annisa Ramadhani; Putri, Zahra Amanda; Cahyaningtyas, Mutiara Ayu; Pangestika, Krisandra; Febiani, Laela; Pamungkas, Onok Yayang
Journal of Language, Literature, Social and Cultural Studies Vol. 4 No. 1 (2026): March 2026
Publisher : Yayasan Mitra Persada Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58881/jllscs.v4i1.432

Abstract

This study aims to analyze the representation of existentialist feminism Simone de Beauvoir in a collection of digital short stories by Rintik Sedu published through the Rintiksedu.com website. This research uses a qualitative paradigm with a hermeneutic approach to interpret the meaning of literary texts. The source of the research data is six digital short stories by Rintik Sedu, namely No Answer is the Answer, Our Parts, Dialogue at that time, Limits, Between Us Pt.1&2, and I Write This Because I Am Afraid of Forgetting. The research data is in the form of words, sentences, and discourses that represent the existence of women and efforts to achieve existential freedom. The results of the study show that the existence of women in these short stories is represented through three categories: existence based on nature that describes the social construction of women's patience and sacrifice; existence based on history that shows the awareness of female figures to break the inheritance of previous generations' habits; and existence based on myths that question romantic and patriarchal stereotypes in interpersonal relationships. Women's efforts to achieve authentic existence are manifested through two strategies: rejecting the position of the "other" by affirming agency and personal freedom, and strategically accepting social expectations to gain space to move within patriarchal structures. This study concludes that digital literary works can serve as an important medium in representing women's struggle to achieve existential freedom and dismantling the social constructs that limit their authentic existence.
The image of masculinity in the novel the death of a former minister by Nawel El Saadawi Chandraningtyas, Anggita Tri; Mukti, Salsa Faradila; Permata, Zezyana Ledys; Gregorius, William Chandra; Al Kindi, Musyarof 'Ibad; Citra, Calysta Utama Die; Hasna, Sulis Fatihatul; Pamungkas, Onok Yayang
Journal of Language, Literature, Social and Cultural Studies Vol. 4 No. 1 (2026): March 2026
Publisher : Yayasan Mitra Persada Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58881/jllscs.v4i1.434

Abstract

This study explores the construction of masculinity in Nawal El Saadawi’s The Death of a Former Minister, examining how male identities are shaped by and complicit in patriarchal power structures. Building on gender theory and previous work on gender inequality in the same text, the research focuses on how men are positioned as agents of marginalization, subordination, stereotyping, and violence within familial, political, and social spheres. Using a qualitative, descriptive textual method, the novel’s short stories are subjected to close reading, supported by Mansour Fakih’s framework of gender injustice and relevant feminist theories of masculinity. The analysis traces recurrent images of male authority—husbands, officials, religious and political figures—and interrogates how their bodies, language, and sexual power sustain a dominant masculine ideal that normalizes women’s inferiority, objectification, and abuse. The study concludes that El Saadawi represents masculinity not as a neutral or natural identity, but as a historically and culturally produced position of privilege that is deeply implicated in gendered oppression. At the same time, cracks within this model—moments of guilt, fear, or failure—suggest possibilities for critiquing and destabilizing hegemonic masculinity in Arab patriarchal contexts.
Co-Authors Aan Andyanto Agustin, Irma Nelarizqy Aji, Purnomo Akbar Al Masjid Akhmad Fauzan Al Kindi, Musyarof 'Ibad Amalia, Intan Rizki Amil, Ahmad Jami’ul Ana Khusnul Khotimah, Diah Anang Sudigdo, Anang Anjarani, Shelia Asti Tiana Ningrum Astrit, Jeni Dwi Ayu Wandini Ayuningtyas, Arviah Putri Baekuniah Bhayu Anggita Subarkah Cahyaningtyas, Mutiara Ayu Chandraningtyas, Anggita Tri Citra, Calysta Utama Die Desvalan, Khen Fredha Falalova Dewi Suci Lestari Dwi Puji Rahayu Eko Suroso Eko Suroso Elly Hasan Sadeli Emilia, Mara Fatma Fadila Febiani, Laela Fita, Salsa Delia Gregorius, William Chandra Gustiana, Lina Hamzah Hamzah Hardianti, Fitriana Hasna, Sulis Fatihatul Hastangka Hastangka, Hastangka Heni Kurniawati Hera Septriana Ibrahim Abdillah Ilawati Ilawati Ilawati, Ilawati Irma, Azizah Ismail, Nor Hasimah Isnaeni Praptanti Khaerunisa, Fadhillah Khasanah, Afita Dwi Kholifatun Muslifah, Firyati KUNTORO Kurniasih, Risqi Kurniawati, Heni Kusuma, Santi Dwi Laily Nurlina Lilis Setia Wardani M, Hannifia Dalia Azza Mashudi Mashudi Mashudi Mayasuci, Tuti Muharudin, Eko Mukaromah, Umi Roisatul MUKTI AGUNG WIBOWO, MUKTI AGUNG Mukti, Salsa Faradila Mulasih, Mulasih Mulatsari, Annisa Harum Mutiatun, Siti Mutolib Nabilla, Jihan Ainas Narawi, Mohammad Syawal Pamungkas, Gilang Pangestika, Krisandra Permata, Zezyana Ledys Pradani, Nafa Adelia Satya Prameswari, Irma PRASANTY, ARUM BERLIANA Prikusuma, Athaya Ridha Prita Dellia Purnomo Aji Purnomo, Wesley Putri, Zahra Amanda Rabbani, Ilham Ratino Ratino Ratino Ratino, Ratino Sari, Anggraeni Kartika Setyawati, Tri Puji Siti Faridah Siti Faridah Siti Fathonah Sukma, Firmansyah Jaya Sumarlam Syahala Fizky Alrhychard Tri Puji Setyawati umi istiqomah Vani Indra Pramudianto Wachid, Annisa Ramadhani Wibawono, Arif Rahman Deny WIBOWO, IQBALVA DEMAS Wuri Handayani Yuwono, Singgih Wiku Zulaikha, Silmi