Claim Missing Document
Check
Articles

ANALISIS KONTEN VICTIM BLAMING DALAM FILM AIR MATA DI UJUNG SAJADAH KARYA KEY MANGUNGSONG Lestari, Susan Farma Ayu; Irawan, Dody; Habiba, Siti; Wahyusari, Ahada; Lolita, Asri; Zaitun
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63454

Abstract

This study aims to identify and describe the forms of victim blaming represented in the film. The research uses a qualitative approach with a descriptive method. Data sources include dialogues, speech, and scenes that contain elements of victim blaming in the film Air Mata di Ujung Sajadah. Data were collected using observation and note-taking techniques with the help of a data corpus sheet, then analyzed using a literary sociology approach based on genetic structuralism theory, which includes human facts, social facts, collective subjects, and worldview. The results show that the practice of victim blaming appears in the form of negative labeling of victims, shifting responsibility onto the victims, social exclusion, and using the victims past experiences to justify the treatment they received. This representation is shown through both verbal and nonverbal elements that reflect the dominance of patriarchal culture and the imbalance of power relations within the family. In this way, the film Tears at the End of the Prayer Mat not only presents a depiction of victim blaming practices but also offers a critique of the culture of blaming victims and encourages society to grow awareness in respecting the rights and dignity of victims.
TRAUMA EMOSIONAL TOKOH UTAMA DALAM RELASI ROMANTIS: KAJIAN PSIKOLOGI SASTRA PADA NOVEL KUKIRA KAU OBAT, TERNYATA PATAH HATI TERHEBAT KARYA ADE RIMA MIRANTI Emia Teta Br Bukit; Dwi Leoni, Tessa; Musliha; Irawan, Dody; Lolita, Asri; Zaitun
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63507

Abstract

This study aims to describe the emotional trauma responses and recovery process of the main character in a romantic relationship in the novel Kukira Kau Obat, Ternyata Patah Hati Terhebat by Ade Rima Miranti. This study employed a qualitative approach with a descriptive research design. The main research instrument was the researcher herself, supported by data analysis guidelines. The research data consisted of words, phrases, sentences, and narratives that describe the feelings, thoughts, attitudes, and behaviors of the main character. The data source was the novel Kukira Kau Obat, Ternyata Patah Hati Terhebat, published by Gradien Mediatama in 2024. Data were collected through reading, observation, and note-taking techniques. The data were analyzed through data reduction, data presentation, and conclusion drawing based on Judith Herman’s trauma theory. The results of the study revealed that the emotional trauma responses experienced by the main character included hyperarousal, intrusion, and constriction, with intrusion being the most dominant response. The recovery process consisted of three stages: safety, remembrance and mourning, and reconnection, with remembrance and mourning being the most dominant stage. These findings indicate that the main character’s recovery process occurred through efforts to establish a sense of safety, accept loss, restore self-worth, and rebuild connections with life.
ANALISIS PSIKOLOGI EKSISTENSIAL TOKOH UTAMA DALAM NOVEL SEMESTA ANASERA KARYA HINDHIASTINAAA Heppi Naomi Lastio Sihombing; Wahyusari, Ahada; Dwi Leoni, Tessa; Irawan, Dody; Lolita, Asri; Zaitun
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63646

Abstract

This study aims to describe the meaning of life, the meaning of suffering, and the existential vacuum experienced by the main character in the novel *Semesta Anasera* by Hindhiastinaaa, based on Viktor E. Frankl's theory of logotherapy. The study employs a qualitative approach with a descriptive research design. Data collection techniques involved reading the novel serving as the research object, identifying excerpts containing elements of Viktor E. Frankl's logotherapy, and recording data corresponding to the research indicators. Data analysis techniques included identifying data related to Viktor E. Frankl's logotherapy, classifying the data into the aspects of the meaning of life, the meaning of suffering, and the existential vacuum, and subsequently describing and drawing conclusions from the research findings. The results indicate that the main character in the novel *Semesta Anasera* by Hindhiastinaaa experiences three aspects of Viktor E. Frankl's logotherapy: the meaning of life, the meaning of suffering, and the existential vacuum. The meaning of life is identified through two indicators: specific meaning in life and responsibility toward life. The meaning of suffering is identified through the indicators of changing one's attitude toward suffering and finding meaning within suffering. The existential vacuum is identified through the indicators of boredom and existential frustration. The research findings indicate that the protagonist's psychological journey evolves from a state of existential emptiness—through the ability to find meaning in their suffering—to ultimately discovering the meaning of life, in accordance with Viktor E. Frankl's concept of logotherapy.
ANALISIS NILAI SOSIAL DALAM MANTRA PENGOBATAN MASYARAKAT MELAYU DESA MEPAR KECAMATAN LINGGA KABUPATEN LINGGA Amelia, Rizki; Irawan, Dody; Habiba, Siti; Wahyusari, Ahada; Wardana, Musliha; Zaitun
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63721

Abstract

This study discusses the social values contained in the healing mantras of the Malay community of Mepar Village, Lingga District, Lingga Regency. The purpose of this study is to describe the social values contained in the healing mantras of the Malay community of Mepar Village, Lingga District, Lingga Regency. The method used in this study is descriptive qualitative. The instrument in this study is the researcher herself as the main instrument, supported by observation guidelines and interview guidelines. The data in this study are in the form of healing mantra texts and interview results obtained from informants in Mepar Village, Lingga District, Lingga Regency. The data collection techniques used to obtain the research data are observation, interview, and documentation techniques. The data analysis technique used in this study is the interactive qualitative data analysis technique through the stages of data reduction, data presentation, and conclusion drawing. The results of the research show that the healing mantras of the Malay community of Mepar Village contain seven social values, namely religious values such as the recitation of basmalah and prayers to Allah Swt. that always accompany every mantra, social solidarity values such as the community's mutual help during the healing process, care and helping values such as the willingness of the traditional healer to help anyone in need regardless of the patient's status or background, local wisdom values such as the use of distinctive Malay diction, symbols, and natural materials in the mantras, community trust values such as the belief that still persists toward the efficacy of the mantras as a means of healing, moral and social ethics values such as the rules binding both the mantra reader and the patient being helped, and cultural preservation values such as the effort to maintain and pass down the healing mantras from generation to generation.
KAJIAN SEMANTIK TERHADAP MAKNA LEKSIKAL DALAM KUMPULAN PUISI PADAMU JUA KARYA AMIR HAMZAH Novela, Sindi; Suhardi; Mustado, Maulida; Irawan, Dody; Musliha; Zaitun
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.63741

Abstract

This study examines the lexical meaning found in the poetry collection Padamu Jua by Amir Hamzah through a semantic approach. The problem addressed in this study is the use of various words with lexical meanings that contribute to the construction of meaning, atmosphere, and emotional expression in the poems. This study aims to identify, classify, and describe lexical meanings found in the poetry collection Padamu Jua based on word classes. This research employed a descriptive qualitative method. The data consisted of words and expressions containing lexical meanings found in the selected poems in Padamu Jua. Data were collected through reading, note-taking, and documentation techniques, while data analysis was conducted by identifying the relevant words, classifying them according to their word classes, determining their lexical meanings based on the Indonesian Dictionary (KBBI), and interpreting their contribution within the context of each poetic line and stanza. The findings indicate that lexical meanings are found in several word classes, including nouns, verbs, adjectives, adverbs, pronouns, and interjections. The lexical meanings contribute to the representation of love, longing, sadness, helplessness, nature, isolation, and loss. The study demonstrates that lexical meaning serves as an important foundation for understanding the meaning constructed in Amir Hamzah’s poetry before interpreting its broader symbolic and contextual meanings.