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All Journal JURNAL SAINS PERTANIAN EQUATOR Lentera Pendidikan : Jurnal Ilmu Tarbiyah dan Keguruan KEMBARA Teras Jurnal Jurnal Ilmu Nutrisi dan Teknologi Pakan Pendas : Jurnah Ilmiah Pendidikan Dasar PAUD Lectura: Jurnal Pendidikan Anak Usia Dini Prosiding Seminar Nasional Pakar Jurnal Pelita PAUD JURNAL YURIDIS UNAJA Journal of Aquaculture and Fish Health ESTETIK : Jurnal Bahasa Indonesia Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Imajeri: Jurnal Pendidikan Bahasa dan Sastra Indonesia Dirasah : Jurnal Studi Ilmu dan Manajemen Pendidikan Islam Jurnal Hukum Sasana Journal Informatic, Education and Management (JIEM) Ethical Lingua: Journal of Language Teaching and Literature Jurnal Pengabdian kepada Masyarakat Nusantara Jurnal Riset Kajian Teknologi dan Lingkungan Jurnal Cahaya Mandalika Visioner: Jurnal Pemerintahan Daerah di Indonesia AJAD : Jurnal Pengabdian kepada Masyarakat Jurnal Teknologi Dulang: Jurnal Pengabdian Kepada Masyarakat MAHADAYA Jurnal Bahasa, Sastra, dan Budaya Journal of Law, Poliitic and Humanities VOKAL: Jurnal Ilmiah Bahasa dan Sastra Indonesia Aceh Journal of Community Engagement (AJCE) Jurnal Pengabdian Kolaborasi dan Inovasi IPTEKS LINGTERSA: Jurnal Linguistik, Terjemahan, Sastra Jurnal Agro Nusantara International Journal of Education and Humanities Journal of Educational Management Research Lentera International Transactions on Education Technology (ITEE) Prosiding Seminar Nasional Inovasi Teknologi Terapan Media Ilmiah Kesehatan Indonesia Jurnal Inovasi Teknologi Terapan Jurnal Karya Generasi Sehat Al-Zayn: Jurnal Ilmu Sosial & Hukum Gameology and Multimedia Expert Jurnal Kesehatan Cendikia Jenius Tradition and Modernity of Humanity Manaruko: Jurnal Pengabdian Masyarakat Almufi Jurnal Sosial dan Humaniora Jurnal Pelita PAUD
Juanda
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Journal : Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris

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A Linguistic Analysis of Identity, Emotion, And Gender in Best of Five Songs by Maroon 5 Waldan, Bavari Muhammad; Juanda; Sari, Retno Purwani
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 14 No. 2 (2025): Agustus 2025
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/2q9tc735

Abstract

This study examines the language formulation of identity, emotion, and gender in five commercially and culturally significant songs by the American pop-rock band Maroon 5: "This Love," "She Will Be Loved," "Moves Like Jagger," "Sugar," and "One More Night." The study employs a qualitative descriptive approach based on stylistic analysis, metaphor theory, and gender discourse frameworks. The objective is to elucidate how language in popular music lyrics serves as a mechanism for shaping emotional expression and negotiating social identities. The findings indicate that identity is formed through personal pronouns, emotional contrasts, and metaphorical allusions, illustrating fluctuating roles of dominance and vulnerability. The Circumplex Model of Emotions (Troiano et al., 2022) analyzes emotional expression, uncovering patterns of high arousal, encompassing both positive (desire, lust) and negative (regret, heartbreak) emotions. Gender roles are depicted dynamically, fluctuating between conventional masculinity and emotionally expressive male identities. Lyrics like “Look into my eyes and I’ll own you” and “You pick up my broken pieces” illustrate both the reinforcement and transgression of patriarchal norms. The study presents two innovative conceptual contributions: emotional ambidexterity, the simultaneous presence of conflicting emotional states inside individual lyrical tales, and intra-discursive gender shifts, which characterize gender representation as fluid and multifaceted rather than static. These findings enhance the domains of language stylistics and popular culture studies by demonstrating how modern lyrics influence the formation of gendered and emotional identities inside the digital music environment. Keywords: Identity, Emotion, Gender
(Im)Politeness As Persuasion In Ryan Coogler’s Sinners Wahyudi, Ardi; Yunus, Reski Yusrini Islamiah; Juanda
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 15 No. 1 (2026): Februari 2026
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/sd0px068

Abstract

The goal of this research is to describe usage of polite and impolite language in the film Sinners, directed by Ryan Coogler, as a means of persuasion. Brown and Levinson’s theory of politeness and Culpeper and Hardaker’s theory of impoliteness was used as the foundational theory of this study. Dialogue and character action from four scenes were analyzed with the qualitative descriptive method to explain how the first party tried to get the second party to do what was asked of them. Results indicate that a varied mix of politeness and impoliteness are utilized as a means of persuasion. Multiple times the first party would often start with polite strategies such as noticing the second party’s interests and quickly devolve into impoliteness such as the bald on record impoliteness superstrategy like. threats as a way to expedite the negotiations with the second party. This shows that a speaker that can adapt strategy usage to the mood of the situation is pivotal to the persuasiveness of the speaker, even if impoliteness like the promise of violence is part of said strategy. This also shows that negotiations can happen as a one sided persuasion battle or a two sided conversation with mutually exclusive goals. Thus this research adds to the body of previous research into how politeness is used as a tool of persuasion, while also offering new insight into how mixing politeness and impoliteness can be critical to persuasion. Keywords: Politeness, Impoliteness, Persuasion
Co-Authors Abdul Khair Adhe Anggry Afandi, Iswan Afifah Agussalim AJ, Andi Ahmad Hafiidhy, Luthfi Amaliah, R Ananto, Nanda Anderson, James Andi Pranata Annisa Ardearini Anwar, Fadel Asih Suryati Astriyanti Aufa, Mahrani Ayu Indriani Azis Bano, Yani Maria Candra Permana, Agi candra permana Chairul Amriyah Deni deni Desiana Febi Deti Elice Dewi Hasanah Dimas Aji Guntoro Dinda Pertiwi Busman Djamil, Hasim Dwi Andayani Budisetyowati, Dwi Andayani Dwi Atmoko Dwi Zulfita Eko Sulistyo Emir Adzan Syazali Fadli Faiz Syafiq Ubaidillah, Ahmad Fajar Fajar Fatihah, Nurul Fidri Sadri Firminius Marianus Sedo Seka Fitri Yani Hadiatati, Eti Ibrahim, Muliaty IMAM SANTOSO Imansyah, M. Aditiya Indra Dwisaputra Indun, Indun Intang, Darlis Irawan , Agus Joko Sriwidodo Juanda, Ogiandhafiz Jumadi Junior, Maldini Radjab Jusri Kevin Setiawan Khairullah, Khairullah Koko Bustami Lalenoh, Ester Aprilia Liubana, Metropoly Merlin J. Maharani, Kharisma Maizuar Maizuar Marcelina, Hana Tasya Mei Maria, Maria Winona Kidi Martinus Buulolo Maulana, Mizan Maulidi Maulidi Miswandi, Miswandi Muhadam Labolo Muhammad Hilmy, Nabil Muhammad Rapi Muhammad Saifrizal Muhammad Yunus Mujiburrahmad Mustofa Fathurrahman, Iqbal Nanda Pranandita Nasrullah Nasrullah Nasution, Ahmad Sawil Nizirwan Anwar novi, Novi Hefriyanti Nurhalimah Hasan Nurya, Anis Ocsirendi Ogiandhafiz Juanda Patonah Patricia, Fhelisha prasetyo, Iksan Pristiansyah, Pristiansyah Purwani Sari, Retno Ramli Ramli Riadi Suhendra Rika Lestari Robert Napitupulu Rollastin, Boy Roperiadi Saragih, Friska Setiawani Sarrun Sarwo Edy Handoyo, Sarwo Edy Silvina, Tika Simahatie, Mai Sofyan Sofyan Suarni Syam Saguni, Suarni Syam Subiyakto, Achmad Edi Sujarwo Sujarwo Sukhairi , T. Arriessa Sulastriningsih Djumingin Susanti, Apryani Taqi Kirey Devana, Marsya Taufik Taufikurahman Trisni, Devi Nur Triyanto, Romy Ade Tumatul Ainin, Dewi Wahyudi, Ardi Waldan, Bavari Muhammad Wasis Susetio Wesli Wesli Widijowati, Rr. Dijan Widya Dwi Juliyanti Williams, Tane Yolanda, Evril Yuliyanto Yunita Asman Yunus, Reski Yusrini Islamiah Yusdiana, Yusdiana Zarviansyah, Putra Zikrillah, Zikrillah Zulfikar Ali As, Zulfikar Ali