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All Journal E-JURNAL LINGUISTIK HUMANIS Buletin Udayana Mengabdi E-Journal of Linguistics Linguistika Lexicon LingTera LINGUAL: Journal of Language and Culture Proceedings of ISELT FBS Universitas Negeri Padang Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) Prominent : Journal of English Studies Jurnal Ilmiah Wahana Pendidikan Kulturistik : Jurnal Bahasa dan Budaya Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities VISA: Journal of Vision and Ideas Ulil Albab
I Gusti Ayu Gede Sosiowati
Udayana University, Denpasar, Indonesia
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Three Dimensions Analysis of The Main Character in UP Movie Ni Putu Intan Gustianingsih; I Gusti Ayu Gede Sosiowati; I Komang Sumaryana Putra
Udayana Journal of Social Sciences and Humanities Vol 7 No 1 (2023): UJoSSH, February 2023
Publisher : Research and Community Services Institutes of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/UJoSSH.2023.v07.i01.p04

Abstract

The aim of this study is to analyse the three dimensions of the main character in UP movie. The data which are used in this study are taken from a movie entitled UP. This study applied a theory proposed by Egri (1960) to analyse the three dimensions of the character. The data were collected by using documentation method and note taking technique. Descriptive and qualitative method were used to analyse the data. Based on the analysis, it shows that the main character in UP movie is Carl Fredricksen. In the movie, it shows all of the three dimensions of the character. The physiological dimension of Carl is Carl is an elderly. Based on the sociological dimension, Carl is a widower, a retired man, and he has a bad relationship with construction workers. Based on psychological dimension, Carl was quiet and shy when he was child, after the death of his wife he becomes short-tempered and stubborn but actually a nice person, Carl is faithful and loves his wife, and he also a smart person.
The Analysis of Three Dimensions of The Main Character in Percy Jackson Gres Rewung Kadmaerubun; I Gusti Ayu Gede Sosiowati; I Komang Sumaryana Putra
Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 30 No 1 (2023): Maret
Publisher : Program Magister Linguistik Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (815.639 KB) | DOI: 10.24843/ling.2023.v30.i01.p04

Abstract

The aim of this study is to analyze the three dimensions of the main character in Percy Jackson and the Olympians: The Lightning Thief movie. The data which are used in this study are taken from a movie entitled Percy Jackson and the Olympians: The Lightning Thief. This study applied a theory proposed by Egri (1960) to analyze the three dimensions of the character and a theory proposed by Kenney (1966) to classify the method of characterization into five methods: Discursive Method, Dramatic Method, Contextual Method, Mixing Method, and Characters on the other Characters Method. The data were collected by using documentation method and note taking technique. Descriptive and qualitative method were used to analyze the data. Based on the analysis, it shows that the main character in Percy Jackson and the Olympians: The Lightning Thief movie is Percy Jackson. The findings of this study indicate that in the movie, it shows all of the three dimensions of the character. There is also method of characterization used by the author in the movie.
Analisis Kecerdasan Emosional Karakter Utama dalam Thao's You've Reached Sam Ni Nyoman Ayu Sanjiwani; I Gusti Ayu Gde Sosiowati; Ni Ketut Widhiarcani Matradewi
Jurnal Ilmiah Wahana Pendidikan Vol 9 No 19 (2023): Jurnal Ilmiah Wahana Pendidikan
Publisher : Peneliti.net

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.8412857

Abstract

This article aimed to analyze the aspects of emotional intelligence experienced by the main character in You’ve Reached Sam novel written by Thao. To analyze the emotional intelligence aspects, this study used the Theory of Emotional Intelligence conducted by Goleman (1998). Furthermore, the data is collected from the utterances in the novel that presents the aspects of emotional intelligence. This study used the descriptive qualitative method, while the documentation and note-taking technique is also applied in order to collect the data. The finding of this study shows that the main character in the novel experienced the five aspects of emotional intelligence. Thus, the emotional intelligence contributed in solving the main character’s problem throughout the story.
Code Mixing Used by Yuki Kato in Bicara Cinta on Puella Id Youtube Channel Anggelliya, Ni Putu Cahya; Matradewi, Ni Ketut Widhiarcani; Sosiowati, I Gusti Ayu Gde
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 13 No. 2 (2024): Agustus 2024
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v13i2.9750

Abstract

Code-mixing gives an understanding of a mix of two languages or more by the multilingual. This study aims at defining the types and the factors causing the code-mixing used by Yuki Kato in a Youtube video. A mixed method was applied, with both qualitative and quantitative methods used in the study. The data is all of the words, phrases, or sentences that include the use of mixed codes in English and Indonesian Language, which was collected from one episode of Bicara Cinta on the PUELLA ID Youtube Channel. The code-mixing theory from Hoffman (1991) was used to analyze the data, including the types of code-mixing and the factors that caused the code-mixing. The analysis has identified 93 data on the use of code-mixing by Yuki Kato, including three types of code-mixing which are intra-sentential with 80 data found (86,02%), intra-lexical with 10 data found (10, 75%), and involving a change of pronunciation with 3 data found (3,23%). Six out of seven factors were applied in the code-mixing by Yuki Kato. The code-mixing produced by Yuki Kato is caused by several factors, those are talking about particular topic with 46 data found (49,46%), being emphatic about something with 35 data found (37,63%), intention of clarifying the speech content for the interlocutor with 7 data found (7,53%), repetition used for clarification with 2 data found (2,15%), interjection with 2 data found (2,15%), and quoting somebody else with only 1 data found (1,08%). There is no code-mixing caused by expressing a group identity. Keywords: Code-mixing, Codes, Youtube Channel
Women’s Language Style of Understanding Used in Pitch Perfect Movie. Eka Putri, A.A. Sg. Istri Adisti; Aryani, I Gusti Agung Istri; Sosiowati, I Gst. Ayu Gede
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 14 No. 1 (2025): Februari 2025
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v14i1.9945

Abstract

The title of this article is Women’s Language Style of Understanding Used in Pitch Perfect Movie. The article focuses on the language style used by women in movies, specifically understanding, and the function of understanding applied in the movies. This article uses Tannen's theory about women's language style of understanding that was presented by the main characters in Pitch Perfect movies as the data, also the function of understanding that using Holmes’s theory. This study discusses the language style that is used by women in movies, especially understanding, and also the function of understanding applied in the movies. This article used the movie script of Pitch Perfect movie as the main data, and findings showed that women characters often show their understanding towards each other. The data was collected using documentation and note-taking methods from the script and movie website. The study uses the descriptive qualitative method to analyze the types of women’s language styles and their functions. The results are presented in a descriptive way. The result found three (3) findings on women's language style of understanding. The language function used to express understanding were expressive and directive. The women characters in the movie used verbal and nonverbal communication to express their understanding toward each other. This study provides insights into how women use language to express their emotions and the different functions of the language they use to communicate with others. Keywords: Women’s Language Styles, Language Function, Understanding, Movie
Conversational Implicature Analysis in “Turning Red” Movie Script Ni Kadek Diah Darmayani; I Gusti Ayu Gde Sosiowati; I Gusti Agung Istri Aryani
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 7: Juni 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i7.1665

Abstract

This study aims to analyze the conversational implicature in the Disney movie, Turning Red which was released in March 2022. The theory is using conversational implicature proposed by Grice (1989) to identify the types of implicature namely Generalized Conversational Implicature and Particularized Conversational Implicature and its implied meaning. This research uses qualitative descriptive method. The data was taken in the form of phrases. The results showed that there were 18 implied conversational data found in conversations that occurred between characters in the film, 10 data classified as generalized conversational implicature, meanwhile, 8 data found in a particularized type of conversational implicature with their implied meaning analysis from the context of situation.
Noun Formation with Reference to The Articles on Politics Published in Jakarta Globe Newspaper Ni Made Utari Handayani; I Gusti Ayu Gde Sosiowati; Putu Lirishati Soethama
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 7: Juni 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i7.1670

Abstract

The title of the study which is “Noun Formation with Reference to Articles on Politics published in Jakarta Globe Newspaper” is aimed at investigating the kinds and functions of derivational suffixes forming nouns and how the meaning of derivation words is represented in the sentence. The data were taken from the online newspaper The Jakarta Globe. The method used in collecting the data was documentation method and a note-taking technique. The descriptive qualitative approach was used in analyzing the data. The theory applied to analyze the data was the theory of Morphology proposed by Plag (2018) and Bauer (1983). In addition, Oxford's Learner Dictionary was used to classify the word class and the meaning of derivation words. The result shows that there were twelve kinds of nominal suffixes found, namely suffix ship/, /-ance/ (and its variant ence,), /-ism/, /-ity/, /-er/ (and it's variant or), /-ant/, /-ce/-cy/, /-ing/, /-ion/( with its variant –action, -ification), /-ee/, /-an/ (with its variant –ean, -Ian), and /-ment/. There were two functions of derivational suffixes: class-maintaining derivation of nouns from nouns and class-changing derivations, such as nouns from verbs and adjectives. The meaning of the derivation words is based on the context of the sentence.
The Utilization of Language Styles by the Characters in the Movie Oppenheimer Anak Agung Gde Bagus Rama Putra; I Gusti Ayu Gde Sosiowati; I Gusti Ayu Mahatma Agung
International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities Vol. 3 No. 2 (2025): International Journal of Education, Language, Literature, Arts, Culture, and So
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/ijellacush.v3i2.1364

Abstract

This article aims to identify the types of language styles utilized by the characters as well as to analyze the factors that influence its utilization in the movie Oppenheimer through the application of Joos’ (1967) types of language styles theory and Holmes’ (2013) social factors and dimensions theory. This article employed a qualitative method to analyze both the types of language styles and the factors that influence the characters to utilize different types of language styles in the movie Oppenheimer. In collecting the data, this article employed a documentation method and a note-taking technique. In analyzing the data, this article employed a descriptive qualitative method to ensure a detailed and thorough analysis of the data. In presenting the analysis, a descriptive qualitative method was employed to present the data thoroughly by using words and sentences. Based on the findings, the characters in the movie Oppenheimer utilized all types of language styles, which include frozen style, formal style, consultative style, casual style, and intimate style. Moreover, there are four main components that influence the characters to utilize different types of language styles, namely, participants, setting, topic, and function.
Unveiling Feminist Themes: Simone de Beauvoir’s Influence on The Book Little Women Aeniaska, Nanda Putri; Agung, I Gusti Ayu Mahatma; Sosiowati, I Gusti Ayu Gde
Prominent Vol 8, No 2 (2025): Prominent: Journal of English Studies
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24176/pro.v8i2.14873

Abstract

From a feminist standpoint, this article examined Louisa May Alcott's Little Women with a perspective on issues such as the complexity of womanhood, existential independence, personal choice, and the continuous fight against objectification. This study, using a qualitative method, examined how the characters, especially the March sisters, negotiate the gender roles imposed upon them in 19th-century society. Every sister has a different reaction to the cultural standards of femininity, and their experiences expose the restrictions placed by social roles. Jo's defiance of conventional wisdom, particularly her refusal to marry for convenience and her will to be a writer, questions the belief that a woman's fate rests just in marriage and housekeeping. Marmee also stresses over simple social compliance the value of financial independence and personal conviction. These character paths highlight how women try to establish autonomy inside limited systems and reflect more philosophical questions about freedom, choice, and identity. Little Women challenges the cultural narratives that try to define and restrict women in other ways than telling a coming-of-age story through its subtle representations. This study highlights the continuing importance of the work and shows how literature can be an important lens through which feminist issues, especially the complexity of gendered experience may be explored and understood.
Expressive Illocutionary Acts Found in The Perks of Being a Wallflower Movie Arya Prawira Kusuma; Anak Agung Sagung Shanti Sari Dewi; I Gusti Ayu Gde Sosiowati
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 3 (2025): Desember : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i3.6365

Abstract

This study aims to explore expressive illocutionary acts in the film The Perks of Being a Wallflower, focusing on the types and functions that appear in the interactions between the characters. Expressive illocutionary acts, as part of pragmatic studies, play an important role in representing emotions, attitudes, and social relationships between speakers. This study was conducted to identify in detail twelve types of expressive illocutionary acts and their four accompanying functions, thereby providing a deeper understanding of the dynamics of communication in the film. This study uses a qualitative approach with documentation and observation methods of the film's dialogue. Data analysis was carried out through three stages: data reduction, data presentation, and conclusion drawing, to obtain a systematic picture of the pattern of expressive illocutionary acts. The results show that all twelve types of expressive illocutionary acts are found in the film, with the expression "thank you" as the most dominant form. This reflects the film's main theme, which emphasizes the value of friendship, emotional support, and gratitude between characters. In contrast, the expression "regret" is the least used type. 
Co-Authors Aeniaska, Nanda Putri Agus Yuda Renanda Sanditha Anak Agung Gde Bagus Rama Putra Anak Agung Sagung Shanti Sari Dewi Anggelliya, Ni Putu Cahya Arya Prawira Kusuma David Samuel Latupeirissa Dewa Ayu Dian Astawa Putri Efraim Aero Eka Putri, A.A. Sg. Istri Adisti Gres Rewung Kadmaerubun Gusti Ayu Indah Lestari I Gede Bagus Ariwangsa Rahmastra I Gede Pariasa I Gusti Agung Istri Aryani I Gusti Ayu Mahatma Agung I Gusti Ayu Mahatma Agung I Ketut Artawa I Ketut Darma Laksana I Ketut Oka Ribawa I Komang Sumaryana Putra I Komang Sumaryana Putra I Made Budiarsa I Made Exis Wijaya I MADE RAJEG I Made Sena Darmasetiyawan I Made Winaya I Nengah Sudipa I Nyoman Arya Wibawa I Nyoman Udayana I Wayan Simpen Ida Ayu Made Puspani Ida Bagus Putra Yadnya Kadek Adi Eka Wijaya konflik Sri Purnami Luh Ayu Deviana Sintya Luh Putu Laksminy Made Diah Padmawati Made Dody Aryawan Made Sri Satyawati Matradewi, Ni Ketut Widhiarcani Ni Kadek Diah Darmayani Ni Ketut Sri Rahayuni Ni Ketut Widhiarcani Matradewi Ni Luh Ketut Mas Indrawati Ni Luh Putu Yurikayani Ni Made Ayu Aprilia Gayatri Ni Made Ayu Widiastuti Ni Made Utari Handayani Ni Nyoman Astrini Utami Ni Nyoman Ayu Sanjiwani Ni Putu Alma Meyla Putri Ni Putu Devi Lestari Ni Putu Intan Gustianingsih Ni Putu Santi Ashari Rahayu Ni Wayan Evitayani Ni Wayan Sukarini Putu Ayu Asty Senja Pratiwi Putu Gita Andriyani Putu Indry Prabhaswari Putu Lirishati Soethama Putu Rara Enika Sarash Putu Weddha Savitri S.A.I. Maharani Suarnanda, Ni Kadek Dea Nirmala Taopan, Talita Kum Tri Wulandari Widiatmika, Putu Wahyu Wulandari, Putu Gita Putri