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All Journal Harmonia: Journal of Research and Education Indonesian Journal of Conservation Islam Futura Jurnal Pendidikan dan Kajian Seni Asy-Syir'ah: Jurnal Ilmu Syari'ah dan Hukum JURISDICTIE Jurnal Hukum dan Syariah Catharsis MUDRA Jurnal Seni Budaya Gondang: Jurnal Seni dan Budaya Indonesia Journal of Halal ILKOM Jurnal Ilmiah Jurnal Ilmiah Mandala Education (JIME) JSM (Jurnal Seni Musik) JURNAL KAJIAN TEKNIK MESIN EkBis: Jurnal Ekonomi dan Bisnis JAMIN : Jurnal Aplikasi Manajemen dan Inovasi Bisnis Dinasti International Journal of Digital Business Management GETER : Jurnal Seni Drama, Tari dan Musik Virtuoso: Jurnal Pengkajian dan Penciptaan Musik AL-ARBAH: Journal of Islamic Finance and Banking Varia Humanika JEBDEKER: Jurnal Ekonomi, Manajemen, Akuntansi, Bisnis Digital, Ekonomi Kreatif, Entrepreneur Solo Journal of Anesthesi, Pain and Critical Care Journal of Islamic Economic and Business Research CITIZEN: Jurnal Ilmiah Mulitidisiplin Indonesia Cakrawala: Jurnal Studi Islam KINDAI : Kumpulan Informasi dan Artikel Ilmiah Manajamen dan Akuntansi Journal of Lex Theory (JLT) Cinematology Journal Anthology of Film and Television Studies Prosiding Seminar Nasional Pengabdian Kepada Masyarakat Jurnal Pengabdian Mandiri el-Buhuth: Borneo Journal of Islamic Studies Jurnal Penelitian Musik JAPI: Jurnal Akses Pengabdian Indonesia International Journal of Advanced Multidisciplinary al-Mawarid Jurnal Syariah dan Hukum (JSYH) Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Proceeding of International Conference on Science, Education, and Technology Jurnal Manajemen Sistem Informasi JRIIN :Jurnal Riset Informatika dan Inovasi BEduManageRs Journal : Borneo Educational Management and Research Journal IIJSE Mawaddah: Jurnal Hukum Keluarga Islam SWADIMAS: JURNAL PENGABDIAN KEPADA MASYARAKAT Green Inflation: International Journal of Management And Strategic Business Leadership Epaper Bisnis: International Journal Entrepreneurship and Management Access: Journal of Accounting, Finance and Sharia Accounting Jurnal Penelitian Musik (JSM) Jurnal Seni Musik Jurnal Ilmiah Manajemen Dan Kewirausahaan Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik
Abdul Rachman
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Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Automotive Engineering Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Mechanical Engineering Medicine & Pharmacology Neuroscience Nursing Physics Public Health Social Sciences Other

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PEMILIHAN MATERIAL TANGKI UNTUK BAHAN BAKAR MARINE FUEL OIL(MFO) Rachman, Abdul; Kasiono, Roy; Nurdin, Muhammad; Suparman, Suparman
JURNAL KAJIAN TEKNIK MESIN Vol 9, No 2 (2024): Jurnal Kajian Teknik Mesin
Publisher : Universitas 17 Agustus 1945 Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52447/jktm.v9i2.8243

Abstract

Bejana bertekanan dalam hal ini adalah tangki MFO, didesain untuk menahan gas atau liquid pada tekanan yang jauh berbeda dengan tekanan normal. Berbagai bentuk tangki yang selama ini digunakan sebagai bejana bertekanan antara lain spheres, cylinders dan cones. Namun, karena sulitnya manufaktur membentuk lingkaran atau sphere, maka desain dengan bentuk silinder lebih banyak digunakan. Metode yang digunakan dalam penelitian ini menggunakan studi lapangan dan software untuk mengetahui kekuatan material bahan tangki MFO yang aman, Dari hasil perhitungan bahwa tegangan-tegangan yang terjadi yaitu tegangan longitudinal dan tegangan keliling, yang terbesar terjadi pada tegangan keliling dengan menggunakan las tumpang yaitu sebesar 4,832 MPa untuk material AISI 304 L, dan tegangan termal akibat beda suhu besarnya adalah 4,486 MPa pada suhu 100oC, tetapi masih lebih kecil dari tegangan yang izin bahan. Semakin besar suhu yang terjadi semakin besar tegangan termal yang terjadi tetapi masih lebih kecil dari tegangan izin bahan. Dan semakin tebal dinding tangki (5 mm menjadi 6 mm), maka semakin kecil tegangan yang terjadi (8,528 MPa menjadi 7,106 MPa, tetapi masih kecil dari tegangan izin bahan (56,819 MPa).
Analisis Kinerja Keuangan Pada PT Pelabuhan Indonesia (Persero) Regional 4 Rachman, Abdul; Sapiri, Muhtar; Setiawan, Adil
ACCESS: Journal of Accounting, Finance and Sharia Accounting Vol. 3 No. 1 (2025): ACCESS: Journal of Accounting, Finace and Sharia Accounting, April 2025
Publisher : Program Studi Akuntasi Universitas Bosowa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56326/access.v3i1.2546

Abstract

Penelitian ini bertujuan untuk menganalisis kinerja keuangan PT Pelabuhan Indonesia (Persero) Regional 4 Makassar periode 2018–2021 berdasarkan standar penilaian kinerja BUMN. Analisis dilakukan melalui delapan rasio keuangan utama yang mencakup aspek profitabilitas, likuiditas, efisiensi, dan struktur permodalan. Hasil penelitian menunjukkan bahwa secara umum kinerja keuangan perusahaan berada dalam kategori cukup baik dan stabil, meskipun terdapat fluktuasi pada beberapa indikator seperti ROI dan TATO. Likuiditas dan efisiensi pengelolaan aset menunjukkan hasil optimal, sementara struktur permodalan memerlukan penguatan. Temuan ini memberikan gambaran bahwa perusahaan telah memenuhi sebagian besar standar kinerja BUMN, namun diperlukan strategi lanjutan untuk meningkatkan daya saing dan keberlanjutan. This study aims to analyze the financial performance of PT Pelabuhan Indonesia (Persero) Regional 4 Makassar for the period 2018–2021 based on the State-Owned Enterprises (SOE) performance assessment standards. The analysis was carried out through eight key financial ratios covering profitability, liquidity, efficiency, and capital structure aspects. The results show that, in general, the company's financial performance is in a fairly good and stable category, although there were fluctuations in several indicators such as ROI and TATO. Liquidity and asset management efficiency showed optimal results, while the capital structure requires strengthening. These findings indicate that the company has met most of the SOE performance standards; however, further strategies are needed to improve competitiveness and sustainability.
Arrangement of The Stambul Baju Biru Song By The Tjong Young Gita Citra Alam Keroncong Community Hunafa, Kinanthi Wedhatu; Rachman, Abdul
Jurnal Seni Musik Vol. 14 No. 1 (2025): June 2025
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v14i1.26391

Abstract

The Keroncong Community of Tjong Young Gita Citra Alam represents a successful effort to preserve the cultural heritage of keroncong music through experimental arrangement innovations, without losing the traditional character of the keroncong stambul style. This study aims to identify and describe the harmonic arrangement of Stambul Baju Biru by Tjong Young Gita Citra Alam. Data collection techniques employed a qualitative methodology with a musicological approach, including non-participant observation, interviews, and document studies. The findings reveal that the arrangement of Stambul Baju Biru incorporates additional sections such as an intro, a coda, and a solo voorspél, with the harmonization expanded experientially. From these findings, it can be concluded that the harmonization of Stambul Baju Biru is dominated by variations of chromatic chords, inversions, and slash chords, which are seamlessly connected vertically and horizontally. This harmonic complexity supports the expressive range of the song and facilitates smooth chromatic transitions between its sections.  
The Effect of Personnel Competency and Work Environment on the Level of Effectiveness of the Safety Management System (Sms) Mediated with Compliance with Safety Procedures on Vessels Owned By Pt. Lautan Jaya Hasana Nindyaningrum, Fitria Rasdiana; Rachman, Abdul; Rosmayana, Rosmayana
Dinasti International Journal of Digital Business Management Vol. 6 No. 5 (2025): Dinasti International Journal of Digital Business Management (August - Septembe
Publisher : Dinasti Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/dijdbm.v6i5.5344

Abstract

This study aims to analyze the influence of personnel competency and work environment on the effectiveness of the Safety Management System (SMS) mediated by safety procedure compliance on PT. Lautan Jaya Hasana's ships. The main issue raised in this research is the low level of compliance by ship crew members with safety procedures, as well as the suboptimal implementation of SMS, which impacts the operational safety of the ships. This study employs a quantitative approach with an explanatory research design. The population in this research consists of 83 ship crew members of PT. Lautan Jaya Hasana, with a sample selected using purposive sampling technique. Primary data were obtained through the distribution of questionnaires measuring respondents' perceptions of personnel competency, work environment safety, safety procedure compliance, and SMS effectiveness. Data analysis was performed using Structural Equation Modeling (SEM). The results show that personnel competency and work environment safety have a positive and significant impact on safety procedure compliance. Furthermore, safety procedure compliance was found to significantly influence the effectiveness of SMS. These findings emphasize the importance of enhancing personnel competency and improving work environment conditions to increase compliance with safety procedures, which ultimately leads to the effectiveness of Safety Management System (SMS) implementation on the ships. This study provides practical contributions to safety management in the maritime sector and enriches the empirical body of knowledge on the implementation of safety management systems in the shipping industry
Dynamics of Pesantenan Keroncong in The Adaptation of Keroncong Music in Pati Post-Pandemic Usready, Risma Febby Ayu; Rachman, Abdul
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 8 No. 1 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v8n1.p63-77

Abstract

This study investigates the persistence of the Pesantenan Keroncong group in Pati, employing cultural dynamics theory with a focus on intergenerational collaboration among musicians. The research object is the Pesantenan Keroncong group located in Dukuh Jl. Kunden Raya, Jambean, Sidokerto, Pati District, Pati City. The subjects of the study are the group leader and its members. Data were collected through observation, interviews, and documentation. Methodological triangulation ensured data validity, while data analysis involved data reduction, presentation, and interpretation. The findings reveal that the Pesantenan group maintains the presence of keroncong music through adaptation and innovation, such as rearranging modern songs and incorporating contemporary instruments. This demonstrates that cultural preservation can successfully coexist with societal progress. Guided by principles of preservation, utilization, and development, the Pesantenan Keroncong group not only safeguards cultural heritage but also actively promotes appreciation and love for keroncong music within the community.
Nuansa Timur dalam Post-Punk : Analisis Lagu ‘Sukatani’ Karya Sukatani Band Lutfi Ramadhiansyah; Abdul Rachman
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 2 (2025): Oktober: Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i2.6554

Abstract

This article analyzes the song "Sukatani" by Sukatani Band as a form of musical expression that represents Eastern nuances within a post-punk aesthetic framework. The research was conducted using a qualitative-descriptive approach through a music analysis method based on Jan LaRue's theory in Guidelines for Style Analysis (1970), which includes six main parameters: melody, harmony, rhythm, texture, form, and instrumentation. This analysis aims to reveal how the musical elements in the song can be read as a meeting between the post-punk idiom born in the West and the local socio-cultural context in Indonesia. The research findings show that "Sukatani" combines a minor pentatonic scale and repetitive structure as distinctive Eastern musical characteristics, while maintaining the monotonous and intense impression synonymous with post-punk aesthetics. From a lyrical perspective, the use of ngapak language not only strengthens local identity but also presents an authentic expression close to the daily lives of rural communities. The lyrics voice social criticism regarding class inequality, state repression, and respect for peasant labor as the foundation of collective life. Thus, music is not merely an aesthetic medium, but also a means of articulating cultural resistance against the dominance of central discourse and the hegemony of mainstream popular culture. Furthermore, analysis of texture and instrumentation reveals a combination of distorted guitars, repetitive bass patterns, and rigid drum beats, all of which create a tense yet meditative atmosphere. 
Analysis of the Rhythmic Accents of the Drum Instrument in the Song 'Mendung Tanpo Udan' Composed by Kukuh Prasetya Laksono, Yonathan; Rachman, Abdul
Jurnal Penelitian Musik Vol 6 No 2 (2025): Ragam Kajian Musik: Tradisi, Pendidikan dan Inovasi
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.62.01

Abstract

This study aims to Analysis of the Rhythmic Accents of the Drum Instrument in the Song 'Mendung Tapi Udan' by Kukuh Prasetya, as a key element in shaping the musical character of the dangdut ambyar genre. Background/Purpose of this research lies in the lack of in-depth studies on rhythmic fill-ins in drums, which significantly influence the musical atmosphere and identity of this genre.This research/Method employs a descriptive qualitative approach, with data collection techniques including observation, semi-structured interviews, and documentation. The data were analyzed through rhythmic transcription of the patterns found in the song.The results identify four rhythmic fill-in patterns, namely Pattern A, B, C, and D. These patterns combine quarter and eighth notes, emphasizing downbeats and upbeats that recur in specific sections of the song. These patterns contribute to building the energy, dynamics, and musical structure of the composition.Conclusions the drum fill-in technique not only reinforces the rhythmic elements but also serves as a distinctive marker of dangdut ambyar, differentiating it from other dangdut subgenres. These findings are expected to enrich the study of Indonesian popular music and support the continuity of dangdut as a traditional music genre that adapts to modern developments.  
The Variety of Cello Playing Styles in the Keroncong Community in Pacitan Azfar, Adimas Akma Danish; Rachman, Abdul
Jurnal Penelitian Musik Vol 6 No 2 (2025): Ragam Kajian Musik: Tradisi, Pendidikan dan Inovasi
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.62.04

Abstract

The cello is a musical instrument that plays a vital and distinctive role in the keroncong music ensemble, primarily as a rhythm keeper during the performance. Nowadays, the way the cello is played in keroncong seems to have evolved. Many young artists are now trying to develop their playing style in new directions, such as by adapting it to other music genres. This indicates that playing the cello in keroncong is not static but continues to evolve alongside changing musical tastes, advancements in technology, and socio-cultural factors, leading to a variety of playing styles among its musicians. The keroncong community in Pacitan experienced this same trend: artists from different generations interact, blend, and create diverse playing styles. This study aims to identify the various cello playing styles within the keroncong music community in Pacitan. The research method is qualitative, employing a musicology approach. Data were collected through observation, interviews, and document review, with data triangulation used for analysis. The findings show that keroncong cello playing goes beyond traditional practices, shaped by social experiences, cross-genre influences, and each artist's role in the local keroncong scene. The study concludes that keroncong cello styles are varied, reflecting each artist's musical interpretation and evolving according to socio-cultural changes.
Analysis of the Rhythmic Accents of the Drum Instrument in the Song 'Mendung Tanpo Udan' Composed by Kukuh Prasetya Laksono, Yonathan; Rachman, Abdul
Jurnal Penelitian Musik Vol 6 No 2 (2025): Ragam Kajian Musik: Tradisi, Pendidikan dan Inovasi
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.62.01

Abstract

This study aims to Analysis of the Rhythmic Accents of the Drum Instrument in the Song 'Mendung Tapi Udan' by Kukuh Prasetya, as a key element in shaping the musical character of the dangdut ambyar genre. Background/Purpose of this research lies in the lack of in-depth studies on rhythmic fill-ins in drums, which significantly influence the musical atmosphere and identity of this genre.This research/Method employs a descriptive qualitative approach, with data collection techniques including observation, semi-structured interviews, and documentation. The data were analyzed through rhythmic transcription of the patterns found in the song.The results identify four rhythmic fill-in patterns, namely Pattern A, B, C, and D. These patterns combine quarter and eighth notes, emphasizing downbeats and upbeats that recur in specific sections of the song. These patterns contribute to building the energy, dynamics, and musical structure of the composition.Conclusions the drum fill-in technique not only reinforces the rhythmic elements but also serves as a distinctive marker of dangdut ambyar, differentiating it from other dangdut subgenres. These findings are expected to enrich the study of Indonesian popular music and support the continuity of dangdut as a traditional music genre that adapts to modern developments.  
The Variety of Cello Playing Styles in the Keroncong Community in Pacitan Azfar, Adimas Akma Danish; Rachman, Abdul
Jurnal Penelitian Musik Vol 6 No 2 (2025): Ragam Kajian Musik: Tradisi, Pendidikan dan Inovasi
Publisher : Program Studi Pendidikan Musik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JurnalPenelitianMusik.62.04

Abstract

The cello is a musical instrument that plays a vital and distinctive role in the keroncong music ensemble, primarily as a rhythm keeper during the performance. Nowadays, the way the cello is played in keroncong seems to have evolved. Many young artists are now trying to develop their playing style in new directions, such as by adapting it to other music genres. This indicates that playing the cello in keroncong is not static but continues to evolve alongside changing musical tastes, advancements in technology, and socio-cultural factors, leading to a variety of playing styles among its musicians. The keroncong community in Pacitan experienced this same trend: artists from different generations interact, blend, and create diverse playing styles. This study aims to identify the various cello playing styles within the keroncong music community in Pacitan. The research method is qualitative, employing a musicology approach. Data were collected through observation, interviews, and document review, with data triangulation used for analysis. The findings show that keroncong cello playing goes beyond traditional practices, shaped by social experiences, cross-genre influences, and each artist's role in the local keroncong scene. The study concludes that keroncong cello styles are varied, reflecting each artist's musical interpretation and evolving according to socio-cultural changes.
Co-Authors A'yun, Wildan Qurrata Aesijah, Siti Aesijah Aini, Fikriana Aisyah Defy R. Simatupang Aldian Firmansah, Dede Alfayad, Dandi Musa Alvriza Mohammed Fadly Amelia, Virna Andhika Kurniawan Andri Setiyawan Andriyan Hendry Ole Anggraeni, Anditalin Aprianto, Muhammad Rafli Arief Wibowo Arika Palapa Arkoyah, Siti Atamimi, Megi Krisma Azfar, Adimas Akma Danish Azwar, Martavevi Badaru, Baharuddin Bambang Sumali Berlina Bilaly Sangare Billah, Sasa Bishri, Mochammad Hasan Caesar Octoviandy Purba Cahyono, Indrawan Nur Christianita Dyah Prasastiningtyas Citra Zahara, Ade Daggo Alanta Dewa Daggo Daggo, Daggo Alanta Dewa Dede Aldian Firmansyah Defy R. Simatupang, Aisyah Devananda Vincensius Siregar Dewi Kartika Dwi Nugroho Dwiputrianti, Septiana Effiyaldi, Effiyaldi Erwin Ferry Manurung Fandi Akhmad Ramadhani Fauziah Zahrotul Firdaus Bintang Cahyanti Fitriana, Muhammad Azizan Giovanno Tara Yuliandi Harjono, Rakhmat Harun, Muhammad Safwan Haura, Arie Heidiani Ikasari, Ines Hendra, Surya Hendrix Noviyanto F Henrieka, Yasmin Nabila HERI SUSANTO Hidayat Hidayat, Hanif Hunafa, Kinanthi Wedhatu Husniyyah, Siti Ibnu Hajar Iqbal, Muhammad Nur jannah, lailatul Jirajarupat, Phakamas Julianti, Niken Juneiro Marudut Halomoan Bakkara Junian Budi Argo Karim, Salman Izudin Kasiono, Roy Kurniawan, Susetya Kukuh Laksono, Yonathan Larsen Barasa Lukman Santoso Lutfi Ramadhiansyah M. Imamuddin Markus Yando Manurung Maulida, Mesya Nurul Meizan Riza Arhamni Moh. Iqbal Mabruri Moh. Muttaqin Muchsin, Ibnu Amar Muhammad Afif Muhammad Ikhlas Rosele Muhammad Nurdin Muliya, Amma Muthi'ahfatin, Nabilah Muttaqin, Moh NANIK INDAHWATI Nindyaningrum, Fitria Rasdiana Nur Asriyani Nur Asriyani Nurwijayanti Pebriyanti, Dila Phakamas Jirajaruphat Pradika, Devita Anggun Pramot Teangtrong Prasastiningtyas, Christianita Dyah Prasetyo, Dimastito Puryani, Suci R. Ambar K. G. Raharjo, Aprellian Luthfi raharjo, eko raharjo Rahmawati, Elis Ramdan Satra Ridwan, Mochamad Ely Rimaza, July Rinaldhi Eka Kurnia Putra Risyda Nurul Qolbi Ritawaty, Noor Rizky, Teguh Muhammad Rosmayana Rosmayana, Rosmayana S. Suharto Sabrina Firda Sokhiba Sahora Dina Pangesty Saidah, Andi Samudera, Arief Sangare, Bilaly Santi Pratiwi Tri Utami Santi Pratiwi, Santi Sapiri, Muhtar Sarif, Akbar Sarwi Asri sasongko, wahyu sigit Septiawan, Fery Setiawan, Adil Setiyati, Siti Nur Shofiah Tidjani Simanjuntak, M. Marihot Simatupang, Aisyah Defy R Simatupang, Aisyah Defy R. Slamet Haryono Suardi, Didi Suhaya Suhaya, Suhaya Sukamto, Ika Sumiyarsi Sukariyono, Dedi Sunardi Sunardi Sunarto Sunarto Suparman Suparman Surawan, Agus Susi Herawati Susi Herawati Syahrul Syah Sinaga Syahrul Syah Sinaga Syamsiar, Syamsiar Tamara Devi, Sri Tara Yuliandi, Giovanno Teangtrong, Pramot Thalib, Hambali Tiara Meilinda Tri Cahyadi Udi Utomo Udi Utomo Udi Utomo Ulpah, Mariya Umasangadji, Fahmi Usready, Risma Febby Ayu Utami, Indriani Wadiyo Wadiyo wafa, mochammad usman Wahid, Ahmad Wahyu Lestari Wahyu Lestari Warto - Widi Astuti Widodo Widodo Widya Aryadi Yayah Zakiah Yus Rizal Muhammad Yuspandi, Parhan Zahrotul Fauziah Zilmi, Fauziatus