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Wasis Wijayanto
Universitas Muria Kudus
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Journal : Jurnal Seni Nasional Cikini

 1 
Keunikan Bonang Dalam Musik Tradisional Jawa wijayanto, wasis
Jurnal Seni Nasional Cikini Vol. 11 No. 1 (2025): Estetika Seni: Dari Visual Hingga Musik
Publisher : Riset, inovasi dan PKM - Institut Kesenian Jakarta, DKI Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52969/jsnc.v11i1.524

Abstract

Dunia budaya dan seni Indonesia sangat kaya. Gamelan, alat musik tradisional Indonesia, adalah salah satu yang terkenal. Bonang adalah alat gamelan jawa yang paling umum digunakan selain gong. Alat musik bonang, yang merupakan alat musik tradisional dalam gamelan jawa, menghadapi tantangan karena minat generasi muda yang semakin berkurang. Banyak anak muda lebih tertarik dengan alat musik modern atau populer, sehingga minat untuk belajar alat musik bonang berkurang. Penelitian ini bertujuan untuk mengungkapkan dan mendeskripsikan tentang nilai estetika yang terdapat pada alat musik bonang. Metode dalam penelitian ini menggunakan metode kualitatif dengan pendekatan etnografi karena sesuai untuk mendalami dan megeksplorasi instrumen bonang serta menganalisis secara mendalam tentang objek yang diteliti. Hasil yang ditemukan menunjukkan tentang asal-usul bonang, karakteristik bonang, ornamen pada rancak bonang, proporsi bonang, bahan baku pembuatan bonang dan pola tabuhan pada alat musik bonang. The world of Indonesian culture and art is very rich. Gamelan, a traditional Indonesian musical instrument, is a famous one. Bonang is the most commonly used Javanese gamelan instrument besides gong. The bonang musical instrument, which is a traditional musical instrument in Javanese gamelan, is facing challenges due to the decreasing interest of the younger generation. Many young people are more interested in modern or popular musical instruments, so interest in learning the bonang musical instrument is decreasing. This research aims to reveal and describe the aesthetic values ​​contained in the bonang musical instrument. The method in this research uses a qualitative method with an ethnographic approach because it is suitable for studying and exploring bonang instruments and analyzing in depth the objects studied. The results found indicate the origins of bonang, characteristics of bonang, ornaments on bonang rancak, proportions of bonang, raw materials for making bonang and beat patterns on bonang musical instruments.
Co-Authors Afifah, Asti Nur Ahmad Hariyadi Ahmad Hariyadi, Ahmad Ahmad Ulil Albab Aida Nur Aini Aisy, Fadia Rohadatul Annasih, Sa'aduddin Arif Budi Prasetya Aristianti, Siska Dwi Aryani, Dias Syifa Asmara, Fantasi Fana Sari Assakhiy, Herfiana Putri Aulia, Silvia Natasya Aurelia Cahya Fadhilatul Khalila Awaliyatul, Faza Aziz, Muhammad Safri Rofiqul Budi, Hermawan Setia Chamidah, Fira Naelatul Darmawan Baihaqi Dea Novita Devi Arifia Fitriani Dini Adellia Angel Elfara Putri Fauziah Ema Zulfiani Endry, Ravena Zahra Fadia Rohadatul Aisy Faiq Syifaul Ajib Fajrie, Nur Fajrie Fatmawati, Nurul Fidya Fifit Fidyastuti Fitriyani, Dila Eka Furqon, Muhamad Nailul Hanindita Ayu Larasati Hidayah, Aulia Nurul Hidayah, Nor Ika Oktavianti Ilmi, Alfi Muzaro'atul Indriyanto Nugroho, Aris Inesya Kalyana Tantri Irfai Fathurohman Irfai Fathurohman, Irfai Jannah, Almira Durhotul Joannanda Meyza Ardika Khaiswarya, Ratih Tri Khalimah, Umi Khalimatus Sa'diyah, Isnaini Kurniawati, Nafisa Junita Laila, Naimatul Latifah, Nushrotul Latifah Lintang Kironoratri Lola Indra Mukti Maghfiroh, Anif Marshelyna, Mela Maulida, Vina Cahya Mayariah, Alya Mega Ayu Putri Hapsari Muhammad Ilyas Fitrian Muzakki Jamil, Achmad Najikhah , Fatikhatun Nashan, Syafiq Nur Fajrie Oktasabella, Salma Oliv Via Ani Ramadhan Prameswari, Claudia Pramudita, Diah Ayu Pratiwi, Ajeng Prastiana putri aji, Nafisa Putri, Arinda Elfana Putri, Meutia Revana Cahya Rani Setiawaty Riany Aulia Shabila Rizky, Reina Rohani Anggita Permadani Rohmah, Sinvi Faido Rona Fristi Febbilla Sa'aduddin Annasih Sa'diyah, Isnaini Khalimatus Sabiela, Royana Nafisa Safitri, Rheza Sari, Liza Fatika Setyanto, Beta Arif Shabrina Khilda Zulfia Shofwani, Siti Aniqoh Suryandika, Ade Eka Sutono, Sugoro Bhakti Sya’diah, Khalimatus Syeh Priyadi Umamah, Naila Farikhatun Umi Nur Kholifah Umi, Umi Nur Kholifah W, Sri Surachmi Wahid Nur Fajri Wardani, Karina Wawan Shokib Rondli Widyatma, Yollanda Vannesicha Wijayanti, Santika Dwi Woro Prastika Yaqin, Makhfudz Ainul Yunia Nadiya Putri Yunita Amilia Aini Rohmah Yustantifa, Annabella Zahro, Nabila Fatimatuz Zulfa, Nailul Arofah Zumala, Arina Shofia