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All Journal Jurnal Pendidikan Seni Rupa SCHOOL EDUCATION JOURNAL PGSD FIP UNIMED Jurnal Pendidikan dan Kajian Seni Pendas : Jurnah Ilmiah Pendidikan Dasar Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Journal on Education FONDATIA Jurnal Gentala Pendidikan Dasar COLLASE (Creative of Learning Students Elementary Education) JIKAP PGSD: Jurnal Ilmiah Ilmu Kependidikan Jurnal Seni Nasional Cikini Autentik : Jurnal Pengembangan Pendidikan Dasar GETER : Jurnal Seni Drama, Tari dan Musik Equity in Education Journal (EEJ) Andragogi : Jurnal Ilmiah Pendidikan Agama Islam Clef: Jurnal Musik dan Pendidikan Musik Jurnal Riset Pendidikan Dasar (JRPD) Ghurnita: Jurnal Seni Karawitan Al Hikmah: Journal of Education Jurnal Prajaiswara Jurnal Kajian Pembelajaran dan Keilmuan PAKDEMAS : Jurnal Pengabdian Kepada Masyarakat Jurnal Mebang Jurnal Cerdik: Jurnal Pendidikan dan Pengajaran Elementary School: Jurnal Pendidikan dan Pembelajaran ke-SD-an Concept: Journal of Social Humanities and Education JAKBS Algebra Kepompong Children Centre Journal Educatum: Jurnal Dunia Pendidikan Indonesia Bergerak: Jurnal Hasil Kegiatan Pengabdian Masyarakat Jurnal Pemikiran dan Pengembangan Pembelajaran Education Curiosity PESHUM Tambuleng: Jurnal Pendidikan Seni Drama, Tari, dan Musik Imajinasi: Jurnal Seni
Wasis Wijayanto
Universitas Muria Kudus
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Journal : Jurnal Mebang

 1 
Estetika dalam Kosmis sebagai Pembelajaran dan Konservasi Gamelan di Era Modern Wijayanto, Wasis; Fifit Fidyastuti
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 5 No. 1 (2025)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v5i1.177

Abstract

This research aims to deeply understand the function of Saron in the composition of Javanese gamelan and uncover the symbolism inherent in the instrument in the people of Central Java. The Saron, as the core instrument of the gamelan, not only serves as the main melody producer, but also has a rich symbolic meaning. This study uses a qualitative approach with ethnographic methods and literature studies. Data collection was carried out through participatory observation in various gamelan performances at traditional and ritual events in Central Java, as well as in-depth interviews with pengrawit (gamelan players) and local cultural figures. In addition, literature studies from art and cultural journals relevant to gamelan and traditional musical instruments of Central Java were also carried out. The collected data was analyzed using descriptive methods of interpretive analytics. The results of the study show that Saron not only functions as a sound producer with its distinctive characteristics, but also as a symbolic representation that connects society, culture, and spirituality in the Javanese context. Saron game techniques and improvisation express a wide range of emotions. Through its role in gamelan, rituals, and social life, Sarons are a reflection of cultural identity, a guardian of harmony, and a messenger of life.
Saluang Mengalun: Estetika Berbicara dalam Perspektif Pendidikan Seni wijayanto, wasis; Inesya Kalyana Tantri; Aurelia Cahya Fadhilatul Khalila
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 5 No. 2 (2025)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v5i2.169

Abstract

This study examines the aesthetic values ​​in the traditional wind instrument Saluang from Sumatra, which is an integral part of the cultural identity of the Minangkabau people. The background of this study focuses on the decline in appreciation of traditional music among the younger generation, as well as the importance of preserving Saluang as a cultural heritage. The method used is descriptive qualitative with ethnographic research type, analyzing various sources such as scientific journals, books, and online articles. The results of the study show that Saluang has rich aesthetic values, reflected in its simple physical form, made of bamboo, and playing techniques that produce soft and melodious sounds. Saluang performances are often accompanied by poems that are full of philosophical meaning, adding a deep aesthetic dimension. The discussion highlights the interaction between visual form, playing techniques, and socio-cultural contexts that create a unique aesthetic experience. In conclusion, Saluang is not just a musical instrument but also a representation of the aesthetic and philosophical values ​​of the Sumatran people, which need to be preserved to maintain cultural identity and increase the younger generation's appreciation of this heritage.
Co-Authors Afifah, Asti Nur Ahmad Hariyadi Ahmad Hariyadi, Ahmad Ahmad Ulil Albab Aida Nur Aini Aisy, Fadia Rohadatul Annasih, Sa'aduddin Arif Budi Prasetya Aristianti, Siska Dwi Aryani, Dias Syifa Asmara, Fantasi Fana Sari Assakhiy, Herfiana Putri Aulia, Silvia Natasya Aurelia Cahya Fadhilatul Khalila Awaliyatul, Faza Aziz, Muhammad Safri Rofiqul Budi, Hermawan Setia Chamidah, Fira Naelatul Darmawan Baihaqi Dea Novita Devi Arifia Fitriani Dini Adellia Angel Elfara Putri Fauziah Ema Zulfiani Endry, Ravena Zahra Fadia Rohadatul Aisy Faiq Syifaul Ajib Fajrie, Nur Fajrie Fatmawati, Nurul Fidya Fifit Fidyastuti Fitriyani, Dila Eka Furqon, Muhamad Nailul Hanindita Ayu Larasati Hidayah, Aulia Nurul Hidayah, Nor Ika Oktavianti Ilmi, Alfi Muzaro'atul Indriyanto Nugroho, Aris Inesya Kalyana Tantri Irfai Fathurohman Irfai Fathurohman, Irfai Jannah, Almira Durhotul Joannanda Meyza Ardika Khaiswarya, Ratih Tri Khalimah, Umi Khalimatus Sa'diyah, Isnaini Kurniawati, Nafisa Junita Laila, Naimatul Latifah, Nushrotul Latifah Lintang Kironoratri Lola Indra Mukti Maghfiroh, Anif Marshelyna, Mela Maulida, Vina Cahya Mayariah, Alya Mega Ayu Putri Hapsari Muhammad Ilyas Fitrian Muzakki Jamil, Achmad Najikhah , Fatikhatun Nashan, Syafiq Nur Fajrie Oktasabella, Salma Oliv Via Ani Ramadhan Prameswari, Claudia Pramudita, Diah Ayu Pratiwi, Ajeng Prastiana putri aji, Nafisa Putri, Arinda Elfana Putri, Meutia Revana Cahya Rani Setiawaty Riany Aulia Shabila Rizky, Reina Rohani Anggita Permadani Rohmah, Sinvi Faido Rona Fristi Febbilla Sa'aduddin Annasih Sa'diyah, Isnaini Khalimatus Sabiela, Royana Nafisa Safitri, Rheza Sari, Liza Fatika Setyanto, Beta Arif Shabrina Khilda Zulfia Shofwani, Siti Aniqoh Suryandika, Ade Eka Sutono, Sugoro Bhakti Sya’diah, Khalimatus Syeh Priyadi Umamah, Naila Farikhatun Umi Nur Kholifah Umi, Umi Nur Kholifah W, Sri Surachmi Wahid Nur Fajri Wardani, Karina Wawan Shokib Rondli Widyatma, Yollanda Vannesicha Wijayanti, Santika Dwi Woro Prastika Yaqin, Makhfudz Ainul Yunia Nadiya Putri Yunita Amilia Aini Rohmah Yustantifa, Annabella Zahro, Nabila Fatimatuz Zulfa, Nailul Arofah Zumala, Arina Shofia