Claim Missing Document
Check
Articles

KONSEPSI NATAH DAN LEBUH SEBAGAI “RUANG KESEIMBANGAN” DALAM ARSITEKTUR TRADISIONAL BALI Wijaya, I Kadek Merta
Jurnal Arsitektur ZONASI Vol 2, No 2 (2019): Jurnal Arsitektur Zonasi Juni 2019
Publisher : KBK Peracangan Arsitektur dan Kota Program Studi Arsitektur Fakultas Pendidikan Teknologi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/jaz.v2i2.14677

Abstract

Natah and lebuh are interpreted as empty outer space in spatial planning of traditional Balinese settlements. In traditional Bali settlements in mountain areas, natah in the form of elongated empty space that binds or becomes the orientation of the times buildings, while traditional Bali settlements in lowland areas in the form of empty space as a center centered orientation of the building configuration. Lebuh is a space that is is in the outermost part of a residential yard or on a scale the settlements are in the village border in the direction of the teben orientation. Natah space and lebuh usually used as a ceremonial space for renewal (a ritual to neutralize power negative), a wide ritual of banten (giving the ceremony facilities that have been used in front under the entrance), downstreaming the process of ritual activities in a home yard and the village environment, as a space for social activities and local customs. Aim this study is an interpretation of the conception of the balance of the natah space and lebuh on traditional Balinese settlements of residential and residential scale using qualitative interpretative exploratory methods through a system of social activity approaches, rituals and safety evacuation and local and general concepts about the dichotomy of space. The results of the research obtained are the natah space and the lebuh as a empty space outside and being in the orientation of nista or teben containing ritual, social and conception safety seen from the spatial layout and function of the two spaces.
The Local Wisdom Study of Luan And Teben Concept on Balinese Ethnic Houses (Case Study: Balinese Ethnic Houses in Denpasar, Bali) Wijaya, I Kadek Merta
Local Wisdom : Jurnal Ilmiah Kajian Kearifan Lokal Vol 12, No 2 (2020): July 2020
Publisher : Merdeka Malang University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v12i2.4276

Abstract

Sanga Mandala is a concept that divide the layout of lowland Balinese house into nine zones. The intersection of two main axes, the ritual axis and the natural axis, forms the concept of Sanga Mandala. These axes have two poles called hulu/luan (mountain direction) and teben (sea direction). Along with times, the realization of Sanga Mandala in the form of buildings and zoning underwent a transformation in response to the increase in household members, modern mindset of the citizen, and tendency to follow contemporary trends. Changes to the zoning system that still follow the rules of traditional Balinese architecture are zones of sacred and ritual functions. With the development of modern mindset of the citizen, we can find those phenomena in Denpasar. This study aimed at examining the meaning of luan and teben on Balinese ethnic house layout in Denpasar. There is an interesting phenomenon that relates to the meaning of luan and teben in contemporary life. This study used interpretative naturalistic research method by emphasizing the empirical aspects of sensual, ethical, emic, logical, and transcendental. The results showed that there was a pattern of meaning on luan and teben in the conception of zoning, transformation of spaces and buildings, orientation of the building mass, as well as producing a pattern of meaning in zoning and ritual functions as the most important part in the residential space layout of Balinese ethnic houses in the midst of the development of Denpasar. DOI: https://doi.org/10.26905/lw.v12i2.4276
THE SEMIOTICS OF BANYAN TREE SPACES IN DENPASAR, BALI I Kadek Merta Wijaya
International Journal on Livable Space Vol. 4 No. 2 (2019): MANAGING AND ACCOMMODATING LIVABILITY
Publisher : Jurusan Arsitektur - FTSP - Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/livas.v4i2.5564

Abstract

ABSTRACT The concept of Banyan space (spaces under Banyan tree) possesses both secular and ritual values. Secular values are related to the use of space for socio-economic activities, such as trading to others and meeting with friends. Ritual values are related to activities that take place around the Banyan tree as an expression of belief on the tree’s “tenget” (sacred) values. Secular and ritual values create the concept of space on Banyan tree, based on the elements of space and the conception used of these spaces. A system of signs (signifier and signified) mark the values or meanings of “sekala” and “niskala” space. This research aims to find out the elements that create the “sekala” and “niskala” space by analysing the space system of signifier and signified. “Sekala” is tangible or visible space which can be perceived by five senses. “Niskala” is intangible or invisible space, yet it exists and Balinese Hindus believe in its presence. The research focuses on the system of activities from selected cases by purposive sampling using qualitative naturalistic method and approach. The results of this research emphasize that (1) there are elements (signifier and signified) that create the “sekala” and “niskala” space and (2) there are normative and scientific concepts of Banyan trees as the background for the creation of the “sekala” and niskala space. Keywords: sekala space, niskala space, secular and ritual values, signifier and signified space
SUSTAINABLE TOURISM CONCEPT IN REDESIGNING ZONE-ARRANGEMENT ON BANYUWEDANG HOT SPRINGS ARCHITECTURE I Kadek Merta Wijaya; Ni Wayan Nurwarsih
Jurnal Internasional Ilmu Pengetahuan Terapan bidang Pariwisata dan Events Vol 3 No 1 (2019): June 2019
Publisher : Pusat Penelitian dan Pengabdian kepada Masyarakat (P3M) Politeknik Negeri Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (429.579 KB) | DOI: 10.31940/ijaste.v3i1.954

Abstract

Architecture and tourism are two things that have mutual connection to each other in terms of spatial arrangement and sustainable ressources management. Architectural form in tourism accomodation support concerns on many sustainable aspects in community’s social-economy, environment, and culture. Banyuwedang Hot Spring as tourism object has many potential, such as hot spring sources, mangrove forest, and a temple with it’s own architectural form called “Pura Mas Beji Banyuwedang” and “Pura Dang Kahyangan Banyuwedang”. The management system of this tourism object is self-management by some group of local people. The issue that emerge on site was zone setting and activities that looks unorganized and not fit-based on function embedded to it, and also didn’t concerned aboutactivities impact on mangrove forest. On average, 50% of main and support facilities not properly-used. On Average of tourist visit is 60 person a day and the system of waste management was not well-organized and well-made. The purpose of this research is to rearrange architectural zonation arrangement of Banyuwedang Hot Spring using sustainable tourism concept (economy, social, and environment). Using naturalistic qualitative research method by searching for problems that has sensual empiric, emic empiric, logic empiric, and trancendental charasteristic. Zone arrangement that resulting from this research are recreative and conservative zone that have mutally connected to each other in terms hot spring tourism spatial. Those zone arrangements formed based on (1) potentials owned as a toursim object; (2) Economic aspects such as operational cost and local people income; (3) social aspects from the creation of social space between visitors; (4) environmental aspects, by the mangrove forest and hot spring sustainability preservation; and (5) cultural aspect, by the preservation of religious ritual anda ritual attraction as one hot spring space.
SETTING RUANG KOMUNAL DI SEPANJANG PANTAI SANUR, BALI. Ni Wayan Nurwarsih; I Kadek Merta Wijaya
Jurnal Arsitektur ARCADE Vol 3, No 2 (2019): Jurnal Arsitektur ARCADE Juli 2019
Publisher : Prodi Arsitektur UNIVERSITAS KEBANGSAAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1270.649 KB) | DOI: 10.31848/arcade.v3i2.230

Abstract

Abstract:. Beach spaces in Bali, for traditional communities are very important and are part of their ritual life cycle. Open space on the beach is very important because it can accommodate many religious, social, cultural and ritual activities. The many social levels of the community come together to use the area on the beach to carry out various kinds of activities, to produce spaces and areas that are architecturally formulated and their meanings. The communal space setting on the object of research is intended to find out whether communal space already exists or is newly formed after various activities are present. Or the space has never existed, even though there are indeed private spaces that have been acknowledged by users and providers of tourist accommodation that were present later. The method used is descriptive qualitative method by thinking logically, structured and creatively, by mapping activities based on time segments and interviews. Formulate problems by describing the problem into smaller and more manageable segments, identifying patterns, solving complex problems into small steps, organizing and making a series of steps to provide solutions, and construct data representations through simulation. Keyword: Public Space Conflict, Space Pattern, Meaning of Space. Abstrak : Ruang-ruang pantai di Bali, untuk masyarakat tradisional menjadi amat penting dan merupakan bagian dari siklus kehidupan ritual mereka. Mengapa demikian, karena ruang pantai dapat mengakomodasi banyak kegiatan keagamaan, sosial, budaya dan ritual. Berbagai macam tingkatan sosial masyarakat hadir bersama-sama menggunakan area pantai untuk melakukan berbagai macam aktifitas, hingga menghasilkan ruang dan area yang secara arsitektur harus di telurusi bentuk dan maknanya. Setting ruang komunal pada objek penelitian dimaksudkan untuk menemukan apakah ruang komunal sudah ada atau baru terbentuk setelah beragam kegiatan hadir di tempat tersebut. Atau ruang tersebut tidak pernah ada, bahkan yang ada memang ruang-ruang privat yang sudah diakui oleh pengguna dan penyedia akomodasi wisata yang hadir belakangan. Metoda yang digunakan yakni metoda dengan jalan berfikir secara logis, terstruktur dan kreatif, dengan melakukan mapping kegiatan berdasarkan segmen waktu dan wawancara. Merumuskan masalah dengan menguraikan masalah tersebut ke segmen yang lebih kecil dan lebih mudah dikelola, mengidentifikasi pola, memecahkan masalah selain kompleks menjadi langkah-langkah kecil, mengatur dan membuat serangkaian langkah untuk memberikan solusi, dan membangun representasi data melalui simulasi. Hasil penelitian menujukan bahwa ruang komunal tidak hadir begitu saja di ruang publik apabila ruang tersebut terzonasi dan diberikan batas. Kata Kunci :  Konfilk Ruang, Pola Ruang, Makna Ruang.
THE SEMIOTICS OF BANYAN TREE SPACES IN DENPASAR, BALI I Kadek Merta Wijaya
International Journal on Livable Space Vol. 4 No. 2 (2019): MANAGING AND ACCOMMODATING LIVABILITY
Publisher : Jurusan Arsitektur - FTSP - Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (751.141 KB) | DOI: 10.25105/livas.v4i2.5564

Abstract

ABSTRACT The concept of Banyan space (spaces under Banyan tree) possesses both secular and ritual values. Secular values are related to the use of space for socio-economic activities, such as trading to others and meeting with friends. Ritual values are related to activities that take place around the Banyan tree as an expression of belief on the tree’s “tenget” (sacred) values. Secular and ritual values create the concept of space on Banyan tree, based on the elements of space and the conception used of these spaces. A system of signs (signifier and signified) mark the values or meanings of “sekala” and “niskala” space. This research aims to find out the elements that create the “sekala” and “niskala” space by analysing the space system of signifier and signified. “Sekala” is tangible or visible space which can be perceived by five senses. “Niskala” is intangible or invisible space, yet it exists and Balinese Hindus believe in its presence. The research focuses on the system of activities from selected cases by purposive sampling using qualitative naturalistic method and approach. The results of this research emphasize that (1) there are elements (signifier and signified) that create the “sekala” and “niskala” space and (2) there are normative and scientific concepts of Banyan trees as the background for the creation of the “sekala” and niskala space. Keywords: sekala space, niskala space, secular and ritual values, signifier and signified space
Rancangan Ruang Untuk Rumah Tinggal Penyandang Disabilitas Tuna Daksa I Kadek Merta Wijaya; I Wayan Rio Wardana; I Gede Eka Budiarta
Jurnal Linears Vol 5, No 2 (2022): Jurnal LINEARS
Publisher : Universitas Muhammadiyah Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26618/j-linears.v5i2.8237

Abstract

Disabilitas dipahami sebagai keadaan keterbelakangan atau keterbatasan fisik. Aktivitas yang sering dan rutin dilakukan oleh para difabel adalah di rumah, sehingga desain untuk rumah difabel memerlukan suatu bentuk rancangan yang menyesuaikan ergonomie dan elemen-elemen ruang yang dapat membantu pergerakan dan aktivitas para difabel. Penelitian ini bertujuan untuk menghasilkan konsep rancangan rumah tinggal difabel yang diuraikan dalam elemen-elemen ruang yang dipergunakan sebagai fasilitator pergerakan dan aktivitas difabel. Studi kasus yang dipergunakan adalah disabilitas tuna daksa. Metode yang dipergunakan adalah deskriptif kualitatif yang menekankan pada rancangan elemen-elemen rumah tinggal berdasarkan pada karakteristik aktivitas disabilitas dan standar dimensi serta bentuk ruang yang diperlukan untuk disabilitas tuna daksa. Hasil akhir penelitian ini berupa rancangan elemen-elemen berupa ramp, garasi, kamar tidur dan kamar mandi sebagai model rancangan bagi rumah penyandang disabilitas. Dapat disimpulkan bahwa penerapan elemen-elemen yang direkomendasikan pada penelitian ini dapat memberi implikasi terhadap kemudahan bagi penyandang disabilitas khususnya tuna daksa dalam beraktivitas sehari-hari di rumah.
Redesain Bangunan Teater Pertunjukan Taman Festival Bali Dengan Pendekatan Adaptive Reuse I Putu Dika Mustika; I Gede Adi Setia Darma; I Kadek Merta Wijaya
JAUR (JOURNAL OF ARCHITECTURE AND URBANISM RESEARCH) Vol. 6 No. 1 (2022): JAUR Oktober
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/jaur.v6i1.7580

Abstract

Bali Festival Park is a tourist place that is very loved by the Balinese people and also tourists, both foreign tourists, and local tourists. This place presents a variety of rides and facilities that are quite complete for visitors to spend their free time. However, at this time the Bali Festival Park has begun to be abandoned by the public and tourists, this has made some buildings that can still be used physically abandoned. The building is an icon of the main building has a unique roof shape and also has an adequate area, besides that this building also still has a solid structure. The building that faces directly towards the sea also has its own added value, which is to offer a unique view of the beach. Currently, the world of work is very important in regional economic growth so it is very important to provide good and comfortable facilities for workers to increase their productivity so that the function of the Taman Festival Bali performance theater building becomes a Co-Working space using an adaptive approach. reuse will be a good choice because, in addition to being able to work together with various companies, employees can also indulge themselves with the scenery and existing facilities. This research itself aims to create a comfortable place for companies as a place to be able to provide peace for their employees and can share work experiences with other companies. The method used is descriptive qualitative through studies and descriptions of architectural problems and formulating solutions in the form of schematic designs. The results of this study are the elements of space that are presented in the form of floor plans, 3D Interior, and exterior.  
Penglipuran Tourism Village, Kubu Village, Bangli District, Bali In Maintaining Bali Local Wisdom Values I Wayan Wesna Astara; Nyoman Putu Budiartha; Putu Ayu Sriasih Wesna; I Ketut Selamet; I Kadek Merta Wijaya
Journal of Legal and Cultural Analytics Vol. 2 No. 3 (2023): August 2023
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/jlca.v2i3.5804

Abstract

Development of the Penglipuran tourism village based on Balinese local wisdom is a solution to the settlement of AYDs land cases in the Penglipuran Traditional Village in the legal and cultural context associated with Law Number 10 of 2009 concerning tourism-related to the issuance of Bali Province Regional Regulation No. 5 of 2020 regarding standards for the implementation of Balinese cultural tourism. Article 1, paragraph b, Tourism Village However, ideologically, culturally, and legally, there is a hidden potential for conflict. The problem of tourist villages can be solved using absorption methods from research results to provide solutions for managing tourist villages. The methods used in legal issues in the management of tourism villages include focus group discussions, mentoring, lectures on legal studies, dissecting cases related to tourism village institutions, and finding potential strategies for Balinese local wisdom to strengthen wisdom-based tourism villages
The Potential of Subak Uma Lambing in Sibangkaja Abiansemal Village, Badung Based on Organic Farming Culture as Ectourism I Wayan Wesna Astara; I Wayan Budiarta; Kadek Merta Wijaya; I Gusti Agus Maha Putra Sanjaya; Tanjung Subrata; Desak Ketut Tristiana Sukmadewi; Naori Miyazawa
Journal of Legal and Cultural Analytics Vol. 2 No. 3 (2023): August 2023
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/jlca.v2i3.5829

Abstract

Partners in this service are Prajuru Subak Umalambing, which involves organic and non-organic farmers in Subak Umalambing Sibangkaja Ecotourism. The partner's problems are the developed Subak Lambing ecotourism has not been able to implement state law and local law (adat law, awig-awig, and perarem) as part of legal certainty. Objectives: First, to provide legal awareness of ecotourism and organic farming-based culture with the expectation that the law has a cultural meaning in managing ecotourism; second, the potential of Subak Umalambing as ecotourism organic farming requires synergy between Kelian Subak and the Astungkara Way Foundation in managing small tradition-based agriculture (farmers) that can provide added value to farmers. Third, Subak Umalambing Ecotourism in a "redesign" manner and public health needs continuous education and state intervention, especially village government Sibangkaja, to design sustainable ecotourism with the protection of state law
Co-Authors Anak Agung Bagus Bayu Anggawirya Anak Agung Gede Raka Gunawarman Arga, Made Natha Sukma Arthana, I Nyoman Nuri Dewa Ayu Nyoman Sri Astuti Fahrul Nawan Subakti Gianyar, I Made Hartawan, I Putu I Dewa Gede Purnama Wara Nugraha I Gede Adi Setia Darma I Gede Eka Budiarta I Gusti Agung Putu Eryani I Gusti Ayu Ratih Permata Dewi I Gusti Ngurah Agung Aditya Putra I Kadek Dwi Saputra I Kadek Rama Adhi Aryana I Kadek Rama Adhi Aryana I Kadek Yudha Wardana I Ketut Putra Kurniadi I Ketut Sugihantara I Komang Edy Suparlan I Made Agus Surya Dwipayana I Made Handi Narayana Dita Handi I Made Surya Kumara I Nengah Sinarta I Nyoman Gede Maha Putra I Nyoman Putu Budiartha I Nyoman Warnata I Putu Aldiana Pebrian I Putu Dika Mustika I Putu Gede Nanda Febrian Paraditha I Putu Hartawan I Putu Trisna Hady Permana S. I Putu Yuda Ari Putra Vinantha I Wayan Budiarta I Wayan Jawat I Wayan Parwata I Wayan Rio Wardana I Wayan Runa I Wayan Wesna Astara I Wayan Wirya Sastrawan Ilyas Rizal Ramadhan Jayantari, Made Widya Johannes Ibrahim Kosasih Kadek Hendrik Valentino Kadek Putra Santika Narayana Kadek Tania Utami Putri Komang Adi Kurniawan Saputra Made Adi Paramartha Putra Made Mas Surya Wiguna Made Natha Sukma Arga Made Yogi Wikrama Putra Mahardika, Ida Bagus Komang Mariana Correia Meidayanti Mustika Mochamad Zamroni Muhamad Amin Yusuf Naori Miyazawa Ni Komang Armaeni Ni Made Ayu Gemuh Rasa Astiti Ni Putu Mely Kusuma Ningsih Ni Wayan Meidayanti Mustika Nurwarsih, Ni Wayan Olivio Pinto Da Silva Pande Putu Nadya Paramitha Prabawa, Made Suryanatha Putri, Ni Putu Ratih Pradnyaswari Anasta Putu Ayu Sriasih Wesna Putu Gede Raditya Juniarta Rahadiani, Anak Agung Sagung Dewi S Homya S Vongtanaboo Sanjaya, I Gusti Agus Maha Putra Sastrawan, Wirya Selamet, I Ketut Sidhi, I Gede Mas Giri Hari Purnama Sukmadewi, Desak Ketut Tristiana Sumardika, I Nyoman Suranata, I Putu Gede Tanjung Subrata Valentino, Kadek Hendrik W Hancharoen Wicaksana, Gde Bagus Andhika Widanan, I Wayan