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All Journal Indonesian Journal of Applied Linguistics (IJAL) Prosodi: Jurnal Ilmu Bahasa dan Sastra Marwah: Jurnal Perempuan, Agama dan Jender Jurnal Pendidikan Islam Taqdir Musawa : Jurnal Studi Gender dan Islam Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Nady al-Adab KREDO : Jurnal Ilmiah Bahasa dan Sastra IJoLE: International Journal of Language Education Tawarikh : Journal of Historical Studies ELS Journal On Interdisciplinary Studies in Humanities Pendas : Jurnah Ilmiah Pendidikan Dasar Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Adabiyyat: Jurnal Bahasa dan Sastra MUWAZAH: Jurnal Kajian Gender Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia JURNAL Al-AZHAR INDONESIA SERI HUMANIORA Jurnal Onoma: Pendidikan, Bahasa, dan Sastra NUKHBATUL 'ULUM : Jurnal Bidang Kajian Islam Bahtera Indonesia; Jurnal Penelitian Bahasa dan Sastra Indonesia Indonesian Journal of Halal Research Al-Khidmat : Jurnal Ilmiah Pengabdian Kepada Masyarakat Dinasti International Journal of Education Management and Social Science Aphorisme: Journal of Arabic Language, Literature, and Education 'A Jamiy: Jurnal Bahasa dan Sastra Arab Hijai - Journal on Arabic Language and Literature JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) Kutubkhanah Jurnal Penelitian Sosial Keagamaan Al-Muamalat : Jurnal Ekonomi Syariah Az-Zahra: Journal of Gender and Family Studies Jurnal Ilmu Akuntansi dan Bisnis Syariah (AKSY) Kode : Jurnal Bahasa Jurnal Anifa Studi Gender dan Anak Harakat an-Nisa: Jurnal Studi Gender dan Anak Jurnal Iman dan Spiritualitas Tarling : Journal of Language Education AKSARA: Jurnal Bahasa dan Sastra Journal of Law, Poliitic and Humanities Jurnal Ilmu Sosial dan Humaniora JBSI: Jurnal Bahasa dan Sastra Indonesia Jurnal bintang manajemen Moderasi : Journal of Islamic Studies Tadris al-'Arabiyyah: Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban Riwayat: Educational Journal of History and Humanities Muhibbul Arabiyah: Jurnal Pendidikan Bahasa Arab Dzil Majaz Al-Irfan: Journal Of Arabic Literature and Islamic Studies Mauriduna: Journal of Islamic Studies Al-Kalimat: Journal of Linguistic and Arabic Teaching Jurnal Salaka : Jurnal Bahasa, Sastra, dan Budaya Indonesia
Akmaliyah Akmaliyah
UIN Sunan Gunung Djati
Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Medicine & Pharmacology Physics Social Sciences Other

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Pergeseran Makna Kosakata Serapan Bahasa Arab Non-Keagamaan dalam Bahasa Jawa: Analisis Semantik Komparatif Fauzan Nurfalah; Rayhan Muhamad Ridwan; Nurkhalish Rahmat; Akmaliyah Akmaliyah
`A Jamiy : Jurnal Bahasa dan Sastra Arab Vol 14, No 2 (2025): Kajian Bahasa dan Sastra Arab
Publisher : Universitas Muhammadiyah Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31314/ajamiy.14.2.622-635.2025

Abstract

Penelitian ini mengkaji pergeseran makna kosakata serapan bahasa Arab non-keagamaan dalam bahasa Jawa melalui pendekatan kualitatif deskriptif-komparatif. Data dikumpulkan dari kamus bilingual dan literatur linguistik, menghasilkan 85 kosakata Arab yang digunakan dalam bahasa Jawa, di mana 40% mengalami pergeseran makna signifikan. Analisis menunjukkan empat tipe utama perubahan semantik: perluasan, penyempitan, metaforisasi, dan generalisasi. Kata seperti ikhlas dan nikmat menunjukkan peralihan makna dari spiritual ke sosial, sedangkan kabar mengalami penyempitan menjadi makna personal. Faktor sosial-budaya seperti sistem unggah-ungguh basa dan lamanya kontak bahasa menjadi penentu utama pergeseran makna, diikuti penyesuaian fonologis dan morfologis. Hasil penelitian ini memperkuat teori semantik lintas budaya bahwa makna kata merupakan produk adaptasi sosial dan budaya. Studi ini berkontribusi pada pengembangan kajian semantik dan leksikografi Arab–Jawa serta merekomendasikan penelitian lanjutan berbasis korpus atau lapangan untuk mengonfirmasi variasi makna dalam praktik bahasa nyata.
Al-Mustarak Al-Lafdzi: Analisis Kata Fitnah dalam Surat Al-Anfal Perspektif Tafsir Ibnu Katsir dan At-Thabari Fadhlan Husni Ramdhani; Hanif Megantara; Akmaliyah Akmaliyah
`A Jamiy : Jurnal Bahasa dan Sastra Arab Vol 14, No 2 (2025): Kajian Bahasa dan Sastra Arab
Publisher : Universitas Muhammadiyah Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31314/ajamiy.14.2.%p.2025

Abstract

Penelitian ini bertujuan untuk menganalisis makna kata fitnah dalam Surat Al-Anfal dengan perspektif tafsir Ibnu Katsir dan Al-Thabari. Metode yang digunakan adalah pendekatan kualitatif dengan analisis deskriptif-analitis, yang mencakup identifikasi makna kata fitnah dalam teks Al-Qur’an dan tafsir kedua tokoh tersebut. Hasil penelitian menunjukkan bahwa kata fitnah memiliki makna yang sangat beragam, antara lain ujian, cobaan, syirik, permasalahan dalam suatu perkara), berbaurnya orang beriman dengan orang kafir, musibah, dan kesesatan. Perbedaan penafsiran antara Ibnu Katsir dan Al-Thabari memberikan wawasan yang lebih dalam mengenai konteks dan makna yang terkandung dalam ayat-ayat tersebut. Penelitian ini diharapkan dapat memberikan kontribusi pada pemahaman lebih dalam tentang konsep fitnah dalam Al-Qur’an serta aplikasinya dalam kehidupan umat.
ANALISIS KESALAHAN FONOLOGIS ARAB DALAM SERIAL DRAMA KOREA 'GENIE, MAKE A WISH' Muhimmatul Ulumia; Setia Gumilar; Asep Supianudin; Akmaliyah Akmaliyah
Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab Vol 12, No 1 (2026)
Publisher : Universitas Islam Negeri Sumatera Utara Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30821/ihya.v12i1.28829

Abstract

This study aims to analyze the forms and factors causing Arabic phonological errors in the Korean drama series Genie, Make a Wish. The research employs a descriptive qualitative approach with an analytical method using the distributional method and the immediate constituent technique. The data consist of Arabic dialogue utterances obtained from the Netflix platform. The results reveal phonological error categorized into four forms: consonant phoneme changes, vowel phoneme changes, phoneme omission, and phoneme addition. Consonant phoneme changes are the most dominant form of error, with the most frequent being the change of the phoneme /ق/ to /ك/ and the vowel phoneme /o/ to /a/. The main factor causing these errors is the interference of the Korean phonological system (L1) with Arabic (L2), particularly due to the absence of uvular, pharyngeal, and emphatic sounds in Korean. In addition, the limited learning process of Arabic in the context of filming production contributes to the actors’ insufficient phonological mastery when pronouncing Arabic dialogue.
Pola dan Fungsi Harf Jarr dalam Kitab Dinul Islam Karya Umar bin Abdurrahman: Kajian Linguistik Arab Muhammad Lutfi Awaludin; Akmaliyah Akmaliyah; Maman Abdul Djaliel
Dzil Majaz: Journal of Arabic Literature Vol. 4 No. 1 (2026): January
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar, Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/dzilmajaz.v4i1.847

Abstract

Arabic grammar studies on ḥarf al-jarr in non-Qur’anic Islamic texts used in educational contexts remain limited, despite their important role in shaping relational meaning within sentences. This study aims to analyze the grammatical functions and semantic implications of ḥarf al-jarr in the book Dinul Islam by Umar bin Abdurrahman. This research employed a qualitative descriptive approach using library research methods grounded in Arabic grammatical (nahwu) analysis. The data consisted of linguistic units containing ḥarf al-jarr collected from the entire text of Dinul Islam. Data were analyzed through classification of preposition types, examination of their functions within jar–majrūr constructions, and interpretation of contextual meanings based on syntactic relations and semantic usage. The findings show that the prepositions ‘alā, ilā, bi-, min, and fī exhibit dominant grammatical and semantic tendencies related to obligation, direction, attachment, causality, source, and contextual relations. These functions contribute not only to sentence structure but also to the formation of normative and theological meanings in the text. This study contributes to Arabic linguistic studies by providing an integrative understanding of the relationship between grammatical structure and meaning construction in non-Qur’anic Islamic discourse
Heuristic and Hermeneutic Readings of Maher Zain’s “Ramadan”: A Riffaterrean Semiotic Analysis Albi Majdi Syam; Akmaliyah Akmaliyah; Yadi Mardiansyah
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 9 No. 1 (2026)
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v9i1.637

Abstract

‘Ramadhan (Arabic Version)’ to uncover the spiritual and connotative meanings hidden within them. Given that Arabic pop song lyrics are currently a popular means of intellectual communication among Gen Z, Michael Riffaterre's semiotic analysis, with its concepts of double reading, hypogram, matrix, and variant, was chosen as the methodological approach. This qualitative descriptive study used observation and note-taking techniques and literature study, with song lyrics as the main object. The results of the analysis show that heuristic (literal) reading produces separate denotative meanings, such as in the phrase فَالشّوقُ طَال (longing has been long). However, the presence of ungrammatical elements such as the personification of Ramadan as لِلرُّوحِ دَوَاء (‘medicine for the soul’) forces the reader towards the hermeneutic (retroactive) stage. Hermeneutic reading reveals the core Matrix of the lyrics, namely Longing for Ramadan, which is transformed through the Model of a call (munada) full of love ( يَا حَبِيب). Variants such as يَا نُورُ الْهِلاَلْ and يَا شَهرَ القُرآن serve to reinforce this Matrix. This song uses the hypogram of piety (QS. Al-Baqarah: 197) and ends with a prayer that reflects the resolution of the poetic tension between the desire for eternity and the transience of time. This study confirms the effectiveness of Riffaterre's model in exploring spiritual and symbolic values in contemporary Arabic music.
The Facts of the Story in Afrah Al-Qubbah Novel by Naghuib Mahfouz (A Structuralism Study by Robert Stanton) Miftahul Khasanah; Akmaliyah Akmaliyah; M. Rosyid Ridho
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol. 9 No. 2 (2026): JURNAL KREDO VOLUME 9 NO 2 TAHUN 2026
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24176/kredo.v9i2.16851

Abstract

This study is motivated by the importance of understanding literary works through their intrinsic structure, particularly in revealing how narrative elements construct meaning and social criticism. This study aims to analyze the factual elements of the story in the novel Afrah al Qubbah by Naghuib Mahfouz usin Robert Staton’s Structuralism approach. The focus of this study includes three intrinsic elements, namely characters, plot and setting. The method used is descriptive qualitative, with data collection techniques in the form of reading and note-taking of the novel text. The data source in this study is the novel Afrah al Qubbah, wich is analyzed based on the structural relationship among intrinsic elements. The result show that characters, plot and setting have structural interconnections that form a unifed story. Abbas, as the main character, becomes the center of conflict through the manuscript he writes, which reveals family realities and generates moral, emotional, and social tensions. The plot develops through the stage of exposition, complication, climax and resolution, which strengthen the tragic nuance of the story. The social, spatial, and temporal settings also support the development of conflict and reflect the breakdown of values in society. Overall, these theree elements construct meaning and present social criticism. The implications of this study indicate that structural analysis can enhance literary understanding, improve crictical reading skills and support literature learning.
Representation of Arab Family Values in Short Stories As-Sinjabu Ash-Shogir by Kaamil Kailani: A Genetic Structuralism Study Rian Muhamad Rian Nuryana; Marsha Marsha Meliana Putri; Anna Miftahul Khasanah; Robi Muhammad Robi; Akmaliyah Akmaliyah
Jurnal Salaka : Jurnal Bahasa, Sastra, dan Budaya Indonesia Vol. 7 No. 2 (2025): Jurnal Salaka: Jurnal Bahasa, Sastra, dan Budaya Indonesia
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/jsalaka.v7i2.17

Abstract

This study analyzes the representation of Arab family values in Kamil Kaylani's short story As-Sinjabu As-Shoghir through Lucien Goldmann's genetic structuralism approach. This short story was chosen because it contains ideological tensions between traditional Arab values and the dynamics of modernity in the early 20th century. The analysis was conducted to reveal the dialectical relationship between narrative structure and social structure through the concept of human facts as a form of meaningful action in a social context. The method used was qualitative-descriptive with literary text analysis focusing on intrinsic elements and the configuration of human facts. The results of the study show that this short story represents the Arab patriarchal system as a fundamental fait social, with the father figure occupying the center of moral and social authority. The main values reproduced include ṭā‘ah (obedience) as the highest virtue, collective responsibility, patriarchal authority, female honor as a symbol of family morality, and the construction of knowledge as a threat to women. The text also displays ideological contradictions, particularly between isolation and protection and between women's moral ideals and their limited social space. These contradictions reflect the limited awareness of the modern Arab middle class, which seeks to preserve tradition while negotiating with modern values. Theoretically, this study confirms the function of children's literature as a medium for the reproduction of social ideology during the historical transition phase of Arab society. Keywords: Genetic Structuralism, Arab Family Values, Kamil Kaylani
Al-ʿArūḍ wa al-Qāfiyah wa al-Qiyam al-Akhlāqiyyah fī Qaṣīdah "ʿAmadtu Ilayka Khayra al-Nāsi Ḥayyan" li al-Farazdaq Desi Mulyasari; Akmaliyah Akmaliyah
Dzil Majaz: Journal of Arabic Literature Vol. 4 No. 2 (2026): July
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar, Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/dzilmajaz.v4i2.931

Abstract

This study examines the prosodic structure and moral messages in the Qaṣīdah ʿAmadtu ʾIlayka Khayra al-Nāsi Ḥayyan by al-Farazdaq, a panegyric qaṣīdah (madḥ) consisting of 65 verses. Using a descriptive qualitative approach and library research method, this study applies ʿilm al-ʿarūḍ (metre), qawāfī (rhyme), and moral message theory for prosodic analysis and ethical value interpretation. The findings reveal that the qaṣīdah is composed in baḥr wāfir with a consistent base pattern of مُفَاعَلَتُنْ مُفَاعَلَتُنْ فَعُوْلُنْ  throughout all 65 verses. All positions of ʿarūḍ (end of the first hemistich) and ḍarb (end of the second hemistich) undergo ʿillat qatf (elision of the light cause and vowelling of the fifth consonant), while 53 verses undergo zihāf ʿaṣb (quiescence of the fifth vowelled consonant) in the ḥasyw (medial foot) position. The rawī (rhyme-determining letter) is mīm (م), classified as Muṭlaqah Mujarradah Mawṣūlah bil-Līn of the Mutawātir type. Moral message analysis identifies four categories of values: the human relationship with God, with oneself, with others, and with nature. These findings demonstrate that al-Farazdaq's prosodic mastery and moral depth are two mutually reinforcing dimensions that cannot be separated.
An Analysis of Rhyme and Rhythm Shifts and Thematic Elements in the Qasidah Faidhotul Man Min Rohmati Wahhabil Manan by Umar bin Muhammad bin Salim bin Hafidz A Study in ʿArūḍ and Qawāfī Makbul Patmanegara; Akmaliyah Akmaliyah; Muhammad Nurhasan; Mohammad Rosyid Ridho
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 2 (2025): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i2.45231

Abstract

This study aims to analyze the changes in rhyme and rhythm as well as the thematic content of the qaṣīdah Faidhotul Man Min Rohmati Wahhabil Manan composed by Umar bin Muhammad bin Salim bin Hafidz, using the approach of ʿarūḍ (Arabic prosody) and qawāfī (rhyme theory). The qaṣīdah, as a form of classical Arabic poetry, features a distinctive metrical and rhyming structure that serves not only as an aesthetic element but also as a medium for conveying spiritual and religious messages. The research method employed is descriptive qualitative, using textual analysis techniques from Arabic literary studies. The analysis reveals that this qaṣīdah demonstrates variations in rhythm (wazn) and rhyme (qāfiyah) patterns while maintaining semantic coherence and the musical integrity of the poem. In terms of theme, the qaṣīdah contains praise for the Prophet Muhammad (peace be upon him), affirmation of divine mercy, and expressions of spiritual longing and submission to Allah.
Musawwighāt al-Mubtada’ bi al-Nakirah: Their Types and Functions in the Book Awa’iq Ath-Thalab by Sheikh Abdus Salam bin Barjas (A Syntactic Analysis) Muhammad Haritsah Rais; Akmaliyah Akmaliyah; Maman Abdul Djaliel; Setia Gumilar
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 9 No. 2 (2026)
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v9i2.948

Abstract

In Arabic grammar, the mubtada’ is generally required to be an isim ma‘rifah. However, Arabic texts frequently employ isim nakirah as the mubtada’, raising questions about the linguistic factors that permit its use. This study aims to identify the types and functions of musawwighāt al-mubtada’ bi an-nakirah in Awa’iq Ath-Thalab by Shaykh Abdus Salam bin Barjas based on Ibn Hisyām al-Anṣārī’s theory in Mughnī al-Labīb. This study employs a qualitative approach using the library research method. Data were collected through reading and note-taking by identifying sentences containing musawwighāt al-mubtada’ bi an-nakirah and analyzing them according to Ibn Hisyām al-Anṣārī’s framework. The findings reveal four types of musawwighāt al-mubtada’ bi an-nakirah: the general nakirah, the qualified nakirah, the nakirah whose predicate is a zharf, jar-majrūr, or jumlah, and the governing nakirah. The identified functions are ta‘mīm and takhṣīṣ. These findings indicate that the mubtada’ nakirah in Awa’iq Ath-Thalab is predominantly used to convey general meanings, advice, and motivation. This study contributes to Arabic syntactic studies by applying the theory of musawwighāt al-mubtada’ bi an-nakirah to the analysis of an Islamic classical text.
Co-Authors AB, Moch. Naqieb Abdul Basit Adawiyah, Ayuni Aimmatul Khazanah Akbar Pilayati Albi Majdi Syam Aldy Rialdy Atmadja Alfan Aulawi Alfarizi, Muhammad Zidane Althoof, Sayyid Alvin Tubagus Cahya Nugraha Amiq Amiq Amiq Amiq Amiq Andriana, Lilian Ani Sumiati Anisa Siti Muslimah Anna Miftahul Khasanah Arinal Faiz Al-Fadhil Arsa, Aisyah Salsabila Asep Supianudin Cecep Moch Ramli Al-Fauzi Cut Zulfa Zainurrohmah Daeng Dullah Jamaung Dedi Supriadi Desi Mulyasari Diki Aminuloh Dinan El Haq Rahimahullah Eghy Farhan Nugraha Fadhlan Husni Ramdhani Fadhli Hafizh Fauzan Nurfalah Fauzani, Naufal Syauqi Fauziyatullah, Hilma Auliya Fitriani, Putri Diesy Fuadah, Hasna Aulia Fuadah, Sulis Samrotul Fuady, Rifqy Jauhar Gumilar, Setia Hafizh, Fadhli Hanif Megantara Hasna Aulia Fuadah Hasyim, Ainun Hendar Riyadi Hikmah Nafarozah Ihin Solihin Indra Gunawan Indri Cahyani, Rika Irfan Addriadi Karman Karman Khairuyyasir, Azwar Khoirunisa, Dini Khomisah Khomisah Khomisah Laely Maulidiyah M Syaiful Millah M. Rosyid Ridho Mahesa, Dzikri Cahya Makbul Patmanegara Malihatin, Azqi Inda Maman Abdul Djaliel Maman Suherman Mariah, Rahmah Marsha Marsha Meliana Putri Maulana, M. Hijaj Jirjis Mawardi Mawardi Mawardi Mawardi Meris Laudy Febrian Miftahul Khasanah Moch. Naqieb AB Mohammad, Ridho Rosyid Moza Mutiara Syaqifa Muchammad Naufal Fauqi Adhiya Muhamad Haidar Alfath Muhamad Nurhasan Muhammad Fachri Muhammad Hanif Athallah Muhammad Haritsah Rais Muhammad Haritsah Rais Muhammad Ibnu Pamungkas Muhammad Lutfi Awaludin Muhammad Naufal Fadhlurrohman Muhammad Nurhasan muharomi, syahrul Muhimmatul Ulumia Mumu Muhlisin Nailurrahmi, Fitma Navarro, Mochamad Arvin Nida Firdaus Albanjari Niqyatul Muna Nisrina Ulfah, Nisrina Niswah, Az-Zahra Farhatu Nur Afifah Ramadhanty Nurkhalish Rahmat Nurmeila Adawiah Mubarokah Nuryadi, Bagja Ghali Nurzaqiyah, Zulfa Pamungkas, Muhammad Ibnu Peti Pitriyani Qotrun Nada, Dzifriya Ramadhanty, Nur Afifah Ratnasih, Teti Rayhan Muhamad Ridwan Resa Restu Pauji Rian Muhamad Rian Nuryana Rifqy Jauhar Fuady Riki Gana Suyatna Robi Muhammad Robi Rohanda Rohanda Rohani, Nyimas Ratnita Rosi Hasna Sari Sabrina, Coriena Halwa Saladin, Cundarojat Sidiq Salsabila Nafisah Muthmainnah Salsabila, Naila Sarastika Endang Hapriyonita Sari, Rosi Hasna Setia Gumilar Siti Ma’ani Siti Muslikah Sobrun Jamil, Sobrun Sopiah, Ade Suherman, Hanan Sumiati Sumiati Sumiati Sumiati Sumiati, Ani Supianudin, Asep Syafiq Mughni Syasi, Mohammad Taufiq, Wildan Ulumia, Muhimmatul Wahidah, Izzatin Awalia Wardatussaadah Yadi Janwari Yadi Mardiansyah Yasir Hudzaifah Yuni Lutfiani Lutfiani Zahra Taslitsiyah Khoirunisa Zalifa Nuri Zalifa Nuri Zalifa Nuri Zulfa Nurzaqiyah