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All Journal Indonesian Journal of Applied Linguistics (IJAL) Prosodi: Jurnal Ilmu Bahasa dan Sastra Marwah: Jurnal Perempuan, Agama dan Jender Jurnal Pendidikan Islam Taqdir Musawa : Jurnal Studi Gender dan Islam Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Nady al-Adab KREDO : Jurnal Ilmiah Bahasa dan Sastra IJoLE: International Journal of Language Education Tawarikh : Journal of Historical Studies ELS Journal On Interdisciplinary Studies in Humanities Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Adabiyyat: Jurnal Bahasa dan Sastra MUWAZAH: Jurnal Kajian Gender Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia JURNAL Al-AZHAR INDONESIA SERI HUMANIORA Jurnal Onoma: Pendidikan, Bahasa, dan Sastra NUKHBATUL 'ULUM : Jurnal Bidang Kajian Islam Bahtera Indonesia; Jurnal Penelitian Bahasa dan Sastra Indonesia Indonesian Journal of Halal Research Al-Khidmat : Jurnal Ilmiah Pengabdian Kepada Masyarakat Dinasti International Journal of Education Management and Social Science 'A Jamiy: Jurnal Bahasa dan Sastra Arab Hijai - Journal on Arabic Language and Literature JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) Kutubkhanah Jurnal Penelitian Sosial Keagamaan Al-Muamalat : Jurnal Ekonomi Syariah Az-Zahra: Journal of Gender and Family Studies Jurnal Ilmu Akuntansi dan Bisnis Syariah (AKSY) Kode : Jurnal Bahasa Jurnal Anifa Studi Gender dan Anak Harakat an-Nisa: Jurnal Studi Gender dan Anak Jurnal Iman dan Spiritualitas Ukazh : Journal of Arabic Studies Mauriduna : Journal of Islamic studies Tarling : Journal of Language Education AKSARA: Jurnal Bahasa dan Sastra Journal of Law, Poliitic and Humanities Jurnal Ilmu Sosial dan Humaniora JBSI: Jurnal Bahasa dan Sastra Indonesia Jurnal bintang manajemen Moderasi : Journal of Islamic Studies Riwayat: Educational Journal of History and Humanities Muhibbul Arabiyah: Jurnal Pendidikan Bahasa Arab Dzil Majaz Al-Irfan: Journal Of Arabic Literature and Islamic Studies Al-Kalimat: Journal of Linguistic and Arabic Teaching Jurnal Salaka : Jurnal Bahasa, Sastra, dan Budaya Indonesia
Akmaliyah Akmaliyah
UIN Sunan Gunung Djati
Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Medicine & Pharmacology Social Sciences Other

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Heuristic and Hermeneutic Readings of Maher Zain’s “Ramadan”: A Riffaterrean Semiotic Analysis Albi Majdi Syam; Akmaliyah Akmaliyah; Yadi Mardiansyah
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 9 No. 1 (2026)
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v9i1.637

Abstract

‘Ramadhan (Arabic Version)’ to uncover the spiritual and connotative meanings hidden within them. Given that Arabic pop song lyrics are currently a popular means of intellectual communication among Gen Z, Michael Riffaterre's semiotic analysis, with its concepts of double reading, hypogram, matrix, and variant, was chosen as the methodological approach. This qualitative descriptive study used observation and note-taking techniques and literature study, with song lyrics as the main object. The results of the analysis show that heuristic (literal) reading produces separate denotative meanings, such as in the phrase فَالشّوقُ طَال (longing has been long). However, the presence of ungrammatical elements such as the personification of Ramadan as لِلرُّوحِ دَوَاء (‘medicine for the soul’) forces the reader towards the hermeneutic (retroactive) stage. Hermeneutic reading reveals the core Matrix of the lyrics, namely Longing for Ramadan, which is transformed through the Model of a call (munada) full of love ( يَا حَبِيب). Variants such as يَا نُورُ الْهِلاَلْ and يَا شَهرَ القُرآن serve to reinforce this Matrix. This song uses the hypogram of piety (QS. Al-Baqarah: 197) and ends with a prayer that reflects the resolution of the poetic tension between the desire for eternity and the transience of time. This study confirms the effectiveness of Riffaterre's model in exploring spiritual and symbolic values in contemporary Arabic music.
The Facts of the Story in Afrah Al-Qubbah Novel by Naghuib Mahfouz (A Structuralism Study by Robert Stanton) Miftahul Khasanah; Akmaliyah Akmaliyah; M. Rosyid Ridho
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol. 9 No. 2 (2026): JURNAL KREDO VOL 9 NO 2 TAHUN 2026
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24176/kredo.v9i2.16851

Abstract

This study is motivated by the importance of understanding literary works through their intrinsic structure, particularly in revealing how narrative elements construct meaning and social criticism. This study aims to analyze the factual elements of the story in the novel Afrah al Qubbah by Naghuib Mahfouz usin Robert Staton’s Structuralism approach. The focus of this study includes three intrinsic elements, namely characters, plot and setting. The method used is descriptive qualitative, with data collection techniques in the form of reading and note-taking of the novel text. The data source in this study is the novel Afrah al Qubbah, wich is analyzed based on the structural relationship among intrinsic elements. The result show that characters, plot and setting have structural interconnections that form a unifed story. Abbas, as the main character, becomes the center of conflict through the manuscript he writes, which reveals family realities and generates moral, emotional, and social tensions. The plot develops through the stage of exposition, complication, climax and resolution, which strengthen the tragic nuance of the story. The social, spatial, and temporal settings also support the development of conflict and reflect the breakdown of values in society. Overall, these theree elements construct meaning and present social criticism. The implications of this study indicate that structural analysis can enhance literary understanding, improve crictical reading skills and support literature learning.
Representation of Arab Family Values in Short Stories As-Sinjabu Ash-Shogir by Kaamil Kailani: A Genetic Structuralism Study Rian Muhamad Rian Nuryana; Marsha Marsha Meliana Putri; Anna Miftahul Khasanah; Robi Muhammad Robi; Akmaliyah Akmaliyah
Jurnal Salaka : Jurnal Bahasa, Sastra, dan Budaya Indonesia Vol. 7 No. 2 (2025): Jurnal Salaka: Jurnal Bahasa, Sastra, dan Budaya Indonesia
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/jsalaka.v7i2.17

Abstract

This study analyzes the representation of Arab family values in Kamil Kaylani's short story As-Sinjabu As-Shoghir through Lucien Goldmann's genetic structuralism approach. This short story was chosen because it contains ideological tensions between traditional Arab values and the dynamics of modernity in the early 20th century. The analysis was conducted to reveal the dialectical relationship between narrative structure and social structure through the concept of human facts as a form of meaningful action in a social context. The method used was qualitative-descriptive with literary text analysis focusing on intrinsic elements and the configuration of human facts. The results of the study show that this short story represents the Arab patriarchal system as a fundamental fait social, with the father figure occupying the center of moral and social authority. The main values reproduced include ṭā‘ah (obedience) as the highest virtue, collective responsibility, patriarchal authority, female honor as a symbol of family morality, and the construction of knowledge as a threat to women. The text also displays ideological contradictions, particularly between isolation and protection and between women's moral ideals and their limited social space. These contradictions reflect the limited awareness of the modern Arab middle class, which seeks to preserve tradition while negotiating with modern values. Theoretically, this study confirms the function of children's literature as a medium for the reproduction of social ideology during the historical transition phase of Arab society. Keywords: Genetic Structuralism, Arab Family Values, Kamil Kaylani
Al-ʿArūḍ wa al-Qāfiyah wa al-Qiyam al-Akhlāqiyyah fī Qaṣīdah "ʿAmadtu Ilayka Khayra al-Nāsi Ḥayyan" li al-Farazdaq Desi Mulyasari; Akmaliyah Akmaliyah; Khomisah Khomisah
Dzil Majaz: Journal of Arabic Literature Vol. 4 No. 2 (2026): May-August
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar, Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/dzilmajaz.v4i2.931

Abstract

This study examines the prosodic structure and moral messages in the Qaṣīdah ʿAmadtu ʾIlayka Khayra al-Nāsi Ḥayyan by al-Farazdaq, a panegyric qaṣīdah (madḥ) consisting of 65 verses. Using a descriptive qualitative approach and library research method, this study applies ʿilm al-ʿarūḍ (metre), qawāfī (rhyme), and moral message theory for prosodic analysis and ethical value interpretation. The findings reveal that the qaṣīdah is composed in baḥr wāfir with a consistent base pattern of مُفَاعَلَتُنْ مُفَاعَلَتُنْ فَعُوْلُنْ  throughout all 65 verses. All positions of ʿarūḍ (end of the first hemistich) and ḍarb (end of the second hemistich) undergo ʿillat qatf (elision of the light cause and vowelling of the fifth consonant), while 53 verses undergo zihāf ʿaṣb (quiescence of the fifth vowelled consonant) in the ḥasyw (medial foot) position. The rawī (rhyme-determining letter) is mīm (م), classified as Muṭlaqah Mujarradah Mawṣūlah bil-Līn of the Mutawātir type. Moral message analysis identifies four categories of values: the human relationship with God, with oneself, with others, and with nature. These findings demonstrate that al-Farazdaq's prosodic mastery and moral depth are two mutually reinforcing dimensions that cannot be separated.
An Analysis of Rhyme and Rhythm Shifts and Thematic Elements in the Qasidah Faidhotul Man Min Rohmati Wahhabil Manan by Umar bin Muhammad bin Salim bin Hafidz A Study in ʿArūḍ and Qawāfī Makbul Patmanegara; Akmaliyah Akmaliyah; Muhammad Nurhasan; Mohammad Rosyid Ridho
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 2 (2025): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i2.45231

Abstract

This study aims to analyze the changes in rhyme and rhythm as well as the thematic content of the qaṣīdah Faidhotul Man Min Rohmati Wahhabil Manan composed by Umar bin Muhammad bin Salim bin Hafidz, using the approach of ʿarūḍ (Arabic prosody) and qawāfī (rhyme theory). The qaṣīdah, as a form of classical Arabic poetry, features a distinctive metrical and rhyming structure that serves not only as an aesthetic element but also as a medium for conveying spiritual and religious messages. The research method employed is descriptive qualitative, using textual analysis techniques from Arabic literary studies. The analysis reveals that this qaṣīdah demonstrates variations in rhythm (wazn) and rhyme (qāfiyah) patterns while maintaining semantic coherence and the musical integrity of the poem. In terms of theme, the qaṣīdah contains praise for the Prophet Muhammad (peace be upon him), affirmation of divine mercy, and expressions of spiritual longing and submission to Allah.
Musawwighāt al-Mubtada’ bi al-Nakirah: Their Types and Functions in the Book Awa’iq Ath-Thalab by Sheikh Abdus Salam bin Barjas (A Syntactic Analysis) Muhammad Haritsah Rais; Akmaliyah Akmaliyah; Maman Abdul Djaliel; Setia Gumilar
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 9 No. 2 (2026): Articles in Press
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v9i2.948

Abstract

In Arabic grammar, the mubtada’ is generally required to be an isim ma‘rifah. However, Arabic texts frequently employ isim nakirah as the mubtada’, raising questions about the linguistic factors that permit its use. This study aims to identify the types and functions of musawwighāt al-mubtada’ bi an-nakirah in Awa’iq Ath-Thalab by Shaykh Abdus Salam bin Barjas based on Ibn Hisyām al-Anṣārī’s theory in Mughnī al-Labīb. This study employs a qualitative approach using the library research method. Data were collected through reading and note-taking by identifying sentences containing musawwighāt al-mubtada’ bi an-nakirah and analyzing them according to Ibn Hisyām al-Anṣārī’s framework. The findings reveal four types of musawwighāt al-mubtada’ bi an-nakirah: the general nakirah, the qualified nakirah, the nakirah whose predicate is a zharf, jar-majrūr, or jumlah, and the governing nakirah. The identified functions are ta‘mīm and takhṣīṣ. These findings indicate that the mubtada’ nakirah in Awa’iq Ath-Thalab is predominantly used to convey general meanings, advice, and motivation. This study contributes to Arabic syntactic studies by applying the theory of musawwighāt al-mubtada’ bi an-nakirah to the analysis of an Islamic classical text.
Representasi Kehidupan dan Perlawanan dalam Puisi ‘Ala Hadzihi Al-Ardh Ma Yastahiqqu al-Hayah Karya Mahmoud Darwish (Kajian Semiotika Roland Barthes) Muhammad Fachri; Akmaliyah Akmaliyah; Maman Abdul Djaliel; Setia Gumilar
Dzil Majaz: Journal of Arabic Literature Vol. 4 No. 1 (2026): January-April
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar, Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/dzilmajaz.v4i1.988

Abstract

This study aims to describe how Mahmoud Darwish’s poem ‘Ala Hadzihi Al-Ardh Ma Yastahiqqu Al-Hayah represents life through poetic signs and how forms of resistance are interpreted and articulated based on Roland Barthes’ semiotic approach. This study employed a qualitative descriptive method using library research and documentation techniques. The research data consist of poetic lines containing linguistic signs, imagery, and symbols, which were analyzed at the levels of denotation, connotation, and myth. The findings reveal that the representation of life is constructed through poetic signs derived from nature, everyday life, culture, and women's experiences, portraying life as a resilient force that endures amid oppression. Meanwhile, the representation of resistance is interpreted and articulated through collective memory, hope, courage, art, and love for the homeland as expressions of preserving identity and humanity. At the level of myth, the poem constructs a discourse in which life and resistance are inseparable elements in sustaining the identity and existence of the Palestinian people. The findings further indicate that Darwish’s poem represents Palestine not merely as a contested geographical territory but also as a humanitarian space that continues to exist through the representations of life and resistance, while simultaneously conveying an ideology of resilience and the struggle against oppression.
Realitas Problematika Sosial Palestina dalam Film Farha (Kajian Strukturalisme Genetik) Diki Aminuloh; Akmaliyah Akmaliyah; Rohanda Rohanda
Nady Al-Adab : Jurnal Bahasa Arab Vol. 23 No. 1 (2026): Nady al-Adab
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20956/jna.v23i1.49982

Abstract

Penelitian ini bertujuan untuk menganalisis representasi realitas problematika sosial Palestina dalam film Farha dengan menelusuri hubungan antara struktur karya dan struktur sosial-historis yang melatarbelakanginya melalui perspektif Strukturalisme Genetik. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan pendekatan analisis Strukturalisme Genetik Lucien Goldmann, yang menekankan hubungan dialektis antara struktur teks film dan struktur sosial. Data penelitian berupa dialog, adegan visual, dan narasi yang berkaitan dengan isu sosial dalam film dikumpulkan melalui teknik simak-catat dan dianalisis menggunakan model reduksi, penyajian, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa film Farha merepresentasikan realitas sosial Palestina pada masa Nakba 1948 melalui penggambaran penjajahan, kekerasan kolonial, krisis kemanusiaan, Pengusiran masalah, krisis identitas, Ketimpangan pendidikan dan hambatan sosial, Struktur patriarki, pernikahan dini, dan stereotif gender. Film ini menghadirkan pandangan dunia bangsa Palestina sebagai dasar pembentukan kesadaran kolektif yang lahir dari pengalaman penindasan dan perjuangan bertahan hidup. Penelitian ini menyimpulkan bahwa Farha bukan hanya karya estetik, melainkan media artikulasi memori sejarah dan simbol perlawanan yang menegaskan bahwa sinema dapat berfungsi sebagai ruang dokumentasi kultural, kritik sosial, dan penyampai pesan kemanusiaan universal
Analisis Semantik Relasi Makna Sinonim dan Transitivitas Pada Teks Berita Politik Al-Arabiya Muhammad Naufal Fadhlurrohman; Akmaliyah Akmaliyah; Asep Supianudin
`A Jamiy : Jurnal Bahasa dan Sastra Arab Vol 15, No 1 (2026): Kajian Bahasa, Sastra dan Pembelajaran Bahasa Arab
Publisher : Universitas Muhammadiyah Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31314/ajamiy.15.1.137-155.2026

Abstract

Pilihan leksikal dalam teks berita berbahasa Arab tidak hanya berfungsi menyampaikan informasi, tetapi juga membentuk representasi pengalaman melalui struktur kebahasaan yang digunakan. Meskipun kajian mengenai relasi makna sinonim maupun sistem transitivitas telah banyak dilakukan, penelitian yang mengintegrasikan kedua pendekatan tersebut dalam analisis berita politik berbahasa Arab masih terbatas. Penelitian ini bertujuan menganalisis relasi makna sinonim berdasarkan teori John Lyons serta menjelaskan realisasinya melalui fungsi ideasional Halliday pada teks berita politik Al-Arabiya. Penelitian menggunakan pendekatan deskriptif kualitatif dengan teknik simak dan catat terhadap sepuluh berita politik Al-Arabiya mengenai hubungan Iran, Amerika Serikat, dan Israel yang dipublikasikan pada Mei 2026. Data dianalisis melalui identifikasi pasangan sinonim, klasifikasi kategori sinonimi, dan analisis sistem transitivitas pada tingkat klausa. Hasil penelitian menunjukkan 20 pasangan sinonim yang terdiri atas 7 near synonymy dan 13 partial synonymy. Relasi tersebut direalisasikan melalui proses material (75%), verbal (15%), dan relasional (10%), dengan komponen transitivitas yang didominasi oleh process dan goal. Temuan ini menunjukkan bahwa variasi sinonim tidak hanya merepresentasikan kesepadanan makna leksikal, tetapi juga merealisasikan pengalaman melalui konfigurasi transitivitas dalam wacana berita politik berbahasa Arab.
Analysis Of Translation Techniques Used in the Translation of Syarah Diwan Imam Asy-Syafi’i by Muhammad Ibrahim Salim Dinan El Haq Rahimahullah; Akbar Pilayati; Akmaliyah Akmaliyah
Al-Kalimat: Journal of Linguistic and Arabic Teaching Vol. 1 No. 2 (2025)
Publisher : Penerbit Hellow Pustaka

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61166/alkalimat.v1i2.22

Abstract

The aim of this study is to identify the translation techniques used in the book Syarah Diwan Imam Asy-Syafi’i by Muhammad Ibrahim Salim and to describe how these translation techniques are realized in the translated text. This study employs a qualitative approach with a descriptive research design. In the data collection stage, the researcher applied a library research technique by using Syarah Diwan Imam al-Shafi‘i by Muhammad Ibrahim Salim as the primary data source, focusing on the poem themed “Anjuran untuk Merantau” (Encouragement to Travel), which consists of seven stanzas. The data were classified based on the translation techniques proposed by Molina and Albir. The data analysis process followed the Miles and Huberman model, which consists of four main steps: (1) data collection, (2) data reduction, (3) data display, and (4) conclusion drawing. The results of the study indicate that from the seven stanzas of the poem on encouragement to travel, 63 data items were identified. After being classified according to Molina and Albir’s translation techniques, only 10 out of the 18 techniques were found to be used, namely: (1) literal translation with 12 data, (2) transposition with 1 datum, (3) modulation with 12 data, (4) adaptation with 4 data, (5) established equivalence with 5 data, (6) particularization with 3 data, (7) reduction with 15 data, (8) substitution with 3 data, (9) amplification with 5 data, and (10) linguistic amplification with 5 data.
Co-Authors AB, Moch. Naqieb Abdul Basit Adawiyah, Ayuni Aimmatul Khazanah Akbar Pilayati Albi Majdi Syam Aldy Rialdy Atmadja Alfan Aulawi Alfarizi, Muhammad Zidane Althoof, Sayyid Amiq Amiq Amiq Amiq Amiq Andriana, Lilian Ani Sumiati Anisa Siti Muslimah Anna Miftahul Khasanah Arinal Faiz Al-Fadhil Arsa, Aisyah Salsabila Asep Supianudin Cut Zulfa Zainurrohmah Daeng Dullah Jamaung Dedi Supriadi Desi Mulyasari Diki Aminuloh Dinan El Haq Rahimahullah Eghy Farhan Nugraha Fadhlan Husni Ramdhani Fauzan Nurfalah Fauzani, Naufal Syauqi Fauziyatullah, Hilma Auliya Fitriani, Putri Diesy Fuadah, Hasna Aulia Fuadah, Sulis Samrotul Fuady, Rifqy Jauhar Gumilar, Setia Hafizh, Fadhli Hanif Megantara Hasna Aulia Fuadah Hasyim, Ainun Hendar Riyadi Hendar Riyadi, Hendar Hikmah Nafarozah Ihin Solihin Indra Gunawan Indri Cahyani, Rika Irfan Addriadi Karman Karman Khairuyyasir, Azwar Khomisah Khomisah Laely Maulidiyah M Syaiful Millah M. Rosyid Ridho Makbul Patmanegara Malihatin, Azqi Inda Maman Abdul Djaliel Maman Suherman Mariah, Rahmah Marsha Marsha Meliana Putri Maulana, M. Hijaj Jirjis Mawardi Mawardi Mawardi Mawardi Meris Laudy Febrian Miftahul Khasanah Moch. Naqieb AB Mohammad Rosyid Ridho Mohammad, Ridho Rosyid Moza Mutiara Syaqifa Muchammad Naufal Fauqi Adhiya Muhamad Haidar Alfath Muhammad Amin Muhammad Fachri Muhammad Haritsah Rais Muhammad Haritsah Rais Muhammad Ibnu Pamungkas Muhammad Lutfi Awaludin Muhammad Naufal Fadhlurrohman Muhammad Nurhasan Muhammad Nurhasan muharomi, syahrul Muhimmatul Ulumia Mumu Muhlisin Nailurrahmi, Fitma Navarro, Mochamad Arvin Nida Firdaus Albanjari Niqyatul Muna Nisrina Ulfah, Nisrina Niswah, Az-Zahra Farhatu Nur Afifah Ramadhanty Nurkhalish Rahmat Nurmeila Adawiah Mubarokah Nuryadi, Bagja Ghali Nurzaqiyah, Zulfa Pamungkas, Muhammad Ibnu Peti Pitriyani Qotrun Nada, Dzifriya Ramadhan, Akmal Hibatullah Ramadhani, Nabila Ramadhanty, Nur Afifah Ratnasih, Teti Rayhan Muhamad Ridwan Resa Restu Pauji Rian Muhamad Rian Nuryana Rifqy Jauhar Fuady Riki Gana Suyatna Robi Muhammad Robi Rohanda Rohanda Rohani, Nyimas Ratnita Rosi Hasna Sari Sabrina, Coriena Halwa Saladin, Cundarojat Sidiq Salsabila Nafisah Muthmainnah Salsabila, Naila Sarastika Endang Hapriyonita Sari, Rosi Hasna Setia Gumilar Siti Ma’ani Siti Muslikah Sobrun Jamil, Sobrun Sopiah, Ade Suherman, Hanan Sumiati Sumiati Sumiati Sumiati Sumiati, Ani Supianudin, Asep Syafiq Mughni Syasi, Mohammad Taufiq, Wildan Ulumia, Muhimmatul Wahidah, Izzatin Awalia Wardatussaadah Yadi Janwari Yadi Mardiansyah Yasir Hudzaifah Yuni Lutfiani Lutfiani Zahra Taslitsiyah Khoirunisa Zalifa Nuri Zalifa Nuri Zalifa Nuri Zulfa Nurzaqiyah