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All Journal JURNAL AKUNTANSI DAN AUDITING Jurnal Ilmiah Akuntansi dan Humanika Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Rekayasa: Jurnal Penerapan Teknologi dan Pembelajaran Sainteknol : Jurnal Sains dan Teknologi INFERENSI At-Taradhi: Jurnal Studi Ekonomi EQUILIBRIUM el-Jizya: Jurnal Ekonomi Islam I-Finance Journal I-ECONOMICS: A Research Journal on Islamic Economics AKSES: Jurnal Ekonomi dan Bisnis Jurnal Al-Ijtimaiyyah Jurnal Al-Qardh Jurnal Ekonomi dan Bisnis Islam Jurnal Pendidikan dan Kajian Seni Jurnal Ilmiah Ekonomi Islam Jurnal Akuntansi Economica: Jurnal Ekonomi Islam al-Uqud : Journal of Islamic Economics Forum Ekonomi : Jurnal Ekonomi, Manajemen dan Akuntansi EKONOMIS : Journal of Economics and Business Jurnal Ekonomi & Keuangan Islam Pendas : Jurnah Ilmiah Pendidikan Dasar SYIRKAH J-MAS (Jurnal Manajemen dan Sains) Jurnal Sitakara Shirkah: Journal of Economics and Business JIKA: Jurnal Ilmu Keuangan dan Perbankan Iqtishoduna: Jurnal Ekonomi Islam JSM (Jurnal Seni Musik) JAD: Jurnal Riset Akuntansi & Keuangan Dewantara Jurnal Aplikasi Akuntansi JURNAL PENELITIAN EKONOMI DAN AKUNTANSI (JPENSI) JASF (Journal of Accounting and Strategic Finance) Ideas: Jurnal Pendidikan, Sosial dan Budaya Performance : Jurnal Bisnis dan Akuntansi Journal of Islamic Accounting and Finance Research Visual Heritage: Jurnal Kreasi Seni dan Budaya Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik MALIA: Journal of Islamic Banking and Finance Teaching and Learning Journal of Mandalika (Teacher) Varia Humanika Bahtera Inovasi Jurnal Ekonomi dan Perbankan Syariah INVOICE : JURNAL ILMU AKUNTANSI Share: Jurnal Ekonomi dan Keuangan Islam Journal of Economic, Business and Engineering (JEBE) Az Zarqa': Jurnal Hukum Bisnis Islam el-Jizya: Jurnal Ekonomi Islam Jurnal Ilmiah MEA (Manajemen, Ekonomi, dan Akuntansi) Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology Journal of Accounting Inquiry INTERNATIONAL JOURNAL OF ECONOMICS AND MANAGEMENT REVIEW Equilibrium: Jurnal Ekonomi Syariah Riwayat: Educational Journal of History and Humanities IIJSE Jurnal Magister Ekonomi Syariah Sharef: Journal of Sharia Economics and Finance Journal of Finance and Islamic Banking Catharsis Al-Intaj : Jurnal Ekonomi dan Perbankan Syariah Ngudi Waluyo Empowerment : Jurnal Pengabdian Kepada Masyarakat Journal of Islamic Economic Laws

Slamet Haryono

Unknown Affiliation

Author-ID : 277600

Religion Arts Humanities Automotive Engineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Mechanical Engineering Social Sciences Other

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KARAWITAN TARI WANARA PARISUKA DI OBJEK WISATA GOA KREO KOTA SEMARANG : KAJIAN GARAP GENDHING TARI GARAPAN BARU susanto, irwan; haryono, slamet
Jurnal Seni Musik Vol 6 No 1 (2017): June 2017
Publisher : Universitas Negeri Semarang

Garap music of Wanara Parisuka in Goa Kreo Attraction of Semarang City in the form of collaboration between gendhing-gendhing Java and kentongan music with various rhythmic playing pattern interesting to be studied. The problem discussed is how to garap music Wanara Parisuka Dance. The purpose of this research is to know, explain vocabulary gendhing and garap music of Wanara Parisuka Dance. The research used qualitative descriptive approach. The results show that the vocabulary gendhing used in the dance is in the form lancaran, namely: Lancaran Kotekan and the Wanara Parisuka. The first time was used as a material to support the dance part that was exhibited by the children, while the second was for the material to work on adult dance music. The two lancaran of the pelog nem are presented collaboratively using Javanes gamelan and kentongan devices repeatedly according to the pattern of dance moves in a lancar rhythm. Kendang plays the patterns of the game following the pattern of motion of dance, consisting of nine patterns namely: budalan mangkat, sabetan, joget muter, jogetan menggaruk, dolanan, loncat ulap, lampah tigo, megot, and budalan mulih. The kentongan plays three playing patterns, namely: kentongan 1, kentongan 2, and kentongan 3 with together

Interaksi Sosial dalam Permainan Musik dalam Grup Orkes Keroncong Gema Wredatama di Kota Magelang Rahoetomo, Rooskartiko Bagas; Haryono, Slamet
Jurnal Seni Musik Vol 6 No 2 (2017): December 2017
Publisher : Universitas Negeri Semarang

Music art activities can be done by anyone, ranging from children to the elderly. It can be a group or a community which in the art process has a process of social interaction. How music is used as a means of interaction in the activities of art. The research method used in this research is qualitative descriptive. Technique of collecting data by observation, interview and study of documentation with technique of data validity used triangulation data. The results showed that in an artistic activity has a pattern of interaction vertically and horizontally. Patterns of interaction vertically and horizontally can be seen in the interaction between the PWRI board and members, the chairman of the keroncong grup to members and trainers to the members. But in the relationship between the musical instrument players in this group, the pattern of communication is more dominated by vertical communication patterns. Mean while the interaction between the singers, the pattern of communication that occurs more dominated is horizontally communication. Based on the results of research and discussion it can be concluded that in the art activities within this group, the interaction can be divided into two kinds. The interaction forms a communication pattern that is horizontal communication and vertical communication which happen between the involved actors.

PEMBELAJARAN TROMBONE DI SMK NEGERI 2 KASIHAN BANTUL Afrihana, Johan Rendra; Haryono, Slamet
Jurnal Seni Musik Vol 8 No 1 (2019): June 2019
Publisher : Universitas Negeri Semarang

SMK N 2 Kasihan Bantul merupakan sekolah menengah kejuruan yang mempelajari ilmu tentang musik. Instrumen Trombone merupakan salah satu mata pelajaran pokok yang harus ditempuh siswa SMK N 2 Kasihan Bantul sebagai syarat kelulusan. Permasalahan yang akan dikaji dalam penelitian ini adalah bagaimana kegiatan pembelajaran instrumen trombone di SMK N 2 Kasihan Bantul. Penelitian ini bertujuan untuk mengetahui bagaimana kegiatan pembelajaran instrumen trombone di SMK N 2 Kasihan Bantul. Penelitian ini merupakan penelitian kualitatif dengan menggunakan metode deskriptif. Teknik pengumpulan data yang dilakukan adalah wawancara, observasi, dan studi dokumentasi. Hasil dari Penelitian ini yaitu kegiatan pembelajaran trombone di SMK N 2 Kasihan Bantul terdiri atas empat komponen yaitu perencanaan pembelajaran, proses pembelajaran, metode pembelajaran, dan evaluasi pembelajaran. Pada perencanaan pembelajaran guru mempersiapkan RPP (Rencana Pelaksanaan Pembelajaran) sebagai sebagai pedoman pembelajaran trombone di SMK N 2 Kasihan Bantul. Pada proses pembelajaran terdiri atas tiga tahap yaitu persiapan, pemanasan, dan pemberian materi pembelajaran. Pada metode pembelajaran trombone di SMK N 2 Kasihan Bantul guru menggunakan metode ceramah, metode tanya jawab, metode berlatih dan metode penugasan. Untuk evaluasi dilakukan dengan tiga cara yaitu evaluasi secara lisan kepada siswa setiap kali pertemuan akan diakhiri, evaluasi pada saat UTS dengan bentuk unjuk kerja dan penilaian, dan pada saat UAS dengan bentuk unjuk kerja dan penilaian.

Strategy Angklung Extracurricular Learning In SMP 13 Cirebon Yahya, Fazri Ivan; Haryono, Slamet; Aesijah, Siti
Jurnal Seni Musik Vol 9 No 1 (2020): June 2020
Publisher : Universitas Negeri Semarang

Angklung learning strategies in SMP Negeri 13 Cirebon are very unique, teachers use not in accordance with their learning. The problem discussed in this paper is how the strategies are used by the trainer and what are the supporting and inhibiting factors. This research uses qualitative. The target of this research is angklung extracurricular learning strategy in SMP Negeri 13 Kota Cirebon. Data collection techniques using observation, interviews, documentation, and triangulation techniques. The results showed that: (1) The trainer used a direct learning strategy; (2) supporting factors are facilities provided; (3) inhibiting factors, namely extracurricular schedules that collide with other extracurricular schedules. The strategy used is a direct learning strategy. students are more focused on the teacher with several methods, namely lectures, demonstrations, and drills. The media used are angklung instruments, keyboards, laptops, amps, and blackboards.

IMPROVISASI PERMAINAN CELLO PADA PERMAINAN IRAMA JENIS LANGGAM JAWA GRUP ORKES KERONCONG HARMONI SEMARANG Prakosa, Gilang Ryand; Haryono, Slamet
Jurnal Seni Musik Vol 1 No 1 (2012): June 2012
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v1i1.1802

Orkes KeroncongÂ Harmoni adalah salah satu grup Orkes Keroncong yang dalam permainan cellonya ada kemiripan dengan permainan kendang Jawa, bahkan ritmis sekaligusÂ pola permainannya sangat mirip dengan pola permainan kendang jawa. Rumusan masalah yang muncul dari penelitian ini adalah bagaimanakah improvisasi permainan cello dalam irama jenis Â langgam Jawa pada Orkes Keroncong Harmoni di Semarang. Tujuan penelitian ini adalah untuk mengetahui dan mendeskripsikan improvisasi instrumen cello dalam jenis musik keroncong langgam Jawa pada Orkes Keroncong Harmoni. Metode penelitian ini menggunakan Metode Penelitian Kualitatif. Hasil penelitian menunjukkan bahwa pola improvisasi permainan instumen cello keroncong dalam irama jenis langgam Jawa grup Orkes Keroncong Harmoni Semarang banyak kemiripan dengan pola permainan instrumen kendang pada musik karawitan. Sehingga dapat ditarik kesimpulan bahwa permainan cello dari Orkes Keroncong Harmoni sudah tidak diragukan lagi kemampuannya karena pola permainan cello pada irama jenis langgam Jawa tergolong sulit dimainkan. Â Abstract ___________________________________________________________________ Keroncong orchestra Harmony is one group that Keroncong Orchestra cello in the game there are similarities with the Javanese drums game, even the rhythmic pattern of the game at the same time very similar to the game played drums Java. The problems that arise from this research is how improvisation in rhythm type games cello in orchestra Keroncong Java style harmony in Semarang. The purpose of this study was to determine and describe the types of improvised music instrument cello in the orchestra keroncong Java style Keroncong Harmony. This research method using Qualitative Research Methods. The results showed that the patterns of improvised games keroncong cello instrument in the rhythm kind of Java style harmony group Keroncong Orchestra Semarang many similarities with the game played on musical instruments drums musical. So it can be concluded that the game Keroncong orchestra cello from Harmony has no doubt his abilities as the game played on the cello rhythm types Java style quite hard to play.

Penerapan Metode Ear Training Dalam Pembelajaran Paduan Suara SMP Negeri 1 Kudus Kwidura, Nugroho; Haryono, Slamet; Raharjo, Eko Raharjo
Jurnal Seni Musik Vol 9 No 2 (2020): December 2020
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v9i2.22486

The choir at SMP Negeri 1 Kudus is one of the extracurricular activities engaged in music. The obstacle faced by the choir members of SMP Negeri 1 Kudus is notation reading. The application of solfeggio ear training method is used by the instructors as a choir learning method in SMP Negeri 1 Kudus. The purpose of writing this study is to train the sensitivity of choir members in guessing the tone and reading the notation. This study uses a qualitative approach. Data collection techniques used are observation, interview, and documentation. Extracurricular teachers use steps in applying the method of solfeggio ear training on choir learning. The first step is to observe the members and give the song material. The second step, the instructors use imitating method (imitation) by writing song notation and applying it. The final step is to try by singing and changing the basic tone to train the member's sensitivity in guessing the tone.

Preserving Keroncong Orchestra Group: A Study Of OK. Waseso In Bumijawa Tegal Saputra, Bagus Adhie; Haryono, Slamet
Jurnal Seni Musik Vol 10 No 1 (2021): June, 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v10i1.43903

The regeneration of players, singers, and keroncong orchestra groups is happening in various regions in Indonesia until now. This condition indicates the process of inheritance of keroncong music between generations continue. This also happened in Bumijawa, Tegal Regency, which has the O.K Waseso. The problem discussed in this paper is how to preserve keroncong music carried out by O.K Waseso in Bumijawa, Tegal Regency. The research was conducted with qualitative methods. Data was collected using observation, interviews, and documentation. The data validity techniques were carried out by triangulation, and interactive model analysis. The results showed that the conservation efforts carried out by O.K Waseso for keroncong music were depicted through three activities, namely the protection, development, and utilization of keroncong music.

Co-Authors Abdou, Ousmane Salifou Abdul Basit Abdul Rachman Achmad Jufri Addainuri, Muhammad Isbad Afrihana, Johan Rendra Ahmad Junidi Ahmad Saifudin Akasumbawa, Muhammad Dedat Dingkoroci Akmal Ihsan Al Farisi, Muhammad Salman Alhail, Hadi Ana Toni Roby Candra Yudha Andriani, Novia Annisa Annisa Arohman, Arohman Aulia, Suci Syifa Ayu Niza Machfauszia Bagus Susetyo Balqis, Lale Alia Bambang Subali Belinda Dewi Regina Bima Pradipta, Nareswara Chairunnisa Dadang Dwi Septiyan Davi, Izzuna Dingkorici Akasumbawa, Muhammad Dedat Dini Maulana Lestari Djulian Anggara Dzihny, Izzatu ego pasha, aprielle Eko Haryanto Eko Haryanto Eko Sugiarto Ellianawati, Ellianawati Elsya Wynsa Maharani Putri Erika Tri Yeni Fadhilah Hidayatullah Furwanti, Reni Gesang Surya Kusuma Gita Surya Shabrina Hapsari, Maria Magdalena Cita Hassanee, Narong Hidayat, Faisal Humanita, Salwa Nabella Aksi Imamuddin, Imamuddin Indi Purnomo Iqbal Firmani Irfanda Rizki Harmono Sejati Irwan Susanto Jeny Deo Tamonob Joko Wiyoso Joko Wiyoso Junidi, Ahmad Khoiruddin, Akhmad Yusuf Kwidura, Nugroho Langlang Handayani Lestari, Dini Maulana Lingga Nusantara Putra M. Roif Muntaha Maksum Maksum Malarsih Malarsih Maulana Abidin Maulana Resha Vivadi Mayogi Araffi Mohammad, fadhel Muh. Tahir Munawar Rizki Jailani Mushrifah, Mega Nafik Salafiyah Nasution, Qisti Marhamah Nila Saadati Nova Wahyuni Syafnur Novita Ayu Amalikhah Nur Arifah Pamarti Ningrum, Indrianna Dyah Pangayow, Bill J.C Permatalia, Riska Pinta Resty Ayunda Prakosa, Gilang Ryand Pratiwi Dwijananti Prehatin, Dian Purnama, Lili Puspita Sari, Sarni Handayani Putri, Amila Zamzabila Putri, Fitri Anisa Nusa R. Suhaimi R.*, Wardatul Wahidah Rafiuddin, Muhammad raharjo, eko raharjo Raharjo, Eko Raharjo Rahina Nugrahani Rahoetomo, Rooskartiko Bagas Razali Razali Rejeki, Halim Tri Rinda Lorensa Kombong Rizqa, Agitsna Alya Sahora Dina Pangesty Salsabila, Hanifa Samawi, Mohammad Wirmon Samsiar Samsiar Saputra, Bagus Adhie Sembilan, Bunga Thuba Setyaningsih, Natalia Erna Siti Aesijah Siti Maisyarah Sakmah Suci Syifa Aulia Suhaimi, R. Suharto Sunarto Sunarto Sunarto Sunarto Sururi Sururi, Sururi Sutarjo, Johan Syafi'i, Imam Syahrul Suah Sinaga Syahrul Syah Sinaga Syamsul Anwar, Syamsul Tjetjep Rohendi Rohidi, Tjetjep Rohendi Totok Sumaryanto, Totok Udi Utomo Udi Utomo Victorius Ganap Wadiyo Wadiyo Wadiyo Wahid, Hariyaty Ab Wahyu Lestari Wairooy, Fatimah Az-zahra Wairooy, Fatimah Azzahra Widodo Widodo Widodo Widodo Widodo Widodo Widodo Wiharja, Muh. Kurniawan Adikusuma Wijayanti, Dwi Marlina Yahya, Fazri Ivan Yanuarsa, Muhammad Yuan Chen Yudi Sukmayadi Zairin, Achmad Zuhriyanto, Zuhriyanto

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