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All Journal Jurnal Pendidikan Vokasi Gorga : Jurnal Seni Rupa Jurnal Konseling dan Pendidikan AL KAUNIYAH Ekspresi: Indonesian Art Journal KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Harmonia: Journal of Research and Education Jurnal Dinamika Akuntansi Abdimas Rekayasa: Jurnal Penerapan Teknologi dan Pembelajaran Rekayasa Mesin Proceeding SENDI_U TREUBIA Bangunan Arty: Jurnal Seni Rupa Eduarts: Journal of Arts Education MUDRA Jurnal Seni Budaya JURNAL KESEHATAN LINGKUNGAN: Jurnal dan Aplikasi Teknik Kesehatan Lingkungan AKSIOLOGIYA : Jurnal Pengabdian Kepada Masyarakat JURNAL KONSELING GUSJIGANG Jurnal Dewantara Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni JAB (Jurnal Akuntansi & Bisnis) JPP IPTEK (Jurnal Pengabdian dan Penerapan IPTEK) Capture : Jurnal Seni Media Rekam Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni JISIP: Jurnal Ilmu Sosial dan Pendidikan Jurnal Permukiman Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Jurnal STEI Ekonomi Abdimasku : Jurnal Pengabdian Masyarakat Dinamika Informatika: Jurnal Ilmiah Teknologi Informasi Jurnal Litbang Provinsi Jawa Tengah Jurnal Litbang Kota Pekalongan JEBDEKER: Jurnal Ekonomi, Manajemen, Akuntansi, Bisnis Digital, Ekonomi Kreatif, Entrepreneur Journal of Engineering, Electrical and Informatics (JEEI) Room of Civil Society Development Jurnal Pengabdian Pada Masyarakat Jurnal Pengabdian Masyarakat STIE Surakarta (DIMASETA) Innovative: Journal Of Social Science Research Jurnal Pustaka Dianmas Promotor: Jurnal Mahasiswa Kesehatan Masyarakat Jurnal Pengabdian Bukit Pengharapan Jurnal Abdimas Room of Civil Social Development Jurnal Psikoedukasia Journal of Engineering, Electrical and Informatics
Mujiyono Mujiyono
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EXPERIMENTAL INVESTIGATION ON THE MECHANICAL BEHAVIOR OF VACUUM INFUSION CFRE COMPOSITE WITH VARYING ORIENTED CARBON FIBER AND ITS APPLICATION ON ACTUAL COMPONENTS Mujiyono, Mujiyono; Utomo, Yoga Wahyu; Nurhadiyanto, Didik; Wibowo, Heri; Arifin, Achmad
Jurnal Rekayasa Mesin Vol. 16 No. 1 (2025)
Publisher : Jurusan Teknik Mesin, Fakultas Teknik, Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/jrm.v16i1.2010

Abstract

Carbon fiber-reinforced epoxy (CFRE) has better performance properties and is commonly used in the aviation industry. The placement of carbon fiber will affect the mechanical properties of the resulting composite material. The specific application to actual components has yet to be discovered regarding the mechanical capabilities of the CFRE utilization. Therefore, it is essential to investigate further the mechanical behavior of CFRE composites with varying oriented carbon fibers, especially those produced using the vacuum infusion method with a volume fraction of 40%. This study presents an experimental investigation of the CFRE composite with varying oriented carbon fibers in unidirectional, bidirectional, and forged. The result shows composite materials' mechanical characteristics, particularly in the properties of Young's modulus, Poisson ratio, and shear modulus. The unidirectional fiber composites are only suitable for tensile loads in line with the fiber, while bidirectional fiber composites should be cautiously undertaken, as tensile loads applied to the Z-axis may lead to adverse effects; conversely, shear forces can be safely applied to all three axes. The forged fiber direction results in each loading direction having separate capabilities, which are challenging to anticipate. The application of CFRE on an actual component should entail the integration of diverse fiber orientations within a single composite layer, particularly in highlighting manufacturing folding arm components and their adaptability. The test results demonstrate that the maximum load that can be tolerated by the folding arm before failure fulfills the requisite strength criteria, thus allowing for a safety factor of 7.8, which confirms the safety of the CFRE with combined fiber orientation in producing folding arm components.
Model pembelajaran praktik pengelasan shieled metal arc welding(SMAW) posisi 1G jurusan teknik pengelasan Ardin, Masri Bin; Mujiyono, Mujiyono
Jurnal Pendidikan Vokasi Vol. 6 No. 2 (2016): Juni
Publisher : ADGVI & Graduate School of Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (442.223 KB) | DOI: 10.21831/jpv.v6i2.6343

Abstract

Penelitian ini bertujuan untuk: (1) mendeskripsikan model pembelajaran praktik yang berlangsung atau disebut model pembelajaran regular praktek pengelasan SMAW posisi 1G di SMK Negeri 2 Pengasih; (2) mengetahui efektifitas dan mendeskripsikan bahan yang digunakan dalam praktek pengelasan SMAW posisi 1G, misalnya: besi plat, mata gerinda, elektroda, dan waktu yang digunakan selama praktek pengelasan SMAW posisi 1G. Penelitian ini merupakan penelitian deskriptif dengan teknik pengumpulan data menggunakan wawancara, dokumentasi, angket dan penilaian skill pengelasan. Asessment skill pengelasan mengacu pada Acean Skill Welding Competition. Hasil penelitian yaitu: (1) model pembelajaran praktek pengelasan SMAW posisi 1G terdiri dari 4 pertemuan teori dan 13 pertemuan praktik; (2) model pembelajaran praktik pengelasan di SMKN 2 Pengasih sudah efektif tetapi untuk rutinitas pengelasan belum efektif untuk membentuk skill pengelasan SMAW posisi 1G dengan sistem assesment Asean Skill Welding Competition. Fasilitas utama dalam praktek pengelasan SMAW posisi 1G adalah mesin las. Sementara itu SMKN 2 pengasih memiliki 6 buah mesin las dengan rasio 1 mesin las untuk 5 orang siswa. Bahan habis pakai untuk 30 orang siswa per semester yang menggunakan model pembelajaran praktek pengelasan adalah besi plat ± 100-150 kg, mata gerinda total ± 5-6 keping, elektroda ± 9-10 box dan total waktunya aktif 77 jam selama satu semester. Kata kunci: pembelajaran Praktik Pengelasan SMAW, Skill Siswa untuk Posisi 1G LEARNING MODEL OF SHIELD METAL ARC WELDING (SMAW) PRACTICE OF 1G POSITION AT THE WELDING ENGINEERING DEPARTMENT Abstract This research aimed to: (1) describe the learning model of shield metal arc welding (SMAW) practice of 1G position at the Welding Engineering Department of State Vocational High School (SMKN) 2 Pengasih; (2) find the effectiveness and describe materials needed in the learning model of shield metal arc welding (SMAW) practice of 1G position, for examples: iron plate, grind eye, and electrode, and time needed for SMAW 1G position welding practice. This was a descriptive research study using the data collection techniques of interview, documentation, questionnaire, and t welding skill asessment rubrics. The welding skill asessment was based on Asean Skill Welding Competition (ASWC). The research result showed: (1) the learning model of shield metal arc welding (SMAW) practice of 1G position consisted of 4 meetings of theories and 13 meetings of practices; (2) the learning model of shield metal arc welding (SMAW) practice of 1G position at the Welding Engineering Department of SMK Negeri 2 Pengasih was effective but was not effective for routine practice of SMAW 1G position with the assessment system based on Asean Skill Welding Competition. The main facility required in welding practice of 1G position is a welding mechine. Meanwhile SMKN 2 Pengasih had six welding mechines with the ratio of1 mechine to 5 students. Using the learning model of shield metal arc welding (SMAW) practice of 1G position for 30 students per semester needed usable supplies of approximately 100-150 kg iron plates, 5-6 pieces of grind eye, 9-10 boxes of electrode, and the total time of 77 hours. Keywords: SMAW welding practice learning, student skills in 1G position
The Aesthetic Characteristics of Contemporary Art in Semarang Gallery, Sangkring Art Space and Kiniko Art Based on Practical Economic and Pure Aesthetic Values Mujiyono, Mujiyono; Eko Haryanto
Mudra Jurnal Seni Budaya Vol 40 No 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i2.2970

Abstract

The gallery will select various forms of contemporary artworks based on a range of aesthetic criteria preferences ranging from concept, form, subject matter, relevance to social issues, symbolism, shocking materials, personal feelings, craftsmanship, innovation, current popularity, and others. The selection process for each exhibition dynamically considers these criteria, allowing the gallery to cater to market demands and introduce new aesthetic perspectives to advance Indonesian art. Therefore, this study aims to identify the parameters of aesthetic values used in collecting and exhibiting contemporary art in various galleries in Semarang and Yogyakarta, Indonesia. A descriptive qualitative method with a case study design explored art criticism, formalism, and deconstructivism. The sample population comprised contemporary art created by professional and emerging artists, which was exhibited between 2012 and 2022. Data were obtained from art samples, artists, appreciators, gallery owners, curators, and critics. Owners and curators were required to complete the questionnaire, followed by interviews, documentation, and observation. Conclusions were then drawn by examining the conceptual relationships in each choice of aesthetic value parameters selected by the gallery to identify aesthetic characteristics. The results showed preferences for contemporary reality, uniqueness attached to complex and complicated form processing, technical skills, and exploration of local idioms. Semarang Gallery presented art with unique dimensions beyond mainstream aesthetics. Intellectual ideas can be seen in Andy Dewantoro's 'Isolation', a work demonstrating a metalinguistic concept. The convention of landscape painting, typically characterized by vibrant colours, is challenged and interrogated through scenes rendered solely in black, white, and grey. The artistic mode of art at Semarang Gallery was also more innovative than that of Sangkring Art Space and Kiniko Art, which had several repetitions. Meanwhile, Sangkring Art Space and Kiniko Art focused more on the beauty of visualization than the criticality of visualization. The visual aesthetic in Nurhidayat's "Erotique, Toxique, Exotique" and Anton Afganial's "Uncertainty" present a visual aesthetic that emphasizes poetic functions. These paintings are complex, unified, and intense.
Parental support: prevention of cyber grooming in junior high school adolescents Rakhmawati, Dini; Venty, Venty; Julienjatiningsih, Jovitha; Mujiyono, Mujiyono; Widhiharto, Argo
Jurnal Konseling dan Pendidikan Vol. 11 No. 3 (2023): JKP
Publisher : Indonesian Institute for Counseling, Education and Therapy (IICET)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29210/1102300

Abstract

Social media has become an important part of human life, especially teenagers. Adolescents are vulnerable to manipulation on social media by adults for financial gain or sexual gratification that ends in sexual abuse. Research on cyber grooming in Indonesia is still limited. This research was conducted with correlational studies. The study population was 768 students of SMP N 6 Semarang. The sampling technique used was simple random sampling by taking 20% of the total population of 154 students. The method of data collection is carried out using psychological scale instruments. Data analysis techniques use correlation. Results showed that there was a positive association between parental support and supervision of adolescents' understanding of the dangers of cyber grooming. Parents' awareness of the risks of online or the risks of social media use in adolescents needs to be increased.
ILLUSTRATION DESIGN OF THE AUTOBIOGRAPHY BOOK “THE WOUNDS THAT NEVER BLEED” Hapsari, Pramudita Nur Anisa; Mujiyono, Mujiyono
Arty: Jurnal Seni Rupa Vol 11 No 1 (2022): Regular Issue
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v11i1.54655

Abstract

Human psychic development has different levels. A person will grow in harmony with his environment. However, for some people who have certain conditions it will be difficult to do this. This problem can lead to mental illness disorders. The author, who is a survivor, feels that people still consider this issue as a taboo problem. Therefore, the author was inspired to make an illustrative autobiographical book that tells the author's life story as a mental illness survivor. The stages of making this book consist of script writing, sketching, lineart, coloring, book layout and finishing. The contents in the book include the author's story with mental illness, GAD, Anorexia, OCD and Depression. The style used is a cartoon style to display expressive visual elements so that readers will easily understand the meaning inside it. The author uses pastel colors to give a soft and comfortable impression to the reader. The author also uses several points of view such as Long Shot, High View, Low View and Medium Shot to give dinamic style. This book will be an intermediary that brings readers and mental illness survivors to help both parties understand the importance of mental health.
The THE LEGEND OF ANGLING DHARMA AS INSPIRATION IN WORK OF COMIC ART Munazil, Jamil; Muharrar, Syakir; Mujiyono, Mujiyono
Arty: Jurnal Seni Rupa Vol 11 No 2 (2022): Regular Issue
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v11i2.55067

Abstract

The study project that was written, took the theme "The Legend of Angling Dharma As Inspiration in Creating Comic Art". The purposes of this study project are 1) Visualize the author's ideas and creations regarding the legend of Angling Dharma in the form of a comic book so that it can be enjoyed by various groups. 2) Presenting information and education to others about the legend of Angling Dharma. The materials used in making the Angling Dharma comic book work are paper, ink, and watercolors. The tools used in the work are brushes, palettes, pencils, sharpeners, rubber erasers, rulers, drawing pens, scanners, and computers. The work technique that the author uses is a combination of manual and digital techniques or hybrid techniques. The creation of the work uses an approach that seems realistic so that it can be enjoyed by all people by going through several stages of work, namely preliminary, pre-production, production, and post-production. The production process of the "Angling Dharma" comic uses several stages, namely storyboarding, sketching, inking, coloring, adding word balloons, editing and finishing. This Study Project produces a comic book entitled “Angling Dharma” which is divided into 26 chapters and is packaged in 54 pages, with dimensions of A4 (21cm x 29.7cm). The comic "Angling Dharma" can be accessed online, through the website and social media prepared by the author.
FORTIFICATION THROUGH TREND-LED REDESIGNS OF SCREEN-PRINTED T-SHIRT TO DIVERSIFY TOURIST SOUVENIRS IN KUDUS Mujiyono, Mujiyono; Haryanto, Eko; Fiyanto, Arif; Gunadi, Gunadi
Arty: Jurnal Seni Rupa Vol 11 No 3 (2022): Regular
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v11i3.62733

Abstract

Printed shirt vendors in Kudus have always produces the same Menara Kudus Mosque, a religious tourist attraction, graphics such that they were no longer appealing and able to boost their sales. They were not able to deliver designs that are fashionable, visually communicative, and novel given their lack of knowledge and skill of contemporary and creative designs. The casework, as discussed in this paper, served to enable and fortify printed shirt graphic designing skills, particularly to produce designs that are fashionable. This program was conducted at the Fastriver store or production house in Kudus and was intended for vendors of screen-printed shirts in Kudus with the main partners being Fastriver and Passive Clothing. Of the vendors, there were 12 individuals that participated in the program. Owners, designers, and workers of the local vendors were involved so as to synergistically generate and develop creative ideas. The implementing team consisted of three UNNES art lecturers assisted by three students and one community service staff. The team coordinated with the Kudus Regency Culture and Tourism Office, Fastriver, Passive Clothing, LP2M UNNES, as well as design experts to ensure the activity could take place effectively. The program took form as a design workshop, which delivered a theoretical introduction to design and practical design activities. The workshop was carried out 3 times totaling to approximately 8 hours. The first workshop explicated the meaning, function, history, visual elements, design principles, methodology, and typology of contemporary shirt designs. Workshops 2 and 3 were focused on shirt designing practical accompanied by internal and external critical evaluations of what had been put into practice. The program provided an understanding of design concepts as well as intense and guided exploratory experiences in utilizing local idioms and presenting them in a manner that is contemporary. Out of the program, the participants were able to increase their sense and creativity in designing shirts, producing 20 designs on paper (2-dimensional prototypes) and 2 ready-made shirts (3-dimensional prototypes). The 20 two-dimensional prototypes were revised after being critically evaluated by the public (visitors), souvenir sellers, and design experts. Evaluation was done so that the designs produced were appropriate, relevant and marketable in the market.
Ilustrasi Surealistik Sebagai Visualisasi Representasi Romantik Atas Puisi-Puisi Karya Daffa Randai Mujiyono, Mujiyono; Wicaksono, Prayogo
Arty: Jurnal Seni Rupa Vol 12 No 2 (2023): Regular Issue
Publisher : Jurusan Seni Rupa Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/arty.v12i02.75681

Abstract

Proyek Studi ini merujuk pada keresahan seorang penyair bernama Daffa Randai yang merasabahwa minimnya minat baca di Indonesia terutama Puisi. Dari keresahan inilah Daffa Randaiberinisiatif untuk membuat puisi terasa lebih menyenangkan ketika dibaca yaitu denganmenambahkan ilustrasi sebagai visualisasi representasi dari puisi-puisi yang dihadirkan. Dalam halini Daffa Randai mengaja penulis untuk berkolaborasi. Penulis memiliki tanggung jawab untukmembuat ilustrasi pendamping bagi puisi-puisi Daffa Randai yang akan dibukukan kelak. Disiniilustrasi memiliki peranan yang cukup penting karena dengan adanya ilustrasi, maka sebuah bukupuisi akan terlihat menarik dan terasa lebih menyenangkan ketika dibaca, selain itu secara luas,ilustrasi mampu mendeskripsikan pemaknaan dari puisi yang dimana bagi orang awam, puisimerupakan sebuah karya seni yang sangat sulit dipaham. Dikarenakan, banyaknya pemilihan kosakata yang terlalu tinggi serta kaya akan kiasan dan interpretasi. Maka diharapkan dengan adanyaproyek studi ini mampu meningkatkan minat baca di Indonesia serta mampu menjadi referensi bagipara penulis atau penyair untuk menambahkan sentuhan visual dalam bukunya.
EFEKTIVITAS KONSELING KELOMPOK CLIENT CENTERED UNTUK MENGEMBANGKAN PRESTASI BELAJAR SISWA KORBAN BROKEN HOME SMAN 2 SEMARANG novira, riska selly; suhendri, suhendri; Mujiyono, Mujiyono
Jurnal Psikoedukasia Vol. 2 No. 2 (2024): Psikoedukasia
Publisher : Prodi Bimbingan dan Konseling universitas PGRI Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/psikoedukasia.v2i2.559

Abstract

The background that drives this research is the low learning achievement of students from Broken Home families. This is due to family conditions that do not support the process of student growth and development, causing children to show irresponsible behavior such as skipping class, smoking, pessimistic about the future, withdrawing from the social environment and even participating in brawls. This study aims to determine how effective client-centered group counseling is in developing the learning achievement of students who are victims of Broken Home. The research method used in this study is quantitative with the type of research true experimental design, with a control group design pre-test post-test model. In this study, the experiment process is divided into three stages, namely experiment preparation, experiment implementation, and the end of the experiment. This research instrument is a questionnaire of resilience level consisting of 41 statement items developed based on the Likert model scale preparation technique. The population in this study was class VIII of SMP N 39 Semarang which amounted to 324 students. Class XII MIPA 1 is the class used for validity and reliability testing with a Cronbach's Alpha value of 0.740 so that the instrument is declared reliable. The sample used was 14 Broken Home students who were taken using purposive sampling technique. The results of the t test calculation obtained sig value in the output table> 0.05. In the calculation of the Paired T test output, the sig. value is 0.604, so the results of the post-test data analysis calculation show that the average score of student learning achievement in the experimental group of 63.42 increased from and to 68.83 after treatment. In the experimental group there was an increase of 4.8. While in the group that was not given group counseling treatment, in fact there was only a minimal increase, from 66.83 to 67.50. In the control group there was an increase of 0.67. The difference between the experimental group and the control group is 4.13. Thus Ho is rejected and Ha is accepted so that there is an effectiveness of Client Centered Group Counseling to Develop Learning Achievement of Students Victims of Broken Home Sman 2 Semarang. Keywords: Learning Achievement of students, broken families, client centered group counselin
Penguatan Literasi Budaya dan Keterampilan Membatik Perajin melalui Pelatihan Motif Batik Naratif Ratu Kalinyamat di Jepara Aulia Pambajeng Miftahunnajah, Nimas; Widagdo, Jati; Prasetyaningtyas, Wulansari; Mujiyono, Mujiyono
Room of Civil Society Development Vol. 4 No. 6 (2025): Room of Civil Society Development
Publisher : Lembaga Riset dan Inovasi Masyarakat Madani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59110/rcsd.804

Abstract

Kegiatan revitalisasi seni kriya tekstil melalui pengembangan motif batik naratif Ratu Kalinyamat bertujuan untuk meningkatkan dan mengevaluasi kapasitas kreatif serta teknis perajin di Kampung Batik Kembang Mulyo, Jepara. Kegiatan ini menggunakan pendekatan pelatihan partisipatif berbasis tindakan (participatory action training) dengan melibatkan 30 peserta. Program pelatihan mencakup penguatan narasi sejarah Ratu Kalinyamat, perancangan sketsa motif, digitalisasi desain, penerapan teknik print malam, dan pewarnaan alam. Evaluasi dilakukan melalui pre-test dan post-test pada enam indikator, yaitu pengetahuan naratif, pengetahuan desain, kemampuan sketsa motif, digitalisasi motif, teknik print malam, dan kualitas pewarnaan. Hasil menunjukkan adanya peningkatan skor rata-rata peserta dari 48,3 pada pre-test menjadi 83,8 pada post-test. Peningkatan tertinggi terjadi pada kemampuan digitalisasi motif (+40) dan teknik print malam (+39), diikuti peningkatan pengetahuan naratif dan desain (+34). Temuan ini menunjukkan bahwa integrasi narasi budaya lokal dengan pelatihan teknis dan teknologi desain efektif dalam mendorong transformasi keterampilan perajin secara komprehensif. Kegiatan ini juga berkontribusi pada penguatan identitas batik Jepara serta membuka peluang pengembangan industri batik berbasis identitas naratif yang berkelanjutan.
Co-Authors Achmad Arifin Ajeng Putri Reszita, Sekar Andriyanto, Novran Anggraini, Diva Puspa Angkasa, Projo Anie Yulistyorini Anif Budiyanto Anjani, Aisyahtun Ardani Ahsanul Fakhri Ardyansah, Annas Aulia Pambajeng Miftahunnajah, Nimas Azqiya, Durotul Bayu Rahmat Setiadi, Bayu Rahmat budi hartono Cahjono, Mardanung Patmo Christianto, P. A. Christianto, Paminto Agung D., Zahra Aunurahma Darmawan, Januarico Alif Dawaman, Muhamad Dendy Kurniawan Dewanti, Septa Kurnia Dewi, Ayu Nita Didik Nurhadiyanto Dini Rakhmawati Donant Alananto Iskandar, Donant Alananto Dwi Budi Santoso Dwirainaningsih, Yustiana Dwi Eka Ary Wibawa Eko Hariyanto Eko Haryanto Eko Haryanto Eko Haryanto Eko Nusantoro Eko Sugiarto Eko Suwarno Endang Satyawati Endang Sri Lestari Finansa, Carrisa Adisvia Fiyanto, Arif Fredy Surahmanto Gesit Wiji Pradana Gunadi Gunadi Gunadi Gunadi Guntara, Miko Hanifatulloh, Zulfi Nur Hapsari, Pramudita Nur Anisa Hariani, Lilik Sri Heri Wibowo Hernawati Pramesti Hernawati Pramesti Imtikhanah, Sobrotul Jaino Jaino Jea Manurung, Felicia Feivel Jehadut, Mariana Julienjatiningsih, Jovitha Ketut Ima Ismara Kuntoro, Adi Lasbudi Pertama Ambarita Latief, Vita Nur Latifatunnisa, Devy Luh Putu Ratna Sundari Magdalena Nany Majid, Maghfur Imam Abdul Maria Krisnawati Maria Krisnawati Masri Bin Ardin Muh. Ibnan Syarif, Muh. Ibnan Muhammad Gunawan Assegab Muharrar, Syakir Munazil, Jamil Murtiyoso, Onang Nani Ratnaningsih Nany, Magdalena Nico Aryo Pradita Noresy, Marcellina Agni Novembry, Novan Dwi novira, riska selly Nugroho, Welas Nuhayati, Siti Nur Rokhmat Pertiwi, Dian Ika Projo Angkasa Purwanto Purwanto Raharjo, Teguh Setiyo Rahmadani, Aga Rahmawati, Risca Ria, Fajar Dara Riyani Setiyaningsih Rizka Ariyanti Rosita, Andriani Ruliyandari, Rochana Sa’iidah, Alfu Sapari, Heri Saputra, Galan Raditya Saputra, Iqbal Khaerul Sartiman, Sartiman Setiyawati, Yuli Shinta Dewi Rismawati Sidiq Setyo Nugroho Siti Alfiah Siti Nuhayati Siti Nurhayati Siti Nurhayati Sjafi’i, Ahmad Sobrotul Imtikhanah Soemowidagdo, Ariatno Leman Subekti, Dwi Wahyu Sugiarto, Arif Suhendri Suhendri Supanto, Muhammad Suryani Suryani Suwarno Widodo Suyudi, Danang syakir syakir Tarsena, Andryas Eka Candra Tri Adi Prasetya Tri Wahyuni Sukesi Trian Yosikawati, Gloria Paska Triwibowo Ambar Garjito Tutiek Rahayu Umar Samadhy Utomo, Yoga Wahyu Venty Venty Vita Nur Latief Wicaksono, Prayogo Widagdo, Jati Widhiharto, Argo WULANSARI PRASETYANINGTYAS Wulansari Prasetyaningtyas, Wulansari Yahya Yahya Yurnalia, Anita Yustiana Dwirainaningsih