Article Per Year (5 Year)
p-Index From 2021 - 2026
8.767
P-Index
This Author published in this journals
All Journal Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Pendidikan Seni Rupa Jurnal Ilmiah Desain & Konstruksi Gorga : Jurnal Seni Rupa Ars: Jurnal Seni Rupa dan Desain PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education Jurnal Kajian Bali SINEKTIKA: Jurnal Arsitektur ANDHARUPA MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts PRABANGKARA Segara Widya: Jurnal Penelitian Seni International Research Journal of Management, IT & Social Sciences Wikrama Parahita : Jurnal Pengabdian Masyarakat Gondang: Jurnal Seni dan Budaya PRODUCTUM : Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) JURNAL TATA KELOLA SENI Visualita : Jurnal Online Desain Komunikasi Visual Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Jurnal Desain Jurnal Abdimas PHB : Jurnal Pengabdian Masyarakat Progresif Humanis Brainstorming Pantun: Jurnal Ilmiah Seni Budaya Besaung : Jurnal Seni Desain dan Budaya VCD : Journal of Visual Communication Design Journal of Music Science, Technology, and Industry (JOMSTI) Journal of Social Science Jurnal Cahaya Mandalika International Journal of Educational Review, Law And Social Sciences (IJERLAS) Jurnal Inovasi Penelitian dan Pengabdian Masyarakat calaccitra: jurnal film dan televisi Jurnal Desain Komunikasi Visual Nirmana Journal of Aesthetics, Creativity and Art Management Jurnal Dimensi Seni Rupa dan Desain Jurnal Dimensi DKV Seni Rupa dan Desain Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Bhumidevi : Journal Of Fashion Design Pariwisata Budaya: Jurnal Ilmiah Pariwisata Agama dan Budaya Journal of Social Science Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Retina Jurnal Fotografi Hastagina: Jurnal Kriya dan Indsutri Kreatif Proceeding of International Conference on Humanity Education and Society Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Global Art Creativity Conference Open Access DRIVERset
I Wayan Mudra, I Wayan
Institut Seni Indonesia Bali, Indonesia
Religion Arts Humanities Automotive Engineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Immunology & microbiology Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mechanical Engineering Physics Public Health Social Sciences Transportation Other

Published : 85 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 85 Documents
Search

 5   6   7   8   9 
Studi Kasus Peran Griya Musika Sukawati Cressendo Dalam Membangun Ekosistem Seni Musik Lokal Bali Brill Obed Sabath; I Wayan Mudra; I Ketut Sariada
Journal of Music Science, Technology, and Industry Vol. 8 No. 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Purpose: This study aims to analyze the role of Griya Musika Sukawati Cressendo as a music education institution in building a local music arts ecosystem in Gianyar, Bali. Method: This research uses a qualitative research method with data collection through observation, interviews, and document studies. The results of the study show that Griya Musika Sukawati Cressendo has a significant role in the local music arts ecosystem in Gianyar. They not only provide quality music education, but are also active in developing the talents of local musicians, preserving traditional Balinese music, and creating a space of expression for musicians to work and collaborate. Result and Discussion: A SWOT analysis revealed that the institution's strengths lie in its comprehensive curriculum and qualified teaching staff. However, its weaknesses may lie in limited accessibility for underprivileged communities. Significant opportunities are seen in potential collaborations with the tourism industry and arts festivals in Bali, as well as the growing interest in music among the younger generation. Meanwhile, threats come from the globalization of music, which could shift preferences or the lack of clear career paths for graduates. Implication: The implications of this research emphasize that local music education institutions have great potential as a main pillar in the sustainability and revitalization of the arts and culture ecosystem, and provide strategic guidance for the development of similar models in other regions to balance cultural preservation with artistic innovation.
SACRED NARRATIVES UNVEILED: EXPLORING THE SYMBOLISM OF LINTANG GOWANG IN WAYANG KAMASAN PAINTINGS AT BALE KAMBANG TAMAN GILI KERTHA GOSA I Wayan Agus Eka Cahyadi; I Wayan Adnyana; I Wayan Mudra; I Putu Udiyana Wasista; I Wayan Swandi
International Journal of Educational Review, Law And Social Sciences (IJERLAS) Vol. 4 No. 1 (2024)
Publisher : CV. RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/ijerlas.v4i1.1293

Abstract

This study addresses the need for more documentation systematically analyzing the significance of wayang kamasan illustrations in Bale Kambang Taman Gili Kertha Gosa. Despite historical actors passing away and lacking comprehensive studies on these illustrations, the article examines the iconographic meaning of lintang gowang. Researchers are intrigued by this phenomenon, especially considering the absence of empirical evidence supporting the conscious self-beheading capacity, a crucial aspect from a medical perspective. The incorporation of limb offerings and blood rituals in Hinduism strengthens the motivation to explore the illustration's meaning, particularly in evolving offering traditions in Bali. This visual narrative holds distinct significance, requiring extensive scholarly inquiry. Using an iconographic approach, qualitative research reveals narrative motifs in Tantri Kamandaka stories and tantra yana teachings involving head offerings, symbolizing a surrender act reaching the pinnacle of consciousness. The dramatized beheading and voluntary surrender underscore the doctrinal essence of self-offering, transcending dualities and the human ego, aiming for the highest consciousness levels.
Produksi Set Meja dan Kursi Teras Rumah Tinggal pada Nave Wood Furniture: Furniture Mamo Antonius Wilibrodus; Mudra I Wayan; Suparta I Made
Hastagina : Jurnal Kriya Seni Vol 6 No 01 (2026): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LPPM ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v6i01.5674

Abstract

This paper discusses the process of designing and manufacturing a set of tables and chairs for a residential terrace, considering functional, aesthetic, and user comfort aspects. This activity was carried out as part of the Independent Learning Campus (MBKM) program of the Indonesian Arts Institute, Bali, which was implemented at the Nave Wood furniture business partner in 2025. Data collection was carried out using observation, interviews, documentation, and qualitative descriptive data analysis. The design planning, material and tool selection, and production process were carried out directly by the author at the partner's location. The main material used is solid wood, which is resistant to outdoor weather. The result of this MBKM implementation is a table and chair product that not only meets the need for seating on the terrace but also beautifies the appearance of the residence. This activity also provided the author with direct experience as a student in enriching insight into the field of furniture, mastery of woodworking techniques, tool use, and finishing processes. Through this activity, students were also able to develop creative and innovative thinking according to market needs. The final result of this MBKM activity is a table and two chairs made of Dutch teak wood with strong construction and a simple design, according to the user's needs and the character of the terrace space. Additional products created to complement the table include a mineral water container, a cake stand, and a flower vase made from leftover wood.
Fenomena Langgam Penjor Galungan pada Era Kekinian Bali I Wayan Mudra
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 8 No. 2 (2018): PENGOBATAN DAN TUTUR DALAM TEKS BALI
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2018.v08.i02.p07

Abstract

The making of penjor for the Hindu holy day of Galungan shows the existence of innovation and excessive creativities. This research was aimed at investigating the phenomenon of penjor Galungan style in the contemporary Bali which viewed from the community involvement, the use of material, and the emergence of spiritual meaning. This study used descriptive qualitative research method. The data collection was carried out through observation and literature review. The analysis shows that the Hindu community in Bali currently prefers buying the elements of penjor for rather than make by themselves; the making of penjor Galungan uses contemporary available material; and the structural spiritual meaning of penjor Galungan is being embellished by the domination of contemporary spiritual meanings.
Komparasi Representasi Identitas Visual Kemaritiman Kota Palembang dan Kota Makassar Yosef Yulius; Alit Kumala Dewi; I Wayan Mudra; Erwan Suryanegara; Arini Chelsea Putri; Faftah Talulah Wardoyo
Besaung : Jurnal Seni Desain dan Budaya Vol. 11 No. 2 (2026): Besaung: April-July 2026
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v11i2.7524

Abstract

This study examines the representation of maritime visual identity in the cities of Palembang and Makassar. The study is motivated by the gap between Palembang’s strong historical maritime legacy rooted in the Sriwijaya civilization and the relatively weak representation of maritime identity in the public sphere, while Makassar demonstrates a more consistent maritime identity through the use of the Pinisi symbol. To understand this difference, the study compares visual characteristics, the relationship between symbols and maritime identity, and the consistency of symbolic reproduction in both cities. This study aims to analyze the visual representation of maritime identity in Palembang and Makassar and to identify differences in the strength of the visual identities formed. A comparative qualitative approach was employed. Data were collected through visual observation, documentation, and literature review, and were analyzed through the identification and classification of visual elements, interpretation of meaning, and comparison between the two cities. The findings reveal that the visual representation of Sriwijaya in Palembang remains fragmented, lacks a dominant visual symbol, and has not yet developed into a consistent visual identity system. In contrast, the Pinisi symbol in Makassar is continuously reproduced across various visual media, forming a maritime identity that is more dominant, consistent, and easily recognizable. This study concludes that the strength of maritime visual identity is determined not only by historical and cultural heritage but also by the presence of distinctive symbols and the consistency of their visual reproduction in building collective recognition in the public sphere
Co-Authors Adesastrawiguna, Iputu Adiartha, I Komang Adiputra, Komang Alit Kumala Dewi Anak Agung Ayu Oka, Saraswati Anak Agung Gde Bagus Udayana Andreani, Ni Putu Elvian Arina Zaida Ilma Arini Chelsea Putri Asra, Rezky Gustian Ayu Krisna Gayatri Sari Dewi Bhumi, I Made Bayu Puser Brill Obed Sabath Cokorda Alit Artawan Deviyani, Ni Kadek Siska Dewa Gede Ardawa Putra Wicaksana Dewa Made Dermawan Dewi, Ayu Krisna Gayatri Sari Dewi, Gusti Ayu Nyoman Santhi Kumari Pusya Elsye Andriani Delfi Erwan Suryanegara Faftah Talulah Wardoyo Faisal, Yusuf Febrian Putra Gusti Ayu Ketut Rencana Sari Dewi Gusti Ngurah Sastra Agustika Hasbullah Hasbullah I Gede Adi Sudi Anggara I Gede Mugi Raharja I Gede Yudarta, I Gede I Gusti Agung Ayu Wulandari I Gusti Ngurah Ardana I Gusti Ngurah Diva Ismayana I Ketut Muka I Ketut Sariada I Ketut Sariada, I Ketut I Komang Arba Wirawan I Komang Sudirga I Made Dwiarya Swandi I Made Radiawan I Made Saryana I Made Suparta I Made Suparta I Nyoman Larry Julianto I Nyoman Ngidep Wiyasa I Nyoman Widhi Adnyana I Nyoman Wiwana I Nyoman, suardina I Putu Adi Sanjaya I Putu Bagus Restu Pratama Wiwaha I Putu Putra Suryadana I Putu Putra Suryadana I Putu Suparthana I Wayan Adnyana I Wayan Adnyana I Wayan Agus Eka Cahyadi I Wayan Sukarya I Wayan Sukarya I Wayan Sukarya I Wayan Swandi Kadek Dwiyani Kadek Meishya Paraswari Putri Kaiway, Yudhi Aji Ristanto Karuni, Ni Kadek Kuswandari, Ni Kadek Diah Nanta Larry Julianto, I Nyoman Made Gana Hartadi Mahadi, Mercu Mamo Antonius Wilibrodus Maria Christina Ongkowidjojo Marina Wardaya Muliawati, Ni Putu Muliawati, Ni Putu Nelly Rosaline Ni Gusti Ayu Paramita Ni Luh Desi In Diana Sari, Ni Luh Desi In Ni Luh Sustiawati Ni Made Arshiniwati Ni Putu Desy Sonnya Suandhari Nina Eka Putriani Nurlaeli Dwi Safitri Paramartha, I Putu Adi Surya Permadi, Giovanni Brewijaya Putra Prasetya, Ignasius Gede Aldo Dani Prastiti, Ni Putu Suci Pratama, Putu Angga Putriani, Nina Eka Rai Remawa, Anak Agung Gede Rai Sunarini Ni Made Ratna Cora Sudharsana, Tjok Istri Ratnamaya, A. A. Ista Ricky Fernando Rosaline, Nelly Samuel Samuel Sarjani, Ni Ketut Pande Satrio Hutomo, Adam Shienny Megawati Sutanto Simanjuntak, Yessica Yosia Virginia Soelistyowati Soelistyowati Sri Marwati Sri Marwati Sudibya, I Gusti Ngurah Suharto, I Sukajaya, I Komang Supandi, Fajar Persada Sutrisnayanti, Ni Nyoman Syahrian, Alfin Teresia Hanna Sanjaya Wasista, I Putu Udiyana Wayan Karja Wicaksana, Dewa Gede Ardawa Putra Wirawan, I Gusti Ngurah Yanti Heriyawati Yogantara, Wayan Arfian Yosef Yulius