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All Journal Jurnal Ilmiah Telaah Manajemen Edukasi Kultura Journal of Educational Science and Technology Pedagogia: Jurnal Pendidikan SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Jurnal Smart PAUD Jurnal Riset Golden Age PAUD UHO Owner : Riset dan Jurnal Akuntansi GERVASI: Jurnal Pengabdian kepada Masyarakat Jurnal Komunikasi Pendidikan Jurnal Educatio FKIP UNMA Mediakom : Jurnal Ilmu Komunikasi SENI Jurnal Berdaya Mandiri JURNAL CERDAS PROKLAMATOR Jurnal Pengabdian dan Edukasi Sekolah (Jubaedah) JURNAL BARUNA HORIZON Leibniz: Jurnal Matematika Jurnal Pengabdian kepada Masyarakat Bina Darma Jurnal Pengabdian Teratai Jurnal Ilmiah AgriSains Mestaka: Jurnal Pengabdian Kepada Masyarakat Jurnal Civil Engineering Study Diksi: Jurnal Pendidikan dan Literasi Amal Ilmiah: Jurnal Pengabdian Kepada Masyarakat PEDAGOGIC: Indonesian Journal of Science Education and Technology Journal of Exploratory Dynamic Problems JILMATEKS Jurnal Ilmiah Mahasiswa Teknik Sipil Journal of Noesantara Islamic Studies
Salim Salim, Salim
UIN Sumatera Utara
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 1 
PENCANTUMAN HARGA DALAM IKLAN PADA SURAT KABAR Salim, Salim
Canthing Vol 1, No 1 (2012)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

In effect the company aims to satisfy consumers, in addition to gain or profit. Advertising as part of promotional activities in the promotion of media communication needs. One newspaper section of the print communications media. Thus the idea or ideas in advertising can be delivered through the medium of communication. Good advertising is advertising that can persuade consumers to buy products or use the services offered. Inclusion in the price of advertising can bring great benefits to the marketing of products and services. Psychological aspects of pricing could provide a powerful influence on consumers to make purchases.
KETOPRAK LESUNG “ CAHYO BUDOYO “ DI DUSUN SIDOWAYAH, HARGOWILIS, KOKAP, KULON PROGO ( SUATU TINJAUAN ASPEK SOSIAL BUDAYA ) Salim, Salim
Canthing Vol 2, No 2 (2014): Pengkajian dan Penciptaan Desain
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Form of art has a function for society in accordance with the natural conditions and the state of social culture where art is born. Sidowayah village communities living in areas far from urban centers or entertainment, with the background of the people whose livelihood as farmers cocoa and palm tapper majority of senior high school education, have some traditional art forms, one of which is Ketoprak Dimples "Cahyo Budoyo".Ketoprak Dimples "Cahyo Budoyo" the hamlet community Sidowayah serve to foster the reciprocal relationship between the two. Ketoprak Dimples "Cahyo Budoyo" as a result of artistic expression Sidowayah village community as one of the traditional arts in the community Sidowayanh hamlet. Because Ketoprak Dimples "Cahyo Budoyo" is communally owned village Sidowayah of society, in which people actively participate directly involved to preserve what they have. Sidowayah village communities who live far away from the hustle of the city requires art or even entertainment that can provide useful information for them. Ketoprak Dimples "Cahyo Budoyo" is a reflection of the life of the village community. This art reveals the existence of communal solidarity, simplicity, and a democratic society in the spirit of his supporters.
RUPA WAYANG KULIT GAGRAK SURAKARTA TOKOH WERKUDARA Salim, Salim
Canthing Vol 4, No 1 (2017)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Artikel ini membahas wanda tokoh Werkudara gagrag Surakarta. Wayang kulit merupakan kesenian tradisional rakyat Indonesia yang mampu bertahan dan  diakui eksistensinya melampaui lintas jaman dan benua. Kesenian wayang kulit meliputi seni pahat, seni lukis, seni sastra, seni tutur, seni perlambang, seni musik, seni suara, serta seni peran. wayang kulit sudah berkembang sejak abad ke-15 hingga saat ini masih banyak penggemarnya meskipun dari kalangan tertentu khusnya generasi tua.Wayang kulit gagrak Surakarta, yang memiliki ciri khas atau perbedaan mendasar yaitu antara lain memiliki ukuran lebih tinggi satu palemanan daripada ukuran wayang kulit gagrak lain, seperti wayang kulit gagrak Yogyakarta, Banyumas, Cirebon, Jawa Timur. Wayang kulit gagrak  Surakarta ini, memiliki proporsi fisik yang ramping dan panjang. 
WARNA SUNGGINGAN DAN KOMPOSISI WAYANG BEBER PACITAN Salim, Salim
Canthing Vol 1, No 1 (2012)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The study entitled "COLOR AND COMPOSITION SUNGGINGAN PACITAN puppet Beber" sunggingan focus on color and composition. The purpose of this study to study, understand and know the colors or patterns sunggingan beber Pacitan puppet with a classification of character and their various attributes are used, as well as sunggingan color and composition. The results of this study are expected to contribute data and add to their repertoire of knowledge, particularly in the field of fine artsResearch using qualitative research methods, to understand color and composition beber Pacitan puppet. The approach used is to describe the aesthetics Fechner works beber Pacitan puppet. Data obtained through observation, interviews, library research, and documentation. Analysis using the analytical interpretation. Geerts theory of symbols used in the book "The Interprestation Culture", in a structured assessment phase involves sunggingan color and composition, the conclusion stage.Finally, it is understood that the findings in this study, namely the existence of actual puppet beber Pacitan can be further developed. Viewed from the standpoint of art, puppet beber Pacitan not be separated from the principles of art including the composition, color and balance. composition is not alarming. Visual elements such as line, color, texture, space and form organized into a unified harmony between the parts with the whole.Similarly, elements that help harmonize the tension, chaos, applied in Pacitan beber pasunggingan puppet. These elements are: contrast, rhythm, climax, balance, and proportion.
WAYANG UKUR KARYA SUKASMAN STUDI EKPLORASI BENTUK Salim, Salim
Canthing Vol 5, No 1 (2019)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

RINGKASANNaskah ini berjudul ?Studi Karya Tentang Eksplorasi Formasi Ukuran? pada bentuk wayang kulit itu sendiri. Tujuan penelitian ini adalah untuk mengetahui dan menjelaskan Masalah yang dirumuskan, mereka adalah bagaimana penampilan ide Sukasman dalam berkreasi Wayang Ukur, bagaimana sosok membentuk dan bentuk Sunggingan dari wayang Ukur dan bagaimana makna simbolis dari bentuk Wayang Ukur adalah dalam penciptaan Sukasman. Penelitian ini menggunakan metode penelitian kualitatif untuk memahami bentuk Wayang Ukur dari Sukasman. Pendekatan yang digunakan adalah estetika untuk menggambarkan karya-karya Wayang Ukur dari Ciptaan Sukasman. Data diperoleh melalui observasi, wawancara, studi kepustakaan dan dokumentasi. Analisis data yang digunakan adalah analisis interpretasi. Simbol teori Geerts di buku "The Interpretation Culture" digunakan secara struktural yang terdiri dari fase analisis tokoh, makna simbolik, dan fase kesimpulan. Selain melakukan analisis terhadap beberapa karya Wayang Ukur dari Penciptaan Sukasman. Akhirnya dapat dipahami bahwa hasil temuan dalam penelitian ini. Itulah keberadaan Wayang Ukur yang merupakan ciptaan baru wayang yang diciptakan oleh Sukasman sejak tahun 1974, dengan melakukan perubahan pada bentuk dan teknik kerajinan belajar yang menekankan pada bentuk yang jelas dari wayang kulit Purwa gagrag Yogyakarta dan Surakarta. Jika dilihat dari seni lukis dan sudut pandang pahatan, Sukasman mencari bentuk presentasi yang terus menerus baru untuk membangkitkan perasaan ketidakmungkinan untuk presentasi, ketidakmungkinan adalah estetika khusus baginya. Dalam menciptakan karya Wayang Ukur, Sukasman selalu peduli pada seni patung dan prinsip melukis, di antaranya adalah komposisi, warna, dan keseimbangan. Ia telah melakukan sekularisme wayang kulit pementasan wayang, karena Sukasman tidak hanya mendistorsi bentuk wayang kulit, tetapi juga mengubah pementasan wayang kulit. Sukasman telah menempatkan pesinden atau penyanyi yang menghadap penonton, panggung diatur dengan rasa seni melukis dan memahat, penempatan lampu dianggap oleh kilat, sehingga Kesan warna bisa diubah sesuai keinginan.  Kata Kunci : Wayang Ukur, creativity, changing.
SUNGGINGAN WAYANG KULIT MBAH NIMAN DESA CINYAWANG KABUPATEN CILACAP Salim, Salim
Canthing Vol 7, No 1 (2021)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The main thing that is interesting to know about the form of wayang kulit, is the technique of making and carving leather puppets which are complex is the coloring. Coloring in wayang is the most important factor. Due to the color of the shadow puppets, there is a soul of the shadow puppet character, as was done by mbah Niman from Cinyawang village, Cilacap district. This research begins with the problem, how are the techniques and process of coloring the wayang kulit purwa by Mbah Niman and the second, how is the aesthetic aspect of the color of the puppet purwa by Mbah Niman. The purpose of this study was to describe and explain the techniques and aesthetic values contained in the shadow puppet colors by Mbah Niman
TATO DAYAK DENGAN APLIKASI BORDIR PADA BAHAN KULIT Rimawati, Iqbal Lina; Salim, Salim; Sulistyowati, Amin
Canthing Vol 7, No 2 (2021)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Indonesia is a country that is famous for its many diverse cultures and from various regions, so there are many Indonesian cultures that are rarely known by many people, even the Indonesian people themselves. The many cultures and languages that exist in Indonesia give this country its own color and also become one of the icons and special attractions for foreigners, the many cultural differences in Indonesia have a positive impact on society. One of Indonesian culture that is not well known is traditional Indonesian tattoos, where tattoos are one of the cultural customs of several tribes in Indonesia, namely the Mentawai, Dayak, and Moi tribes. Tattoos on each tribe are symbols or traditional traditions for them, which have their own meaning. Of the three tribes, the most familiar are Dayak tattoos and Moi tattoos, but the ones that are more widely used by the general public are Dayak tattoo motifs.
ESTETIKA VISUAL PLAFON BERORNAMEN WAYANG KULIT Salim, Salim
Canthing Vol. 8 No. 1 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Wayang Jawa (shadow puppets) in the form of traditional paintings as cultural heritage of the ancestors have also inspired the number of artists who are members of Bunga Rumput in creating works of art with aesthetic value. The efforts of these artists can be read as resistance to the entry of works of art from outside that ignore the character of Indonesia. This study aims to discuss the aesthetics of the visual ceiling works that apply shadow puppet ornaments. Methods of data collection is done by observation and documentation. The results showed that the visual aesthetics of this ceiling product with wayang kulit ornaments seen from unity, harmony, symmetry, balance, and contrast are quite good, although not optimal. Besides that, the visual aesthetics of the ornaments of these ceiling works have not shown good complexity, so the beauty obtained is not optimal. The assessment of visual aesthetics in this work is subjective, so it is very possible that there are different assessments. The conclusion that can be conveyed is that aesthetics can be achieved by elevating the traditional culture of the past and at the same time as a form of appreciation for that culture and being a differentiator in the midst of the rise of Chinese painting in Indonesia. Keywords: aesthetics, ceiling, ornament, wayang, leather
PENERAPAN ELEGANT STYLE FASHION DENGAN SUMBER IDE BENTUK ARSITEKTUR LAWANG SEWU MENGGUNAKAN TEKNIK BATIK TULIS Aulia, Fina; Salim, Salim; Sulistiyowati, Amin
Canthing Vol. 8 No. 1 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The design of fashion in this final project aims to create a party dress design that combines the source of ideas and fashion styles that have been selected, namely elegant fashion style. The source of the idea of this design is lawang sewu. Lawang sewu is a building in the city of Semarang, Central Java, which has 600 doors and windows. The material used in this design is silk cotton with modern motifs designed according to the theme, namely Lawang Sewu. The colors of the three designs follow the 2020-2021 fashion trend, which is spirituality. Keywords: Lawang Sewu
Co-Authors Abdin Abdullah Abdullah Agung Sugeng Widodo Aisyah Aisyah Ali, Maryam Amry, Intan Wardany Ranat Angraeni, Netty Aries Musnandar Arvyaty, Arvyaty Aspar, Muhammad Aswad Eka Putera Aulia, Fina Azis, Sumarno Badaron, St Fauziah Bulawan, Sriwana Darmawati Darmawati DIDIK PURWANTO Djafar, Ratna Dorce Banne Pabunga, Dorce Banne Dwi Ophi Ramadhan Eka Ariyati Ervina, Tri Fajriah, Nurul Fardina, Fardina Febrian, Rio Fita Sari, Fita Halidin Halidin, Halidin Hanafi Ashad Hanifa, Imam Abu Hendra Nelva Saputra Heriyanti Rukka Herna, Herna Hidayat, Afifah Nur Idhayani, Nurul Ikman, Ikman Indriyanto, Kristiawan Isini, La Ismawati, Iis Isra, Mohamad Kadir Kadir Kasusilaningrum, Tyas Kodirun M Rusdi Maricar, Muhammad Husni Mohamad Salam Muhammad Sudia Mursidin T, Mursidin Musawwir, Musawwir Musayyadah Tis’in Nadia, Zahra Nanik Ulfa, Nanik Ningrum Astriawati Nirma Nirma Nur Afni Nur Amanah, Lisa Nur Haeni Nur Hasanah Nur, Wahyudin Nurhaliza Nurhayati Nurhayati Nurhayati Nurlela Juliasari Page, Muhammad Taufik Prajono, Rahmad Pratama, Wegig Rahayu, Emi Rahmadiana, Rahmadiana Rahmawati, Eis Rimawati, Iqbal Lina Rizkiansyah, Nuradha Roni Hermawan, Roni Safitri, Andi Saidy, Hamdy Nur Saparuddin Saparuddin Sartika Sari Seppewali, Andi Simal, Muh. Rizal Suhar, Suhar Suhari, Y Sulistiyowati, Amin Sulistyowati, Amin Sutanto, Vinna Waty Tinggapy, Hasanudin Ulfa, Siti Syahyidatul Vidiarto, Rizki Agung Waris Wibowo Wisnumurti . Yanti, Reski Wahyu Yokhebed Yokhebed Yusuf, Andi M. Zibran, Rifaldi