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GANDRUNG AS A POLITICAL COMMUNICATION TOOL IN BANYUWANGI (A Study of Antonio Gramsci's Hegemony): GANDRUNG SEBAGAI ALAT KOMUNIKASI POLITIK DI BANYUWANGI (Suatu Kajian Hegemoni Antonio Gramsci) Mahfud; Andrik Purwasito; Warto; Wakit Abdullah Rais
Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Vol 7 No 2 (2023): Santhet : Jurnal Sejarah, Pendidikan dan Humaniora
Publisher : Proram studi pendidikan Sejarah Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36526/santhet.v7i2.1849

Abstract

Gandrung is one of the oldest forms of performing arts in Banyuwangi. Gandrung becomes a symbol of political communication through culture. This is clearly seen during the democratic party period. The purpose of this research is to reveal and criticize Gandrung which is used as a medium of political communication by political actors in Banyuwangi. The form of this research is descriptive qualitative. The theory used is Gramsci's hegemony. Data collection techniques using interviews, observation, and content analysis. The data analysis technique used in this study is an interactive analysis. The results of the study show that the high creativity of the people of Banyuwangi in folk art is recognized by the local government. This has become a loophole for political actors in Banyuwangi to insert political messages into Gandrung art performances. Thus, these political messages can be easily accepted by the public. This proves that if Gandrung's art is studied using Gramsi's theory, it shows that Gandrung is totally hegemony. Total hegemony is characterized by close to total mass affiliation. Society shows a strong degree of moral and intellectual unity, which is evident from the organic relationship between the government and the governed. This relationship is not colored by contradictions and antagonisms either socially or ethically.
Sociocultural Aspects of Drinking Ciu in Surakarta Yusana Sasanti Dadtun; Warto Warto; Susanto Susanto; Titis Srimuda Pitana
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.74085

Abstract

The presence of ciu is an important part of the Surakarta society's tradition. Drinking ciu serves a multifaceted symbolic function for their supporting community. the drinking habit of ciu has become a part of the drinking community's daily life, as passed down from their predecessors. The objective of this study was to discover the sociocultural aspects of ciu drinking in Surakarta's ciu drinking community. This study was designed with a qualitative method, which emphasizes the depth of information by delving into the meaning behind the symptoms. In-depth interviews were conducted with ciu drinkers, the community, producers, and government officials. The chairman and staff of Surakarta Kasunanan Palace's Traditional Council Institute (LDA), the abdi dalem, and various parties involved. Archives, newspapers, various reference books, and journal articles that discuss objects related to the research were used as written sources. The study's conclusion is drinking ciu from a review of social aspects pertaining to the existence of three groups of ciu drinkers spread throughout Surakarta, namely the Pangunci Community within the Surakarta Kasunanan Palace, the Pangunci Community outside the Surakarta Kasunanan Palace, and the Ciu drinkers outside the Pangunci Community. Drinking ciu has a special meaning, namely it is a symbol of collective identity, as it is part of the social solidarity of fellow connoisseurs in channeling the burdens of life. The various functions of ciu for the people of Surakarta are closely related to a review of the cultural aspects of drinking ciu. Apart from being passed down from generation to generation, the requirements of traditional rituals, parts of herbs to keep the body's stamina, and parts of traditional medicine ingredients are an important part of ciu's function in Surakarta's culture. Therefore, this study helps the community understand the socio-cultural phenomenon of the ciu drinking tradition in Surakarta, and it helps the government determine policies related to the ciu production system and its distribution.
Jogja Ora Didol : a Discourse of Resistance to Domination Through Music Norman Fairclough's Critical Discourse Analysis Study Cahyaratri Hari Kinasih; Susanto Susanto; Warto Warto
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.74093

Abstract

The freedom of media since the death of the New Order has made its development so significant, especially in Indonesia. Artists have a platform to create creative ideas through media such as creating movies or music. The issue of power that is not in favor of the lower middle social class makes music present as a tool to respond to difficult situations and even become a tool of resistance to the government or those in power. This research is a qualitative study using Norman Fairclough's critical discourse analysis theory which has three dimensions in the text of the song Jogja Ora Didol by Jogja Hip-Hop Foundation. The musical background of Jogja Hip-hop Foundation and the language used in the song contain resistance. This study aims to see the extent to which the song Jogja Ora Didol influences and builds the power of resistance to the domination that exists in Yogyakarta. The song Jogja Ora Didol was created in conjunction with the many protests of empowered citizens against the massive construction of hotels in the Yogyakarta area. Resistance discourse is viewed from three levels, namely text, discourse-practice, and socio-cultural. This research aims to 1) Represent the text of the song Jogja Ora Didol, 2) The background of the creation of the song and 3) the influence of the song to create and build resistance. The results of this study show that the resistance of word units and metaphors form a unit of song text. In discourse practice, resistance is formed from the process of text production and consumption. Finally, in the sociocultural order, it is the macro factor that gives influence after the presence of Jogja Ora Didol song.
Forms and Meaning of Laku Prihatin for Javanese Women in Ngadi Sarira Tradition Roudhotul Munawaroh; Titis Srimuda Pitana; Warto Warto
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.74087

Abstract

The philosophy of the Javanese women’s beauty trilogy, namely ngadi sarira, ngadi busana, and unggah-ungguh (manners) displays an attractive image for Javanese women. Education about traditional beauty care procedures for Javanese women can be seen through a tradition called ngadi sarira. Actually, what is the uniqueness of Javanese women in terms of beauty and self care? Based on the concept of beauty in the style of the princess of the Surakarta Sultanate Palace, this study tries to reveal 1) The forms of laku prihatin performed by Javanese women in the ngadi sarira tradition, and 2) The meaning of laku prihatin for Javanese women in the ngadi sarira tradition. This research is a qualitative research using Clifford Geertz’s theory of interpretation of meaning. This study aims to review the forms and meanings of caring behavior to obtain the beauty of the female body from inside and outside in the ngadi sarira tradition. The results showed that the forms of laku prihatin performed by Javanese women in the ngadi sarira tradition, namely ngudhup mlathi, mutih, adus bengi, and turu sepisan. The meaning of inner beauty, religious meaning, ritual meaning, and economic meaning.
Repatriation The Pagar Mangkuk Sunan Muria to Empowering Rural Community in Muria Region Muhammad Farid; Warto Warto; Marimin Marimin
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.74090

Abstract

The teachings of Tapangeli and Pagar Mangkuk are known by some people as practice that were once taught by Raden Umar Said (Sunan Muria). It is not widely known because there are many contradictory opinion that result in the decadence value of intangible cultural heritage itself. Recently, a communal movement emerged that was initiated by the people in Kampung Budaya Piji Wetan, Lau Village, Dawe District, Kudus Regency. They made a movement to repatriation the teachings of Tapangeli and Pagar Mangkuk Sunan Muria based on perspective of performing arts. Using a qualitative approach, this study tries to narrate social praxis and the role of the cultural economy for the people of the Kampung Budaya Piji Wetan, Lau. This study also narrate their method to use culture as the main foundation for build a friendly economic ecosystem and able to support their daily needs. They also have several educational and economic programs have emerged that can be used an effort to promote village culture to support the welfare of its people. Again, this study attemps to dissect their methodology so that it can be used as a reference for other village in the Muria region with almost similar socio-cultural conditions.
Quantum Recitation Therapy in Syair Nasihat as an Alternative to Strengthen Mental and Spiritual Efforts during and Post- Pandemic Covid 19 Asep Yudha Wirajaya; Bani Sudardi; Istadiyantha Istadiyantha; Warto Warto
Jurnal Javanologi Vol 4, No 2 (2021): Javanologi Volume 4 No. 2: Juni
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v4i2.75564

Abstract

Syair Nasihat (SN) is a classic Malay literary work written using Arabic letters/characters and in Malay. This SN contains various kinds of advice for humans to be able to achieve the happiness of life, both in this world and in the hereafter. This teaching is still considered very relevant to human life in the postmodern era, which is even further away from religious values. As a result, it is difficult for humans to find true happiness in every episode of their life. Therefore, a study on SN needs to be done so that postmodern humans can at least get inspiration to be able to find true happiness in the process of life. The research method used is the philological method. This method is intended so that researchers can present good and correct text edits. Furthermore, the edits are studied with content analysis, particularly those related to the quantum concepts of dhikr. The concept of quantum dhikr therapy is contained in the SN text, namely (1) oral dhikr; (2) heart remembrance; (3) mind remembrance; and (4) deeds dhikr. This quantum dhikr study is expected to provide an overview and simultaneously convince readers/connoisseurs of SN about the potential of dhikr that can be used as an alternative to strengthen mentally and spiritually, both during the Covid 19 pandemic and post-pandemic.
PEMBERDAYAAN SISWA DIFABEL MELALUI KEWIRAUSAHAAN SOSIAL BERBASIS KEARIFAN LOKAL DI GUNUNG KIDUL YOGYAKARTA M. Bagus Sekar Alam; Umi Yuliati; Warto Warto; Tiwuk K. Hastuti; Waskito Widi Wardojo; Isnaini W. Wardani; Insiwi F. Setiasih
Jurnal Abdi Insani Vol 10 No 3 (2023): Jurnal Abdi Insani
Publisher : Universitas Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/abdiinsani.v10i3.1033

Abstract

This service will help foster an entrepreneurial spirit based on the local potential for children with disabilities in Ngawen Gunung Kidul Regency, Yogyakarta. The development of self-reliance that leads to the provision of pottery-making skills packaged in the concept of social entrepreneurship is expected to revive the enthusiasm of children with disabilities to be independent. This service activity aligns with the government's program on empowering children with disabilities as stipulated in Law No. 8 of 2016. The partner of this service is SLB Sutawijaya who has dedicated himself for 18 years in educating children with disabilities. The purpose of this service is to increase the number of students with disabilities who are independent, skilled, care about each other and the surrounding environment, and participate in preserving pottery as a local potential by applying the concept of social entrepreneurship. In the implementation of this activity using the method of observation, discussion, operational work, and direct assistance. The dedication begins with submitting several proposed activities, managing time, and distributing work together with the board of the institution. After the team prepares and carries out activities together, the social media design is handed over to partners to continue as a provision for online promotion. This service activity will do several things, including HR management including hospitality, discussions with teachers, and student conditioning. At the production stage, activities include making pottery using printing tools, and pottery finishing techniques. Promotional activities are carried out through exhibitions, bazaars, and accounts on social media. All activities are carried out in stages with an approach that is fun for students. The output of the community service activities is that students have a caring spirit for others and the environment, can make pottery products, and perform pottery finishing techniques. In this service, training is also provided for creating online media and holding exhibitions of original works to help promote pottery products. He also makes activity videos, promotional media through print or online media, and scientific publications in the Nationally accredited journal Sinta 3. This service will help foster an entrepreneurial spirit based on local potential for children with disabilities in Ngawen Gunung Kidul District, Yogyakarta. The development of self-reliance that leads to the provision of pottery-making skills packaged in the concept of social entrepreneurship is expected to revive the enthusiasm of children with disabilities to be independent. This dedication is in line with the government's program on empowering children with disabilities as stipulated in Law No. 8 of 2016 and according to the Regulation of the State Minister for Women's Empowerment and Child Protection of the Republic of Indonesia Number 10 of 2011 concerning education service policies for Children with Special Needs (ABK). In this service, it is proven that pottery-making training can increase the number of students with disabilities who are independent, skilled, care about each other and the surrounding environment, and help preserve the existence of pottery as a local potential by applying the concept of social entrepreneurship.
Presenting Local Wisdom: A Multimodal Analysis of Sedekah Gunung Merapi Video as a Tourism Promotion in Boyolali Regency Rachmawati, Julianne Indah; Warto, Warto; Pitana, Titis Srimuda
JURNAL KOMUNIKASI INDONESIA Vol. 7, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Upacara tradisional Sedekah Gunung adalah salah satu kearifan lokal yang dimiliki oleh masyarakat Desa Lencoh, Selo, Kabupaten Boyolali. Upacara ini bertujuan untuk mengungkapkan rasa terima kasih penduduk desa dan meminta perlindungan Tuhan dari bencana. Upacara ini memiliki potensi karena sering menjadi daya tarik wisata. Liputan media diperlukan untuk menyebarkan konten dan informasi tentang upacara ini. Salah satu contoh liputan media tentang tradisi ini adalah video yang diunggah di situs berbagi video YouTube bernama Sedekah Gunung merapi. Tulisan ini menganalisis beberapa aspek: (1) Apa sarana yang digunakan dalam video Sedekah Gunung Merapi untuk menghadirkan Sedekah Gunung sebagai objek wisata Kabupaten Boyolali? (2) Bagaimana penyajian kearifan lokal Boyolali dalam video Sedekah Gunung Merapi mempromosikan pariwisata Kabupaten Boyolali? (3) Apa makna penyajian kearifan lokal dalam video Sedekah Gunung merapi sebagai promosi pariwisata di Kabupaten Boyolali? Metode yang digunakan dalam penelitian ini adalah nalisis multimodal yang dikembangkan oleh Kress dan van Leeuwen. Video yang diteliti mengandung lebih dari dua sistem semiotik yang terdiri dari linguistik, visual, audio, gestural, dan spasial. Penelitian ini menemukan bahwa wacana tentang kearifan lokal dibangun untuk menonjolkan kekayaan budaya yang dimiliki oleh komunitas Boyolali. Wacana dikemas dan disebarluaskan melalui video untuk mengkomersialkan pariwisata kabupaten Boyolali. The traditional ceremony of Sedekah Gunung is one of the local wisdoms possessed by the community of Lencoh Village, Selo, Boyolali Regency. The ceremony aims to express the villagers’ gratitude and requests the protection of God from disasters. This ceremony has potency as it often becomes a tourist attraction. media coverages are needed to disseminate contents and information about this ceremony. one example of existing media coverages on the tradition is a video uploaded on video-sharing website YouTube named Sedekah Gunung Merapi. This paper analyzes several aspects: (1) What are the means used in the Sedekah Gunung Merapi video to present Sedekah Gunung as a tourist attraction of Boyolali Regency? (2) How does the presentation of Boyolali’s local wisdom in Sedekah Gunung merapi video promotes Boyolali Regency’s tourism? (3) What is the meaning of presenting local wisdom in Sedekah Gunung Merapi video as tourism promotion in Boyolali Regency? The method used in this research is multimodal analysis developed by Kress and van Leeuwen. The studied video contains more than two semiotic systems consisting of linguistic, visual, audio, gestural, and spatial. The research finds that discourses on local wisdom are constructed to accentuate the cultural richness possessed by Boyolali’s community. discourses are packaged and disseminated through the video to commercialize the regency’s tourism.
REPRESENTASI WACANA NEW MUSEOLOGY PADA MUSEUM RADYAPUSTAKA SURAKARTA Badra Sugara; Warto; Titis Srimuda Pitana
Seminar Nasional Hasil Riset dan Pengabdian Vol. 6 (2024): Seminar Nasional Hasil Riset dan Pengabdian (SNHRP) Ke 6 Tahun 2024
Publisher : LPPM Universitas PGRI Adi Buana

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Abstract

Modernisasi menuntut museum untuk melakukan banyak perubahan. Hal ini merupakan suatu pilihan bahwa berkembangnya zaman menjadi hal yang tidak bisa dihindari dan harus diikuti untuk keberlangsungan museum termasuk Museum Radyapustaka Surakarta. New Museology menjadi alternatif yang muncul sebagai wacana modernisasi dalam pengelolaan museum. New museology muncul dengan tujuan memperkenalkan filosofi baru seputar fungsi museum serta perubahan hubungan antara museum, masyarakat dan komunitas. Adanya peran serta masyarakat merupakan salah satu pembeda antara new museum (new museology) dengan traditional museum. Secara tidak langsung Museum Radyapustaka Surakarta telah menerapkan paradigma new museology dalam pengelolaannya. Salah satu contoh adalah pameran imersif yang memadukan konsep pendekatan tradisional museum dengan new museum. Pameran tersebut menunjukkan bahwa ekslusifitas pada koleksi yang menjadi ciri dari traditional museum menjadi hilang karena pada pameran tersebut lebih menekankan pada tema dan pesan yang disampaikan kepada pengunjung atau masyarakat. Ini yang menjadi ciri dari new museum sebagai penerapan wacana new museology di Museum Radyapustaka Surakarta. Kata kunci: Museum; New Museology; Radyapustaka; Modern; Wacana
The Impact of Carbon Footprints and Restoration Efforts on Temples Using Andesite Stone Materials Herlambang, Rudy; Purwasito, Andrik; Warto, Warto; Widayat, Rahmanu
Research Horizon Vol. 3 No. 5 (2023)
Publisher : LifeSciFi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54518/rh.3.5.2023.165

Abstract

The various carbon footprints present in the environment can inevitably have a significant impact on cultural heritage sites. In fact, preserving cultural heritage buildings, including those made of andesite stone, is of paramount importance. This research aims to provide a clear understanding of the impact of carbon footprints generated by the degradation of temple buildings constructed with andesite stone. It also examines several strategies for restoring these structures as part of the broader effort to safeguard cultural heritage sites. The study's results indicate that the carbon footprint has resulted in the release of various chemical gases that have adversely affected the andesite stone, leading to structural issues. To address this, restoration efforts can be implemented through the establishment of a drainage system to control temple humidity and the improvement of concrete slabs to strengthen the temple foundations, which have eroded due to the impact of carbon footprints.
Co-Authors Achmad Didik Khoirudin Aisiah Aisiah Akhlis Syamsal Qomar AKHMAD ARIF MUSADAD Akhmad Arif Musadad Alam, Muhammad Bagus Sekar Ali Djamhuri Amrikasari, Noeranti Andi Andoko Andika Dian Ifti Utami Andrik Purwasito Andrik Purwasito Angga Prasetiya Asep Yudha Wirajaya Asep Yudha Wirajaya Atqo Akmal Badra Sugara Bani - Sudardi Bani Sudardi Bani Sudardi Bani Sudardi Bayu Pamungkas Budi Waluyo Cahyaratri Hari Kinasih D., Djono Djono Djono Djono Djono Djono Djulia Indriani AH Mahmud Dwi Sulistyorini Ganda Febri Kurniawan Hanida Eris Griyanti Herlambang, Rudy Hermanu Joebagio Insiwi F. Setiasih Insiwi F. Setiasih Isnaini W. Wardani Isnaini W. Wardani Istadiyantha Istadiyantha Istadiyantha Istadiyantha Iswanto, Sufandi Itama Citra Dewi Kurnia Wahyu Julianne Indah Rachmawati Leo Agung Leo Agung S Leo Agung Sutimin Leo Agung Sutimin Leo Agung Sutimin Leo Agung Sutimin M. Bagus Sekar Alam M. Bagus Sekar Alam Mahendra - Wijaya Mahendra Wijaya Mahendra Wijaya Mahfud Mahfud Mahmud, Djulia Indriani A.H Marimin Marimin Mochamad Doni Akviansah Muadz Assidiqi Mugijatna Mugijatna Mugijatna Mugijatna Muhammad Farid Muhammad Haikal Muhammad Sadikin Muslim Muslim Muslim Nazirwan Rohmadi Nia Ulfia Krismawati Niyoko - Niyoko Novita Mujiyati Novita Mujiyati Nunuk Suryani Nunuk Suryani Nur Azizah Zuhriah Piki Setri Pernantah Putu Urip Wijaya Rachmawati, Julianne Indah Rahmanu Widayat Rara Sugiarti Rara Sugiarti reni dikawati Reni Dikawati Roudhotul Munawaroh S Sariyatun Sariyatun Sariyatun Sariyatun Sariyatun Sariyatun Sariyatun Sariyatun Sariyatun Sariyatun Sariyatun Sawitri P. Prabawati Setiasih, Insiwi Febriary Siharta Leman Anwar Nababan Slamet Subiyantoro Sri Kusumo Habsari Sudiyanto Sudiyanto sunardi sunardi Supana Supana Supariadi Supariadi Suryo Ediono Susanto Susanto Susanto Susanto Tessaniva Agusta Titis Srimuda Pitana Titis Srimuda Pitana Titis Srimuda Pitana Titis Srimuda Pitana Titis Srimuda Pitana Titis Srimuda Pitana, Titis Srimuda Tiwuk K. Hastuti Tiwuk K. Hastuti Triana Rejekiningsih dkk Tundjung Wahadi Sutirto umi - yuliati Umi Yuliati Wakit Abdullah Rais Wakit Abdullah Rais Wasino Wasino Waskito Widi Wardojo Widya Nirmalawati Winahyu Adha Yuniyati Yeni Wijayanti Yundari, Yundari Yusana Sasanti Dadtun Yusuf Kurniawan