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All Journal Indonesian Journal of Applied Linguistics (IJAL) Prosodi: Jurnal Ilmu Bahasa dan Sastra Marwah: Jurnal Perempuan, Agama dan Jender Jurnal Pendidikan Islam Taqdir Musawa : Jurnal Studi Gender dan Islam Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Nady al-Adab KREDO : Jurnal Ilmiah Bahasa dan Sastra IJoLE: International Journal of Language Education Tawarikh : Journal of Historical Studies ELS Journal On Interdisciplinary Studies in Humanities Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Adabiyyat: Jurnal Bahasa dan Sastra MUWAZAH: Jurnal Kajian Gender Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia JURNAL Al-AZHAR INDONESIA SERI HUMANIORA Jurnal Onoma: Pendidikan, Bahasa, dan Sastra NUKHBATUL 'ULUM : Jurnal Bidang Kajian Islam Bahtera Indonesia; Jurnal Penelitian Bahasa dan Sastra Indonesia Indonesian Journal of Halal Research Al-Khidmat : Jurnal Ilmiah Pengabdian Kepada Masyarakat Dinasti International Journal of Education Management and Social Science 'A Jamiy: Jurnal Bahasa dan Sastra Arab Hijai - Journal on Arabic Language and Literature JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) Kutubkhanah Jurnal Penelitian Sosial Keagamaan Al-Muamalat : Jurnal Ekonomi Syariah Az-Zahra: Journal of Gender and Family Studies Jurnal Ilmu Akuntansi dan Bisnis Syariah (AKSY) Kode : Jurnal Bahasa Jurnal Anifa Studi Gender dan Anak Harakat an-Nisa: Jurnal Studi Gender dan Anak Jurnal Iman dan Spiritualitas Ukazh : Journal of Arabic Studies Mauriduna : Journal of Islamic studies Tarling : Journal of Language Education AKSARA: Jurnal Bahasa dan Sastra Journal of Law, Poliitic and Humanities Jurnal Ilmu Sosial dan Humaniora JBSI: Jurnal Bahasa dan Sastra Indonesia Jurnal bintang manajemen Moderasi : Journal of Islamic Studies Riwayat: Educational Journal of History and Humanities Muhibbul Arabiyah: Jurnal Pendidikan Bahasa Arab Dzil Majaz Al-Irfan: Journal Of Arabic Literature and Islamic Studies Al-Kalimat: Journal of Linguistic and Arabic Teaching Jurnal Salaka : Jurnal Bahasa, Sastra, dan Budaya Indonesia
Akmaliyah Akmaliyah
UIN Sunan Gunung Djati
Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Medicine & Pharmacology Social Sciences Other

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Constructing Moral Meaning in Ziad Doueiri’s the Insult: A Roland Barthes Semiotic Study Cut Zulfa Zainurrohmah; Setia Gumilar; Muhammad Nurhasan; Akmaliyah Akmaliyah
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 8 No. 2 (2025)
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v8i2.639

Abstract

This study addresses the problem of how moral messages are constructed and communicated in films that portray socio-political conflict within plural societies, particularly in contexts shaped by historical trauma and sectarian division. Focusing on Qadiyya Raqm 23 (The Insult), directed by Ziad Doueiri, the study aims to uncover the moral meanings embedded in the film and to explain how cinematic signs function as vehicles of ethical discourse. Methodologically, the research adopts a qualitative descriptive approach grounded in Roland Barthes’ semiotic framework, emphasizing the levels of denotation, connotation, and myth. Key scenes, dialogues, and visual symbols are analyzed to identify patterns of meaning and ideological representation. The results reveal that the film represents personal conflict as a symbolic extension of collective memory, identity politics, and unresolved historical grievances in Lebanese society. At the denotative level, the narrative depicts a legal dispute between two individuals, while at the connotative level it exposes deep-seated emotions of humiliation, pride, and resentment. At the mythic level, the film constructs a broader moral discourse that critiques inherited hatred, sectarian prejudice, and social discrimination, while emphasizing human dignity, empathy, and the necessity of reconciliation. This study contributes to film and cultural studies by demonstrating the relevance of Barthesian semiotics in decoding moral narratives in Middle Eastern cinema. It also offers insight into how film can function as a reflective medium for promoting ethical awareness and social coexistence in plural and post-conflict societies.
Semantic Equivalence of Arabic Idāfah Constructions in Bidayat al-Hidayah: Bridging Ibn Malik's Grammatical Theory and Eugene Nida's Translation Perspective Peti Pitriyani; Akmaliyah Akmaliyah; Wildan Taufiq
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 9 No. 2 (2026): Articles in Press
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v9i2.1032

Abstract

This study investigates the types and semantic equivalence of Arabic iḍāfah constructions in Bidayat al-Hidayah by Sheikh Imam Abu Hamid Muhammad ibn Muhammad al-Ghazali, with reference to its Indonesian translation by KH. Ustadz Yahya Al-Mutamakkin. It aims to (1) identify the types of iḍāfah constructions based on Ibn Malik’s grammatical framework and (2) analyze their semantic equivalence using Eugene Nida’s translation theory. Employing a qualitative descriptive-analytical design, the study collected data through systematic reading, observation, and note-taking of iḍāfah constructions and their corresponding translations. Data were analyzed using the distributional method with immediate constituent analysis to determine the internal grammatical structure of the Arabic constructions, while the translational identity method was applied to evaluate semantic equivalence. The findings reveal that the iḍāfah constructions are predominantly iḍāfah maḥḍah (maʿnawiyyah), expressing the meanings of lām (possession), min (origin/material), and fī (location). In terms of translation, both formal and dynamic equivalence are identified; however, dynamic equivalence is more dominant, reflecting the translator’s effort to preserve communicative meaning and contextual readability while maintaining the theological message of the source text. The study’s novelty lies in integrating Ibn Malik’s classical Arabic grammatical theory with Eugene Nida’s modern translation framework to examine iḍāfah constructions within a single analytical model. This interdisciplinary perspective extends research at the intersection of Arabic linguistics and translation studies by demonstrating how grammatical structures influence semantic transfer. Practically, the findings provide a systematic framework for translating classical Islamic texts (kitab kuning) into Indonesian with greater semantic accuracy and reduced distortion of religious concepts.
Fakta Kemanusiaan dan Pandangan Dunia Pengarang dalam Film Farha Karya Darin J. Sallam: Kajian Strukturalisme Genetik: Humanitarian Facts and the Author's Worldview in Darin J. Sallam's Film Farha: A Study of Genetic Structuralism Salsabila Nafisah Muthmainnah; Akmaliyah Akmaliyah; Mawardi Mawardi
JBSI: Jurnal Bahasa dan Sastra Indonesia Vol. 6 No. 01 (2026): Artikel Riset Periode Mei 2026
Publisher : Information Technology and Science(ITScience)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47709/jbsi.v6i01.8355

Abstract

Film, as a communication medium, serves not only as entertainment but also as a means of conveying social and humanitarian values. Darin J. Sallam's film Farha tells the story of a humanitarian tragedy set during the 1948 Nakba in Palestine. This study aims to uncover the representation of humanitarian facts and the author's worldview through a genetic structuralism approach. The method used is qualitative research with analytical descriptive techniques. Data were obtained through observation and note-taking of scenes, dialogues, and film subtitles, and then analyzed in stages of reduction, classification, and interpretation, based on the concepts of humanitarian facts and worldview. The results show that the film Farha contains two forms of humanitarian facts: individual and social. Individual facts are depicted through the inner experiences of the character Farha, including fear, loneliness, trauma, and the struggle for survival.Meanwhile, social facts are reflected in gender inequality, the loss of educational rights, military violence, and the collapse of humanitarian values due to war. In addition, Darin J. Sallam's worldview presents a humanistic perspective rooted in the collective historical experience of the Palestinian people, emphasizing the suffering and steadfastness of women and children as symbols of hope and resistance. The conclusion of this study shows that Farha's film not only represents a historical tragedy but also serves as a profound reflection on humanity, social justice, and the struggle for life. Through a genetic structuralist approach, this film is shown to be a manifestation of the relationship among literary works, social structures, and the author's worldview, informed by the historical reality of Palestinian society.
Tasybih sebagai Retorika Representasi Imajinatif pada Diwan Qaalat Lii As-Samra karya Nizar Qabbani: Kajian Ilmu Bayan Arinal Faiz Al-Fadhil; Akmaliyah Akmaliyah; Resa Restu Pauji
JURNAL Al-AZHAR INDONESIA SERI HUMANIORA Vol 11, No 1 (2026): Maret 2026
Publisher : Universitas Al Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/sh.v11i1.5406

Abstract

Tasybih, as one of the central rhetorical devices in Arabic balaghah, plays an important role in creating linguistic beauty and clarifying meaning in Arabic literary works, especially poetry. This diwan was selected as the object of study because it is one of Qabbani’s early poetry collections that contains many figurative expressions, yet it has not been widely examined from the perspective of Tasybih through an ʿIlm al-Bayan approach. This study aims to analyze the types and functions of Tasybih in Diwan Qaalat Lii as-Samra’ by Nizar Qabbani based on the framework of ʿIlm al-Bayan. This research employs a descriptive qualitative method with a rhetorical (balaghah) approach. The data consist of poetic verses containing Tasybih found in the diwan. Data were collected through observation and note-taking techniques, while analysis was conducted using immediate constituent analysis, translational techniques, and deletion techniques to identify the structure, types, and functions of Tasybih more precisely. The findings show that several types appear, including Tasybih mursal, mu’akkad, mufashshal, baligh, and ḍhimni. Their functions include explaining possibility, describing the state of the Musyabbah, strengthening or weakening its image, and clarifying poetic imagery in the text. This study contributes to Ilm al-Bayan scholarship and Arabic poetry.Keywords - Balaghah, Ilm al-Bayan, Nizar Qabbani, Qaalat Lii as-Samra), Tasybih.
NASKAH MIFTAH AL-GHUYUB KARANGAN SYEKH MUHAMMAD IBNU FADLILAH (Suntingan Teks dan Analisis Isi) Ani Sumiati; Dedi Supriadi; Akmaliyah Akmaliyah
Hijai - Journal on Arabic Language and Literature Vol 7 No 1 (2024): Hijai - Journal on Arabic Language and Literature
Publisher : Bahasa dan Sastra Arab, Fakultas Adab dan Humaniora, UIN Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hijai.v7i1.12778

Abstract

ABSTRAK Naskah Miftahul Ghuyub merupakan salah satu warisan hasil peninggalan Ulama terdahulu yang tentu harus kita jaga, kita rawat dan kita lestarikan. Dengan begitu, hasil karya cipta yang sangat jarang ditemui pada era modern ini tidak tergerus oleh jaman dan bisa dikenali oleh khalayak. Mengingat dalam naskah itu sendiri banyak mengandung ilmu - ilmu yang bisa kita gali dengan melalui berbagai tinjauan. Seperti halnya dalam naskah ini berisikan ilmu mengenai tasawuf yang didalamnya menyampaikan tentang tauhid, Marifatullah, Wahdatul Wujud, dan Martabat tujuh.Metode yang digunakan dalam penelitian ini adalah metode Filologi dengan menggunakan metode standar, yaitu metode yang biasa digunakan dalam penyuntingan teks naskah tunggal. Metode standar ini meliputi tahapan penelitian diantaranya : inventarisasi naskah; pengolahan data; suntingan teks; mentransliterasikan teks; terjemahkan teks; dan analisis isi naskah.Hasil dari penelitian ini adalah : 1) Naskah Miftahul Ghuyub adalah naskah yang merupakan koleksi dari Khazanah Perpustakaan Nasional 2) Terdapat beberapa kesalahan tulis dalam naskah, yang diantaranya yaitu substitusi, adisi, lakuna, transposisi, dan omisi, yang mana kesalahan tulis tersebut didominasi oleh substitusi; 3) Teks naskah ini berisikan tentang ilmu tasawuf yang mana Syeikh Muhammad Ibnu Fadillah mengungkapkan tentang Tauhid, Marifatullah, Wahdatul Wujud, dan Martabat tujuh.Kata Kunci : Naskah, Miftahul Ghuyub, Tasawuf
JENIS DAN FUNGSI NA’AT DALAM CERPEN ‘UDU AL QASB KARYA IHSAN ‘ABDUL QUDDUS Hasna Aulia Fuadah; Akmaliyah Akmaliyah
Hijai - Journal on Arabic Language and Literature Vol 6 No 2 (2023): Hijai - Journal on Arabic Language and Literature
Publisher : Bahasa dan Sastra Arab, Fakultas Adab dan Humaniora, UIN Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hijai.v6i2.13578

Abstract

Setiap bahasa yang tertulis dan terdengar memiliki makna yang ingin disampaikan olel penutur. Dalam berbagai buku fiksi ataupun non-fiksi dapat ditemukan berbagai susunan kalimat yang memiliki makna tersendir. Kalimat-kalimat tersebut juga dapat ditemukan di berbagai naskah berbahasa arab yang sangat kompleks. Diantara kaidah bahasa arab ialah susunan kalimat sifat yang biasa disebut na’at. Na’at banyak ditemukan di dalam naskah arab seperti prosa imajinatif maupun non imajinatif. Penyusun telah meneliti tentang na’at dan fungsinya yang terdapat dalam cerpen ‘Udu Al Qasb karya Ihsan Abdul Quddus.Adapun tujuan penelitian ini adalah (1) mengetahui jenis na’at dalam cerpen ‘Udu Al Qasb, (2) mengetahui fungsi na’at dalam cerpen ‘Udu AL Qasb. Metode yang digunakan ialah metode kualitatif. Dengan metode ini penyusun menelii kalimat yang mengandung kata sifat dalam cerpen ‘Udu Al Qasb. Penelitian in mencakup jenis dan fungsi na’at. Penyusun menggunakan pendekatan ilmu nahwu karena na’at yang akan diteliti termasuk kedalam kajian ilmu nahwu.Hasil penelitian yang ditemukan penysun ialah yang pertama, Jenis-jenis na’at yang terdapat dalam cerpen ‘Udu AL Qasb terbagi kedalam tiga, yaitu na’at mufrad terdapat 183 data, na’at jumlah terdapat 18 data dan na’at syibhul jumlah terdapat 2 data. Seluruhnya termasuk kedalam na’at hakiki. Maka na’at hakiki yang ditemukan ada 203 data sedangkan na’at sababi tidak ditemukan di dalamnya. Kedua, Fungsi-fungsi na’at yang terdapat dalam cerpen ini terbagi kedalam tiga fungsi yaitu (1) Taudhih atau menjelaskan terdapat 103 data, (2) takhsis atau mengkhususkan terdapat 93 data dan (3) ta’kid atau menguatkan terdapat 6 data.KEYWORDS:nahwu, na’at, cerpen
ANALISIS PENERJEMAHAN LAFADZ MUSYTARAK LAFDZI DALAM FILM AHMAD BIN HANBAL BERDASARKAN TEORI KODE PESAN ROMAN JACOBSON Yuni Lutfiani Lutfiani; Akmaliyah Akmaliyah; Amiq
Hijai - Journal on Arabic Language and Literature Vol 8 No 1 (2025): Hijai - Journal on Arabic Language and Literature
Publisher : Bahasa dan Sastra Arab, Fakultas Adab dan Humaniora, UIN Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hijai.v8i1.41133

Abstract

Translating Arabic texts into Indonesian involves a good understanding of semantics. One challenge in translation is selecting the correct meaning for polysemous words (musytarak lafdzi). This study aims to analyze the translation of polysemous words in the film Ahmad bin Hanbal using Roman Jakobson's message code theory. The research method is descriptive qualitative, with data collection techniques including citation and documentation. The data analysis process involves data reduction, presentation, and conclusion drawing. The results show several polysemous words in the film, translated as follows: صنعة as "profession," فتن as "destruction," ديار as "country," خذوه as "take him," جرى as "result," and عرض على as "offering." This study on the translation of polysemous words contributes to the development of semantic studies, particularly in understanding meaning relations related to translation quality. Keywords: Translation, Semantics, Polysemous Words, Message Code Theory
Analisis Gaya Bahasa Figuratif dalam Novel Dlum L Tajiffu Karya Byar Rufael (Kajian Stilistika) Daeng Dullah Jamaung; Akmaliyah Akmaliyah; Mawardi Mawardi
Riwayat: Educational Journal of History and Humanities Vol 8, No 2 (2025): April
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/jr.v8i2.45547

Abstract

his study aims to identify and analyze the figurative language styles used in the novel Dlum L Tajiffu by Byar Rufael through a stylistic approach. This study is conducted to reveal how the use of language styles strengthens the meaning, atmosphere, and message in literary texts. The method used in this research is descriptive qualitative with data collection techniques in the form of listening and note-taking methods on quotations containing figurative language styles. The data is analyzed using Qalyubi's stylistic theory which divides the language style into rhetorical and figurative categories. The results show that there are four dominant figurative language styles in the novel, namely metaphor, synecdoke, personification, and hyperbole, with metaphor as the most frequently used style. The use of these language styles provides an aesthetic effect and enriches the meaning of the narrative, as well as strengthens the characterization and atmosphere in the story. The findings show that figurative language plays an important role in building the novel's expressiveness and literary value.
Co-Authors AB, Moch. Naqieb Abdul Basit Adawiyah, Ayuni Aimmatul Khazanah Akbar Pilayati Albi Majdi Syam Aldy Rialdy Atmadja Alfan Aulawi Alfarizi, Muhammad Zidane Althoof, Sayyid Amiq Amiq Amiq Amiq Amiq Andriana, Lilian Ani Sumiati Anisa Siti Muslimah Anna Miftahul Khasanah Arinal Faiz Al-Fadhil Arsa, Aisyah Salsabila Asep Supianudin Cut Zulfa Zainurrohmah Daeng Dullah Jamaung Dedi Supriadi Desi Mulyasari Diki Aminuloh Dinan El Haq Rahimahullah Eghy Farhan Nugraha Fadhlan Husni Ramdhani Fauzan Nurfalah Fauzani, Naufal Syauqi Fauziyatullah, Hilma Auliya Fitriani, Putri Diesy Fuadah, Hasna Aulia Fuadah, Sulis Samrotul Fuady, Rifqy Jauhar Gumilar, Setia Hafizh, Fadhli Hanif Megantara Hasna Aulia Fuadah Hasyim, Ainun Hendar Riyadi Hendar Riyadi, Hendar Hikmah Nafarozah Ihin Solihin Indra Gunawan Indri Cahyani, Rika Irfan Addriadi Karman Karman Khairuyyasir, Azwar Khomisah Khomisah Laely Maulidiyah M Syaiful Millah M. Rosyid Ridho Makbul Patmanegara Malihatin, Azqi Inda Maman Abdul Djaliel Maman Suherman Mariah, Rahmah Marsha Marsha Meliana Putri Maulana, M. Hijaj Jirjis Mawardi Mawardi Mawardi Mawardi Meris Laudy Febrian Miftahul Khasanah Moch. Naqieb AB Mohammad Rosyid Ridho Mohammad, Ridho Rosyid Moza Mutiara Syaqifa Muchammad Naufal Fauqi Adhiya Muhamad Haidar Alfath Muhammad Amin Muhammad Fachri Muhammad Haritsah Rais Muhammad Haritsah Rais Muhammad Ibnu Pamungkas Muhammad Lutfi Awaludin Muhammad Naufal Fadhlurrohman Muhammad Nurhasan Muhammad Nurhasan muharomi, syahrul Muhimmatul Ulumia Mumu Muhlisin Nailurrahmi, Fitma Navarro, Mochamad Arvin Nida Firdaus Albanjari Niqyatul Muna Nisrina Ulfah, Nisrina Niswah, Az-Zahra Farhatu Nur Afifah Ramadhanty Nurkhalish Rahmat Nurmeila Adawiah Mubarokah Nuryadi, Bagja Ghali Nurzaqiyah, Zulfa Pamungkas, Muhammad Ibnu Peti Pitriyani Qotrun Nada, Dzifriya Ramadhan, Akmal Hibatullah Ramadhani, Nabila Ramadhanty, Nur Afifah Ratnasih, Teti Rayhan Muhamad Ridwan Resa Restu Pauji Rian Muhamad Rian Nuryana Rifqy Jauhar Fuady Riki Gana Suyatna Robi Muhammad Robi Rohanda Rohanda Rohani, Nyimas Ratnita Rosi Hasna Sari Sabrina, Coriena Halwa Saladin, Cundarojat Sidiq Salsabila Nafisah Muthmainnah Salsabila, Naila Sarastika Endang Hapriyonita Sari, Rosi Hasna Setia Gumilar Siti Ma’ani Siti Muslikah Sobrun Jamil, Sobrun Sopiah, Ade Suherman, Hanan Sumiati Sumiati Sumiati Sumiati Sumiati, Ani Supianudin, Asep Syafiq Mughni Syasi, Mohammad Taufiq, Wildan Ulumia, Muhimmatul Wahidah, Izzatin Awalia Wardatussaadah Yadi Janwari Yadi Mardiansyah Yasir Hudzaifah Yuni Lutfiani Lutfiani Zahra Taslitsiyah Khoirunisa Zalifa Nuri Zalifa Nuri Zalifa Nuri Zulfa Nurzaqiyah