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Journal : Dialektika

PEREMPUAN DAN KEMATIAN DALAM SASTRA BANDINGAN: KOLABORASI LAB TEATER CIPUTAT INDONESIA DAN THEATRE COMPANY SHELF JEPANG Pusposari, Wulan; Anoegrajekti, Novi; Gomo Attas, Sitti
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol 10, No 1 (2023)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/dialektika.v10i1.31622

Abstract

The comparative literature used by artists creates a unique experience in supporting the appearance of the works of art they are contemplating. The purpose of writing is to explain the interrelated themes/motifs in the two literary works, namely the short story Rintrik by Danarto and the play Sotoba Komachi by Yukio Mishima and to correlate comparative literary studies in theater collaboration work through testimonies from actors/artists involved in the collaborative program. The research method used is descriptive qualitative by placing the object of research, namely the Indonesian Lab Teater Ciputat group and the Japanese Theater Company shelf which are conducting a performing arts collaboration by crossing two literary works from their respective countries. The results of the study show that the themes/motives of death intertwined in both texts are able to add to the richness of references in the collaborative workspaces of the two groups. The themes or motives of death that are explored in the two literary works through a comparative literary approach convey the intertwining of the two works that were born from different zones/spaces/places. The different perspectives on death from the two main female characters in their respective works will add more image spaces for the two directors in formulating their performances. Comparative literature applied by artist practitioners/practitioners can basically be interpreted as a basis for each individual in responding to knowledge and insight into the field they are involved in to make it wider
PEREMPUAN DAN KEMATIAN DALAM SASTRA BANDINGAN: KOLABORASI LAB TEATER CIPUTAT INDONESIA DAN THEATRE COMPANY SHELF JEPANG Pusposari, Wulan; Anoegrajekti, Novi; Gomo Attas, Sitti
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol. 10 No. 1 (2023)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/dialektika.v10i1.31622

Abstract

The comparative literature used by artists creates a unique experience in supporting the appearance of the works of art they are contemplating. The purpose of writing is to explain the interrelated themes/motifs in the two literary works, namely the short story Rintrik by Danarto and the play Sotoba Komachi by Yukio Mishima and to correlate comparative literary studies in theater collaboration work through testimonies from actors/artists involved in the collaborative program. The research method used is descriptive qualitative by placing the object of research, namely the Indonesian Lab Teater Ciputat group and the Japanese Theater Company shelf which are conducting a performing arts collaboration by crossing two literary works from their respective countries. The results of the study show that the themes/motives of death intertwined in both texts are able to add to the richness of references in the collaborative workspaces of the two groups. The themes or motives of death that are explored in the two literary works through a comparative literary approach convey the intertwining of the two works that were born from different zones/spaces/places. The different perspectives on death from the two main female characters in their respective works will add more image spaces for the two directors in formulating their performances. Comparative literature applied by artist practitioners/practitioners can basically be interpreted as a basis for each individual in responding to knowledge and insight into the field they are involved in to make it wider
Co-Authors Abdul Latif Bustami Abdullah, Khairul Hafezad Abdullah, St. Nur Fadillah Abu Bakar Ramadhan Muhamad Aceng Rahmat Aceng Rahmat Aceng Rahmat, Aceng Achmad Naufal Irsyadi Agustiani, Indah Windra Dwie Alifiah Nurachmana Almyra Diah Pangestu Anak Agung Gde Raka Andriwinata, Momon Anis Rahmawati Arif Firmansyah Asrumi Asrumi Asrumi Asrumi Asrumi Aulia Fauziah Azmin, Gres Grasia D. Nurfajrin Ningsih Diah Pangestu, Almyra Dian Herdiati Dzulqarnain, M. Iskandar Ekka Nur Islahiyah Ely Rusliawati Endang Caturwati Endry Boeriswati Ezik Firman Syah Fida Ul Haq, Muhammad Gomo Attas, Sitti Hanni Miladia Maharani Hanny Rasni Heru S.P. Saputra Heru S.P. Saputra Heru S.P. Saputra Ifan Iskandar Ihwan Rahman Bahtiar Ikwan Setyawan Ikwan Setyawan, Ikwan Imam Qalyubi Imawati, Endah Irsyadi, Achmad Naufal Izzah, Latifatul Kartikasari Ratih Kusumayanti, Dina Dyah Laha, Rafsanjani Hi. Librilianti Kurnia Yuki Librilianti Kurnia Yuki M. Zamroni Miftahulkhairah Anwar Miranti - Misrita Muhammad Kamal Bin Abdul Hakim Muhammad Nur, Kholid Rosyidi Munibi, Ahmad Zaki Nando Zikir Mahattir Ninuk Lustyantie Ninuk Lustyantie Nuruddin Nuruddin Pradicta Nurhuda Pusposari, Wulan Putu Ngurah Suyatna Yasa Rafli, Zainal Ratna Dewanti Ratna Dewanti Rendra Wirawan Rizky Wardhani Saifur Rohman Samsi Setiadi Samsi Setiadi Sandi Budiana Sharfuddin Tajuddin Shobrina Imamah, Nurul Siminto Siti Ansoriyah Siti Gomo Attas Siti Syamsiah Renny Tounbama Suci Annisa Caroline Sudartomo Macaryus Sudartomo Macaryus Sudartomo Macaryus Sudartomo Macaryus Sudartomo Macaryus Sudartomo Macaryus Sudartomo Macaryus Sudartomo Macaryus, Sudartomo Sunarti Mustamar Sya, Mega Febriani Tantut Susanto Titik Maslikatin Trihandayani, Rista Venus Khasanah Venus Khasanah Venus Khasanah Wardani, Rizki Yarmi, Gusti Yoesoef, M Yosawati, Rezky Alviniyanti Yuliati Eka Asi