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All Journal Humaniora PIRAMIDA HUMANIS E-Journal of Tourism E-Journal Of Cultural Studies Jurnal Jurusan Ilmu Keolahragaan Jurnal Pendidikan Ekonomi Undiksha Jurnal Kajian Bali Jurnal Master Pariwisata (JUMPA) JURNAL KERTHA WICAKSANA MUDRA Jurnal Seni Budaya Berkala Arkeologi International Journal of Applied Sciences in Tourism and Events Journal of Applied Sciences in Travel and Hospitality Tumotowa Journal of Business on Hospitality and Tourism Berkala Arkeologi
I Wayan Ardika
Prodi Arkeologi, Fakultas Ilmu Budaya, Universitas Udayana
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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CONFLICT BETWEEN TWO VILLAGES ON TELEVISION SCREEN: ANALYSIS OF THE DISCOURSE OF BALI TV COVERAGE ON KEMONING-BUDAGA CASE Wirawan, I Komang Arba; Ardika, I Wayan Ardika; Wirawan, A.A. Bagus Wirawan
E-Journal of Cultural Studies Vol 8 No 2 (2015): Volume 8, Number 2, May 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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This study is intended to analyze the discourse of Bali TV coverage on the Kemoning –Budaga case, Bali, a conflict which took place on 17 September 2011, which led to discourse of the dispersal of the traditional village ‘desa pakraman’. Such coverage of the case was considered blaming the Governor of Bali, Mangku Pastika. He was reported to intend to disperse the traditional villages in Bali. The Bali TV and Bali Post, which are under the Bali Post Media Group ‘Kelompok Media Bali Post’ (abbreviated to KMB) continuously exploited the discourse of the dispersal of the traditional village subjectively. The Governor of Bali, Mangku Made Pastika, did not accept that and prosecuted the Bali Post in Denpasar Court of First Instance ‘Pengadilan Negeri Denpasar’. The theory of discourse, the theory of agenda setting, the framing theory, and the theory of semiotics are used in the present study. The result of the analysis shows that the conflict between Kemoning Village and Budaga Village covered by the Bali Post was an extended discourse of the Bali Post printed media which was managed using a clear setting agenda for the social, political, and ideological interests of the KMB’s Ajeg Bali. The relation between the Governor of Bali, Mangku Made Pastika, and KMB, which was good in the beginning, changed into a serious conflict. It is interesting to explore the discourse of the Bali TV’s news release which aggravated the conflict in order to identify the subjective agenda of the news broadcasting policy and the counter discourse as the response to it. The main data of the present study are the discourse of the news released by the Bali TV on the Kemoning-Budaga case. The data were in the forms of the documents of the materials which were once presented. The Governor of Bali, Mangku Made Pastika, made use of the Department of the Public Relations of the Government of Bali Province and the media beyond the KMB such as the TVRI Bali and Radar Bali to present his counter discourse. The discourse on the Kemoning-Budaga Case shows a real example how the mass media do not pay attention to objectivity for the sake of power.
CULTURAL CAPITAL AS TOURISM DEVELOPMENT BASIS IN TRADITIONAL VILLAGE OF KUTA Sumadi, Ketut; Ardika, I Wayan; Kutha Ratna, I Nyoman; Mariyah, Emiliana
E-Journal of Cultural Studies Vol. 4, No. 2 Juli 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Tourism is a favourite sector in improving Bali revenue and kind of tourismdeveloped is cultural one. In cultural tourism, it takes place meaning modification ofcultural practice by krama (member) of traditional village) in order to cultural capitalcan survive in the middle of tourism dynamic condition. This research entitled“Cultural capital as tourism development basis in traditional village of Kuta”, byproposing three problems, namely how is the process of cultural capital as tourismdevelopment basis, what factors can motivate tourism capital as tourism developmentbasis, and what is the meaning of cultural capital as tourism development basis.The research is conducted using qualitative method and cultural studiesapproach, so data analysis is conducted in descriptive qualitative and interpretativeones. Selection of traditional village of Kuta as research location based onconsideration that traditional village of Kuta having integrated tourism facilities forfacilities addressed to member of traditional village. The review about culturalcapital as the tourism development basis in this traditional village of Kuta, eclecticstheories consisting of Hegemonic theory of Gramsci, co-modification theory of KarlMarx and Adorno, discourse-power/knowledge and truth theory of Foucoult anddeconstruction theory of Derrida.Based on the research output, it can be known: (1) Cultural capital process astourism development basis in traditional village of Kuta is inseparable fromforeigners arrival in traditional village of Kuta, the entrance of Military (TheCooperative Center of Arm Force) in managing Kuta beach and the occurrence ofBali bombing tragedy on October 12th, 2002; (2) The factors that motivate culturalcapital as the tourism development basis in traditional village of Kuta, such asmotivation and the necessity of tourists visiting traditional village of Kuta, tourismhegemony, changing of life philosophy of member of traditional village fromidealism into pragmatism one and the image as global village; (3) Cultural village astourism development basis in traditional village of Kuta has innovation, religious,preservation of cultural, political identity and prosperity meanings.Behind the success of cultural capital as tourism development basis, itimproves live prosperity, and also it causes negative effect such as there is krama(member) of traditional village for losing their cultural capital. They aremarginalized in economic field as they have no cultural capital in term of knowledgeand skill in tourism area and it is said to be “kidang nyirig pangkung”; they cannot utilize the opportunity of tourism market well. As consequence in traditional villageof Kuta, there are still poor families and they have no suitable housing.
TOURISM AS REFLECTED IN TRAVELLING WOMEN: A COMPARATIVE CULTURAL STUDY ON THE NOVELS OF DAISY MILLER, A PASSAGE TO INDIA, AND PADA SEBUAH KAPAL Hartiningsih, Sri; Ardika, I Wayan; Kutha Ratna, I Nyoman; Paramartha, I Gde
E-Journal of Cultural Studies Vol. 3, No. 2 Juli 2009
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Travelling has occurred since a long time ago. Travelling is not only done by men butalso by women. In relation to travelling, travelling done by women is examined, especially thelandlady’s environment, as there is a relationship between the host and the guest. The researchproblems are (1) how is reflection of tourism in the travelling women portrayed on the novels ofDaisy Miller, A Passage to India, and Pada Sebuah Kapal?. (2) How are motivating andattracting factors related to tourism as reflected in the travelling women articulated on the novelsof Daisy Miller, A Passage to India, and Pada Sebuah Kapal?. (3) How do cultural barriersoccur in tourism as reflected in the travelling women on Daisy Miller, a Passage to India, andPada Sebuah Kapal novel? In general, this research is to find out the comparison of travellingdone by women. Specifically, it is to discover the reflection of tourism, how the motivating andattracting factors and cultural barriers occur in tourism as reflected in the travelling done bywomen.This research is conducted on three novels, Daisy Miller written by Henry James, APassage To India by E.M. Forster, and Pada Sebuah Kapal by NH. Dini called comparativeliterature showing the continents of America, Europe and Asia. Discussing the three continents,this research is called global literature. Hermeneutic method was used to interpret the content ofthose three novels by employing deconstruction, postcolonial and feminism theories. The maindata were taken from those novels and the location of the research was both at private librariesand state libraries or institutions and websites. To support the main data, secondary data werealso needed, which in this case, were obtained by interviewing the women who have travelledabroad. Then the results were formally and informally presented.The findings show that the reflection of tourism in travelling done by women is representedby family companion, and that the means of transportation to their destinations are indigenousmeans of transportation and that the tourist objects visited are art metamorphosis, travel hyperreality,sacred places and natural and human recreational places. The factors motive ting thewomen to travel are inter personal, cultural, status and prestige. The things making theminterested in travelling are: the Castle of Chillon in Switzerland and the regions’s history, theevening party in Italy as a tradition to welcome new people, the architectures of Caesars’Palaces, the Coliseum and Chandrapore club as a tradition to welcome new people, the bridge party to know the language spoken and dress worn – traditional costumes of India, Koyasan asBuddhist religion and Paris as the centre of dress model. Cultural barriers refer to differentetiquettes, ideologies and moral values resulting in different ways of travelling and theirsolutions.Knowing the culture of the destination that is going to be visited is really needed, at least inorder not to know nothing at all about such a destination; furthermore, it reduces culturalbarriers. That is why cross cultural understanding is really necessarily given not only to thedoers of tourism but also to all institutions in order to reduce misunderstanding and increaseappreciation towards each other.
IDENTITY REPRODUCTION AND IMAGE OF MAHAGOTRA PASEK SANAK SAPTA RSI TOWARD HINDU COMMUNITY IN MATARAM CITY, WEST NUSA TENGGARA Ardhi Wirawan, I Wayan; Ardika, I Wayan; Suastika, I Made; Mariyah, Emiliana
E-Journal of Cultural Studies Vol. 4, No. 1 Januari 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Identity reproduction and image which actualized by soroh (clan) of Pasekorganized in paguyuban (group) of Mahagotra Pasek Sanak Sapta Rsi (MPSSR)toward Hindu community in Mataram City, West Nusa Tenggara has closelyrelation with social religious movement which has the effort to restructurepermanent Hindu practices. This movement has the effort to represent theirancestor practice contemporarily in term of social religious space in whichmonolithic one it is accumulated to restructure the priest symbols. Thisphenomenon is indicated by the struggle in appointing pandita mpu as priestsymbol from MPSSR. Bhisama (spiritual message) deriving from their ancestorsoroh Pasek is based on operational basis of social religious movement actualizedby MPSSR which is explicitly narrated that the ancestor of soroh Pasek hasprevilese to be religious priests. Bhisama also says that the generation of sorohPasek can unite their family binding in term of indigenous relations. Thisphenomenon implies reunification among soroh Pasek for disposition torestructure permanent sidhikara system since the history of Hindu community inMataram city.This social religious of MPSSR is legitimated through the image for theeffort to establish positive image to be distributed toward Hindu community inMataram city. The image creation is conducted by applying investment strategy ofany capitals such a economy, culture, social and symbolic one in accordance withcapital concept proposed by Pierre Bourdieu to explain power relations. Identityreproduction and image of MPSSR toward Hindu community in Mataram citythough the appointment of pandita mpu and reunification of indigenous basiswhere it is closely related with the struggle in reaching symbolic power in Hindupractices.
RELIGIOSITY IN ART INSPIRED BY SAMUAN TIGA AND TEJAKULA, BALI: UNITY IN DIVERSITY Butler, Diane Carol; Ardika, I Wayan; Sedyawati, Edi; Parimartha, I Gde
E-Journal of Cultural Studies Vol. 5, No. 2 Juli 2011
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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At the dawn of this third millennium, growing numbers of forums worldwide are focused on the issue of how to sustain the diversity of the nature and of cultures for the well-being of the Earth and humanity. Concurrently, intercultural and interreligious dialogue is deemed essential for social cohesion. This dissertation advances the contributions of religiosity in art through a qualitative reflective account and chronicle of the art and dialogues offered by people of diverse cultures and faiths from 1999 to 2004 during Sharing Art & Religiosity in the vicinity of Pura Samuan Tiga in Bedulu, Bali and Sharing Art Ocean– Mountain at  the  seacoast village of Tejakula, North  Bali;  seen in  tandem  with creative transformations that occurred through Sharing Art in and with other cultural environments of the world. Methodologically this study stemmed from and demonstrates the merits of public participatory   practice-based   art   programs   whereby   activities   are   conceived   by   and implemented with the people of a locale. Participants generated the data and interpretations via mutual cooperation, dialogue, and creative praxis. The Balinese principle of Tri Hita Karana, that aims toward a harmonious human-nature-God/Source of Life relationship in accord with the place-time-conditions, provided a holistic perspective to analyze and derive meaning from the results. Findings indicate sharing in the arts, religiosity, and nature fosters a common field such that traditional and modern cultures can study and engage in creative dialogue together. Moreover, interreligious innovations that have continued to develop since the seminal deliberation  of  reconciliation  between  Bali  Aga,  Çiwaist,  and  Buddhist  faith  groups  at Samuan Tiga circa CE 989 to 1011 and intercultural egalitarian innovations since the seventeenth century dialogue of indigenous and migrant mountain and maritime cultures in Tejakula – constitute a model for furthering bhinneka tunggal ika unity in diversity in the world today. Recommendations outline how the findings can be used for cooperative exchanges between villages and between villages and cities of diverse regions and countries to support interculture in cultural environments. Appendices provide two video compact discs; seventy- nine  reflective  essays  by artists,  religious/spiritual leaders,  scholars,  and  educators  from across the world; and nine transcriptions of initial public dialogues.
THE ROLE PLAYED BY THE STAKEHOLDERS IN THE INDUSTRIALIZATION OF THE ART OF CRAFT AT TEGALLALANG, GIANYAR, BALI Sila, I Nyoman; Ardika, I Wayan; Atmadja, Nengah Bawa; Dhana, I Nyoman
E-Journal of Cultural Studies Volume 10, Number 1, February 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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The industrialization of the art of craft at Tegallalang, Gianyar, Bali results from the technological, economic and cultural development and leads to the production of different types of products of the art of craft. The industrialization of the art of craft cannot be separated from the role played by the stakeholders in order to obtain benefit. The problems of the study are as follows (a) what stakeholders play roles in the industrialization of the art of craft at Tegallalang, Gianyar, Bali? (2) How the stakeholders play their roles in the industrialization of the art of craft at Tegallalang, Gianyar, Bali? This present study is a qualitative one in which the critical theory of social practice proposed by Bourdieu and the ethnographic approach are used. The result of the study shows that the stakeholders playing roles in the industrialization of the art of craft at Tegallalang, Gianyar, Bali include the parents, the traditional village, the administrative village, the local government, the provincial government, craftsmen, the raw material supplier, the formal and informal financial institution, and foreign consumers. The stakeholders play their roles using different capitals such as the cultural capital, social capital, and economical capital. Those who have big capitals will dominate those who have fewer capitals and organize what products should be produced.
RITUAL AS POLITICS: RAJU CULTURAL PRACTICE IN PLURAL SOCIETY OF MBAWA, WEST NUSA TENGGARA Wahid, Abdul Wahid; Ardika, I Wayan Ardika; Mbete, Aron Meko; Mariyah, Emiliana Mariyah
E-Journal of Cultural Studies Vol 8 No 2 (2015): Volume 8, Number 2, May 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Since the New Order government the religious politics has obliged residents to adhere to one of the five official religions, causing the Mbawa society to be a plural one. They have welcome Christianity and Islam, but they still maintain their old belief, that is, Parafu. Movements have appeared in the society. The people were between peace and conflict. The last movements led to violence, taking place in 1969, 1972, and 2000. The Raju cultural practice is maintained within the context of Islamic and Christian contestations, and has been used as the arena of cultural fight. This present study discusses how the Raju ritual frees itself and its supporting people from the conflict, and how it is transformed into a means of supervising peace. The perspective of the critical theory was used in the present study to explore the texts of the Mbawa society. The discourse analysis was used to guide the discussion. Based on the fieldwork done at Mbawa from 2011 to 2014, several constructions of the Raju cultural practices were found. First, the Raju practice refers to the maintenance of identity and supremacy of the Mbawa society as conserver of the ancestor’s tradition; second, the Raju cultural practice functions as a mechanism of internal solidarity, so horizontal conflict can be avoided; and third, the Raju cultural practice plays a role as a means of revealing the “resistance” to as well as “acceptance” of the other people’s cultural domination. The finding of the study gives better understanding of the tradition-based management of conflict. It is such a character which, to some extent, has caused the Raju cultural practice to be the practice of management conflict. The significant cultural position of the Mbawa plural society could be identified from the discursive space and its potential as means of communication.
THE PERCEPTION OF THE TEENAGERS OF PREMARITAL SEXUAL IN DENPASAR: CULTURE STUDIES PERSPECTIVE Pradnyaparamita DuarsaI, Dyah; Ardika, Wayan; Hakimi, Mohammad; Mariyah, Emiliana
E-Journal of Cultural Studies Vol. 4, No. 1 Januari 2010
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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The Balinese culture, mainly the community of Denpasar, is the result of along process of culture assimilation and aculturization. The modern culture whichenters Bali in some aspects includes their teenagers’ way of life and modern lifestyle. This research’s purposes: what are the teenagers’ perceptions aboutpremarital sex themselves? what are the factors that shaped the teenagers’perception?, and what is the effect and significance of the teenagers’ perception ofpremarital sex within their group in social and value systems? This research isconducted by qualitative methods with a hermeneutic and phenomenologicalapproach. The data are obtained by in-depth interview, focused group discussion(FGD) and by taking a picture with using in-depth interview, FGD andobservational guide as instruments. The informants are teenagers between 10 – 24years old in Denpasar, and the key informants are teenagers who have done sex.Teenagers are students of high school, universities as well as teens who workedand have earned. In-depth interviews are also carried out on public and religiousfigures, policy-maker in education affair, student advisors, onlooker sexualproblems as well as parents. Informants selected purposively, who have a lot ofinformation related sex among teenagers. Theories are used: The Theory ofPerception, The Theory of Hegemony, The Theory of Lifestyle and Youth Sub-Culture, and The Theory of Power and Knowledge.The result shown teenagers generally still have an ideal perception. On theother hand, there are teens who have committed premarital sex have a realityperception. The determinant factors of the perception are internal and externalfactors. The reality perception of teenagers stimulates premarital sex to becomemore widespread. The perception also influences a socio-cultural phenomenonwhich includes: cultural, social and health dimension. The perception need to beanticipated in a constructive way; that is by increasing the power of internalfactors and eliminating negative aspect of external factors.
REPRESENTATION OF KEBAYA FASHION IN JAGATNATHA TEMPLE DENPASAR Sri Suasmini, I Dewa Ayu; Ardika, I Wayan; Sulistyawati, Sulistyawati; Wiasti, Ni Made
E-Journal of Cultural Studies Volume 11, Number 4, November 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Abstract

Kebaya is a traditional Balinese outfit worn during religious ceremonies. Kebaya as a fashion boss today is experiencing rapid development. Women in the city of Denpasar tend to follow the trend of fesyenkebaya when offering worship to the temple. Modern kebaya is a choice as a representation when going to the Great Jagatnatha Temple. Women always want to appear fasionabeldan want to be the center of attention. As if the Great Jagatnatha Temple was used as a fashion show stage by women in Denpasar City. This phenomenon is interesting to study in the formulation of the problem, which is the fashion style to Agung Jagatnatha Temple as a representation of women in Denpasar City. This study used descriptive qualitative method. The theory used is representation theory and consumerism. The results of this study indicate that the reason women represent kebaya to temple is because the development of kebaya today is very rapid. This development is due to the advancement of technology and information so that materials and models of kebaya can be quickly produced. This causes women to wear trendy kebaya so that it is not considered outdated. Pura Agung Jagatnatha is a public temple and the largest temple in the city of Denpasar is always crowded with visitors on Hindu religious holidays. Agung Jagatnatha Temple is used as a place to represent the performance during prayer. For contemporary women in the city of Denpasar, not only when attending a reception, when praying to the temple must also be fashionable. Keywords: representation, fashion kebaya to temple, fashionable.
LOCAL POLITICAL DYNAMICS IN THE GENERAL ELECTION DIRECTLY CONDUCTED TO VOTE FOR DISTRICT HEADS (PILKADA) IN BADUNG REGENCY IN 2005 Oka Wisnumurti, Anak Agung Gede; Ardika, I Wayan; Parimartha, I Gde; Pasek Diantha, I Made
E-Journal of Cultural Studies Vol. 5, No. 2 Juli 2011
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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The general election directly conducted to vote for the regent and vice regent(Pemilihan Kepala Daerah, abbreviated to Pilkada) by the people in Badung Regency in2005 was the first one. The people’s direct involvement in the local political life movedhighly dynamically. The struggle for power by various strengths affected variousdimensions of the people’s lives; therefore, it is interesting to investigate the localpolitical dynamics in the Pilkada directly conducted in Badung Regency in 2005 in theperspective of cultural studies. There are three problems formulated in this study. Theyare (1) what was the dynamics of the Pilkada directly conducted in Badung Regency in2005 like?; (2) how the relation of strengths affected the local political dynamics in thePilkada directly conducted in Badung Regency in 2005?; (3) what were the implicationsand meanings of the local political dynamics of the Pilkada directly conducted in BadungRegency in 2005?The results of the study show that fluctuative changes took place continuouslywith regard to the form and functions of societal structure. Culturally, the people’sideology changed from being mono centric into being multi centric. The relation ofstrengths became segmented into three main strengths forming a new formation ofstrength referred to as trisula. This led to an institutional configuration, differentiation ofpower and locality sedimentation, and provided meanings to competition and tolerance,emancipatory, political comodification, adaptive leadership and local democratic culturalstrengthening.
Co-Authors A.A. Gede Raka Raka, A.A. Gede Raka A.A. Raka Sita Laksmi, A.A. Raka Sita Abd. Rasyid Syamsuri Abdul Wahid Wahid, Abdul Wahid Anak Agung Bagus Wirawan Anak Agung Gede Oka Wisnumurti Andreas Anton Priyambodo Arba Wirawan, I Komang Aron Meko Mbete Aron Meko Mbete Artayani, Ida Ayu Gede Asmyta Surbakti Coleta Palupi Titasari Diane Carol Butler Dr. I Gde M.A. Parimartha Dr. Pudentia M.A. MPSS Dyah Pradnyaparmita Duarsa Edi Sedyawati Emiliana Mariyah Euis Dewi Yuliana Gede Doddy Tisna MS Gede Sudjana Budhiasa Haris, Iyus Akhmad I Dewa Ayu Sri Suasmini, I Dewa Ayu I Gde Paramartha I Gde Parimartha I Gde Parimartha Parimartha, I Gde Parimartha I Gde Semadi Astra I Gede Mudana I Gede Parimartha I Gst. Bagus Suka Arjawa I Gusti Ayu Melistyari Dewi I Gusti Ketut Gde Arsana, I Gusti Ketut Gde I Gusti Ketut Purnaya, I Gusti Ketut I Gusti Ngurah Sudiana I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Gede Harsana, I Ketut Gede I Ketut Setiawan I Ketut Suda I Ketut Sumadi I Made Antara I Made Pasek Diantha I Made Suastika I MADE SURADNYA I Made Titib I Nengah Bawa Atmadja I Nengah Bawa Atmaja I Nengah Dasi Astawa I Nengah Punia I Nyoman Arthanegara I Nyoman Darma Putra I Nyoman Dhana I Nyoman Kutha Ratna I Nyoman Madiun I Nyoman Madiun I Nyoman Sila I Nyoman Sirtha I Nyoman Suarka I Nyoman Sunarta I NYOMAN WIJAYA I Putu Suhartika I Wayan Ardhi Wirawan I Wayan Deddy Sumantra I Wayan Putra Aditya I Wayan Restu Suarmana I Wayan Srijaya I Wayan Srijaya I Wayan Suardiana I Wayan Suteja I Wayan Suwena I Wayan Suwena Ida Ayu Gede Artayani Ida Ayu Made Gayatri, Ida Ayu Made Ida Bagus Gde Pujaastawa Ida Bagus Kade Subhiksu IGN Tara Wiguna Jama, Karolus Budiman Kadek Wisnu Saputra Koerniawaty, Francisca Titing La Ode Ali Basri Luh Putu Ratna Sundari Luh Suwita Utami Made Heny Urmila Dewi Mohammad Hakimi Naswan Suharsono Nengah Bawa Atmadja Nengah Bawa Atmaja Ni Luh Nyoman Kebayantini Ni Luh Sutjiati Beratha Ni Made Ary Widiastini NI MADE WIASTI Ni Made Wiratini Ni Nyoman Ayu Vidya Trisna Prilyandani Nyoman Darma Putra Nyoman Dini Andiani Nyoman Putri Aras Kembang Nyoman Sunarta NYOMAN SUTAWAN Pande Made Suputra Prof. Dr. I Gde M.A. Parimartha Prof. Dr. Ir. Hj. Keppi M.S. Sukesi Prof. Dr. R.M. Soedarsono Putu Sukardja Ramanda Dimas Surya Dinata Rochtri Agung Bawono S.Ked. dr. Made Budiawan . Salsabila, Unik Hanifah Sanjaya, I Wayan Kiki Sri Hartiningsih SRI LESTARI Sutamat Arybowo Syairal Fahmy Dalimunthe TATI NURHAYATI Trisakti Handayani Westerlaken, Rodney Zuraidah .