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Identifikasi Anatomi dan Analisis Jejak Pemanfaatan Tulang Babi di Situs Gua Gede, Nusa Penida Bali Andreas Anton Priyambodo; I Wayan Ardika; Rochtri Agung Bawono
Tumotowa Vol 4 No 1 (2021): Tumotowa
Publisher : Balai Arkeologi Provinsi Sulawesi Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/tmt.v4i1.81

Abstract

Nusa Penida sudah dihuni secara intensif oleh manusia dan berpotensi variasi faunanya sejakmasa Pleistosen. Penelitian ini secara spesifik membahas spesimen dari famili suidae (babi)yang ditemukan di Nusa Penida. Sejak zaman Prasejarah babi menjadi salah satu buruanfavorit manusia yang dimanfaatkan sebagai makanan. Terdapatnya aktivitas penjagalan(butchering) dan jejak pembakaran mengindikasikan pemanfaatan babi yang dilakukanmanusia. Tujuan umum penelitian ini adalah mencari hubungan antara temuan tulang babi diSitus Gua Gede dengan aktivitas manusia. Proses identifikasi anatomi dilakukan untukmengetahui temuan secara mengkhusus mengenai kuantitas dan variasi usia yang ditemukanmelalui spesimen babi yang berada di situs dan analisis jejak pemanfaatan dilakukan untuk melihat bukti strategi subsistensi penghuni Situs Gua Gede, Nusa Penida.
SAPATHA DALAM RELASI KUASA DAN PENDISIPLINAN PADA MASYARAKAT BALI KUNO ABAD IX-XIV MASEHI I Wayan Ardika; I Ketut Setiawan; IGN Tara Wiguna; I Wayan Srijaya
Berkala Arkeologi Vol 38 No 1 (2018)
Publisher : Balai Arkeologi Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2235.408 KB) | DOI: 10.30883/jba.v38i1.231

Abstract

Inscription is a written record which contains regulation or law and should be obeyed by officers or functionaries and community in general. Sapatha or curse was normally written at the end of the inscription which states the punishment for those who objected the regulations or laws. People punished morally if they objected the regulations or law include seven times to be reincarnated and surfering in all their lives. Sapatha or curse was seen as a discourse in relation of power and knowledge of the kings who reigned in the Old Balinese period. This article explores the sapatha or curse in Old Balinese inscriptions dated from the IX up to XIV century. The aim of this article is to describe the relationship of power and knowledge, as well as discipline and punishment in ancient Bali. Data was gained through documentary studies and interpreted hermeneutically. Theories of ideology, knowledge and power, as well as discipline and punishment will be applied in this article.
Sound and meaning of megalithic traditional village as a touristic consumption Francisca Titing Koerniawaty; I Wayan Ardika
Journal of Business on Hospitality and Tourism Vol 7, No 3 (2021): JOURNAL OF BUSINESS ON HOSPITALITY AND TOURISM
Publisher : Institut Pariwisata dan Bisnis Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (223.391 KB) | DOI: 10.22334/jbhost.v7i3.330

Abstract

This study aims were to criticize and analyse the patterns of the cultural heritage of megalithic traditional village-Bena. The sound and meaning were to reflect the domestic and international tourists towards the cultural heritage of megalithic traditional village-Bena as a touristic consumption.  Bena is the oldest and well-preserved of a megalithic traditional village located in Ngada Regency, East Nusa Tenggara Province.  This qualitative study with ethnographic approach led to depth analysis on tourists’ perception towards the megalithic traditional village of Bena as a touristic consumption. The minority of tourists’ complaint constructs or damages, doesn’t it?
SAPATHA DALAM RELASI KUASA DAN PENDISIPLINAN PADA MASYARAKAT BALI KUNO ABAD IX-XIV MASEHI I Wayan Ardika; I Ketut Setiawan; IGN Tara Wiguna; I Wayan Srijaya
Berkala Arkeologi Vol. 38 No. 1 (2018)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v38i1.231

Abstract

Abstract Inscription is a written record which contains regulation or law and should be obeyed by officers or functionaries and community in general. Sapatha or curse was normally written at the end of the inscription which states the punishment for those who objected the regulations or laws. People punished morally if they objected the regulations or law include seven times to be reincarnated and surfering in all their lives. Sapatha or curse was seen as a discourse in relation of power and knowledge of the kings who reigned in the Old Balinese period. This article explores the sapatha or curse in Old Balinese inscriptions dated from the IX up to XIV century. The aim of this article is to describe the relationship of power and knowledge, as well as discipline and punishment in ancient Bali. Data was gained through documentary studies and interpreted hermeneutically. Theories of ideology, knowledge and power, as well as discipline and punishment will be applied in this article.
POWER RELATIONS PRACTICES IN HIGHER EDUCATION ELECTRONIC LIBRARY IN BALI I Putu Suhartika; I Wayan Ardika; I Ketut Ardhana; I Nengah Punia
E-Journal of Cultural Studies Vol 15 No 1 (2022): Volume 15, Number 1, February 2022
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2022.v15.i01.p04

Abstract

Electronic library is apart of the implementation of information and communication technology in libraries as mandated in Law No. 43 of 2007 and SNP 010: 2011. There are various obstacles in developing electronic library which are especially related to the power relations of actors. Therefore, this study aims to analyze the practice of power relations in the electronic libraries of universities in Bali so that the processes, forms, and implications of these power relations can be revealed. This study uses 17 (seventeen) library actors consisting of the Head of the Library, Vice Chancellor I, Librarians, Programmers, and Users spread over 5 (five) universities in Bali as informants who were interviewed semi-structured. This study uses Foucault's theory of power relations as a grand theory, and is supported by Derrida's theory of deconstruction and Gramsci's hegemony. The results showed that the practice of power relations in university libraries in Bali is mainly based on the actor's knowledge. This is in accordance with Foucault's perspective where knowledge can produce power in the electronic library. However, the practice is also based on the structural position of actors, so that power relations are not always balanced, but also in the form of domination, negotiation, and hegemony which are depicted in power frames. The practice has good implications for libraries, especially for users, librarians, programmers, and library collections, although in certain cases, power relations provide gaps between these actors. Keywords: electronic library, power relation, domination, deconstruction, and hegemony
IMPLEMENTATION OF BALI GOVERNOR REGULATION NUMBER 97/2019 THROUGH A POSTMODERN APPROACH STUDY Sri Lestari; I Wayan Ardika; I Nyoman Wijaya
E-Journal of Cultural Studies Volume 13, Number 3, August 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2020.v13.i03.p05

Abstract

This study talks about the meaning of journalists, intellectuals and cultural observers of the Koster Ace government Governor Regulation No. 97 of 2018 which began to be implemented at the end of 2018.This policy aims to serve as a guideline by the local government of Bali in formulating technical policies in the field of limiting plastic waste generation Disposable (PSP). This phenomenon is studied using a Postmodern approach, so that the methodology, theory, epistemology, and research objectives must be in sync with it. The methodology is taken from a genealogy method which is in sync with Foucault's theory of power relations of knowledge. Assisted by Bourdieu's generative structural theory. The goal is to get an understanding or meaning of the meaning of the regulation. Meaning in studies comes from 'from within' through the point of view of the actors who practice the meaning itself. Every form of meaningful practice is influenced by épistémè, reasoning, and experiences that shape the knowledge of its meaning as conceptualized in Foucault's theory and Bourdieu's cultural capital. Substantially, all interpreters agree that this regulation is one way to overcome the problem of single-use plastic waste (PSP), but there are still many weaknesses when it is implemented in the community. The weakness lies in the absence of an in-depth academic study before the regulation is implemented. As the essence of the conclusion, it can be seen that the meaning of journalists, intellectuals, and humanists for the governorship shows a contestation (struggle or resistance), but in it there is no visible negotiation of the dominant powers. Their meaning can be referred to as a form or reflection of the level of knowledge of each interpreter, which ultimately leads to productive powers towards Pergub No. 97 of 2018. Keywords: meaning, journalist, intellectual, humanist, governorate
THE DYNAMIC OF CACI MULTIFUNCTION IN MANGGARAI ETHNIC NOWADAYS Karolus Budiman Jama; I Wayan Ardika; I Ketut Ardhana; I Ketut Setiawan
E-Journal of Cultural Studies Volume 13, Number 1, February 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (871.988 KB) | DOI: 10.24843/cs.2020.v13.i01.p02

Abstract

Manggaraian ethnic has a special art named Caci. The art holds and became an identity of the whole of Manggaraian. The art was begun as the ritual of farmer’s land fertility. In its developing, the aesthetic has gone under the multifunction in it show time. The art is not only performing for the shake of the local people culture, but also perform for the political interest as well as the catholic church in Mangggarai. This research used ethnographic method, data collected through the observation, interview, documentation, and triangulation. The research was done in Manggaraian ethnic of Flores. Every Caci performance has its own unique ideology. The ideology goes behind the cultural Caci performance is the ideology of fertility. The ideology goes behind the government interest of Caci performance is capitalism economy and political power. The church ideology is inclusivism through the inculturation languages. Keywords: dynamic, multifunction, caci, ideology, culture identity
POLITICS OF IDENTITY AND THE CASE OF AHOK’S RELIGION BLASPHEMY IN THE 2017 DKI JAKARTA ELECTION Syairal Fahmy Dalimunthe; I Wayan Ardika; I Nyoman Darma Putra; I Gst. Bagus Suka Arjawa
E-Journal of Cultural Studies Volume 13, Number 1, February 2020
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (908.843 KB) | DOI: 10.24843/cs.2020.v13.i01.p03

Abstract

Identity politics are often used in political contestation. Primordialism in similar religious and ethnic contexts creates the division and color of whose groups and supports whom. The purpose of this study is to understand and explain the politicization of religion and ethnicity in the DKI Jakarta 2017 elections. This study uses a cultural study approach with interpretive analysis techniques. The case of blasphemy by Ahok triggered the politicization of religion and ethnicity in the 2017 DKI Jakarta elections. Mass mobilization in the form of boycotts and the use of holy verses in choosing leaders was very massive carried out during the campaign period to increase the electoral effect. Identity is no longer purely a social movement to fight for a positive change, but rather a tool for the political elite to compartmentalize the masses in an effort to achieve their group goals. The identity politics that was triggered by the case of blasphemy by Ahok created a process of group exclusivity towards other groups on the basis of religion and ethnicity in winning a political battle. Keywords: Identity politics, blasphemy of religion, Ahok, primordialism
ABSTRACT LOCAL CULTURAL ARTS IN THE GLOBAL ERA I Wayan Deddy Sumantra; I Made Suastika; I Wayan Ardika; I Wayan Suardiana
E-Journal of Cultural Studies Vol 14 No 2 (2021): Volume 14, Number 2, May 2021
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2021.v14.i02.p04

Abstract

The art of Local culture will be more meaningful because of being able to push the spirit of love with the pluralism toward human's life and universe. Meanwhile, media technology as the physical result of culture that lacks spiritual values ??if compared to custom, religion and art will lose its function to increase human's life quality. Values, norms and ethics contained in customary rules that are reflected in art of culture are indeed useful references in the globalization era. This research used qualitative data that were then analyzed descriptively. According to Alvin Boskoff's thought, it shows that factors becoming challenges for local culture are the change of cultural value systems in society and the death of traditional art forms in several areas in Nusantara caused by technology in the global era. The art of Local culture is one of components that gives Indonesian identity as a special community that exists among nations in this world. Therefore it is necessary to grow awareness particularly in young generations in order to comprehend more about their culture by empowering local wisdom growing in the cultural areas of whole Nusantara. Keywords: Art of Culture, local, the change of value, global
PREWEDDING PHOTO HYPERREALITY IN BALI Ramanda Dimas Surya Dinata; I Wayan Ardika; I Nyoman Darma Putra; Ida Bagus Gde Pujaastawa
E-Journal of Cultural Studies Vol 15 No 3 (2022): Volume 15, Number 3, August 2022
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/cs.2022.v15.i03.p02

Abstract

The practice of Hindu marriages in Bali has been unknowingly hit by the name pop culture, or in lifestyle terms as pre-wedding photos. The wedding customs of the Hindu community in Bali as a local tradition or local culture that previously did not recognize the term pre-wedding photos began to be inserted and produced through materialistic discourses and practices. Pre-wedding photos encourage the presence of an element of hyperreality from the millennial lifestyle that is mixed by digital and virtual spaces, as a trend of 'futuristic', 'replica', and 'copy' which has actually surpassed reality itself since its presence in 1996. The research is located in Bali and uses qualitative methods. The problems studied include (1) why there is a tendency for hyperreality in pre-wedding photos; (2) what are the forms of hyperreality of pre-wedding photos in Bali; (3) what are the implications of the hyperreality of pre-wedding photos in Bali. In general, this research is to deconstruct what is behind the pre-wedding photo phenomenon and reveal facts that can provide an overview of knowledge and understanding of its relationship with the hyper-reality of pre-wedding photos in Bali. The analysis of this research uses several theories, namely hypersemiotic theory, deconstruction theory, and commodification theory. The results show that (1) the factors that cause hyperreality in pre-wedding photos are lifestyle factors, commercial industry factors, globalization factors, and the factors of negotiation between photographers and clients (brides); (2) forms of hyperreality in pre-wedding photos in Bali show visual engineering, cultural fabrication, love accentuation, hybrid identity, parody and reinterpretation of style; (3) the implications of the hyperreality of pre-wedding photos in Bali show three implications, namely the implications of aesthetic innovation, the implications of an unstable commercial industry, and the implications of shifting meaning. What is presented in the pre-wedding photo phenomenon is a celebration of desire (symbol sales) in various manipulative ways and various supporting media. Keywords: Hyperreality, pre-wedding photos, Hindu community, Bali
Co-Authors A.A. Gede Raka Raka, A.A. Gede Raka A.A. Raka Sita Laksmi, A.A. Raka Sita Abd. Rasyid Syamsuri Abdul Wahid Wahid, Abdul Wahid Anak Agung Bagus Wirawan Anak Agung Gede Oka Wisnumurti Andreas Anton Priyambodo Arba Wirawan, I Komang Aron Meko Mbete Aron Meko Mbete Artayani, Ida Ayu Gede Asmyta Surbakti Coleta Palupi Titasari Diane Carol Butler Dr. I Gde M.A. Parimartha Dr. Pudentia M.A. MPSS Dyah Pradnyaparmita Duarsa Edi Sedyawati Emiliana Mariyah Euis Dewi Yuliana Gede Doddy Tisna MS Gede Sudjana Budhiasa Haris, Iyus Akhmad I Dewa Ayu Sri Suasmini, I Dewa Ayu I Gde Paramartha I Gde Parimartha I Gde Parimartha Parimartha, I Gde Parimartha I Gde Semadi Astra I Gede Mudana I Gede Parimartha I Gst. Bagus Suka Arjawa I Gusti Ayu Melistyari Dewi I Gusti Ketut Gde Arsana, I Gusti Ketut Gde I Gusti Ketut Purnaya, I Gusti Ketut I Gusti Ngurah Sudiana I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Gede Harsana, I Ketut Gede I Ketut Setiawan I Ketut Suda I Ketut Sumadi I Made Antara I Made Pasek Diantha I Made Suastika I MADE SURADNYA I Made Titib I Nengah Bawa Atmadja I Nengah Bawa Atmaja I Nengah Dasi Astawa I Nengah Punia I Nyoman Arthanegara I Nyoman Darma Putra I Nyoman Dhana I Nyoman Kutha Ratna I Nyoman Madiun I Nyoman Madiun I Nyoman Sila I Nyoman Sirtha I Nyoman Suarka I Nyoman Sunarta I NYOMAN WIJAYA I Putu Suhartika I Wayan Ardhi Wirawan I Wayan Deddy Sumantra I Wayan Putra Aditya I Wayan Restu Suarmana I Wayan Srijaya I Wayan Srijaya I Wayan Suardiana I Wayan Suteja I Wayan Suwena I Wayan Suwena Ida Ayu Gede Artayani Ida Ayu Made Gayatri, Ida Ayu Made Ida Bagus Gde Pujaastawa Ida Bagus Kade Subhiksu IGN Tara Wiguna Jama, Karolus Budiman Kadek Wisnu Saputra Koerniawaty, Francisca Titing La Ode Ali Basri Luh Putu Ratna Sundari Luh Suwita Utami Made Heny Urmila Dewi Mohammad Hakimi Naswan Suharsono Nengah Bawa Atmadja Nengah Bawa Atmaja Ni Luh Nyoman Kebayantini Ni Luh Sutjiati Beratha Ni Made Ary Widiastini NI MADE WIASTI Ni Made Wiratini Ni Nyoman Ayu Vidya Trisna Prilyandani Nyoman Darma Putra Nyoman Dini Andiani Nyoman Putri Aras Kembang Nyoman Sunarta NYOMAN SUTAWAN Pande Made Suputra Prof. Dr. I Gde M.A. Parimartha Prof. Dr. Ir. Hj. Keppi M.S. Sukesi Prof. Dr. R.M. Soedarsono Putu Sukardja Ramanda Dimas Surya Dinata Rochtri Agung Bawono S.Ked. dr. Made Budiawan . Salsabila, Unik Hanifah Sanjaya, I Wayan Kiki Sri Hartiningsih SRI LESTARI Sutamat Arybowo Syairal Fahmy Dalimunthe TATI NURHAYATI Trisakti Handayani Westerlaken, Rodney Zuraidah .