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Journal : Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia

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Kinesik Berkonteks Maluku dalam Film Cahaya Dari Timur Beta Maluku (Kajian Pragmatik) Wally, Firman; Maisaroh, Siti; Martutik
GHANCARAN: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol. 6 No. 2 (2025)
Publisher : Tadris Bahasa Indonesia, Fakultas Tarbiyah, Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ghancaran.v6i2.11546

Abstract

This research examines kinesics, or the study of body movements in nonverbal communication. It aims to describe the forms and meanings of kinesics in the cultural context of Maluku, as depicted in the film Cahaya dari Timur Beta Maluku, from a pragmatic perspective. This research employs a qualitative descriptive method. The data source is the film Cahaya dari Timur Beta Maluku, with the research data consisting of nonverbal kinesic language. Data collection was conducted using observation and documentation techniques. The data analysis process involved: (1) selecting and verifying the clarity and completeness of the collected data, (2) identifying data that referred to kinesic nonverbal language, (3) categorizing the data, (4) describing the data, and (5) drawing conclusions from the research findings. The results of the study reveal three types of kinesics found in the film: facial expressions, body movements, and body positions. The facial expressions include raised eyebrows. Body movements in the film encompass hand gestures, head movements, and body motions resembling the traditional Cakalele dance. Body positions include movements of approaching and distancing. This study demonstrates that kinesics in the film serves not only as a technical visual aspect but also as a medium of nonverbal communication that enriches viewers’ interpretation of the characters and the cultural atmosphere of Maluku.
Leksikon Alam dalam Lagu Daerah Tanduk Majheng sebagai Pembentukan Identitas Budaya Masyarakat Madura: Analisis Ekolinguistik Bahruddin, Bahruddin; Irwiadi, Irfan; Basuki, Imam Agus; Martutik, Martutik
GHANCARAN: Jurnal Pendidikan Bahasa dan Sastra Indonesia 2024: SPECIAL EDITION: LALONGET V
Publisher : Tadris Bahasa Indonesia, Fakultas Tarbiyah, Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ghancaran.vi.17196

Abstract

The form of nature lexicon in the Madurese folk song titled “Tanduk Majheng” reflects the cultural identity of its people. The song contains thoughts and noble values that have been passed down from generation to generation. The use of nature lexicon in the song is not only for entertainment, but also a medium for Madurese people to convey their ideas, advice, and outlook on life. Therefore, this study aims to describe and explain the form of nature lexicon used in Madurese folk song titled “Tanduk Majheng”, as well as the relationship contained in the song “Tanduk Majheng” as the cultural identity of Madurese people. This research is a qualitative descriptive research. The data source used is a Madurese folk song entitled “Tanduk Majheng”, while the data is taken from the form of lexicon related to nature as a form of ecolinguistic study. The results of the study found three forms of nature lexicon are 1) majhengan (fish finder), 2) abental ombek (cushioned waves), 3) asapok angen (covered with wind). The cultural identity of Madurese people in the song Tanduk Majheng lies in the form of nature lexicon which mentions that the habits of people who live on the coast with livelihoods at sea. The natural lexicon contains values such as hard work, independence, and a deep understanding of the marine environment.
Co-Authors Abdul Rani Abdul Rani Abdul Syukur Ibrahim Aburizal Sadam Habibi Adisti Putri Pramesti Adlina, Adlina Ahmad Abdul Karim, Ahmad Abdul Alifian, Muhammad Afnani Amalia Nurma Dewi Amiruddin, Nurlina Anang Santoso Anang Sntoso Angla Florensy Sauhenda Annuriza, Wilda Suci Anwar, Amriyadi Ardelia, Salsabila Magistra Azizatuz Zahro Bahruddin Bahruddin Bidi, Venansius Sandro Cicik Tri Jayanti Dawud Didin Widyartono Dita, Anastasia Endah Tri Priyatni Endah Tri Priyatni Faisal Faisal Fajar, Fajar Yogaatmaja Fajriani, Siti Novilia Farghani, Rizki Farizi Firdausy Rohmah Gatut Susanto Hanum Lintang Siwi Suwignyo Hariyadi, Rofik HASNA, NATASYA Heni Dwi Arista Hidayatul Ulum, Hidayatul Hikma, Nurul Hilmi Wahyuni Ifit Novita Sari Imam Agus Basuki Imam Suyitno Inawati inawati Inawati Inawati, Inawati Indah Sri Wilujeng Iriana, Oktavia Era Irwiadi, Irfan Istiqomah Nurzafira Kholishoh, ‘Ulyatul Nur Khusna, Nudiyalista Kusubakti Andajani Lasubu, Kalsum Lutfiah Aini Lutfiah Aini M. Taufikurahman Akbar Mega wati, Mega Moh. Safii Muh. Asrandy Maharmawan Muhammad Fahmi Amrullah, Muhammad Fahmi Muhtadin Muhtadin Noorhana Noorhana Novi Eka Susilowati Nur Azizah Nur Hadi Nurchasanah Nurhadi Nurprihardianti, Viga Eka Putri Nursila Dwi Nugraha Nuryasin, Mohammad Pandu Meidian Pratama Petronela Mau Pradiani, Yulia Ika Putri Prastio, Bambang Puspitaningtyas, Dinar Amelia Rahmah, Hanifa Raka Noor Adiatmaja Restining Anditasari Rizqi, Aminah Roekhan Roekhan Roekhan Rosiana Diah Rahmawati S, Musyarrafah Sainee Thampu Sajidah Nur Salsabila, Amalita Sofia Santaso, Anang Setiawan Setiawan Setiawan Setiawan Siti Maisaroh SITI NAILA FAUZIA, SITI NAILA Sofiatul Annisa Suparno Suparno Syafinaz Amalia Putri Sunardi Syahri, Moch. Taufiq Kurniawan Titik Harsiati Turrofiah, Ilmia Ummah, Maslakhatu Nurul Urfisya Fidi Azizah Wahyu P., Gigih Caesar Wahyuni, Hilmi Wahyuni, Ida Tri Wally, Firman Wevi Lutfitasari Wevi Lutfitasari Wicaksono, Helmi Wisnu Putri Airmas Jati Yuni Pratiwi Zeny Dwi Cahyanto Zeny Dwi Cahyanto, Zeny Dwi