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All Journal Litera Jurnal Bahasa, Sastra, dan Budaya Jurnal Inovasi BAHASA DAN SASTRA Wahana Didaktika IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature PROSIDING SEMINAR NASIONAL PROGRAM PASCASARJANA Jambura Journal of Linguistics and Literature Abdimas Umtas : Jurnal Pengabdian kepada Masyarakat Ideas: Jurnal Pendidikan, Sosial dan Budaya Jurnal Pengabdian Masyarakat Multidisiplin KLITIKA Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Education Achievement: Journal of Science and Research Innovative: Journal Of Social Science Research Kopula: Jurnal Bahasa, Sastra, dan Pendidikan Jurnal Pengabdian Masyarakat dan Riset Pendidikan Journal of Innovative and Creativity Jurnal Pembelajaran Bahasa dan Sastra Jurnal Ikadbudi : Jurnal Ilmiah Bahasa, Sastra, dan Budaya Daerah Journal of Community Services on Multidisciplinary Sciences Joong-Ki
Herson Kadir
Universitas Negeri Gorontalo
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Automotive Engineering Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Earth & Planetary Sciences Education Electrical & Electronics Engineering Energy Environmental Science Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Nursing Public Health Social Sciences Other

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Analisis Gaya Bahasa Figuratif Dalam Antologi Cerpen Eunoia 1 Karya Castarica : Tinjauan Stilistika Masyhur, Putri Syahra; Masie, Sitti Rachmi; Kadir, Herson
Kopula: Jurnal Bahasa, Sastra, dan Pendidikan Vol. 7 No. 2 (2025): Oktober
Publisher : Program Studi Magister Pendidikan Bahasa Indonesia FKIP Universitas Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/kopula.v7i2.8098

Abstract

Penelitian ini berjudul “Analisis Gaya Bahasa Figuratif Dalam Antologi Cerpen Eunoia 1 Karya Castarica : Tinjauan Stilistika” yang bertujuan untuk mendeskripsikan jenis-jenis gaya bahasa figuratif yang digunakan dalam antologi cerpen Eunoia 1, ditinjau dari aspek retoris dan kiasan. Penelitian ini dilandasi oleh teori stilistika yang menekankan analisis bentuk dan fungsi bahasa dalam karya sastra. Sumber data berupa enam puluh tujuh cerpen dalam antologi tersebut yang ditulis oleh berbagai penulis dengan gaya penulisan beragam. Data dikumpulkan menggunakan teknik baca dan catat, kemudian dianalisis dengan metode deskriptif kualitatif melalui pendekatan stilistika untuk mengungkap peran gaya bahasa figuratif dalam membangun nilai estetika dan makna cerita. Hasil penelitian menunjukkan bahwa pada aspek retoris ditemukan 30 data, dengan gaya bahasa hiperbola dan erotesis (pertanyaan retoris) sebagai bentuk yang paling dominan. Pada aspek kiasan ditemukan 37 data, dengan gaya bahasa metafora dan personifikasi yang paling menonjol, di mana metafora menjadi bentuk yang paling banyak digunakan. Gaya bahasa kiasan, terutama metafora, dimanfaatkan untuk membentuk imaji dan menggambarkan suasana batin tokoh secara puitis, sedangkan gaya bahasa retoris memperkuat efek dramatik dan dinamika emosi dalam cerita. Simpulan penelitian ini menunjukkan bahwa penggunaan gaya bahasa figuratif dalam antologi cerpen Eunoia 1 tidak hanya memperkaya nilai estetika, tetapi juga memperdalam penggambaran karakter, konflik, dan suasana dalam setiap cerita.
Makna Dalam Puisi “Menulis Syair Untuk Presiden Episode Pertama Dan Episode Kedua” Karya Pulo Lasman Simanjuntak: Kajian Semiotik Michael Riffaterre Zahabi, Ayu; Kadir, Herson; Irawati, Wa Ode
Kopula: Jurnal Bahasa, Sastra, dan Pendidikan Vol. 7 No. 2 (2025): Oktober
Publisher : Program Studi Magister Pendidikan Bahasa Indonesia FKIP Universitas Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/kopula.v7i2.8189

Abstract

Penelitian ini bertujuan mendeskripsikan makna puisi “Menulis Syair Untuk Presiden Episode Pertama dan Episode Kedua” karya Pulo Lasman Simanjuntak melalui analisis semiotik Michael Riffaterre, meliputi aspek heuristik, hermeneutik, matriks, model, varian, dan hipogram. Metode yang digunakan adalah deskriptif kualitatif dengan teknik dokumentasi, pembacaan, dan pencatatan data, kemudian dianalisis berdasarkan teori Riffaterre. Hasil penelitian menunjukkan bahwa secara heuristik kedua puisi menggunakan bahasa sederhana sehingga mudah dipahami, sedangkan secara hermeneutik memuat kritik sosial-politik melalui simbolisme kepemimpinan dan keadilan. Analisis matriks, model, dan varian menegaskan kritik terhadap kepemimpinan yang korup dan gagal, dengan simbol presiden sebagai representasi harapan sekaligus kekecewaan rakyat. Aspek hipogram memperlihatkan respons penyair terhadap realitas sosial-politik Indonesia: hipogram potensial menyoroti ketimpangan, korupsi, dan pembangunan tidak merata, sedangkan hipogram aktual merujuk pada pidato presiden, kebijakan pemerintah, komentar publik di media, serta isu-isu aktual seperti kenaikan harga pangan, utang negara, proyek infrastruktur, dan pemindahan IKN. Kata kunci: Makna, Puisi, Semiotik, Heuristik, Hermeneutik.
Representasi Realitas Sosial dalam Novel Seporsi Mie Ayam Sebelum Mati Karya Brian Khrisna: Kajian Sosiologi Sastra Alan Swingewood: Penelitian Kadir, Herson; Achmad Bagtayan, Zilfa; Mangilo, Nurhalima; S. Daud, Yuniarti; Mongilong, Melani
Jurnal Pengabdian Masyarakat dan Riset Pendidikan Vol. 4 No. 2 (2025): Jurnal Pengabdian Masyarakat dan Riset Pendidikan Volume 4 Nomor 2 (October 202
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jerkin.v4i2.3860

Abstract

This study aims to reveal the representation of social reality in Brian Khrisna's novel Seporsi Mie Ayam Sebelum Mati (Chicken Noodles Before Dying) using Alan Swingewood's sociological approach to literature. Through qualitative descriptive analysis, this study examines how the social conditions of modern society are reflected through experiences in the novel. The results of the analysis show that this novel presents three main forms of social reality, namely poverty, social injustice, and crime. Poverty is depicted through people's lives full of economic limitations and life pressures that make them trapped in a cycle of decisions. Injustice in families often arises when rules are not applied consistently. Meanwhile, crime arises as a consequence of deep-rooted economic and social pressures, showing how violence and criminal acts are part of the dynamics of harsh urban society. Based on Swingewood's theory, this novel functions as a reflection of social reality as well as a critique of inhumane social conditions. Thus, Seporsi Mie Ayam Sebelum Mati not only presents the personal stories of its characters, but also presents a portrait of complex social life in contemporary society.
Campur Kode Dalam Kolom Komentar Instagram Mata Najwa: Netanyahu Akui Serangan ke Rafah Kesalahan Tragis Nurfirawati Ntelu; Dakia N. Djou; Herson Kadir
Journal of Innovative and Creativity Vol. 5 No. 3 (2025)
Publisher : Fakultas Ilmu Pendidikan Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joecy.v5i3.3853

Abstract

Penelitian ini bertujuan mendeskripsikan jenis, wujud, dan fungsi campur kode dalam kolom komentar Instagram Mata Najwa pada unggahan bertajuk "Netanyahu Akui Serangan ke Rafah Kesalahan Tragis." Penelitian ini menggunakan pendekatan deskriptif kualitatif dengan teknik pengumpulan data berupa dokumentasi, observasi, dan teknik baca. Data yang dianalisis berupa kata, frasa, klausa, imbuhan yang mengandung campur kode dari bahasa daerah dan asing. Hasil penelitian menunjukkan tiga jenis campur kode, yaitu campur kode ke dalam (32,26%), campur kode ke luar (32,26%), dan campur kode campuran (35,48%). Wujud campur kode yang paling dominan adalah dalam bentuk kata (31,58%). Fungsi campur kode yang ditemukan meliputi: sebagai penyisipan kalimat, kutipan, spesifikasi lawan tutur, dan untuk mengkualifikasi isi pesan. Penelitian ini menunjukkan bahwa fenomena campur kode dalam media sosial mencerminkan dinamika kebahasaan pengguna yang kompleks dan kontekstual.
Religious Meaning in Gorontalo Song Lyrics: A Barthesian Semiotic Study Arni Nuruji; Herson Kadir; Zilfa Achmad Bagtayan
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 14 No. 1 (2026): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v14i1.10932

Abstract

This study investigates religious meanings embedded in Gorontalo-language religious song lyrics through Roland Barthes’ three-tiered semiotic framework: denotation, connotation, and myth. Previous semiotic studies of Indonesian religious songs have focused primarily on national-language texts leaving a significant gap: no study has applied Barthes’ tripartite analysis to regional-language religious songs, particularly Gorontalo qasida, which uniquely integrate Islamic values with local cultural wisdom rooted in the philosophy of Adat Bersendikan Syara’, Syara’ Bersendikan Kitabullah. This research addresses that gap by combining Barthes’ semiotics with Glock and Stark’s religiosity dimensions as a classification framework. Employing a descriptive qualitative approach, data were drawn from 40 song lyrics across three albums by different Gorontalo singers, selected based on criteria of regional language use, religious theme, and symbolic content. The findings converge on three broad themes: (1) at the denotative level, lyrics function as a direct outreach medium conveying worship obligations, divine authority, and moral critique; (2) at the connotative level, they activate critiques of materialism, spiritual urgency, and Gorontalo cultural values such as respect for elders (hulawa) and communal solidarity (huyula); and (3) at the mythological level, five naturalized belief systems emerge salvation in the hereafter, faith and deeds as worth, death as homecoming, dignified death, and the prohibition of arrogance and greed. This study demonstrates that Gorontalo religious songs function as ideological texts for religious outreach, social control, and worldview formation, and offers a replicable methodological model for analyzing minority-language religious oral literature.
The Ideology of the Main Female Character in the Novel Amba by Laksmi Pamuntjak Erlinda A. Suleman; Herson Kadir; Yunus Dama
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 14 No. 1 (2026): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v14i1.10960

Abstract

This research examines Laksmi Pamuntjak's novel, Amba, which tells the story of the main female character's struggle to find freedom and equality with men. Initially, the main female character views freedom as a means to happiness. However, she experiences destruction and loss that render her unaware of her rights as a woman. This situation drives her to resist patriarchy through a transformation into a woman with freedom of choice, freedom of opinion, responsibility, and independence. This research focuses on two issues: feminine transcendence as viewed from the perspective of women's existence in Laksmi Pamuntjak's novel, Amba. This study is analyzed using Simone de Beauvoir's existentialist feminist theory in her book, The Second Sex, which discusses the transcendence of women's freedom and awareness in determining their identity. The method used is descriptive qualitative, using reading, observing, and note-taking techniques. The research results show that the main female character successfully discovers her identity and truth through her search for a livelihood on Buru Island, leading her to become an independent, critical, and persistent woman. This struggle reflects a woman's efforts to achieve full existence and recognition. The conclusions from the research findings indicate that the main female character successfully fights for women's rights through her efforts to transcend her limitations. The main female character maintains her honor as a mother and the love of a man.
Male Domination in Drama Scripts It's Crazy Chairil Anwar's Work: A Study of Rw Masculinity Theory. Connell Herson Kadir; Dewi Malik; Novandawati Masi; Sutrin R. Moha; Narsi Yani; Fitriya Ningsi Hadiu; Sri Indriyani Kadir
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 14 No. 1 (2026): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v14i1.11087

Abstract

This research aims to examine male dominance, by focusing on hegemonic masculinity, subordinate masculinity and complete masculinity, in the drama script Already Crazy by Chairil Anwar using the theory of masculinity put forward by RW. Connell. While previous studies on masculinity in Indonesian literature have focused mostly on prose and poetry, the drama genre with its explicit dialogical and performative dimensions has not been explored as a locus for masculinity analysis. This gap is what prompted this research to apply Connell's framework to a canonical Indonesian drama script. This study used a descriptive-analytic qualitative approach. The source of the research data is the drama script Already Crazy by Chairil Anwar, with data in the form of dialogue, monologues and behavioral instructions that are relevant to the research focus. The data collection technique used is the read and record method. Data analysis is carried out by reading drama scripts repeatedly, classifying, describing, analyzing, interpreting and presenting conclusions based on research findings. The research results show that Chairil Anwar's drama script is crazy, representing male dominance through all three categories of Connell's masculinity. For example, hegemonic masculinity is apparent when Mr. Amir's emotional grief is socially interpreted as aberration, rather than as a natural human response. This dominance manifests as a strong tension between the demands of hegemonic masculinity that require men to remain strong, rational, and functional in in mourning and Mr. Amir's psychological reality is vulnerable and depressed. The social community in the manuscript, represented by neighbors, patrol officers and RT administrators, functions as a hegemonic apparatus that carries out social supervision and legitimizes Mr. Amir's marginalization. This research concludes that the play script is Mad Already is not just a story of a widower's grief, but rather a sharp social critique of the destructive impact of the construction of hegemonic masculinity on men's mental health and humanity. These findings contribute to the study of masculinity in Indonesian literary criticism and demonstrate the relevance of Connell's framework for analyzing dramatic texts in non-Western cultural contexts.
TRANSFORMASI DIGITAL WARISAN BUDAYA LOKAL: PEMERTAHANAN DAN PELESTARAIAN NILAI KEARIFAN LOKAL DI KAWASAN TELUK TOMINI Nonny Basalama; Zulkifli Tanipu; Salam Tolaki; Herson Kadir; Ikha Hardiyanti Puspita Mahading
Jurnal Pengabdian Masyarakat Multidisiplin Vol 8 No 1 (2024): Oktober
Publisher : LPPM Universitas Abdurrab

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36341/jpm.v8i1.5255

Abstract

Tomini Bay is rich in local cultural heritage, Including traditional arts and local wisdom passed down from generation to generation. However, amidst the waves of globalization and modernization, this cultural heritage faces significant threats. The lack of documentation and limited technological infrastructure in remote areas have made efforts to preserve the culture increasingly challenging. Recognizing this situation, our community service initiative was launched with the hope of assisting the people of Teluk Tomini in preserving and sustaining their cultural heritage. We began with a straightforward outreach, introducing technology to the community so they could document their local culture, including traditional dances, music, folklore, and other valuable artifacts. With the help of the community, we successfully captured this cultural wealth in digital formats such as video, audio, and photographs. Additionally, we developed a digital platform that allows this cultural heritage to be accessed not only by the local community but also globally. The impact of this initiative has been significant. The younger generation has become more aware of the importance of preserving their cultural heritage. However, technological barriers, such as limited internet access, remain a major challenge. We recognize that ongoing efforts are needed to overcome these obstacles, so the people of Teluk Tomini can continue to play an active role in safeguarding their cultural legacy. Through regular evaluation and monitoring, we continuously assess the success of the platform’s implementation. Our hope is that technology can serve as a bridge connecting the past and the future, ensuring that Teluk Tomini's cultural heritage remains vibrant in the face of modern advancements.
Banggai Language Register in Buying and Selling Interactions at Pasar Baru Banggai and Its Benefits in Indonesian Language Learning Hasni Asis; Dakia N. Djou; Herson Kadir
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 3 (2026): Mei 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i3.1467

Abstract

This study aims to: 1) describe the form of Banggai language register in buying and selling interactions at Pasar Baru Banggai. 2) describe the form of Banggai language register in buying and selling interactions at Pasar Baru Banggai. 3) describe the benefits of Banggai language register in buying and selling interactions at Pasar Baru Banggai for the Indonesian language learning domain. This study uses a qualitative method with a sociolinguistic approach to analyze the use of Banggai language register in buying and selling interactions at Pasar Baru Banggai. Data were obtained through observation, recording, and listening techniques. The data for this study were recordings of dialogues between sellers and buyers at Pasar Baru Banggai. The results show that Banggai language register in buying and selling interactions has a distinctive form, in the form of the use of certain vocabulary, expressions, and language variations influenced by the communication situation and the relationship between speakers. This register serves to facilitate communication, create familiarity, and streamline the transaction process. Furthermore, the use of the Banggai register also has benefits in Indonesian language learning, particularly in enriching understanding of language variations, improving sociolinguistic competence, and serving as a contextual learning resource relevant to everyday life. Thus, the Banggai register in buying and selling interactions serves not only as a communication tool but also has educational value that can be utilized in Indonesian language learning.
Application of Flash Card Media in Learning to Identify Intrinsic Elements of Fantasy Story Text Tiara Sinto; Herson Kadir; Ayu Hidayanti Ali; Herman Didipu; Eka Sartika
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 4 (2026): Juli 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i4.1503

Abstract

The problems in this study are (1) how the implementation of flash card media in the learning process of identifying the intrinsic elements of fantasy stories for class VII A students at SMP Negeri 1 Paguyaman Pantai, (2) how student learning outcomes through the application of flash card media in identifying the intrinsic elements of fantasy stories for class VII A students at SMP Negeri 1 Paguyaman Pantai, and (3) what factors influence the application of flash card media in learning to identify the intrinsic elements of fantasy stories for class VII A students at SMP Negeri 1 Paguyaman Pantai. The objectives of this study are (1) to describe the implementation of flash card media in the learning process of identifying the intrinsic elements of fantasy stories for class VII A students at SMP Negeri 1 Paguyaman Pantai, (2) to describe student learning outcomes toward the application of flash card media in learning to identify the intrinsic elements of fantasy stories for class VII A students at SMP Negeri 1 Paguyaman Pantai, and (3) to describe the factors influencing the application of flash card media in learning to identify the intrinsic elements of fantasy stories for class VII A students at SMP Negeri 1 Paguyaman Pantai. The method used in this study is descriptive qualitative. The research data are flash card media. The data sources are the learning activities carried out by teachers and students. Data collection techniques used are observation, interviews, and documentation. Based on the results of the test on identifying the intrinsic elements of fantasy stories conducted on 16 students divided into 3 groups, the average score obtained by students was 93 based on the suitability in identifying the elements of fantasy stories. The conclusion of this study is that the ability to identify the intrinsic elements of fantasy stories of class VII A students at SMP Negeri 1 Paguyaman Pantai meets the assessment standards set by the school.
Co-Authors Abas, Dwi Anggriani Abdul Rasyid Abdulharis Kune Abdullah, Ainun Achmad Bagtayan, Zilfa Adeliya Ibrahim Adinda Lindiska Lahay Agista Palaji Agista Palaji Agnes Novianti Agustin, Puspita Dian Ahmad Badu Akbar Ntango Ali, Ayu Hidayanti Ali, Magvira Alya Aprilia Pulukadang Alya Fitria Naki Amelia Anastasya Lanti Amelia Anastasya Lanti Amu, Aldiyanto Andi Hersya Nur Azizah Andi Hersya Nur Azizah Anesa Dwinarti Tute Annisa Rumpabulu Annisa Rumpabulu Anwar Lahay Apriliani Mamu Apriliani S. Mamu Ariyanti Daud, Olvi Dwi Arni Nuruji Arsih Septianingsih Lapadang Asdia Tonuo Asna Ntelu Aviva Dinanti Aviva Dinanti Lambalano Ayu Hidayanti Ali Ayu Ismail Ayu Ismail Ayu Nahumpang Azalia Albakia Azra Azhari Bambang, Sarmila Bayu Adi Wiyono Blongkod, Sri Winanda Chairunnisa Mantu Chairunnisa Mantu Cindra Datau Cindra Datau Cindriawati Pomolango D. Hulopi, Nursella Dakia N. Djou Dakia N. Djou Darliani Darliani Datau, Maryam Daud Yefkanius Nassa Daud, Erik Daud, Rolan K. Destilawati Noho Destira Abd Rahman, Tria Deviana Rasyid Dewi Malik Dian Vidiawati Ibrahim Dinda Nuriah Kinga Djeijun, Wanda Djua, Nurain Dunggio, Sri Juliana Mul’afaida Duslan, Nur Halizah Egam, Ahmad Syahdan Eka Sartika Eka Sartika, Eka Eka Wahyuni Mohamad, Inayah Ellayana Hinta Ellyana Hinta Elya Nusantari Erina Putriani Paputungan Erina Putriani Paputungan Erlinda A. Suleman Ernawati Eva Putri Magfirah Fairuzia Fairuzia Faisal Puluhuluwa Fani Septiani Rauf Fatmah AR Umar Fatmawati Mobiliu Fatmawati Mobiliu Febriana, Cindy Fendra Amelia Abdullah Fendra Amelia Abdullah Fendra Amelia Abdullah Fikrin Ilolu Firanti R. Unusa Fitri Diva Saskia MR. Binol Fitri Hudengo Fitri Lamusu Fitri Yanuar Misilu Fitriya Ningsi Hadiu Frediyanto Monarfa Frediyanto Monoarfa Guzali, Yurnaningsih H. Saledaa, Sri Mulyani Habibie, Nur Ainsyah Hadji, Delvina Halaa, Siti Salsadila Hanapi, Serliyani Harun, Alan Harun, Witrian Hasni Asis Herman Didipu Herman Didipu Hidayanti Ali, Ayu Hulantu, Nurain Humokor, Hikma Nurcahyani I. Sahur, Syamsurizal Ibrahim Dj. Kama Ikbal Muliyadi Syafii Ikbal Mulyadi Syafi’i Ikbal Syafii Ikha Hardiyanti Puspita Mahading Inayah Nuraulia Mokodongan Indah Zain Indah Zain Iskar Abas Iskar Abas Ismail Rajak Ismail Rajak Ismit Badaru Israhayu Djafar Israhayu Djafar Ita Ahyani Jafar Lantowa Jannah, Firdha Fadhilatul Jein Latif Jein Palilati Jein Palilati Julianti Anamira Pobela juni triantoko Juniarti Nurul Ilmi Juriyati Rajak Juriyati Rajak Justevani, Sri Kadir, Wahyuni Karmila Hino Karmila Husain Karsum K. Talib Karsum K.Talib Kartika Dwi Yanti Kaune, Yulistiani Kirana Gaga, Diva Kuga, Mersiranda La Ode Gusman Nasiru Laila Mokodompit Laila Mokodompit Lalu, Sri Sulistiawati Lasmin Lamusu Lifka Ismail Lika Andariska Lika Andarista Liputo, Moh. Giat Lisnawati Palongo M. Mulusi, Mirna Maele, Helmin Mangilo, Nurhalima Marlona Marlona Marwah Ali Masyhur, Putri Syahra Mawar H. T. Datunsolang Meiska Van Gobel Meiska Van Gobel Meriyanti Lakoro Miranda I. Zain Miranda I. Zain Moh Fhainal Lamaliu Moh. Karmin Baruadi Moh. Yusuf H. Ibrahim Mohamad, Hawaria Mokodompit, Rahmawati Mokodompit, Sarapina Mongilong, Melani Muhammad Arfan MUSLIMIN Muslimin Muslimin Mutmainnah Huntala N. Djou, Dakia Nadia Tri Jayantika Yunus Narsi Yani Natasya Cut Fadilah Salfa Djua Neno, Kartika Amalia Nenta Mamonto Nihali, Sri Ririn Nikomang Mahatmadevisy Niranda Oki Niranda Oki Noho, Destilawati Nonny Basalama Novandawati Masi Novita Abas Nur Alin Benta Nur Alin Benta Nur Anisa Maku Nur Anisa Maku Nur Awalia Karim Nur Awalia Karim Nur Fadila Kueno Nur Fadila Kueno Nur Stevi Amir Nur'ain Lakoro Nurafni Amuda Nuraini, Lian Nurawalia Karim Nurdin, Nuryana Nurfatmi J. Anwar Nurfirawati Ntelu Nurjuliati Salsabila Y. Rahman Nurjuliati Salsabila Y. Rahman Nurlena Arsadi Nuruji, Arni Nur’ain Lakoro Oktafiyani Mooduto Oky Octaviani Pakaya Paputungan, Erina Putriani Paputungan, Leoni Patrian Pakaya Pobela, Julianti Anamira Pobela, Siti Nurhalisa Pontoh, Sri Wahyuni Potabuga, Nur Atika Prasetia, Udin Putri Salsabila Murad Putri Salsabilah Murad Putri Salsabilah Murad Rahma Yuni Djafar Rahman Apadu Rahman Apadu Rahman D. Daad Rahman D. Daad Rahmat Abdullah Rahmatia Arjoyo Rahmatia Arjoyo Rahmatia Suleman Rahmawati Mokodompit Rahmawati Mokodompit Rahmiyati Subula Rahmiyati Subula Rahmiyati Sumba Raina I. Tuna Ratna Hanapi Regina Sri Natalia Ningsi Babay Renaldi Harun, Alit Renita Guamo Reyis Buhay Reynol Moha Ricky Daliuwa Rusdi, Safna S. Daud, Yuniarti S. Nani, Sandi Sabria Febriani Sabria Fibriani Sadapu, Nurain Sahari, Sella Saipul H. M. Lasupu Sakina Anton Salam Salam Tolaki Sarifudin Ayuba Sartika Djelema Sartika Djelema Sastia Minasi Asuke Sayama Malabar Setyanegara, Agus Shelvira Mokodongan Shelvira Mokodongan Siti Fatima Tuzahrah Bachri Sitti Fatimah Tuzahra Sitti Rachmi Masie Sri Abelia Noho Sri Abelia Noho Sri Indriyani Kadir Sri Rahayu Ibrahim Sri Regina Gaib Sri Susanti A. Kunuti Sri Vingki Binti Yudin Sri Wahyuni K. Rahim Srisusanti A. Kunuti Sudarno, Tri Wahyuni Suge, Firnawati Sukma Wati, Ni Gusti Ayu Suleman, Erlinda A. Suleman, Fatma Supriyadi Supriyadi Supriyadi Supriyadi Supriyadi Supriyadi Sutiantira Rezky Kobandaha Sutrin R. Moha Tasya Abd. Latif Taumbung, Nuwafiqah S. Tayeb, Nuriyanci S. Tiara Sinto Trivia Wahyu Amanda Djailani Trywidarti S Magu Udin Prasetia Umar, Asni Ummul Khair Ummul Khairu Usman, Meylan Utina, Siti Nurgian Uyan Saipi Vanni Ashari Vanni Asharit Vidyawati Utina Wa Ode Irawati Wardatul Magfirah Dehiyo Wardatul Magfirah Dehiyo Widyawati Bagoe Widyawati Bagoe Winangsih Sumba Winangsih Sumba Yulianti Pongaliu Yulianti Pongoliu Yulinda Otoluwa Yulinda Otoluwa Yunima Hasan Yunima Hasan Yunima I. Hasan Yunita Iklima Kasim Yunitasari A. Umar Yunus Dama Yusrin Djalilu Yusrin Djalilu Zahabi, Ayu Zaqia Debila P. Deu Zilfa Achmad Bagtayan Zulkifli Tanipu Zulkifli Wolionelo Zulkipli Taliki Zulkipli Zulkipli