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Journal : English Language and Literature

An analysis of Politeness Strategy in Directive Speech Act Used by Malala Yousafzai’s Speeches Quati, Syidra Al; Zaim, M.
English Language and Literature Vol 13, No 1 (2024)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v13i1.127684

Abstract

AbstractThis research aims to determine the types of directive speech acts and types of politeness strategy used by Malala Yousafzai’s speeches. The method of this research is descriptive qualitative which use to discover the accurate facts by having the proper interpretation. The data was taken from Malala Yousafzai speeches and analized by using the theory of Brown & Levinson (1987). This research found that the types of politeness strategies were divided into four types, namely Positive Politeness, Negative Politeness, Bald on record, and Off-record. The results of the research showed that in directive speech acts there are many utterances which is found 99 utterances. The number of directive speech act frequently used is the request which is found 34 utterances. The least of directive speech used is commanding that consisting of 13 utterances. The most politeness strategy used is positive politeness which can be found 62 utterances. The least of politeness strategy that used is Off-Record consisting of 2 utterances. In conclusion, the most that used in directive speech acts by Malala Yousafzai’s speeches is request which consisting of 34 utterances. So that means the speaker is tend to make request to the audience for purposes to invite them to take action or refrain to do something. The most of politeness strategy in directive speech act used by Malala Yousafzai’s speeches was positive politeness consisting of 62 utterances. It means that the speaker tend to minimize the distance between the audience and speaker.
A Sociolinguistic Analysis of Slang Words Found in “The Mitchells VS The Machines” Movie Rahman, Muhammad Fathur; Zaim, M.
English Language and Literature Vol 12, No 3 (2023)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v12i3.122056

Abstract

This study aims to find out the contextual meaning of slang words and the functions of slang words used in the movie The Mitchells vs the Machines. Then, in this study the researcher used a descriptive method. The Mitchells vs the Machines movie was selected as data from the study using Holmes and Zou & Fan's theory. The researcher found 32 slang words spoken by Katie which were then categorized based on the type of 19 newly made slang words and 13 slang words from newly interpreted slang words. Slang words are all analyzed. Contextual meaning is determined based on social factors involving the participants' social relations, the setting of the place, and the topic of conversation. Then, the researcher examines the function of slang for each slang word that has been analysed. As a result, the researcher found 2 types of Function of slang in this movie, namely, PSI (Pursuit-Self Identity) and EF (Emotive Feeling).
A Morphological Analysis of Derivational Affixes in Short Story ”The Ones Who Walk Away From Omelas” by Ursula K. Leguin 1973 Shandra, Adinda Ayu; Zaim, M.
English Language and Literature Vol 13, No 2 (2024)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v13i2.125114

Abstract

This study aimed identify and examine the derivational affixes present in the short story "The Ones Who Walk Away From Omelas" by Ursula K. Le Guin (1973). The types of derivational affixes and how derivational affixes utilized in short story of "The Ones Who Walk Away From Omelas by Ursula K.Leguin. This research used descriptive qualitative study in which the data of this study was taken from the short story of "The Ones Who Walk Away From Omelas" by Ursula K.Leguin. In analyzing the short story, the researcher used (Lieber:2009) theory to identifying the types of derivational affixes and used (Yule:2010) to utilizing derivational affixes. . There are 76 derivational affixes found in the short story. There are 43 class changing suffix, 1 class maintaining prefix and 28 class maintaining suffix. In the short story "The Ones Who Walk Away from Omelas," several derivational affixes are prominently found, enriching the narrative with layers of meaning and enhancing the reader's engagement. Some of the most frequently observed derivational affixes include; -ness, -ing, -ful, -er, -ed, -ly, and -ous.
An Analysis of Violation of Cooperative Principle Maxim in The Rush Hour Movie 1 Pahril, Afiq; Zaim, M.
English Language and Literature Vol 13, No 3 (2024)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v13i3.130629

Abstract

This study aims to find out the maxim that are classified as violating by the main characters in Rush Hour Movie 1 and to find out the maxim violation by the main characters influence to the characterization in the movie. This study uses a descriptive approach. Data and data sources are taken from the dialogues of the main characters which they are Lee and Carter  in the Rush Hour Movie 1 movie. Data collection was carried out by analyzing using Grice's theory (1975). The results of the data obtained from this study are that there are 4 maxims that are violated in Rush Hour Movie 1 with a total of 27 maxim violations. Of the 4 maxims, there are 14 violations of the maxim of quality, 2 violations of the maxim of quantity, 6 violations of the maxim of relevance, and 5 violations of the maxim of manner. This study provides valuable insight into how the cooperative principle does not occur properly due to the violation of maxims in their communication, then, the characterizations main characters that are violated from the four maxims are Liar, Braggart, Narcissitic, Overstate, Not Relevant, Unresponsive, Ambiguity, and Insolent.
The Analysis of Social Factors of Code-Mixing Used in The Movie “The Guys” By Raditya Dika Aqsha, Alivia Saudia; Zaim, M.
English Language and Literature Vol 13, No 4 (2024)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v13i4.130977

Abstract

Code-mixing is the combination of two languages that have different linguistic elements within communication. This study aims to analyze the social factors influencing the use of code-mixing in the movie “The Guys” by Raditya Dika. The research employs Muysken's (2000) theory to identify three types of code-mixing: Insertion, Alternation, and Congruent Lexicalization. Furthermore, the research uses Bhatia and Ritchie's (2013) theory to identify four social factors: Participant Role, Situational Factors, Message-Intrinsic Factors, and Language Attitudes, Dominance, and Security. The data were categorized into different types and social factors influencing code-mixing in the movie's utterances. The research findings are expected to provide insights into the types of code-mixing frequently used in everyday conversations, as well as the social factors influencing the use of code- mixing in the utterances of “The Guys” (2017). Based on the data analysis, the researcher found 86 instances of code-mixing in this film. The findings show that this research is dominated by Insertion, with 73 (82%), and Situational Factor with 56 (36%).
An Analysis of Deixis Used in Soundtrack Lyrics of Barbie Movie Khaira, Rahmatul; Zaim, M.
English Language and Literature Vol 13, No 4 (2024)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ell.v13i4.131176

Abstract

This research aims to find the types and functions of deixis in the lyrics of the Barbie movie soundtrack. Data were collected from the soundtrack's lyrics and analyzed using Huang’s (2007) theoretical framework. The study identified 377 data of deixis, highlighting its crucial role in character development and personal references. Social deixis, with 57 data, and spatial deixis, with 47 data, underscore the significance of social relationships and locational context within the narrative. Temporal deixis, appearing 33 times, delineates the temporal framework of the lyrics. Discourse deixis and emotional deixis, with 16 and 4 data respectively, are less frequent, indicating that while references to the ongoing discourse and expressions of emotional proximity are present, they are less central to the lyrical content. This analysis underscores the multifaceted nature of deixis in enriching the narrative and emotional depth of the lyrics.
Co-Authors . Ermanto Adinda Octaviani Agustina Agustina Ahmad Nusi Ahmad, Marhamah Alfi Gusfila Alifia, Afifah An Fauzia Rozani Syafei Ana Sakinah Andre Mutia Andreza Jasveri Aqsha, Alivia Saudia Arvi, Reva Febrika Asmul Hayati Atmazaki Atmazaki Avissa, Rizkyana Azhar Aziz Lubis budiyanti, kurnia Chandima Kumara Walpita Choi Sumaylan Cici Afriyeni dahliana dahliana dahliana dahliana, dahliana dahliana David D Perrodin David Perrodin Delvi Wahyuni Desi Sugiarti Desvalini Anwar Dewi Asmawati Diki Atmarizon Diki Atmarizon Dina Ayuning Tyas Dina Fitriani Disran Disran Diyah Ayu Risqiani Donny Adiatmana Ginting Dony Efriza Effendi Thahar, Harris Elsa Octavia Elwa Junaidi Estika Satriani Usman Eva Mizkat Fadhil Muhammad Fatimmessiah Azzuhrah Fauzul Etfita Febria Sri Artika Febriansyah, Gema Firmansyah Fitrawati Fitrawati Fitri Handayani Frisca Yolanda Gistituanti, Nurhizrah Gusnetti Gusnetti Gusnetti Gusnetti Harris Effendi Thaha Harris Effendi Thahar Harris Effendi Thahar Harris Effendi Thahar Havid Ardi Hermawati Syarif Hermawati, Sela Hidayat Hidayat Hsb, Jamiatul Khoiriah Indriyani, Vivi Ira Maulina Sa’danoer Ismail, Syofianis Jasrial, Dedi Khaira, Rahmatul Lia Utami Lisnawita M. Fadhly Farhy Abbas Mailisa Al Mirrah Muflihatuz Zakiyah Muhammad Kholis, Muhammad Muhammad Syaipudin Mukhaiyar Mukhaiyar Mulia Tina Muzdalifah, Indah Nadya Ismah Khairunnisa Nafrialdi Nafrialdi Nelvia Susmita Novita Efendi Nurhizrah Gistituanti Nurhizrah Gistituati Oktavia, Yunisa Pahril, Afiq Purwantyastuti Purwantyastuti Quati, Syidra Al Rahmadanirwati, Dewi Rahman, Muhammad Fathur Ramadhan, Al Insani Mutiara Ramadhan, Syahrul Ramadhan, Syahrul Ratih Septiana Arpen Refnaldi Refnaldi Refnaldi Rhadia Cheyri Assyfa Ria Agustina Ria Rahmiyanti Rukmaryadi Safnil Arsyad Safriyani Novitri Sahyoni Sahyoni Salsabila, Unik Hanifah Sania Tricahyati Sari, Mega Enjela Sari, Mike Nurmalia Sasa, Trisnafitria Putri Sepyanda, Marsika Sesy Erlina Martika Shandra, Adinda Ayu Sinta Wahyuni Syahrul R, Syahrul Syofiani, Syofiani Syofiani, Syofiani Syofianis Ismail Thaha, Harris Effendi Thahar, Harris Efendi Tri Wahyudi Trisna Helda Vina Fathira Vonny Ardiel Wahyu Febri Ramadhan Sudirman Wahyuni, Reni Wahyuni, Sinta Wati, Siska Oktawidya Widya Syafitri Yenni Rozimela Yetty Zainil Yosa Novia Dewi Yulia Astika Yulmiati M.Pd S.S Zaim, Rifqi Aulia Zainil, Yetti Zakiyah, Muflihatuz Zalwi, Ikram Abdullah