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All Journal Jurnal Sendratasik Grenek: Jurnal Seni Musik JUPIIS: Jurnal Pendidikan Ilmu-ilmu Sosial Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) MUDRA Jurnal Seni Budaya Panggung Jurnal Ilmiah Peuradeun Gondang: Jurnal Seni dan Budaya Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Journal on Education Komposisi: Jurnal Pendidikan Bahasa, Sastra, dan Seni Jurnal Review Pendidikan dan Pengajaran (JRPP) Jurnal Pendidikan dan Konseling Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Jurnal Aisyah : Jurnal Ilmu Kesehatan Journal of Music Science, Technology, and Industry (JOMSTI) Community Development Journal: Jurnal Pengabdian Masyarakat JURMA : Jurnal Program Mahasiswa Kreatif Melayu Arts and Performance Journal Journal of English Language and Education Jurnal Pengabdian Seni Anglophile Journal Multidiciplinary Output Research for Actual and International Issue (Morfai Journal) Bulletin of Science Education International Journal of Social Science, Educational, Economics, Agriculture Research, and Technology (IJSET) JUrnal Riset Ilmu Pendidikan Journal Of Human And Education (JAHE) TRIMAS: Jurnal Inovasi dan Pengabdian Kepada Masyarakat IKHLAS: Jurnal Pengabdian Dosen dan Mahasiswa Innovative: Journal Of Social Science Research PMSDU Advances In Social Humanities Research Journal of Education, Linguistics, Literature, and Art Samakta: Jurnal Pengabdian Kepada Masyarakat Panggung Jurnal Pengabdian Nusantara Abdimas Paspama
Junita Batubara, Junita
Universitas HKBP Nommensen
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MEANING OF INSTRUMENTS APEIN THE LIFE OF THE KENYAH DAYAK TRIBE Damri A Hanaou; Dewi Tika Lestari; Junita Batubara
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 4 No. 9 (2025): AUGUST
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/ijset.v4i9.857

Abstract

Sapeis a traditional musical instrument of the Dayak Kenyah people which not only functions as a means of entertainment, but also becomes an important symbol in various traditional rituals of the Dayak Kenyah people. This study aims to analyze the meaning of musicSapein the context of Dayak Kenyah cultural rituals. With a qualitative approach and ethnomusicological approach, this study combines field observations, in-depth interviews, and literature reviews. The findings show thatSapenot only accompanies traditional rituals, but also has a socio-spiritual function in strengthening community relations, cultural identity, and the continuity of tradition. Dayak Kenyah is one of the sub-tribes of the Dayak group that inhabits the interior of Kalimantan, especially in East Kalimantan and North Kalimantan, with a distribution that is also found in the border region of East Malaysia (Sarawak). In the life of the Dayak Kenyah community, musicSapehas a very special place. Not only is it a part of artistic expression,Sapealso integrated into religious rites, traditional ceremonies such as harvest festivals, welcoming guests, and various spiritual processions that are full of meaning. This musical instrument is considered a medium of spiritual communication and a means of inheriting ancestral values. Through the plucking of its notes,Sapebe an intermediary in conveying prayers, hopes and respect for the spirits of ancestors. This study specifically focuses on the Dayak Kenyah community, to highlight howSapenot only maintained as a cultural heritage, but also brought to life in the daily lives of the community as an identity that unites and strengthens solidarity amidst the increasingly rapid flow of modernization. Thus, this study emphasizes the importance of traditional music such asSape, not only as a cultural artifact but as part of cultural identity.
ANALYSIS OF HARMONY IN MOVEMENT AND SOUND: SPIRITUAL MEANING LET ALL PRAISE GOD Levinson Y A Simaela; Junita Batubara; Dewi Tika Lestari
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 4 No. 9 (2025): AUGUST
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/ijset.v4i9.858

Abstract

This study discusses a comprehensive analysis of the choral work "Let Everything That Breathes Praise the Lord" created by Levinson Simaela, focusing on its musical structure, harmony, and performative potential.This song was inspired by Psalm 150 and became a mandatory song at the Church Choir Festival (PESPARAWI) of SMGT (Toraja Church Sunday School) throughout the East Makassar Classis in 2022.This work is a silent witness to the victory of the SMGT Satria Kasih Makassar Children's Choir at the event. Researcheras the creator of this work, I intend to identify the compositional elements in the score, explore the performance implications of the existing notation, and examine the inclusion of Torajan nuances through the use of local language lyrics and Torajan drum accompaniment.The use of Torajan lyrics and specific directions for traditional instruments such as the Torajan drum demonstrate an effort to integrate local cultural richness into church music.Using qualitative descriptive methods of formal music analysis supported by ethnographic review, this study examines how the components of melody, rhythm, and harmony interact to shape the overall work. In addition, this article discusses how the tempo direction, dynamics, and "(Sambil Menari)" instructions in the score can influence interpretation and presentation on stage. The incorporation of Torajan lyrics and the option of Torajan drum accompaniment are important points in understanding how this work inculturates regional cultural values ​​into expressions of church praise. The findings of this study are expected to provide a deeper understanding of adaptive choral composition practices, as well as the contribution of music to enriching spiritual culture in Indonesia.
CROSSING THE BOUNDARIES OF IDENTITY: A CONTEXTUAL HERMENEUTICS OF JOHN 4:7-15 IN THE CONTEXT OF MIGRATION THEOLOGY IN INDONESIA Silaen; Junita Batubara
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 4 No. 12 (2025): NOVEMBER
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54443/ijset.v4i12.1324

Abstract

This paper focuses on a contextual hermeneutical analysis of John 4:7–15 in relation to the theology of migration in Indonesia. Migration as a social phenomenon is a complex reality caused by various factors, such as economics, natural disasters, and developments in transportation and information technology that enable large-scale human mobility. In the Indonesian context, this phenomenon has been going on for a long time and continues to have significant social, cultural, and theological impacts. Through a contextual hermeneutical approach, this study seeks to explore the theological meaning of the conversation between Jesus and the Samaritan woman as a model for understanding contemporary theology of migration. The text of John 4:7–15 is understood as an event that transcends social, cultural, and identity boundaries. Jesus' dialogue with the Samaritan woman demonstrates an effort to break down discriminatory barriers between different groups and affirms the universal nature of love and salvation offered by Christ. In the context of the theology of migration in Indonesia, this passage reflects the values ​​of hospitality and inclusivity that form the basis for forming a community open to differences. Hospitality is understood not only as an attitude of welcoming the presence of strangers, but also as a reflection of God's love that erases the boundaries between "us" and "them." Meanwhile, inclusivity emphasizes the importance of social and spiritual integration that values ​​diversity as part of unity in Christ. This study demonstrates that the church in Indonesia needs to emulate Jesus' attitude in building relationships across identities and fostering solidarity with migrants who often experience discrimination. Through contextual hermeneutics, the text of John 4:7-15 is read not only as a historical narrative but also as a theological call to present God's love amidst the realities of modern migration. This study confirms that a biblically based theology of migration can offer a new paradigm that encourages the church to become a space of hospitality and reconciliation for all people regardless of social, ethnic, or cultural background.
DIVERSITY OF MUSIC GENRES IN SUNDAY SERVICES OF HKBP CHURCH IN MEDAN CITY: THEOLOGICAL, CULTURAL, AND MUSIC MANAGEMENT PERSPECTIVES Elfrida Yuliana Simamora; Mauly Purba; Pulumun P. Ginting; Junita Batubara
International Journal of Social Science, Educational, Economics, Agriculture Research and Technology (IJSET) Vol. 5 No. 2 (2026): JANUARY
Publisher : RADJA PUBLIKA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.18764671

Abstract

This study explores the diversity of musical genres is a multidimensional phenomenon in the realm of musical arts that reflects the systematic heterogeneity of musical styles, forms, and practices that develop in various cultural, historical, and social contexts. In a theoretical-musical perspective, this diversity is reflected through the differentiation of basic elements of music: such as melody, harmony, rhythm, timbre, texture, form, and dynamics that form the idiomatic characteristics of each genre. This study aims to examine the diversity of HKBP church music genres used in performing songs in Sunday services, to examine the choice of musical genres used in church services in HKBP and to examine church policies towards HKBP church music. The method used is descriptive qualitative with a phenomenological approach, supported by observation, in-depth interviews, and documentation. The theories used include the Theory of Music Diversity, the Theory of Cultural Contact and the Theory of Music Management. The results of the study show that the diversity of musical genres has undergone significant changes in the musical structure of each HKBP church, the use of modern instruments, but still maintains traditional elements such as hymn music (organ). The new music style (genre) that was formed was the result of Cultural Contact of HKBP church musicians with the demands of the times, the tastes of musicians or congregations and contemporary performance spaces. The music policy in each HKBP church is different because the musicians in each church are not trained and practices in the field are different, the leadership of the Pastor in the church does not all understand HKBP church music. For musicians accompanying Sunday services in HKBP churches, knowing the many music genres is due to the freedom to appreciate playing music because there is no written HKBP music policy but the policy exists through Oral Tradition. This study contributes to the development of HKBP church music policies that are adaptive to cultural and generational contexts, while preserving the roots of Lutheran liturgical tradition.
Co-Authors Agrioki Damianus Sitanggang Agustin R. P. Silalahi Algoboy Nelson Nainggolan Andre Alfandi Mendrofa Angelica Napitupulu Anita Purba Anita Sitanggang Ansen Godang Bt. Sitompul April Hampego Silitonga Arsen Nahum Pasaribu Arsyadona , Arsyadona Arsyadona, Arsyadona Aryanda Nugraha Viory Simatupang Aryani, Novia Asima Gurning Athiya, Sarah Aufah Aulia Agustina, Aulia Baehaqi Bate'e, Ariston Brian Harefa Butar, Lukas Butar Chris Riveldi Wesley Purba Colleen Colleen Colleen, Colleen Damanik, Endo Wahyudi Damri A Hanaou Daniel Purba Dearlina Sinaga Debora Debora Dewi Tika Lestari Dina Marsaulina Eben Ezer Sormin Elfrida Yuliana Simamora Elfrida, Rotua Elvita Purba Emmi Simangunsong Ernest Grace Erwin Purba FINO HARJA MARBUN Gabriella Maria Christine Sipahutar Galingging, Kamaluddin Gulo, Merdiani Gultom, Rendi Leo Ridhoi Happy Majesty Waruwu Hendra Hendrik Leonard Simanjuntak Herman HERNA HIRZA Hot Parulian Sitohang Injen Pardamean Butar-Butar Jeli Elvira Mangaraja Jenni Ria Sihombing Jenny Ria Sihombing Jones Irawan Sibagariang Joseph Partogi Sibarani Jubil Ezer Sihite Juli Antasari Br Sinaga Juliaster Marbun Kamaluddin Galingging Kartini Ruth Maduma Manalu Ken Steven Kevin Yvonnaha Harefa Lawendatu, Frangky Lestari, Dewi Tika Levinson Y A Simaela LUMBAN GAOL, MANATAP BERLIANA Lumbangaol, Samsa Tamara Mahameru , Erucakra Mahameru, Erucakra Manurung, Agatha Olivia Putri Manurung, Naomi Suryana Manurung, Sri Maneni Marbun, Juliaster Marbun, Tulus Marpaung, Cristofel Alfandi Mauly Purba Mauly Purba, Mauly Niko Harnadi Hutasoit Niswa, Khairun Nopelin, Nancy Nopeline, Nancy Nurmika Turnip, Anggreni Panggabean, Ance J. Panjaitan, Edison Parulian, Parulian Pasaribu, Tiara Pintor Marihot Sitanggang Pulumun P. Ginting Purba, Chris Riveldi Wesley Purba, Indra Pranata Purba, Ridwin Raden Mohamad Herdian Bhakti Radeston Tanjung Ramot Ferdinan Ridwin Purba Romahulina, Romahulina Ronald Heriko Saragih Ronald Heriko Saragih Ronny Marusaha Situmorang Rosyo, Pandang Rotua Pangaribuan Ruth Melody Misbow Siallagan Sagala, Risma Novalina Samosir, Hendro T.G Sangjik, Lee Saragih, Imeliana Saragih, Romahulina Saragih, Ronald Herico Saragih, Ronald Heriko Sheren Regina Stefani Siagian, Riris Johanna Siahaan, Indah Peronika Sidabutar, Regina Halmin Sidauruk, Rizky Sihombing, Bonita Anjelina Sihombing, Jenni Ria Sihombing, Nielson Dimpu Sihotang, Hot Parulian Silaban, Lusia Pebriyani Silaen Silalahi, Jojor Hotma Delima Silalahi, Putri Anastasia Silalahi, Teddy Silalahi, Teddy Nicolas SILALAHI, TIODORA FERMISKA Simanjuntak, Eksaulina Simanjuntak, Gina Wijaya Simatupang, Sudung Simorangkir, Maribeth Ophelia Sintia Tampubolon Sinurat, Bloner Sinurat, Juwita Nova Sipahelut, Leo Michs de Bles Sirait, Jumaria Sirait, Setia Oktaviana Sitanggang, Ronaldo Sitinjak, Lasmaria Tiodora Silviana Sitohang, Desi Damaiyanti Sombama Tambunan Sondang Manik Suhono Suhono, Suhono Suryani Sinaga Tampubolon, Diana Dian Sari Tampubolon, Nandito Tannuary, Arwin Tengku Riza Zarzani N Tika, Dewi Torang Naiborhu Trianus, Trianus Turnip, Gresy Van Thao, Nguyen Vanesia Amelia Sebayang Vannesia Veithzal Rivai Zainal Virda Natesya Waruwu, Happy Majesty Widya Septiana Windos Marbun Wong, Colleen Yanti Kristina Sinaga Yesaya Purwandana Simorangkir Yoas Fajar Hosea Teturia Laia Yolasrida Lubis Yoon, Phil