Claim Missing Document
Check
Articles

ANALYSIS OF THE DRAMA MANUFACTURE BEN GO TUN BY SAINI KM USING A SOCIOLOGICAL APPROACH METHOD Shofi Al Zahra; Rifa Fauziah Salma; Jein Fitria Sriwulan Pitaloka; Lisa Herlina; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research uses a descriptive qualitative approach with a library study model. The data collection technique used in this research is based on data analysis in the Ben Go Tun drama script. This research was carried out by directly examining the Ben Go Tun drama script by taking primary and secondary data. From the research results, there are three main discussions, namely conflict, criticism and moral messages. Of these three discussions, one of them is conflict. Several conflicts told in the Ben Go Tun drama script are analyzed in dialogue and juxtaposed with the realities of life. Then there is social criticism which is analyzed as an outline of the background of the drama script Ben Go Tun. And finally there is a moral message, the author analyzes every criticism and conflict to retrieve data related to the resulting moral message. This research draws from several appropriate theories and is linked to the drama script Ben Go Tun which has been analyzed using a sociological approach.
STRUCTURAL STUDY OF THE DRAMA SCRIPT "SENJA DENGAN DUA KELELAWAR" BY KIRDJOMULYO Deisy Permata Nurfaizar Sari; Lutfi Nurhayati; Trisa Nurfitri; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The literary work of the drama script "Senja dengan Dua Kelelawar" by Kirdjomulyo has urgency in terms of human values, social reality, richness of literary culture, development of science, cultural and social discourse. The aim of this research is to describe the structural elements in the drama script "Senja dengan Dua Kelelawar". Structural analysis is an approach to studying literature from the intrinsic aspects that build the literary work itself. This research method uses a descriptive method with central study data collection techniques. The research results show that the script "Senja dengan Dua Kelelawar" has a theme of romance. This script has eight characters with their respective roles and characters. The flow used is a forward flow. The setting in this text consists of place setting, time setting and social setting. Uses third person omniscient point of view. There are several messages that contain life values ​​that can be learned; a) the importance of honesty to build relationships between people, b) you must learn from mistakes, c) enthusiasm in living a life full of trials. The study of this text can encourage positive changes in various aspects of human life and provide benefits to the general public.
STRUCTURAL ANALYSIS OF THE DRAMA SCRIPT "TEMANKU SAYANG TEMANKU MALANG (KEN KEMBALILAH SEPERTI DULU)" BY ELSA PEBRIYANTI Siti Sopiah; Silmi Ahsanti Dewi; Elva Elfiani Salsa; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article delves into the structural analysis of "Temanku Sayang Temanku Malang (Ken Kembalilah Seperti Dulu)", a drama script penned by Elsa Pebriyanti. The study aims to identify and examine the various structural elements that contribute to the overall narrative and thematic impact of the play. Through a critical analysis of the script, this research explores the ways in which Pebriyanti employs structural devices such as plot structure, character development, dialogue, and stage directions to convey the story's themes and messages. The analysis reveals that the script's narrative structure is characterized by a non-linear progression, with multiple flashbacks and flashforwards that blur the lines between past and present. This non-linear approach allows Pebriyanti to explore the complexities of human relationships and the consequences of past actions on the present. Furthermore, the study highlights the effective use of character development, particularly in the portrayal of the protagonist, whose emotional journey serves as a catalyst for the story's themes of love, loss, and redemption. The analysis also examines the role of dialogue in shaping the characters' personalities and relationships, as well as the ways in which stage directions contribute to the overall atmosphere and mood of the play. Additionally, the study discusses the significance of the play's title and its relationship to the themes and plot, highlighting the ways in which Pebriyanti uses the title to set the tone for the audience's engagement with the story. Ultimately, this research demonstrates that the structural elements of "Temanku Sayang Temanku Malang (Ken Kembalilah Seperti Dulu)" are carefully crafted to create a rich and nuanced narrative that explores the complexities of human relationships and the power of love and redemption. The study contributes to a deeper understanding of the script's structural dynamics and their impact on the audience's experience of the play.
CLASSIFICATION OF EMOTIONS OF THE CHARACTERS DADANG AND DUDUNG IN THE PLAY LAA TAGDHOB BY AZIS MOA (LITERARY PSYCHOLOGY STUDY) Pradita, Putri Trian; Silviani; Putra, Adita Widara
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The play Laa tagdhob by Azis Moa contains various types of emotions from each character, however, Dadang and Dudung are more dominant characters where they are the main characters of the story. This research uses a qualitative descriptive method. The qualitative descriptive method is a research method that is decomposed in the form of words not numbers and also develops an inductive mindset so that in the process of answering a problem it does not necessarily rest on theories, axioms, and principles as existing truths, but on facts that arise naturally in the field. The purpose of this research is to find out the emotions in the text and then classify them using Boeree's emotion theory. The data collection technique is content analysis whose data source is from the play Laa Tagdhob by Azis Moa. The data that has been collected is then analyzed using a literary psychology approach which focuses on classifying the emotions of the two main characters in the play Laa Tagdhob. This literary psychology theory is used to analyze the formulation of research problems. The results of the research that have been carried out based on the data in the Laa Tagdhob drama script found 7 classifications of emotions from the two characters Dadang and Dudung, namely the family of surprise, fear, anger, sadness, desire, happiness, and boredom.
STUDY OF THE DRAMA MANUFACTURE "STORM ALL NIGHT" BY MAX ARIFIN USING A STRUCTURALISM APPROACH Ajeng Raya Vidia; Yayu Sopa Ikmali Rijki; Siti Elinda Nur Pebriantini; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to determine the intrinsic elements in a drama script "Badai Throughout the Night" by Max Arifin using a structuralism approach. The research method used is descriptive qualitative. In this research, intrinsic elements can be obtained which consist of theme, plot, characters and characterization, setting and message.
STRUCTURAL ANALYSIS OF PUTU WIJAYA'S “OPERASI" DRAMA SCRIPT AS AN ALTERNATIVE INDONESIAN LANGUAGE TEACHING MATERIAL Siti Papat Patimah; Salma Nurfadillah; Zakia Nur Huda; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The structural approach has been widely used by researchers to reveal the implied meaning in a literary work. Drama as a literary genre is built by physical elements that bind each other into one complete story so that it can be acted out in a drama performance. This research aims to analyze the structure of the drama script "Operasi" by Putu Wijaya. A structural approach is used to identify and describe the intrinsic elements that make up the entire text of a drama script. The elements analyzed include theme, plot, characters and characterization, setting, dialogue, message, and so on. In-depth analysis of a script's structure helps understand how the story is structured, conflict develops, characters develop, and themes are conveyed. This analysis uses a qualitative descriptive research method by utilizing qualitative data and describing it descriptively. The aim of this research is to reveal how the drama script "Operasi" is a reflection of society and current social conditions through the structure of its construction. Apart from that, its relevance to learning in schools can develop a deeper understanding of literary works. This scientific article highlights the artistic excellence of manuscripts and the importance of understanding structural analysis in appreciating and interpreting literary works. It is hoped that the results of the structural analysis of the drama script "Operasi" by Putu Wijaya will be able to add to the literature for further research.
SOCIOLOGICAL STUDY IN THE SCRIPTURE "LOVE THERE ARE OTHER PEOPLE" THE WORKS OF UTUY TATAN SONTANI Neng Elis Handayani; Gina Amelia Pitri; Dwi Rinna Artiani; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Apart from being a means of entertainment, drama can also be used as a means of learning and as an object of research. The object of study in this research is a drama script by Tatang Sontani entitled "Unfortunately There Are Other People". from the sociological study of literature in the script "Unfortunately There Are Others" by Utuy Tatang Sontani focusing on the analysis of the moral values contained in the drama. This research uses a literary sociology approach to understand how the drama reflects social reality and moral values related to human life. The research results show that the drama "Love There Are Others" expresses various forms of moral values related to human relationships in the social environment of society. This is shown through interactions between characters. This research also shows that the drama can be used as an alternative teaching material in language and literature education in high schools.
STRUCTURAL ANALYSIS AND EXPRESSIVE SPEECH ACTIONS OF THE DRAMA SCRIPT “SUDAH GILA” BY CHAIRIL ANWAR Ai Cahyani; Wita Adia Amelia; Galih Ahmad Rivaldi; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Drama has become a mirror of human life, creating narratives that enrich our understanding of human existence. This article explains basic concepts in the world of drama, along with important approaches in studying literary works such as structural and expressive. The structural approach helps us understand the formal elements of drama that interact with each other to form a cohesive narrative, while the expressive approach allows us to explore layers of emotions and character motivations which also discusses expressive speech acts, which are the use of language in drama to convey messages and emotions. Through exploring these concepts, we can deepen our experience in understanding and appreciating dramatic works, as well as reflecting on the human essence revealed on the stage of life. The data source for the study using a structural and expressive approach to speech acts in this research is the drama script Jadi Gila by Chairil Anwar by analyzing each dialogue of the characters. The method used is descriptive qualitative. Data collection techniques use reading, note-taking and literature study techniques. Meanwhile, the technique for analyzing data uses content analysis.
STRUCTURAL STUDY ON THE DRAMA SCRIPT "LAUTAN BERNYANYI" BY PUTU WIJAYA Syifa Nurlatifah; Resha Zakiyatussolihah; Jodi Iskandar; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to obtain a description of the elements that make up a drama script. The method used in the structural study of the drama script "Lautan Bernyanyi" by Putu Wijaya is to use a qualitative descriptive method. "Qualitative research is research used to examine the condition of natural objects. The data analysis technique used in this research is qualitative descriptive data analysis, namely describing the intrinsic elements contained in the drama script "Lautan Bernyanyi". The results of the research reveal that the plot of the drama script "Lautan Bernyanyi" by Putu Wijaya is classified as an advanced plot. The characters in the drama script "Lautan Bernyanyi" by Putu Wijaya consist of the characters Captain, Chomol, Panieka, Adenan, Rubi, Dayu Sanur, Shaman. The drama script "The Singing Ocean" is set on the deck of the Tiger Laut ship. The setting of Putu Wijaya's "Singing Ocean" takes place in an atmosphere of tension, anxiety, panic, fear, anger and joy. The major theme of the drama The Singing Sea is Captain Leo's doubts as a human being who always thinks logically and opposes forms of myth that have been passed down from generation to generation to be believed. The minor theme of the drama The Singing Sea is the relationship between Captain Leo and his subordinate Comol. The message can be taken, that we humans must have firm beliefs to determine something.
PSYCHOLOGICAL STUDY OF LITERATURE ON THE MAIN CHARACTER OF THE PLAY “BULAN BUJUR SANGKAR” BY IWAN SIMATUPANG Titin Rostini; Angelina Sepiani Kusmawati; Resti Febrisanti; Adita Widara Putra
JOURNAL OF HUMANITIES AND SOCIAL STUDIES Vol. 2 No. 02 (2024): MAY 2024
Publisher : Media Inovasi Pendidikan dan Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research aims to describe the psychological character of parents in the play “Bulan Bujur Sangkar” by Iwan Simatupang by using psychological studies of the characters contained in the play. The method used in this research is descriptive and literature review. This process involves collecting data through analyzing relevant documents. Literary works are artistic expressions that not only reveal stories and characters, but also reflect various aspects of human life such as emotions, conflicts, and thoughts. Literature can capture the complexity of human psychology through stories and symbols and provide deep insight into a person's mental and emotional state. The descriptive method in this study was used to collect data related to the research topic. This process involves collecting data through analyzing relevant documents. In the literature review, this research refers to relevant theories and previous studies that have similar topics or methodologies. The results of this study show the absurdity of parental characters through three stages of thinking concepts namely Id, Ego, and Supergo. In the play Bulan Bujur Sangkar, the parent character fights back by committing suicide on the gallows.
Co-Authors Aas Salamah Abdul Muqit, Fiqri Ai Cahyani Ajeng Maryam Ajeng Raya Vidia Alfina Fitriani Alfitriani, Nisfi Alya Rahmawati Setiawan Amalia Fauziah Amelia Nasywa Dwi Agusta Amelia Nurfitri Annisa Amelia Rahayu Angelina Sepiani Kusmawati Anggita, Via Anindia, Aulia Diva Dry Anissa Nur Fatwa Anjani Lintang Pertiwi Annida Yasti Sari Apifah, Nurhayati Apriliani, Rima Ayu Apriliany, Fanny Nur Asma Izzati Assyifa Rahman Astri Fauziah Hindasah Aulia Gita Ayuningtyas Aulia, Nabila Rahma Bintang Putri Pamungkas Budi Riswandi Chica Chaswati Dalpa Nurmaulidah Deisy Permata Nurfaizar Sari Deviana, Nadila Dian Khoerani DIAN LESTARI Dimas Hermawan Dinar Rahmatina Sajidah Dinda Nurdiana Dwi Rinna Artiani Dzikry Aqbil Rais Elfara Zahra Pramono Elva Elfiani Salsa Erlina Nur Fajriyanti Eulis Siti Nurallawiah Evi Fatmalasari Fajri Fahrulrazi Fany Haifa Alia Farras, Safwan Raihan Ferani Siti Nurhanifah Fitri Nurrochmah Galih Ahmad Rivaldi Ghina Ayu Salsabila Gina Amelia Pitri Gunawan, Inra Hamidah, Wanda Hana Nurhasanah Hasanah, Della Al Hesti Nurlinda Hidayat, Eka Wahyu Hilwa Hamya Aulia Hizkia Dwi Prayoga Hopipah, Opi Indra Setiawan Irey Damara Ismi Agustina Rokayanti Jein Fitria Sriwulan Pitaloka Jelita Maulida Nurhamidah Jodi Iskandar Kartadireja, Welly Nores Khiyaroh, Neng Nihlah Latifa Rahmatun Nisa Lisa Herlina Lulu Ratika Yuniar Lutfi Nurhayati Marliani, Rahma Putri Marwatul Kamilah Milla Amellia Milna Widya Moh. Hafidz Assidiq Syam Muhamad Ihsan Hayatul Barokah Muhamad Rizki Nur Amin Muhammad Firhan Ariz Muhtar, Fitria Annisa Mustofa, Romy Faisal Mutiara Dwi Utami Mutiara, Lia Naila Riski Ahsani Nandang Kurnia Sandi Natasya Marthasifa Neng Elis Handayani Neng Ira Hoerunnisa Neng Sri Wahyuni Nurul Bariah Ninda Dawilatul Aliyah Novitasari, Fitra Nurhayati, De San San Nurjamilah, Ai Siti Nurjehan, Ula Maulida Nurlinda, Hesti Nurohmah Nurohmah Pamela, Nibia Zahra Pamungkas, Bintang Putri Pani Aulia Rukmana Permatasari , Mela Pradita, Putri Trian Prasanti, Frita Dwi Putri, Dilla Amalia Putri, Tiara Meidiani Radita Rahmawati Rahmi, Iklima Hilda Rangga Aria Hidayat Rani Amaliah Resha Zakiyatussolihah Respi Nurdiani Resti Febrisanti Resti Nurbiadu Intani Retna Ayu Ratu Gumilang Rifa Fauziah Salma Risqi Sri Mulyati Rita Rismawati Rizka Maulidania Robby Dwi Prasetia Rosialasa, Nabila Ajeng Fransisca Rosiana, Shinta Saadah, Anis Fathu Sabrina Fajriani Nuramali Saharani, Elsa Salma Nurfadillah Salsabila Putri Rahmawati Salwa Sania Adawiah Sari, Elsa Purnama Savadila Adinda Mynur Seni Melani Sevti Putri Thavany Sevti Putri Thavany Shifa Harun Salsabilah Shinta Rosiana Shofi Al Zahra Shofiyah Shofiyah Shofiyatul Mukromiyah Silfa Milatul Istiqomah Silmi Ahsanti Dewi Silviani Siswadi, Muhammad Ilham Kholik Siti Asiah Siti Azizah Siti Elinda Nur Pebriantini Siti Papat Patimah Siti Sopiah Solihat, Siti Zahra Sujani, Elly Aulia Suriani, Siti Syahrial, Ilham Syakira Fauziah Syamsiar, Syamsiar Syarifudin, Syachrul Syifa Nurlatifah Thavany, Sevti Putri Tia Nurhayati Titin Rostini Titin Setiartin, Titin Tresnawati, Dina Trisa Nurfitri Ulfah Fauziah Verra Neisya Septiani Wahyuni, Dea Siti Waridah, Ira Widayanti Widayanti Widyanti Kusuma Winda Murni Wita Adia Amelia Wulan Safirah Permata Yayu Sopa Ikmali Rijki Yazna, Vivia Yulia Awalliyah Yuni Ertinawati Zahra Jelita Zakia Nur Huda Zita Fany Puteri Pratama