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All Journal E-JURNAL LINGUISTIK HUMANIS Buletin Udayana Mengabdi E-Journal of Linguistics Bumi Lestari Ecotrophic, Journal of Environmental Science Linguistika Jurnal Pendidikan Bahasa dan Sastra Indonesia Undiksha Jurnal Kajian Bali LINGUAL: Journal of Language and Culture Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies LINGUISTIK : Jurnal Bahasa dan Sastra Proceedings of ISELT FBS Universitas Negeri Padang Journal of Language and Literature LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya International Journal of Linguistics and Discourse Analytics (ijolida) Jurnal Sakura : Sastra, Bahasa, Kebudayaan dan Pranata Jepang Udayana Journal of Social Sciences and Humanities (UJoSSH) Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Kulturistik : Jurnal Bahasa dan Budaya International Journal of English and Applied Linguistics (IJEAL) Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Stilistika: Journal of Indonesian Language and Literature International Journal of Education, Language, Literature, Arts, Culture, and Social Humanities Indonesian Journal of Science, Technology, and Humanities Enigma in Education International Journal Linguistics of Sumatra and Malay (IJLSM) EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics Litera : Jurnal Bahasa dan Sastra Jurnal Pendidikan Indonesia Sama Jiva Jnanam (International Journal of Social Studies) Ulil Albab
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The External Conflicts Faced By Simon In Love, Simon Movie Script Kadek Putri Pradnyaningsih; I Nengah Sudipa; Anak Agung Sagung Shanti Sari Dewi
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 1 No. 7: Juni 2022
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

 The title of this paper is The External Conflicts Faced by Simon in Love, Simon Movie Script. This study is aimed at analyzing external conflicts faced by Simon as the main character. The data of this study were taken from Love, Simon movie script. In collecting the data of this study, the documentation method and note-taking technique were applied. The data were analyzed by applying descriptive qualitative method. Then in presenting the result of the data analysis, the informal method was applied. Theory of conflict (Kenney, 1966, p. 19) were used to analyze the data. The result of this study shows that the external conflicts faced by Simon occurred between man vs. man and man vs. society. Simon had external conflicts with other characters included Martin, Abby, Nick, Nora, Leah and Blue. Furthermore, the external conflict between Simon and the society happened between Simon and students at school.
The Meanings of Signs in Victoria’s Secret Advertisement I Gusti Komang Oka Wardayuna; I Nengah Sudipa; Putu Ayu Asty Senja Pratiwi
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 6: Mei 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i6.1648

Abstract

This study is entitled The Meaning of Signs in Victoria’s Secret Advertisement. This study focuses on the analysis of verbal and visual signs in the poster available on the Victoria’s Secret website. It aims to identify the kind of signs implied in Victoria’s Secret advertisements and to analyze the meaning of the signs implied in Victoria’s Secret advertisements. This study used advertisements as primary data. This study applied the documentation method and note-taking technique in collecting data. This study used qualitative methods and the data was analyzed descriptively. The result of this study was presented in the informal method. Three theories were applied in this study. Dyer's (1982) theory was used to analyze the signs, particularly the verbal and visual signs found in the data. Then, the verbal signs meaning was analyzed through the theory from Barthes (1964) on the meanings of the signs and the color theory by Cerrato (2012) to analyze the meaning of the color in the data. The result shows that there are eight signs found in the data, four of them are categorized as verbal signs, and four others are visual signs. The verbal signs are visible through the placement, shape, and color of the texts, meanwhile, the visual sign focuses on the situation that happens throughout the posters. Based on the analysis, one verbal sign has a denotative meaning, another has a denotative and connotative meaning, and one does not have a denotative and connotative meaning, however, none of the data shows any myth aspects. Then, there is no dominant color found in the data because the colors in the data are different from one another.
Positive Politeness Strategies Used in Oprah’s 2020 Vision Tour Visionaries: The Rock Interview I Wayan Nanditha Kusanaghi; I Nengah Sudipa; I Made Rajeg
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 7: Juni 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i7.1891

Abstract

This article is entitled Positive Politeness Strategies Used In Oprah’s 2020 Vision Tour Visionaries: The Rock Interview. It focuses on the positive politeness strategies in a talk show entitled Oprah’s 2020 Vision Tour Visionaries. The aims of this study are to identify the types of positive politeness strategies employed by Oprah Winfrey and Dwayne Johnson and explain the reasons and factors that influenced the participants in Oprah’s 2020 Vision Tour Visionaries. The data was taken from the utterances between Oprah Winfrey and Dwayne Johnson in the talk show. The data were collected through documentation method by note-taking technique. This article used Brown and Levinson theory (1987) of positive politeness strategies as the main theory as well as to identify the types of positive politeness strategies and to analyze the reasons and factors influencing the use of positive politeness strategies in Oprah’s 2020 Vision Tour Visionaries: The Rock Interview. The results of this study show that twelve strategies of positive politeness strategies proposed by Brown and Levinson (1987) are found in this article. There were two factors that influenced the choice those positive politeness strategies, namely the payoff: a priori consideration, and The Circumstance: Sociological variable.
Language Style Used in Darkest Hour Movie Wisesa, Gede Bagus Kalpa; Sudipa, I Nengah; Rajeg, Gede Primahadi Wijaya
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 3 No. 8: Juli 2024
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v3i8.4405

Abstract

This study examines the sociolinguistics of the language style used in the 2017 movie Darkest Hour, directed by Joe Wright and written by Anthony McCarten. The study focuses on two main research inquiries: (1) What language styles are utilised in the movie Darkest Hour (2) What variables influence the predominant language style utilised in the movie Darkest Hour. The study aims to identify and describe the language styles in the movie using Mandell and Kirszner's (2005) theory, which categorises language styles as frozen, formal, consultative, casual, and intimate. Furthermore, Holmes' (2013) theory is utilised to examine the aspects that impact the primary language style found in the movie. The study focuses on analysing characters' speech in Darkest Hour to reveal language patterns and analyse the sociolinguistic dynamics shown in the movie. This research delves into how language styles and contextual elements interact to enhance our understanding of how language is used for characterisation, narrative development, and historical representation in movie discourse.
Co-Authors A. A. Gede Raka Mahendra Anak Agung Gede Hari Wishnawa Anak Agung Istri Ari Laras Utami Anak Agung Sagung Shanti Sari Dewi Antari, Ni Made Suwari Ayu Sastya Kartika Desak Ayu Krisna Dewi Dewa Ayu Carma Citrawati Dewa Ayu Febri Rantika Dewa Ayu Rengganis Wijayanti Dewa Ayu Widiasri Dewi, A.A.Sg. Shanti Sari Dian Saputra, I Made F. I M. Brata Fransiscus Sanur Gede Bagus Kalpa Wisesa Gede Primahadi Wijaya Rajeg Gusti Ayu Marcela Dewi Gusti Ayu Oka Cahya Dewi I Dewa Ayu Satria Dewi I Gde Yudhi Argangga Khrisnantara I Gde Yudhi Argangga Khrisnantara I Gede Budiasa I Gede krisna Wedhana C I Gusti Agung Istri Aryani I Gusti Ayu Gede Sosiowati I Gusti Ayu Ratih Chintya Anggreni I Gusti Komang Oka Wardayuna I Kadek Arditya Kurniawan I Ketut Artawa I Ketut Darma Laksana I Ketut Tika I Made Budiarsa I Made Dian Saputra I Made Netra I MADE RAJEG I Made Yudhi Putrawan I Nyoman Arya Wibawa I Nyoman Aryawibawa I Nyoman Sedeng I Nyoman Suarka I NYOMAN SUPARWA I Nyoman Weda Kusuma I Wayan Budi Juni Ardana I Wayan Cika I Wayan Nanditha Kusanaghi I WAYAN PASTIKA I Wayan Resen I Wayan Simpen I Wayan Simplen I Wayan Simplen I Wayan Suryasa I Wayan Widiadnyana I.B. Sudana Ida Ayu Leony Pratiwi Ida Ayu Made Puspani Ida Bagus Adi Sumanjaya Ida Bagus Gede Subawa Putra Ida Bagus Pramana Pidada Ida Bagus Putra Yadnya Kadek Putri Pradnyaningsih Kadek Ris Herwantinus Khrisnantara, I Gde Yudhi Argangga Komang Adi Maendra Komang Dian Puspita Candra Komang Dian Puspita Candra, Komang Dian Puspita Laksono Trisnantoro Luh Gede Novita Rahayu Luh Putu Laksminy M. Sudiana Mahendra Made Henra Dwikarmawan Sudipa Made Henra Dwikarmawan Sudipa Made Sri Satyawati Nazara, Wa’özisökhi Ni Ketut Sri Rahayuni Ni Km. Nidyantari Laksmi R. Ni Komang Pariadi Ni Luh Nyoman Seri Malini Ni Luh Supartini Ni Luh Sutjiati Beratha Ni Made Ayu Sulasmini NI MADE AYU SULASMINI . Ni Made Ayu Widiastuti Ni Made Dhanawaty Ni Made Erfiani Ni Made Suryati Ni Putu Diah Darmayanti Ni Putu Dwi Verayanti Utami, Ni Putu Dwi Ni Putu Nia Puspasari Ni Wayan Sukarini Novita dewi, Anak Agung Alit Oviana D.Y Libing Putra, Agus Naryagali Putu Agnatya Mahadi Putri Putu Ayu Asty Senja Pratiwi Putu Cindy Aprilia Dewi Putu Dewi Merlyna Yuda Pramesti Putu Weddha Savitri Rajeg, Gede Primahadi Wijaya Rina Ayu Pertiwi Ristati Ristati Robert Masreng Salsa Bela Angelina Panjaitan Sang Ayu Isnu Maharani Santi Indriani, Ketut Saskara Tranggana Suari, Ida Ayu savitri, weddha Seno, Dominikus Supartini , Ni Luh Susanta, I Putu Agus Endra Susini, Made Taopan, Talita Kum Tasya Pratama Urbanus Laratmase Wa’özisökhi Nazara Widiasri, Dewa Ayu Wisesa, Gede Bagus Kalpa Yana Qomariana