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All Journal Humaniora Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Ringkang Jurnal Seni Tari dan Pendidikan Seni Tari JPsd ( Jurnal Pendidikan Sekolah Dasar ) Indonesian Journal of Early Childhood Education Studies MUDRA Jurnal Seni Budaya Panggung Jurnal Obsesi: Jurnal Pendidikan Anak Usia Dini Gondang: Jurnal Seni dan Budaya Jurnal Administrasi Pendidikan Indonesia Paedagoria : Jurnal Kajian, Penelitian dan Pengembangan Kependidikan Cakrawala Dini : Jurnal Pendidikan Anak Usia Dini Gelar : Jurnal Seni Budaya International Conference on Languages and Arts Journal of Humanities and Social Studies Journal of Education, Humaniora and Social Sciences (JEHSS) Tunas Siliwangi : Jurnal Program Studi Pendidikan Guru PAUD STKIP Siliwangi Bandung Jurnal Paedagogy Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Didaktika: Jurnal Kependidikan Jurnal Pendidikan dan Teknologi Indonesia IJORER : International Journal of Recent Educational Research ARRUS Journal of Social Sciences and Humanities Gesture: Jurnal Seni Tari Journal of Dance and Dance Education Studies Journal of Innovation and Research in Primary Education Paradigma: Jurnal Kajian Budaya Panggung Jurnal Abmas Inovasi Kurikulum
Tati Narawati
Universitas Pendidikan Indonesia
Religion Arts Humanities Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Public Health Social Sciences Other

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DAW-Based Beatmaking Creative Process: Literature Review with Guilford Indicators Uci Rahmawati; Agus Budiman; Tati Narawati
Jurnal Paedagogy Vol. 13 No. 1 (2026): January
Publisher : Universitas Pendidikan Mandalika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/jp.v13i1.19058

Abstract

This study aims to map rhythmic creativity in Digital Audio Workstation (DAW)–based beatmaking using Guilford’s indicators of creativity—fluency, flexibility, originality, and elaboration—as the primary analytical framework. In higher education in music arts, these indicators are employed as an analytical lens to examine how rhythmic ideas are generated, varied, refined, and expanded during the DAW-based beatmaking process. The study adopted a directed literature review method with thematic synthesis, analyzing 40 open-access sources published between 2017 and 2025 and retrieved through database searches (e.g., DOAJ and Google Scholar) and manual reference list screening. All included sources were peer-reviewed and assigned Digital Object Identifiers (DOIs). The literature was organized into thematic clusters, including DAW pedagogy, beatmaking practices, divergent thinking and musical creativity, digital collaboration, and critiques of technology and artificial intelligence in music production. Rhythmic elements—such as patterns, grooves, accents, subdivisions, swing, microtiming, transitions, arrangement, and energy automation—were subsequently mapped onto the four creativity indicators. The findings indicate that DAWs strongly facilitate rapid idea prototyping and iterative refinement, making fluency and elaboration the most prominent creativity indicators. In contrast, flexibility and originality appear to be more contingent on task design, learners’ willingness to shift compositional strategies, negotiation with genre conventions, and the broader collaborative and technological ecosystem, including templates, presets, and AI-assisted tools. This study provides a conceptual mapping framework and illustrative assessment directions to assist lecturers in interpreting DAW project artifacts as evidence of rhythmic creative processes. In the context of music arts higher education, the proposed mapping offers a reference for designing DAW-based composition tasks and developing more consistent and transparent assessment criteria for rhythmic creativity across the four Guilford indicators. Future research is recommended to empirically test this framework through the analysis of student-produced DAW artifacts.
Embodied Knowledge in NU Pesantren: Islamic Arts, Traditional Pedagogy, and Cultural Transmission in Tasikmalaya Tri Lestari, Asti; Masunah, Juju; Narawati, Tati; Karyono, Tri
IJORER : International Journal of Recent Educational Research Vol. 7 No. 4 (2026): July
Publisher : Faculty of Teacher Training and Education Muhammadiyah University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46245/ijorer.v7i4.1398

Abstract

This study examines zapin, hadroh, and marawis as forms of embodied pedagogy within Nahdlatul Ulama (NU) pesantren in Tasikmalaya, Indonesia, based on a multi-sited ethnographic investigation involving 247 santri aged 12–24. Data were generated through 156 hours of participant observation, 42 video-documented rehearsal and performance sessions, and 18 semi-structured interviews with key pedagogical actors. Analysis identified five interconnected mechanisms shaping moral learning: somatic inscription through repetitive bodily practice, relational ensemble-based pedagogy, traditionalist epistemology as a generative constraint, gender-differentiated modes of ethical embodiment, and the longitudinal integration of learned dispositions into everyday behavior. Engagement in Islamic arts was associated with substantial gains in motor competence (70-126%), higher moral development among art-intensive cohorts (d = 0.78, p < 0.012), and sustained reductions in behavioral infractions over 24 months (62–89%, p < 0.001). The findings demonstrate that embodied artistic practice enables Islamic moral knowledge to be internalized as durable bodily habit rather than abstract instruction.
Digital promotion innovation of Ronggeng Ketuk Dance at Asem Gede Losarang Studio Widi Eka Yulita; Tati Narawati; Fitri Kurniati
Inovasi Kurikulum Vol. 21 No. 3 (2024): Inovasi Kurikulum, August 2024
Publisher : Himpunan Pengembang Kurikulum Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/jik.v21i3.68418

Abstract

The advancement of digital technology has significantly impacted the promotion and presentation of Tari Ronggeng Ketuk. This study aims to describe how Sanggar Asem Gede Losarang utilizes digital technology to promote this dance. The main subject of the research is the owner of the sanggar, Dede Jaelani, while the object of the research is Tari Ronggeng Ketuk. This study is based on the grand theory of Cultural Studies, employing a qualitative paradigm with a multidisciplinary approach encompassing digital marketing and non-formal education (sanggar) and a descriptive analysis method. Data was collected using triangulation techniques, including interviews, observations, and document studies. The data analysis process in this research includes data reduction, presentation, and systematic verification to ensure data validity. The results indicate changes in the presentation of Tari Ronggeng Ketuk regarding the number of dancers, accompanying music, and performance duration due to the digital era. Promotion strategies include using the sanggar's blog, collaborating with influencers on social media platforms, partnering with photography communities, and participating in cultural activities such as Napak Jagat Pasundan. This research is expected to support the preservation of traditional dance and promote cultural heritage for the future.   Abstrak Perkembangan teknologi digital telah memberikan dampak yang signifikan terhadap promosi dan penyajian Tari Ronggeng Ketuk. Penelitian ini bertujuan untuk mendeskripsikan bagaimana Sanggar Asem Gede Losarang memanfaatkan teknologi digital untuk mempromosikan tari ini. Subjek utama penelitian ini adalah Dede Jaelani, pemilik sanggar, sementara objek penelitiannya adalah Tari Ronggeng Ketuk. Penelitian ini berlandaskan pada grand theory Cultural Studies menggunakan paradigma kualitatif dengan pendekatan multidisiplin (pemasaran digital dan pendidikan non formal). Pengumpulan data dilakukan dengan menggunakan teknik triangulasi dengan proses analisis data meliputi reduksi, penyajian, dan verifikasi data secara sistematis untuk memastikan keabsahan data. Strategi promosi dalam penelitian ini dilakukan melalui tiga langkah: (1) perubahan konten yang disesuaikan untuk penampilan digital, (2) kerja sama dengan komunitas seni Napak Jagat Pasundan, dan (3) pemanfaatan media sosial seperti blog, Facebook, Instagram, dan YouTube sebagai sarana promosi. Strategi tersebut telah meningkatkan jumlah viewers tayangan Tari Ronggeng Ketuk sehingga leih dikenal oleh masyarakat luas. Penelitian ini diharapkan dapat mendukung pelestarian tari tradisional dan mempromosikan warisan budaya untuk masa depan. Kata Kunci: digital; promosi; studi budaya; tari Ronggeng Ketuk
Co-Authors abdul ajis jatnika Ace Iwan Suryawan Ace Iwan Suryawan Ace Iwan Suryawan, Ace Iwan Agus Ahmad Wakih Agus Ahmad Wakih Agus Budiman Agus Budiman Agus Dian Agus Supriatna Ali, Qifthi Amalia ramadhani Annastasya Nur Intandiani Annisa Nurkhadijah Ayo Sunaryo Ayu Ridho Saraswati, Ayu Ridho Ayu Vinlandari Wahyudi Cantika, Anindyajati Dedi Rosala Devita Juniawan Dhea Elvionita Surya Dinda Damayanti Sudrajat Dinda Satya Upaja Budi Fallen, Aryuda Fakhleri Fifiet Dwi Tresna Santana Fifiet Dwi Tresna Santana, Fifiet Dwi Tresna Fitri Kurniati Hapidzin, Rivaldi Indra Hardina, Meisi Hayani Wulandari Hayani Wulandari, Hayani heni julia adila Intandiani, Annastasya Nur Ismet Ruchimat Ismet Ruchimat, Ismet Juju Masunah Juju Musunah Kemala Dwina Putri Khori Nurfaida Agniawan Kokom Komalasari Lalan Erlani Lanang Riyadi Maryani, Dian Maulana, Marsel Ridky Metha Liantina Eka Putri mira Agianti mira agniati Mubiar Agustin Muqri, Al Musunah, Juju Mutiara Difa Fauziyah Noviyanti Maulani Nugraheni, Trianti Nurfalah, Asep Rizwan Nurjatisari, Trimulyani Nurulloh Ramdani oriza sathyfa pertama Peppy Irmaniar Rahman Puri, Tia Destiana Putri Lilis Dyani Putri Lilis Dyani Putri, Aisyah Rahma Putri, Febrianti Ersa Qifthi Ali R. M. Soedarsono R.M. Soedarsono - R.M. Soedarsono -, R.M. Soedarsono Rahayu, Sesi Febi Rakhmat, Cece Ramadhan, Alvin Pratama Ria Sabaria Riana Rosa Prastika Ridwan Simon Ridwan, Ridwan Rika Restela Rika Restela, Rika Rivaldi Indra Hapidzin Rizqi Maulana Rosi Rosmawati Saian Badaruddin Satya, Royys Bagja Rizky Sembiring, Piter Slamet, Deni Sofyan, Agung Muhamad Srilestari, Widia Sunaryo, Ayo Suwandi, Miranto Taram Abdul Roji Taryana, Tatang Timbul Haryono Timbul Haryono Tresnadi, Soni Tri Karyono Tri Lestari, Asti Tri Reda Julianti Anugrah Trianti Nugraheni Uci Rahmawati uus karwati Wakih, Agus Ahmad Widi Eka Yulita Widia Srilestari Yoyoh Siti Mariyah Yudi Sukmayadi Zaenal Alimin