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All Journal Semantik : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Edukasi: Jurnal Pendidikan dan Pengajaran Al Qodiri : Jurnal Pendidikan, Sosial dan Keagamaan Jurnal Pendidikan Dasar Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) Pendas : Jurnah Ilmiah Pendidikan Dasar Diksa : Jurnal Pendidikan Bahasa dan Sastra Indonesia Journal of Education and Instruction (JOEAI) Literasi: Jurnal Ilmiah Pendidikan Bahasa, Sastra Indonesia dan Daerah Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Social, Humanities, and Educational Studies (SHEs): Conference Series Edunesia : jurnal Ilmiah Pendidikan Jurnal Ide Bahasa Al-Muaddib : Jurnal Kajian Ilmu Kependidikan Journal of Educational Experts (JEE) ARSY : Jurnal Aplikasi Riset kepada Masyarakat Pekemas IPI Garut Jurnal Cahaya Mandalika MEDIASI Jurnal Kajian dan Terapan Media, Bahasa, Komunikasi WASIS : Jurnal Ilmiah Pendidikan Mosharafa: Jurnal Pendidikan Matematika Jurnal Ilmiah Wahana Pendidikan TEACHING : Jurnal Inovasi Keguruan dan Ilmu Pendidikan Jurnal Lazuardi J-KIP (Jurnal Keguruan dan Ilmu Pendidikan) Kode : Jurnal Bahasa eScience Humanity Journal Jurnal Diksatrasia : Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Indonesian Journal of Community Empowerment Badranaya: Jurnal Pengabdian kepada Masyarakat Journal of Authentic Research Anafora: Jurnal Penelitian Mahasiswa Pendidikan Bahasa dan Sastra Indonesia Jurnal Abdimas
Lina Siti Nurwahidah
Institut Pendidikan Indonesia Garut
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Earth & Planetary Sciences Education Electrical & Electronics Engineering Languange, Linguistic, Communication & Media Library & Information Science Materials Science & Nanotechnology Mathematics Physics Public Health Social Sciences Other

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Journal : escience humanity journal

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Analisis Ketidakadilan Gender Terhadap Tokoh Perempuan Laura dalam Film Laura Menggunakan Kajian Feminisme Rahmadini, Suci Nur; Alsunah, Aditya Ansor; Nurwahidah, Lina Siti
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.329

Abstract

The aim of the research is to analyze the forms of gender injustice experienced by the female character Laura in the film Laura through the lens of feminist studies. This study is grounded in the understanding that films often reflect and reinforce gendered power relations, making them important cultural texts for examining women’s experiences of oppression. Feminist theory provides the conceptual basis for identifying how patriarchal structures are represented and how they shape the narrative surrounding female characters. This research uses a qualitative descriptive-analytical method to explore scenes, dialogues, and narrative elements that construct Laura’s experiences. Data were collected using documentation techniques by identifying and recording film segments that indicate gender injustice. The analysis focuses on key feminist concepts such as marginalization, violence, subordination, and the reduction of female agency. Through this framework, the study interprets not only the visible acts of injustice but also the symbolic meanings embedded in the film’s portrayal of Laura. The findings indicate that Laura encounters various forms of gender injustice, including five instances of marginalization and four instances of violence. These portrayals reveal how the film reproduces patriarchal patterns that position women as vulnerable and socially limited. Cinematic elements—such as framing, narrative emphasis, and emotional depiction—further reinforce Laura’s disadvantaged position within the storyline. Overall, this study contributes to feminist film analysis by showing how Laura perpetuates gender-biased representations that restrict female autonomy. The research underscores the importance of feminist perspectives in uncovering power imbalances and promoting more equitable portrayals of women in contemporary media.
Distorsi Kewarasan dan Analisis Perkembangan Tokoh Utama dalam Novel Assavella dan Ballerina (Assavella 2): Perspektif Psikologi Salma, Mardiatu; Alsunah, Aditya Ansor; Nurwahidah, Lina Siti; Julianto, Cecep Dudung
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.331

Abstract

The research entitled Sanity Distortion and Analysis of Main Character Development in the Novels Assavella and Ballerina (Assavella 2): A Literary Psychology Perspective aims to reveal the form of sanity distortion and the psychological development of the main characters through a literary psychology approach. These two Wattpad novels depict trauma, inner conflict, and social pressure that affect the mental condition of the characters. This research is a literature study with a qualitative descriptive method. Data in the form of narrative texts, dialogues, and monologues were collected through reading and note-taking methods. The results of the study show that the main character experiences sanity distortion due to past trauma and social pressure in Assavella, then shows the process of recovery and self-acceptance in Ballerina (Assavella 2). Thus, both novels represent a psychological journey from destruction to awareness and self-healing.
Analisis Penggunaan Bahasa Gaul Sebagai Ragam Nonformal Pada Dialog Film “Keluarga Besar” Nazmi, Alya; Alsunah, Aditya Ansor; Nurwahidah, Lina Siti; Julianto, Cecep Dudung
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.356

Abstract

This study aims to analyze the use of slang as a non-formal language variety in the dialogue of the film “Big Family”. The focus of the study includes the forms of slang, their functions, and the factors influencing their use. The method used was descriptive qualitative, using listening and note-taking techniques for film dialogue containing slang. The results showed nine types of slang, consisting of slang, abbreviations, and foreign language borrowings. Slang is the most dominant form used in the film's dialogue. The use of slang serves to create a relaxed and friendly communication atmosphere, express the speaker's emotions, mark the social identity of the group, and streamline speech. Factors influencing the use of slang include the informal communication situation, the age and social background of the characters, the influence of media and globalization, and the purpose of the communication. Thus, the dialogue in the film “Big Family” represents the use of slang that reflects the linguistic reality of modern society.
Analisis Nilai Moral Perjuangan Ibu dan Anak dalam Film Mars: Kajian Sosiologi Sastra Pitriani, Pipit; Alsunah, Aditya Ansor; Nurwahidah, Lina Siti; Julianto, Cecep Dudung
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.357

Abstract

Literary works are a depiction of the imaginary life of a writer. One form of literary work is film. This study aims to describe the moral values ​​in the film entitled MARS "Mimpi Ananda Raih Semesta" by director Sahrul Gibran. This research was conducted using a descriptive qualitative method and a sociological approach to literature. The focus of this research is the moral values ​​contained in the film which is the object of research. To classify the data, moral values ​​according to Burhan Nurgiyantoro were used, which divide moral values ​​into three parts, namely (1) moral values ​​related to humans with themselves, (2) moral values ​​related to humans with other humans in the social and natural spheres, (3) moral values ​​related to humans with God. Data collection was carried out by document analysis through a review of scenes, dialogues, and the actions of the main characters. The results of this study indicate that in the film MARS "Mimpi Amanda Raih Semesta" there are three moral values ​​related to oneself in the form of hard work, never giving up, patience and determination, and self-confidence. Three moral values ​​related to others in the form of compassion, empathy, and mutual assistance. As well as two moral values ​​related to God in the form of sincerity and the power of prayer. This film depicts a mother who persistently fights for her child's education as a form of love, sacrifice and deep faith.
Konstruksi Makna Emosional dan Budaya dalam Novel Lembayung Senja: Analisis Semiotik Roland Barthes Dewi Rahma Anjani; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.348

Abstract

This article examined the construction of emotional and cultural meanings in the novel Lembayung Senja using Roland Barthes’ semiotic approach. A descriptive qualitative method was employed, and data were collected through reading and note-taking techniques to identify signs that constructed meaning within the narrative. The analysis focused on three levels of signification, namely denotation, connotation, and myth, as represented through symbols such as twilight imagery, characters’ gestures, and emotional metaphors. The findings indicated that these signs not only reinforced the narrative atmosphere but also reflected the characters’ inner journeys, experiences of loss, and underlying cultural values. The emotional and cultural meanings constructed in the novel were interconnected and produced multilayered interpretations, which expanded readers’ understanding of the themes developed by the author. The study demonstrated that Roland Barthes’ semiotic approach was effective in revealing implicit meanings in literary texts and could be applied to other literary works for deeper interpretative analysis.
Struktur Sintaksis dan Distribusi Jenis Klausa pada Lirik Lagu Album Rahasia Pertama Karya Rony Parulian Nisha Marsha Shonia; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.349

Abstract

Song lyrics constitute a distinctive form of literary expression in which linguistic structure plays a crucial role in shaping meaning and emotional resonance. This study examines the syntactic structure and distribution of clause types in the song lyrics of Rahasia Pertama, the debut album by Rony Parulian. The research focuses on identifying and classifying clause types that appear in the lyrics, namely verbal clauses, nominal clauses, adjectival clauses, prepositional clauses, and numeral clauses, based on their formal characteristics and syntactic functions. Employing a descriptive qualitative method, the data were obtained through careful reading and systematic note-taking of the lyrics from all eight songs in the album. The collected data were then categorized and interpreted according to established syntactic theories. The findings reveal a total of 213 clauses distributed across four clause types: verbal clauses, nominal clauses, adjectival clauses, and prepositional clauses. Verbal clauses are the most dominant, indicating that the lyrics predominantly emphasize actions, processes, and emotional dynamics experienced by the lyrical subject. Nominal and adjectival clauses function to express states, identities, and emotional qualities, while prepositional clauses contribute metaphorical spatial and emotional nuances. Notably, numeral clauses are entirely absent from the album, suggesting that numerical expressions are not central to the construction of meaning in these song lyrics. These results demonstrate that syntactic structure significantly contributes to the expressive and poetic power of song lyrics. Through varied clause constructions, the album conveys themes of love, longing, loss, and emotional endurance in a nuanced manner. This study highlights the importance of syntactic examination in understanding how popular song lyrics function as literary texts and affirms the relevance of linguistic analysis in contemporary literary and cultural studies.
Kajian Semiotika Lagu Timur 2025 Sebagai Bahan Pembelajaran Bahasa Indonesia dalam Kurikulum Merdeka Selvi Nurul Hidayati; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 1 (2025): eSience Humanity Vol.6 No.1 November 2025
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i1.350

Abstract

This study analyzes the layers of meaning in song lyrics using Roland Barthes’ semiotic framework, which includes denotation, connotation, and myth. The research aims to reveal how linguistic signs in the lyrics function as cultural representations reflecting identity, emotional expression, and social narratives. A qualitative descriptive method was employed by examining textual signs, connotative associations, and cultural myths embedded in the song. The findings indicate that the lyrics convey not only literal meanings but also symbolic meanings shaped by local cultural contexts. At the denotative level, the lyrics present explicit narrative elements, while at the connotative level, figurative language and cultural references reveal deeper emotional and ideological meanings, and at the myth level, the song reproduces collective values, cultural identity, and social worldviews. Furthermore, the analysis shows that song lyrics are relevant to be utilized as learning materials in Indonesian language education within the implementation of the Merdeka Curriculum, as they support contextual learning, literacy development, critical thinking skills, and students’ cultural awareness. Overall, Barthes’ semiotic approach proves effective in uncovering the symbolic and socio-cultural meanings of song lyrics.
Analisis Semiotika Ferdinand De Saussare pada Album “Dalam Dinamika” karya Perunggu Elisa Elisa; Aditya Ansor Alsunah; Cecep Dudung Julianto; Lina Siti Nurwahidah
eScience Humanity Journal Vol 6 No 2 (2026): eSience Humanity Vol.6 No.2 Mei 2026
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i2.352

Abstract

This study aims to analyze the signifiers and signified in the song lyrics of the album dalam Dinamika by Perunggu and to interpret the meanings that emerge from the interaction between the two. This study employed a descriptive qualitative method using the semiotic approach developed by Ferdinand de Saussure. The data analyzed consisted of song lyrics from the album Dalam Dinamika, including “Tapi”, “Pikiran yang Matang”, “Aku Ada Untukmu”, and “Amalan Baik”. Data collection was conducted though literature study and documentation techniques, while the data were analyzed using content analysis. The finding of this study indicate that the meaning contained in the album dalam Dinamika are constructed through the relationship between signifiers and signifieds, reflecting the life experiences  of young g people. The songs “Tapi” and “Amalan Baik” represent struggles and the search for life direction, “Pikiran yang Matang” portrays emotional closeness and nostalgia. Overall, the songs in this album reflect the dynamics of life through the semiotic perspective of Ferdinand de Saussure.
Suara Subaltern Perempuan dalam Puisi Cica 96 karya Chyntia Hariadi: Kajian Feminisme Poskolonial Jihan Rizki Anisa; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 2 (2026): eSience Humanity Vol.6 No.2 Mei 2026
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i2.359

Abstract

This study aims to uncover the voices of subaltern Chinese women in Chyntia Hariadi’s poetry collection CICA 96 using Gayatri Spivak’s postcolonial feminist approach. The work captures the experiences of minority women facing historical, social, and political pressures, particularly racial discrimination and the trauma following the 1998 reforms. Chinese women in the poems are depicted as experiencing double oppression in the form of gender and race-based subordination that limits their bodies, identities, and social spaces. The method used is descriptive qualitative, with textual analysis of 17 poems purposively selected based on Spivak’s three main concepts: double oppression, limited representation, and hegemony and ethical politics. The results show that double oppression is evident in the pressures of family culture, racial stereotypes, and social domination that limit the freedom of Chinese women from childhood. Limited representation emerges through the metaphor of silence, state symbols that conceal identity, and silence as a coping strategy when women’s voices are not recognized in the public sphere. Hegemony and ethical politics are reflected in historical trauma, state violence, and collective memory, which shape fragmented identities and persistent insecurity. Overall, CICA 96 provides an alternative space for subaltern women to voice their experiences through symbols and poetic language, thus reintroducing voices that have been suppressed by patriarchy, racism, and state power. This research is expected to enrich feminist literary studies in Indonesia and open up space for further research on minority identities and historical trauma in modern literature.
Representasi Penderitaan Tokoh Alie dalam Novel Rumah untuk Alie Fatmawati Fatmawati; Aditya Ansor Alsunah; Lina Siti Nurwahidah; Cecep Dudung Julianto
eScience Humanity Journal Vol 6 No 2 (2026): eSience Humanity Vol.6 No.2 Mei 2026
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/esci.v6i2.364

Abstract

This study aimed to analyze the representation of Alie’s suffering in the novel Rumah untuk Alie through the perspective of literary psychology. The research focused on family pressures as the main factor shaping Alie’s personality and psychological condition. The study employed a qualitative descriptive method with a literary psychology approach, examining the interaction between the character and her social environment. Data were collected through a literature study, including careful reading and documentation of events and dialogues in the novel that illustrate family pressure and its psychological impact. Data analysis was conducted chronologically by identifying forms of family pressure, categorizing them into hatred,, rejection, verbal and physical abuse, and analyzing their influence on Alie’s psychological state and personality development. The results indicated that Alie experienced repeated family pressure in the forms of verbal and physical violence,,, rejection, and neglect. These pressures contributed to feelings of guilt, despair, passivity, and withdrawal, leading to long-term psychological trauma. Monologues and internal dialogues were found to represent her inner conflict and emotional suffering. This study concludes that the representation of Alie’s suffering in the novel illustrates the profound impact of family pressure on the psychological development of the character, highlighting literature’s role as a reflection of human psychological reality.
Co-Authors Abdul Hasim Aditya Ansor Alsunah Aditya Ansor Alsunah Agus Hamdani Agus Hamdani Agus Haris Ai Delin Alia Annisa Nurpajriani Alsunah, Aditya Ansor Amar, Anton Dermawan Ambarwati Anggela, Inggit Ansor Alsunah, Aditya Anwar Hidayatulloh Ardi Mulyana Ari Kartini Arief Loekman Aryanti Asep Nurjamin Asep Setia Budi Asiah, Lisantika Nur Aulia, Azka Cecep Dudung Julianto Cecep Dudung Julianto Dadang Sunendar Deasy Aditia Damayanti Deasy Aditya Damayanti Deasy Aditya Damayanti Dela Ayu Puspita Desi Sugiarti Destiani, Risma Fitri Dewi Rahma Anjani Didin Sahidin Didin Sahidin Dina Agustriani Dini Windarini Dita Aulia Nafisah Dodi Misbah Ejen Jenal Mutaqin Elisa Elisa Endah Pujianti Engkos, Engkos Erik Kurniawan, Erik Erni Fitriani Fajar Nugraha Fakri Hamdani Fakry Hamdani Fatmawati Fatmawati Fiam Musahlah Fitri Ayu Febrianti Fitri Ayu Febrianti Gantini, Syalwa Romantika Hasim, Abdul Hidayani, Silva Tresna Hopi Siti Syaripah Iin Indriyani Indriyani, Iin Ira Nurul Hotami Jamilah Jamilah Jihan Rizki Anisa Julianto, Cecep Dudung Karimah, Iik Kartini, Ari Lasmidewi, Reni Noviani Lestari, Anggia Septin Dwi Masrini, Imas Maulida Aulia Rahman Mulyana, Yuyun Mustopa, Endang Nabella Alani Naida, Winka Nazmi, Alya Neneng Hartini Neni Nadiroti Muslihah Nina Siti Nurjanah Nisa, Annida Firdaus Nisha Marsha Shonia Nur Alyani Salsabila Nuralyani Nuralyani Nurhasanah, Mila Nurhasanah, Syifa Aulia Nurjatini, Tintin Nurlia, Nani Nursalamah, Rita Pelapory, Khirst David Permana, Ajeng Ratna Pitriani, Pipit Popon Rohaeti Puspita, Ghariza Putri Rahmadini, Suci Nur Rahmalia, Rika Rismawati, Irma Rivan Syahrul Falah Rostina Sundayana Ruhyati, Ruhyati Salma, Mardiatu Sela, Ai Selvi Nurul Hidayati Sholeh, Asep Haris SITI MARIYAH Siti Musyarofah Siti Nadiah Siti Nur Halimah Sofia Rahmawati Solihat, Ai Sopi Ali Mubarok Sufyani Prabawanto, Sufyani Suhendar Suhendar Sulaiman, Zoni Sumiati Agphyra Supardi, Chris Novika Tanjung, Ramdani Tatang Herman, Tatang Tri Indri Hardini Uda Hudaya Umi Kulsum Widaningrum Widaningrum, Widaningrum Widdy Sukma Nugraha Wulandari Wulandari Yanti Susanti Yennie Indriati Widyaningsih Yennie Indriati Widyaningsih Yosi Yolanda Maulani Yuli Nurhayati Yuli Yulianti Yulliandri Amelia Yulyanti, Caci Selfi Zainah Asmaniah ZAINAH ASMANIAH, ZAINAH Zaira Aulia Nurjanah