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CHARACTER EDUCATION VALUES AS REFLECTED BY GATOTKACA DRESS PROPERTIES IN SURAKARTA PUPPETRY STYLE Rendra Vayoga, Brahmana; Suyanto, Suyanto; Subiyantoro, Slamet
E-Journal of Cultural Studies Volume 12, Number 1, February 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (752.013 KB) | DOI: 10.24843/cs.2019.v12.i01.p03

Abstract

The purpose of this study are: (1) To understand the character of Gatotkaca characters in wayang kulit Surakarta style. (2) To investigate the symbolic meaning of Gatotkaca fashion clothing in Surakarta style puppetry. This study uses qualitative descriptive to present the existing data in the field by way of describing and interpreting. Technique of collecting data is done by interview and direct observation. The results of this study are: (1) Gatotkaca figure represents a humble character, and he has a high spirit of nationalism, (2) Gatotkaca has dress properties such as of Caping Basunanda, Kotang Antra Kusuma, and Trompah Padakacarma, which represent as the key values in character education. Gatotkaca’s personal characteristics and his dress property have a deep meaning and values that can be precious for character education. Keywords: Gatotkaca, puppet, character education.
Javanese Cultural Paradoxism: A Visual Semiotics Study on Wayang Purwa Characters of Satria and Raseksa Figures Subiyantoro, Slamet; Kristiani, Kristiani; Wijaya, Yasin Surya
Harmonia: Journal of Arts Research and Education Vol 20, No 1 (2020): June 2020
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v20i1.23838

Abstract

This study aims to explore the paradoxical character values on visual semiotics wayang purwa of Raseksa and Satria profiles. Satria and Raseksa figures were selected using a purposive sampling technique, through wayang Pandavas and Kuravas. The study was designed with qualitative research approach; the data were collected using the techniques of interviews, observation, and document analysis. The data were analyzed following the steps of data reduction, data display, and verification. The results of the research revealed that in wayang, the Raseksa and Satria figures represent a paradoxical representation of both the external structure and the inner structure. The outer structure is in the form of wayang purwa visual elements, which turns out to be the opposite shape from both Pandavas and Kuravas figures. The inner structure is more about the inseparable meaning and value from the outer structure. In semiotics, the visual element (outer structure) of Pandavas and Kuravas figures can be represented or interpreted based on their values and meanings (inner structure) in addition to show a conflict of meaning. The paradoxical cultural value in Javanese culture is essentially learning experienced-based humanity values manifested through puppet characters. This is exemplified by the Islamic example of the Prophet Muhammad and its mandatory and impossible natures.  The wayang Satria may represent the obligatory nature (good character), and wayang Raseksa represent the impossible (bad character) of humans.
PROFIL PEMASARAN ONLINE USAHA KERAJINAN TOPENG DAN KAYU BATIK DESA BOBUNG GUNUNGKIDUL Maryono, Dwi; Subiyantoro, Slamet; Susilaningsih, Susilaningsih
JBTI : Jurnal Bisnis : Teori dan Implementasi Vol 10, No 2 (2019): Oktober 2019
Publisher : Universitas Muhammadiyah Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18196/bti.102118

Abstract

Penelitian ini bertujuan untuk mengetahui profil atau gambaran pemanfaatan teknologi IT dalam pemasaran atau pemasaran online produk kerajinan topeng dan kayu batik di desa Bobung, Putat, Kecamatan Pathuk Gungungkidul. Dengan mengetahui profil pemasasaran online ini dapat digunakan untuk menyusun strategi yang tempat mengenai strategi dan bentuk pegembangan pemasaran online sehingga dapat meningkatkan pasar produk kerajinan sekaligus meningkatkan omset pendapat para pengrajin. Hasil penelitian menunjukkan bahwa pada dasarnya para pengrajin menyadari betul akan pentignya pemasaran secara online, sebagai alternatif media pemasaran yang ada selama ini yang lebih mengandalkan pada kegiatan pameran, brosur, dan informasi dari mulut ke mulut. Namun demikian di antara para pengrajin, baru 45% yang sudah mencoba menggunakan media online sebagai sarana pemasaran. Belum diterapkannya pemasaran online lebih pada kurangnya peralatan dan SDM untuk pengelolaan pemasaran secara online. Namun demikian melihat perkembangan teknologi informasi saat ini, terutama perangkat HP smartphone, masalah peralatan semestinya sudah tidak menjadi masalah karena dalam perangkat HP peralatan seperti koneksi internet, web, dan kamera dalam satu perangkat. Oleh karena itu penggunaan e-commerce mulai bergeser dengan m-commerce (mobile commerce), meskipun implementasinya m-commerce tidak bisa dipisahkan dengan e-commerce atau bisa disebut bahwa m-commerce merupakan salah satu bentuk dari e-Commerce.
Verbal Intelligence: A Key of Students Development Dewi, Anggita Tiara; Subiyantoro, Slamet; Sarwanto, Sarwanto
International Journal of Elementary Education Vol 6, No 1 (2022): February
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/ijee.v6i1.43994

Abstract

Students in elementary schools often experience various developmental disorders, especially those related to verbal intelligence, so that students experience difficulties in acquiring basic skills such as writing, reading, or speaking. Therefore, it is necessary to analyze to measure the verbal intelligence ability of students from an early age when in elementary school. This study aims to explore the verbal intelligence of students in the overall aspects, namely: reading, writing, listening, and speaking. This research uses descriptive qualitative research with a case study model. In collecting data, the researcher used a tool, namely audio-based stories, then strengthened interviews (unstructured) with educators and students with 25 respondents. Analysis of the data using Miles and Huberman. The study’s overall students' verbal intelligence still must be considered. In general, it is proven that almost half of students still lack in listening, reading, writing, and speaking aspects, so this will certainly hinder the development of students at their age. The implication of this research is the need for support from relevant stakeholders to develop verbal skills from an early age so that it becomes the key to the development of students in the future.
MORPHOLOGY OF FOLKLORE BATU NAGA LAMPUNG Sri Nursari; Slamet Subiyantoro; Kundharu Saddhono
RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Vol 13, No 1 (2020)
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (468.998 KB) | DOI: 10.26858/retorika.v13i1.10083

Abstract

The purpose of this study was to analyze the morphology of folklore based on Vladimir Propp's theory and method of researching Narratology structure including the structure of the actor's action function, the function in the action environment, and the scheme. This research method is descriptive qualitative and the method developed by Vladimir Propp. The object of research is the Batu Naga Lampung folklore. The technique of data collection is done by the documentation technique through a literature study. Data analysis techniques use the flow method that is data reduction, data presentation, and concluding. The results of the study found there are 26 functions of the perpetrators' actions that are distributed into 6 action environments.
Transformasi Loro Blonyo – Rumah Joglo dalam Analisis Struktural Slamet Subiyantoro
Humaniora Vol 22, No 3 (2010)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2574.149 KB) | DOI: 10.22146/jh.1003

Abstract

This paper shows that the form and structure of a traditional Javanese house joglo is a transformation from loro blonyo sculptures representing a pair of human figures. This pair of statues and also the traditional Javanese house are basically a manifestation of the Javanese way of life that emphasizes harmony and unity of values between two different worlds such as men and women, physical and spiritual, and macrocosm and microcosm.
PATUNG LORO BLONYO DALAM KOSMOLOGI JAWA Slamet Subiyantoro
Humaniora Vol 21, No 2 (2009)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3176.832 KB) | DOI: 10.22146/jh.1327

Abstract

The study of ”loro blonyo” generally deals with the structure and form of the statue as a real autonomous work of art. In this article “loro blonyo” is perceived as an integral part which can not be separated from its functions and placemant. It is located in the central “senthong”, part of the structure of the “dalem” room in a traditional Javanese house. More specifically this article attempt to discuss from the point of view of Javanese cosmology what the statue of “loro blonyo” means in relation to the way of life of “sangkaning dumadi”.
NILAI KEARIFAN LOKAL RUMAH TRADISIONAL JAWA Djono Djono; Tri Prasetyo Utomo; Slamet Subiyantoro
Humaniora Vol 24, No 3 (2012)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (130.563 KB) | DOI: 10.22146/jh.1369

Abstract

Java has the values that can be taken in relation to the value of the benefits of ethics and aesthetics. One farm of those values are joglo art that have the local knowledge of Javanese culture. Model approach in this research is leading to a descriptive qualitative ethnographic, in which the empirical reality a result, demanding researchers go directly to the location of the study, to be able to live up to their tradition, and the symptoms of everyday life that is full of social phenomena local culture. This research firms a single case study stuck. In the context of this case study, a traditional Javanese home visits as a sub unit of analysis, but its existence still viewed/reviewed as a place that is part of the social system of the larger society around Surakarta. Java house building structure is one that reflects the composition of space like typical building pendhapa, pringgitan, dalem, kitchen, or gadri gandhok. The relation between this structure is a structure which is strongly influenced by the manifestation process mythology and cosmology Java). This means that the traditional Javanese house is not just a place to shelter (practical function), but also understood as a manifestation of the ideals and outlook on life or a symbolic function. In this case the traditional Javanese houses are not only placed as an autonomous element, a separate stand alone, but being seen in context, particularly relevant to the context of allied Javanese cosmology that underlie the view that the Javanese philosophy of Iife.
Cultural Enculturization in the Art of Masks: A Case Study of the Industrial Enterprise of Batik Kayu, Bobung, Patuk, Gunung Kidul, Yogyakarta Slamet Subiyantoro; Pujiyono Pujiyono; Kristiani Kristiani; Dwi Maryono; Yasin Surya Wijaya
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 3, No 4 (2020): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v3i4.1400

Abstract

This study aims to explore the process of enculturation of mask art with a case study in the wooden batik (batik Kayu) enterprise of Bobung Village, Patuk, Gunung Kidul, Yogyakarta. This study method uses a netnographic approach, which in principle is the same as classical ethnography, except that netnography uses the internet as a research media. The data were sourced from informants, places & events, and documents or archives. Data from informants were collected using in-depth online interviews. Place and event data were collected using online participatory observation techniques. In addition, the source documents or archives were collected using data analysis techniques or literature studies on relevant online data. The validity of the data was tested by using informant review techniques and source triangulation. Data were analyzed using flow techniques with data reduction, display, and verification procedures. The results of the study show that the process of enculturation or culture of mask art, both classic masks and creative masks (batik Kayu), is carried out informally (family environment), non-formal (community, UKM, and studio), and formal (learning in schools). This enculturation process is carried out from generation to generation, when the mask is still a classic mask (Panji mask) until the mask develops into a superior product with economic and tourism value as it is today (Creative Mask). The art of batik and classical masks has become the identity of the people of Bobung Village, Gunung Kidul, who have undergone changes in form, function and meaning during the enculturation process from previous generations to the next.
Tracing the Traces of Roman Panji & Its Influence on Mask Art in Bobung, Yogyakarta, Indonesia Slamet Subiyantoro; Susilaningsih Susilaningsih; Favorita Kurwidaria; Dimas Fahrudin; Yasin Surya Wijaya
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 4 (2021): Budapest International Research and Critics Institute November
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i4.3117

Abstract

This study aims to explore the history of the journey of the Panji story and find out its influence on mask art in Bobung, Gunung Kidul, Yogyakarta. This study uses a qualitative descriptive approach with a historical perspective. Data sourced from informants, places & events, and documents/archives collected using in-depth interviews, participatory observation, and content analysis techniques. The validity of the data was tested with the technique of reviewing informants and triangulation of data sources. Data were analyzed using an interactive model consisting of data reduction procedures, data display, and verification or drawing conclusions. The results of the study show that Roman Panji became the original hero of the archipelago, especially Java, which experienced a peak of popularity during the golden age of the Majapahit Kingdom, namely the middle of the VIII century. Panji became a novel that spread widely covering the archipelago to Southeast Asia. The end of the VIII century until the XV century Panji Mask became a popular show where King Hayam Wuruk was famous as a mask dancer and the main dancer in racket performances. Wayang Beber is a wayang art which in the show brings the story of Panji. Wayang Beber art is in Pacitan, East Java, but also in Karangmojo, Gunung Kidul Yogyakarta. Mbah Karso was the first mask master who was influenced by the Panji story and created the masks that still exist and thrive in Bobung, Gunung Kidul, Yogyakarta. In the current era, Panji Masks have been commodified into handicraft products with economic and tourism value.
Co-Authors ., Susilaningsih Adam Wahida Afiliasi Ilafi Afiliasi Ilafi, Afiliasi Alfien, Moh. Fajrul Aniek Hindrayani Annisa, Fajar Nur Ardiniawan, Dimas Yuniar Arkan Zuhdi Atikah, Esti Bani Sudardi Bani Sudardi Baskoro Adi Nugroho Bregas Widi Prasetyo Budhi Setiawan Budhi Setiawan Budhi, Lardianto Devanda Rizky Pratama Dewi, Anggita Tiara Dimas Fahrudin Dimas Fahrudin, Dimas Djono Djono Dwi Maryono Dwi Maryono DWI WAHYU KURNIAWAN Eka Puspitasari, Anealish Fadhila, Dhea Rizki Nur Figo Akbar Nevanto Fukuda, Takamasa Hartono, Lili Herman J Waluyo Hidayah, Sa'adatun Nuril Illahi, Adhi Zakiah Nur Ivana Septia Rahaya Jati, Rafi’i Waluyo Kanaka Hadan Balindra Riyanda Kristiani Kristiani Kundharu Saddhono Kurniawan, Sandra Bayu Kuswara, Yogi Laras Ambika Resi Marcelio Adwivieri Satriatama Meliala, Roy Raja Sukmanta Mulyanto Mulyanto Mulyanto Munawir Yusuf Nasim Mahdi Nugraheni Eko Wardani Nuha Is'af Rosyidah Nurmasari, Linda Palupi, Bening Sri Pradanta, Sukmawan Wisnu Pratiwi, Tara Pujiono Pujiono Pujiyono Pujiyono Putri Nanda Putri, Virda Maulidyah Rahaya, Ivana Septia Rendra Vayoga, Brahmana Risna Cahyani Rukayah Rukayah S., Kundharu Sabillah Ma’ruf Safitri, Dila Sahid Teguh Widodo Salsabila Hana Alfisa Sari, Ratih Gusti Permata Sari, Sri Nur Sarwanto Sarwanto Saskia Salsabila Angeli Setiawati, Stevany Ratna Shafa Fabillah Arianti Shalma Widyawati Siti S Fadhilah, Siti S Siti Sutarmi Fadhilah Sri Nursari Stevany Bella Dianita Kusuma Sularso Sularso, Sularso Sumarwati Susilaningsih Susilaningsih Susilaningsih Susilaningsih, Susilaningsih Sutarno Haryono Suyanto Suyanto Tiara Meilania Subekti Titis Srimuda Pitana Titis Srimuda Pitana, Titis Srimuda Tri Prasetyo Utomo Vayoga, Brahmana Rendra Wibisono, Ardiyanto Widyastoro, Ridho Wihyanti, Retno Wihyanti, Retno Yasin Surya Wijaya Yoga Yuniadi Yulisetiani, Septi Yundari, Yundari Zainnuri, Hasan Zefanya Andin Novrean