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All Journal Humaniora DIKSI Natural Science: Journal of Science and Technology Nusa: Jurnal Ilmu Bahasa dan Sastra Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) BASASTRA Jurnal Teknik Mesin FRANCISOLA AL KAUNIYAH BAHASA DAN SASTRA Jurnal Ilmiah Mahasiswa FEB Jurnal Keteknikan Pertanian Tropis dan Biosistem Mozaik Humaniora JURNAL SOSIAL HUMANIORA (JSH) KEMBARA ATAVISME JURNAL ILMIAH KAJIAN SASTRA Kajian Linguistik dan Sastra Khazanah Informatika: Jurnal Ilmu Komputer dan Informatika International Journal of Science and Applied Science: Conference Series MUDRA Jurnal Seni Budaya Panggung BIOPROSPEK Proceeding of International Conference on Art, Language, and Culture Haluan Sastra Budaya Jurnal SOLMA Pendas : Jurnah Ilmiah Pendidikan Dasar Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Early Childhood Research Journal (ECRJ) Kandai Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Jurnal Rekayasa Sipil Adabiyyat: Jurnal Bahasa dan Sastra Humaniora Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia Literasi : Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Suar Betang Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Sutasoma : Jurnal Sastra Jawa Jurnal Abdi: Media Pengabdian Kepada Masyarakat Abdi Laksana : Jurnal Pengabdian Kepada Masyarakat Masyarakat Berdaya dan Inovasi JIKA (Jurnal Informatika) Jurnal Restikom : Riset Teknik Informatika dan Komputer Jurnal Ekonomi Efektif International Journal of Engagement and Empowerment (IJE2) J-SAKTI (Jurnal Sains Komputer dan Informatika) Rengganis Jurnal Pengabdian Masyarakat RUANG KATA: Journal of Language and Literature Studies Jurnal Pengabdian Masyarakat Akademika : Jurnal Pemikiran Islam Jurnal Pengabdian Masyarakat Bhinneka Jurnal Lektur Keagamaan Widyaparwa Jurnal PENEROKA: Kajian Ilmu Pendidikan Bahasa dan Sastra Indonesia Sewagati Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia Cilpa : Jurnal Ilmiah Pendidikan Seni Rupa SmartComp Qurthuba: The Journal of History and Islamic Civilization Journal of Infrastructure Policy and Management (JIPM) Dharma: Jurnal Pengabdian Masyarakat Belajar Bahasa : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Sawerigading Jurnal bahasa, sastra, seni, dan pengajarannya Jurnal Panalungtik JENTERA: Jurnal Kajian Sastra ABDINE :Jurnal Pengabdian Masyarakat KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) Peneroka
Dwi Susanto
Universitas Sebelas Maret
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Traditional Game-Based Learning Model In Early Childhood Education: A Case Study at TKIT Al-Hikmah Susanto, Dwi; Pusporini, Widowati; Lestari, Titi
Early Childhood Research Journal (ECRJ) Vol.5, No.1, June 2022
Publisher : Lembaga Pengembangan Publikasi Ilmiah dan Buku Ajar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/ecrj.v5i1.18669

Abstract

This study aims to describe the implementation of a traditional children's game-based learning model to train visual-spatial intelligence of kindergarten students. A descriptive qualitative method was employed to describe systematic, factual, and accurate facts, properties, and the relationship between the phenomena studied. This study also uses holistic reflection methods through the meaning of learning games for children which can promote their visual-spatial abilities. The students of TKIT Al-Hikmah Secang, Magelang were involved as the research subjects. The results indicate that traditional games can train children’s visual-spatial intelligence and such games can be revived. The applied learning model offers moral and social education and is strongly suggested to be implemented in early education to strengthen visual-spatial intelligence and the other multiple intelligences.
KEHADIRAN MOTIF CERITA MADAME BOVARY (1856) KARYA GUSTAVE FLAUBERT DALAM HIKAYAT SITI MARIAH (1910--1912) KARYA HADJI MOEKTI: KAJIAN SASTRA BANDINGAN Susanto, Dwi
Widyaparwa Vol 51, No 2 (2023)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/wdprw.v51i2.1133

Abstract

The presence of Madame Bovary's story motif (1856) in Indonesian literature, especially Hikayat Siti Mariah (1910--1912) provides evidence that there is a reception of similar between French and Dutch colonial or Indonesian. This paper aims to (1) find out the ideas of the two texts in displaying similar story motif, (2) the form of respons from Madame Bovary (1856) in the Hikayat Siti Mariah (1910--1912), and (3) the significance of Madame Bovary's presence (1856) in the Hikayat Siti Mariah (1910--1912) as a social response. This paper uses a comparative literary point of view by considering the social context as a response. The objects are Madame Bovary (1856) by Gustave Flaubert and Hikayat Siti Mariah (1910--1912) by Hadji Moekti and the significance of the presence of Madame Bovary in Indonesian literature. The research data consists of the content or ideas of the two texts, the spirit of age, and the social context. Data interpretation is done by comparing the content or ideas of the two texts by considering the social context of each text. The results obtained are (1) the two texts present ideas against the bourgeois class resistance by using symbols of women and sexuality, (2) the Hikayat Siti Mariah (1910--1912) takes the motive of the story to attack the Dutch capitalists and liberal groups who construct the identities of the colonized subjects, and (3) the presence of the text of Madame Bovary (1856) in Indonesian literature shows a global anti-colonial spirit. Kehadiran motif cerita Madame Bovary (1856) dalam sastra Indonesia terutama Hikayat Siti Mariah (1910--1912) memberikan bukti terdapat resepsi atas semangat dan persoalan yang serupa antara masyarakat Prancis dan tanah jajahan Belanda atau Indonesia. Tulisan ini bertujuan untuk (1) mengetahui gagasan kedua teks tersebut dalam menampilkan motif cerita yang serupa, (2) mengetahui wujud sambutan dari Madame Bovary (1856) dalam teks Hikayat Siti Mariah (1910--1912), dan (3) mengetahui makna kehadiran Madame Bovary (1856) dalam teks Hikayat Siti Mariah (1910--1912) sebagai satu respon sosial. Tulisan ini mengunakan sudut pandang sastra bandingan dengan mempertimbangkan konteks sosial sebagai satu respon. Objek tulisan ini adalah Madame Bovary (1856) karya Gustave Flaubert dan Hikayat Siti Mariah (1910--1912) karya Hadji Moekti dan  makna kehadiran teks Madame Bovary dalam sastra Indonesia. Data penelitian ini terdiri atas isi atau gagasan dari kedua teks, semangat zaman, dan konteks sosial. Interpretasi data dilakukan dengan membandingkan isi atau gagasan kedua teks dengan mempertimbangkan konteks sosial masing-masing teks. Hasil yang diperoleh adalah (1) kedua teks menghadirkan gagasan terhadap perlawanan kelas borjuis dengan memanfaatkan simbol perempuan dan seksualitas, (2) teks Hikayat Siti Mariah (1910--1912) mengambil motif cerita untuk menyerang kaum kapitalis dan golongan liberal Belanda yang mengkonstruksi identitas  subjek terjajah, dan (3) kehadiran teks Madame Bovary (1856) dalam sastra Indonesia menunjukan semangat anti penjajahan yang mengglobal terutama kolonialisme. 
RESEPSI PEMBACA PERANAKAN TIONGHOA PADA CERPEN “CLARA ATAWA WANITA YANG DIPERKOSA” KARYA SENO GUMIRA AJIDARMA Alayya, Syamila Isyqi; Muthmainnah, Atikah; Susanto, Dwi
Widyaparwa Vol 52, No 1 (2024)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/wdprw.v52i1.1491

Abstract

The May 1998 incident has become a historic event for the Indonesian nation, especially the Chinese race, who at that time were victims of the atrocities of the rioting of the indigenous masses. The pain of being a victim then became a collective memory for the Chinese ethnic group which continues to live on to this day. “Clara atawa Wanita yang Diperkosa” by Seno Gumira Ajidarma is a short story that contains this collective memory. Thus, this study tries to examine the psychology of a Chinese descent reader when they read the short story of “Clara atawa Wanita yang Diperkosa”. There is one reader respondent, who is a Chinese descent female student. In this study, the method used is descriptive qualitative method with data sources derived from readers and literature related to Norman Holland's Reader Response Criticism and the history of the events of May 1998. The method of collecting data is through interviews and interview transcripts. The results obtained are in the form of reception by the Chinese descent reader which is based on collective memories of events happened in May 1998. Apart from reader's past experiences which shape the responds psychologically, reader reception is in the form of rejection of the injustice received by Chinese people which is represented in the short story "Clara atawa Wanita yang Diperkosa”. Peristiwa Mei 1998 telah menjadi peristiwa bersejarah bagi bangsa Indonesia, terutama ras Tionghoa yang pada saat itu menjadi korban kekejaman amuk massa pribumi. Rasa sakit hati menjadi korban pada saat itu lalu menjadi memori kolektif bagi etnis Tionghoa yang terus hidup hingga saat ini. “Clara atawa Wanita yang Diperkosa” karya Seno Gumira Ajidarma merupakan cerpen yang memuat memori kolektif tersebut. Maka, kajian ini mencoba menelisik kejiwaan pembaca peranakan Tionghoa ketika membaca cerpen “Clara atawa Wanita yang Diperkosa”. Responden pembaca berjumlah dua orang, yaitu mahasiswi peranakan Tionghoa. Dalam kajian ini, metode yang dipakai adalah metode deskriptif kualitatif dengan sumber data berasal dari pembaca dan literatur terkait resepsi sastra Norman Holland serta sejarah peristiwa Mei 1998. Metode pengumpulan data melalui wawancara dan transkrip wawancara tersebut. Hasil yang didapat berupa penerimaan pembaca Tionghoa yang didasari pada memori kolektif peristiwa kerusuhan Mei 1998. Selain pengalaman-pengalaman pembaca di masa lalu yang membentuk penerimaannya secara psikologis, resepsi pembaca berupa penolakan terhadap ketidakadilan yang diterima orang Tionghoa yang direpresentasikan dalam cerpen “Clara atawa Wanita yang Diperkosa”.
RESEPSI KOVER NOVEL CANTIK ITU LUKA (2015) DALAM VERSI TERJEMAHAN BAHASA INGGRIS Sari, Mustika Wulan; Arofani, Nilam Yuhanisa; Susanto, Dwi
Widyaparwa Vol 51, No 2 (2023)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/wdprw.v51i2.1355

Abstract

The novel Beauty Is a Wound is an English translation of the original Cantik Itu Luka by Eka Kurniawan. These two novels have two different covers due to the reception they received from the publishers. This study aims to examine the cover reception of Beauty Is a Wound. This paper also looks at the differences in visual design between the two novels and examines how the publisher gave its reception through the cover of Beauty Is a Wound. The qualitative research method prioritizes data quality. Data collection is done by observing, reading, and taking notes. The research data covers of Cantik Itu Luka (2015) and Beauty Is a Wound (2015), texts related to novels, authors, and publishers, as well as information about literary receptions. Data were analyzed through data reduction, presentation, and interpretation. The results of this study reveal that the reception on the cover of Beauty Is a Wound occurs due to readers having different social and cultural backgrounds. In addition, market tastes are also an essential consideration for publishers to provide their responses. Novel Beauty Is a Wound merupakan terjemahan bahasa Inggris dari versi original Cantik itu Luka karya Eka Kurniawan. Kedua novel ini memiliki dua kover berbeda karena munculnya resepsi oleh penerbit. Penelitian ini bertujuan mengkaji resepsi kover Beauty Is a Wound. Tulisan ini juga melihat perbedaan desain visual antara kedua novel tersebut, dan mengkaji bagaimana penerbit memberikan resepsinya melalui kover Beauty Is a Wound. Metode penelitian berjenis kualitatif mengutamakan kualitas data. Pengumpulan data dilakukan dengan mengamati, membaca, dan mencatat. Data penelitian berupa kover Cantik Itu Luka (2015) dan Beauty Is a Wound (2015), teks-teks terkait novel, pengarang, dan penerbit, serta informasi-informasi tentang resepsi sastra. Data dianalisis melalui reduksi data, menyajikan data, dan interpretasi data. Hasil penelitian ini mengungkapkan resepsi dalam kover Beauty Is a Wound terjadi akibat dari pembaca yang memiliki latar belakang sosial dan budaya yang berbeda. Selain itu, selera pasar juga menjadi pertimbangan penting terhadap penerbit untuk memberikan tanggapannya. 
REPRESENTASI PERMOHONAN KEADILAN GERAKAN AKSI KAMISAN DALAM NOVEL LAUT BERCERITA (2017) KARYA LEILA S. CHUDORI Shabrina, Almira Wynne; Susanto, Dwi
Widyaparwa Vol 52, No 1 (2024)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/wdprw.v52i1.1660

Abstract

 The novel Laut Bercerita by Leila S. Chudori is a response to the social situation of society in the 2000s or the era after the Reformation regarding requests for human rights and justice through the Kamisan Action Movement. This research aims to reflect the social response of the novel Laut Bercerita to requests for human rights and justice through the Aksi Kamisan movement using a literary sociology approach. This research is included in the qualitative research category. This data was obtained from the novel text and the author's biography. The novel Laut Bercerita by Leila S. Chudori is the research data source. Social situations, author biographies, and text content ideas are connected as part of the data analysis process to reveal how the social world of the novel is depicted. The result of this research is Leila. S Chudori is a social representative of a group that cares about human rights and justice. This novel supports the struggle for human rights and justice carried out by the Kamisan Action movement. The novel Laut Bercerita reflects society's social life after the reform era. Based on data research, the novel Laut Bercerita is intended as a means of criticizing the government for its slowness in resolving human rights violations.Novel Laut Bercerita karya Leila S. Chudori merupakan tanggapan terhadap situasi sosial masyarakat tahun 2000-an atau era setelah reformasi atas permohonan keadilan HAM melalui gerakan Aksi Kamisan. Penelitian ini bertujuan untuk merefleksikan tanggapan sosial novel Laut Bercerita atas permohonan keadilan HAM melalui gerakan Aksi Kamisan dengan pendekatan sosiologi sastra. Penelitian ini termasuk kategori penelitian kualitatif. Data ini diperoleh dari teks novel dan biografi penulis. Novel Laut Bercerita karya Leila S. Chudori menjadi sumber data penelitian. Situasi sosial, biografi pengarang, dan gagasan isi teks dihubungkan sebagai bagian dari proses analisis data untuk mengungkap bagaimana dunia sosial novel digambarkan. Hasil dari penelitian ini adalah Leila. S Chudori merupakan wakil sosial dari kelompok yang peduli pada keadilan HAM. Novel ini mendukung perjuangan keadilan HAM yang dilakukan gerakan Aksi Kamisan. Novel Laut Bercerita adalah refleksi kehidupan sosial masyarakat setelah era reformasi. Berdasarkan penelusuran pada data, novel Laut Bercerita dimaksudkan sebagai sarana mengkritik pemerintah yang lamban dalam melakukan penyelesaian pelanggaran HAM tersebut.
The Relationship between Chinese Men and Indigenous Women in Gowok (1929): Postcolonial Feminist Studies Susanto, Dwi
MOZAIK HUMANIORA Vol. 23 No. 2 (2023): MOZAIK HUMANIORA VOL. 23 NO. 2
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v23i2.35991

Abstract

This study aims to analyse how a Chinese-Indonesia descent male author represented indigenous women in Novel Gowok (1929). Gowok is a novel written by Liem Khing Hoo, depicting a relationship of race and gender under colonial discourse. To pursue the aim of this study, postcolonial feminist approach was used to reveal the quality of ideological and political relation under colonial discourse. The data collected were focussed on the relationship of women and race in this novel, the social group consciousness of the author, and colonial discourse. The results showed two points. First, the narrative of the indigenous women in this novel reflected the voice of Chinese-Indonesia descents from the moderate social group based on racial and gender relation. Second, the relationship of the indigenous women and the Chinese-Indonesia descents could be considered as political and ideological relation to realize tradition or culture nationalism concept in colonial contexts. In conclusion, this concept brings ambiguity characters.
RESEPSI FILM MIRACLE IN CELL NO. 7 VERSI KOREA DALAM ADAPTASI INDONESIA: KAJIAN SOSIOLOGI SASTRA Alayya, Syamila Isyqi; Muthmainnah, Atikah; Susanto, Dwi
ATAVISME Vol 26, No 1 (2023): ATAVISME
Publisher : Balai Bahasa Provinsi Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24257/atavisme.v26i1.877.1--13

Abstract

Film Miracle in Cell No. 7 versi Indonesia merupakan adaptasi yang dibuat karena kepopuleran versi aslinya, yakni versi Korea. Adaptasi tersebut dibuat berdasarkan resepsi yang diterima oleh sutradara Hanung Bramantyo yang dipengaruhi sosial budaya dalam masyarakat Indonesia. Penelitian ini bertujuan mengkaji perubahan aspek sosiologi dalam adaptasi Miracle in Cell No. 7 versi Indonesia dan penyebab dari berbagai perubahan tersebut. Metode yang digunakan penelitian ini adalah metode deskriptif kualitatif. Data penelitian antara lain adegan pada kedua versi film yang mengandung aspek sosiologis dan teks-teks sosial historis yang berkaitan dengan latar belakang film Miracle in Cell No. 7 versi Korea dan versi Indonesia.  Untuk menelaah data-data tersebut, penelitian ini menggunakan teori sosiologi sastra yang berfokus pada konsep sosiologi karya sastra. Berdasarkan penelitian yang telah dilakukan, maka diketahui bahwa perubahan pada adaptasi film Miracle in Cell No. 7 Indonesia didasari oleh perbedaan latar belakang dan tujuan pembentukan film. Selain itu, perubahan juga disebabkan oleh adanya perbedaan sosial dan budaya masyarakat pada negara Indonesia dan Korea.
NARASI SEJARAH KAUM EKSIL 1965 DALAM NOVEL PULANG (2012) KARYA LEILA S. CHUDORI: KAJIAN SOSIOLOGI SASTRA (Narrative History of Exiled 1965 in Pulang (2012) by Leila S. Chudori: A Study of Literature Sosiology) Susanto, Dwi
Kandai Vol 19, No 2 (2023): KANDAI
Publisher : Kantor Bahasa Provinsi Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v19i2.5145

Abstract

The novel Pulang (2012) by Leila S. Chudori presents the narrative of the victims of the 1965 tragedy. The historical facts presented the mentality of the author who presents the struggles of the exiles as a result of the 1965 tragedy. This paper aims to trace the historical narrative of the victims of the 1965 tragedy, as exiles. political. This paper used a sociological point of view, as expressed by Georg Lukacs. The object of this research is the text Pulang (2012) by Leila S. Chudori and the historical narrative in the text. The kind of data used by researcher are subjective historical narratives, the background of the spirit of the times, and descriptions of historical events. Data interpretation is carried out to find historical authenticity, historical fidelity, and local color. The results obtained are as follows (1) historical narrative from the psychological and traumatic side of the victims of the 1965 tragedy who did not receive justice, (2) historical events in the form of the spirit of the times that accompanied the change of power in Indonesia, and (3) efforts to defend and demand justice for the victims of the 1965 tragedy who were removed and not written in Indonesian conventional history. Novel Pulang (2012) karya Leila S. Chudori ini menampilkan narasi korban tragedi 1965. Fakta sejarah yang ditampilkan merupakan gagasan mentalitas dari pengarang yang menghadirkan perjuangan kaum eksil akibat tragedi 1965. Tulisan ini bertujuan untuk melacak narasi historis para korban tragedi 1965, sebagai kaum eksil politik. Tulisan ini menggunakan sudut pandang sosiologis, seperti ynag diungkapkan oleh Geogry Lukacs. Objek penelitian ini adalah teks Pulang (2012) karya Leila S. Chudori dan narasi sejarah dalam teks tersebut. Data penelitian adalah narasi historis subjektif, latar semangat zaman, dan pendeskripsian peristiwa sejarah. Interpretasi data dilakukan untuk menemukan keaslian sejarah, kesetiaan sejarah, dan warna lokal. Hasil yang diperoleh adalah sebagai berikut (1) narasi sejarah dari sisi psikologis dan traumatis para korban tragedi 1965 yang tidak memperoleh keadilan, (2) peristiwa sejarah yang berupa semangat zaman yang menyertai perubahan kekuasaan di Indonesia, dan (3) upaya pembelaan dan menuntut keadilan bagi korban tragedi 1965 yang disingkirkan dan tidak ditulis dalam sejarah konvensional Indonesia.
Ruji Sapa: Kelompok program pemberdayaan masyarakat dengan memanfaatkan limbah sabut kelapa Candra, Rizal Naufal; Kusuma, Andri; Priyani, Diah Indah; Wati, Ilma Wiwit Rahina; Widananda, Charisma Wulan; Ikhsani, Mifta Kurnia; Sidik, Muhamad Fajar; Rustam, Fradilah; Khilian, Abdul Mutalib; Suhendar, Satrian; Saputri, Hafizah Rahma; Hane, Thomas Didimus; Supriyanto, Rahmat; Fajaruddin, Syarief; Susanto, Dwi
Masyarakat Berdaya dan Inovasi Vol. 4 No. 2 (2023)
Publisher : Research and Social Study Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33292/mayadani.v4i2.132

Abstract

Artikel ini bertujuan untuk mengenalkan kelompok Ruji Sapa sebagai kelompok pemberdayaan masyarakat dalam pengolahan limbah sabut kelapa di Desa Bojong, Kulon Progo. Metode pelaksanaannya melalui ceramah, sosialisasi, dan diskusi interaktif. Materi yang disampaikan adalah pemaparan mengenai Ruji Sapa, kepengurusan, logo, dan program kerja komunitas. Hasil yang didapatkan adalah terbentuknya komunitas Ruji Sapa di Desa Bojong untuk membantu masyarakat dalam memanfaatkan limbah sabut kelapa. Komunitas ini dikelola masyarakat sekitar, dan dibantu mahasiswa Universitas Sarjanawiyata Tamansiswa untuk meningkatkan keterampilan pengelolaan limbah sabut kelapa, serta pemasarannya.
Politik Ekspansi Sultan Agung di Wilayah Timur Tanah Jawa (1614-1625 M) Afida, Nurul Lailia; Susanto, Dwi; Nuriyadin, Nuriyadin
Qurthuba: The Journal of History and Islamic Civilization Vol. 7 No. 2 (2024): March
Publisher : Department of History and Islamic Civilization, Faculty of Adab and Humaniora, UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/qurthuba.2024.7.2.136-152

Abstract

Sultan Agung is the third king of the Mataram Kingdom who has brought Mataram to the peak of its glory. One of his successes was to expand his territory in various regions in Java, one of which was in East Java through the politics of expansion. This study aims (1) determine the condition of the Islamic Mataram Kingdom under the reign of Sultan Agung (2) explain the expansion politics carried out by Sultan Agung in the eastern region of Java, (3) analyze the strategy of Sultan Agung in carrying out the expansion policy in the eastern region of Java. This research uses qualitative research methods by collecting data sources through literature study. The results are (1) The leadership of Sultan Agung has brought Mataram to rapidly develop into the largest kingdom in Java and the archipelago in 1614-1645. This proves that Sultan Agung brought Mataram to excel in several fields such as politics, territorial expansion, economy, and religion (2) Beginning in 1614, Sultan Agung launched his first military attack on eastern Java as a political target for his expansion. Then in 1615-1625, Sultan Agung succeeded in conquering East Java areas such as Wirasaba, Siwalan and Lasem, Pasuruan, Tuban, and Surabaya (3) The expansion strategy to East Java was to understand the road, understand the seasons and weather, control the terrain, give command , and disciplined on the rules of the war leader.
Co-Authors Abdul Fadlil Abdullah, Agni Pusparina Putri Achmad Basuki Achmad Nugrahantoro Ade Candra, Ade Aditya, Anggie Yudistira Afida, Nurul Lailia Afnan Arummi Aini, Fadhilah Dhinur Aji Nugroho Aji, Rendra Suprobo Alayya, Syamila Isyqi Albar, Dini Salima Albertus Prasojo Alfirman, Diva Muhammad aliagaffi, Candara Alisa, Deva Putri aloysius mering Alqoronie, Uwais Amalia Nur Rochmah Amanda Huda Anggraeni, Martianda Erste Anggraini , Martianda Erste Anggraini, Ariska Puspita Annisa Nur Fauziah Annisa Ummi Mutia Vivin Anton Yudhana Aprilia Ciptaning Maharani Apsari, Lela Ardhani, Orinta Ardiansyah, DT Ardianto, Deny Tri Aries Adenata Arifin, Ahmad Zaki Ariska Puspita Anggraini Arofani, Nilam Yuhanisa Ashafidz Fauzan Dianta, Ashafidz Fauzan Ashafidz Fauzan, Ashafidz Bagus Kurniawan Barriyah, Insanul Qisti Baskoro Baskoro, Baskoro Betrand Erlangga Candra, Rizal Naufal Chairunisak, Uum Helmina Chandra, Dio Pamola Cinthya, Nathasha Darmawan, Zakha Maisat Eka Deny Tri Ardianto Desiana Muryasari Desta Nurrachmawati Said Dewi Pamungkasari Dewi Puspita Sari Diah Pramudita Dias Esaliana Dolly Nofer Duanda, Prada Eka Puspita Sari Elisa Nur Apriliana Esaliana, Dias Eva Agustriani Hutauruk, Eva Agustriani Fadhilah Ayu Wijayanti Fadil, Abdul Faradisa, Rosiyah Fathoni, Kholid Finanda, Septy Asri Fitzgelard, Arsyita Rahma Flora Grace Putrianti Gema Kharismajati Gunawan Gunawan Hane, Thomas Didimus Harahap, Aqiilah Bilqiis Salsabiil Hartina, Hartina Hasbi, Bening Zarah Hetty Manurung, Hetty Huda, Lailatul Ika Naviri Anitasari Ikhsani, Mifta Kurnia Indary, Melati Deshy Indri Astuti Inge Hilya Lentera Pradani Islam, Mohamad Fajarudin Istadiyantha Istadiyantha Izzah, Fadhilah Rifhayu Joko Sujarwo Khilian, Abdul Mutalib Kisma Pradahati Kuncoro, Nayla Amara Kusuma, Andri Kusumawati, Eko Kusumawati, Eko Lastunna Umi Kulsum Lukmanul Hakim Lupiyanto Malawi, Ibadullah Marimin Marimin Mayasari, Fony Medi Hendra Mibtadin Miftah Nugroho Moh. Zikky, Moh. Monita Olivia Muhammad Fauzi Arif Muhammad Irfan MUHAMMAD REZA FAHLEVI Muhammadiyah, Muhammadiyah munasirah, Munasirah Muthmainnah, Atikah Mutia Hesti Istiqomah Mutia Hesti Istiqomah Nathasha Cinthya Nayla Amara Kuncoro Nofer, Dolly Nugroho Heri Cahyono Nugroho, Ahmad Nugroho, Miftah Nur Fatul Aini Nurhikmah, Putri Indah Nuriyadin, Nuriyadin OCTAMA DWITANINGSIH Pandhito, Bagus Wahyu Panji Satrio Binangun Periyanto, Ari Peryanto, Ari Prihatini Prihatini, Prihatini Priyani, Diah Indah Purnama, Miryan Sucianti Putri Amalia Dwi Pitasari Putri Permatasari, Putri Putri, Dheya Kusuma Arianing Putri, Fiorhentina Rahmaningtyas, Ika Rizky Ramdani, Nurrahmad Rante, Hestiasari Ratna Kusuma, Ratna Rianna Wati Rianna Wati Ririn Wahyu Eka Sari Rusman, Wafa Nabila Rustam, Fradilah Rusydi Umar Sabila, Nabila Dienna Safnah Setiawati Salma Arezha Samsurianto Saptaningsih, Nur Saputri, Hafizah Rahma Sari, Mustika Wulan Sartika, Resa Sasanti Silvya Putri Sasanti Silvya Putri Sasmi, Dwi Andini Arditya Sayid Mataram Shabrina, Almira Wynne Sidik, Muhamad Fajar Siti Muslifah, Siti Siti Patimah, Isad Suhaeb Stafrizal, Syafrizal Sudrajat - Suhendar, Satrian Supana Supana Supriyanto, Rahmat Susanto Susanto Susanto Susanto, Moh. Rusnoto Susanto, Susanto Syafrizal Syafrizal Syamila Isyqi Alayya Syamsiar, Syamsiar Syarief Fajaruddin Titi Lestari, Titi Titis Srimuda Pitana, Titis Srimuda Tri Budi Santoso Wakit Abdullah Rais Wati, Ilma Wiwit Rahina Wati, Rianna Wati, Rianna Wibowo, Eko Putra Wibowo, Prasetyo Widananda, Charisma Wulan Widi Sarinastiti Widiyanto, Imam Juni Widowati Pusporini, Widowati Yanti Puspita Sari Yuliatin, Ervinda Yuwono Fitri Widodo Zahra'ni, Izzahtu Nuha Zainuddin, Muhammad Agus Zikky, Moh Zulfikar Djauhari