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All Journal Humaniora DIKSI Natural Science: Journal of Science and Technology Nusa: Jurnal Ilmu Bahasa dan Sastra Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) BASASTRA Jurnal Teknik Mesin FRANCISOLA AL KAUNIYAH BAHASA DAN SASTRA Jurnal Ilmiah Mahasiswa FEB Jurnal Keteknikan Pertanian Tropis dan Biosistem Mozaik Humaniora JURNAL SOSIAL HUMANIORA (JSH) KEMBARA ATAVISME JURNAL ILMIAH KAJIAN SASTRA Kajian Linguistik dan Sastra Khazanah Informatika: Jurnal Ilmu Komputer dan Informatika KARSA: Jurnal Sosial dan Budaya Keislaman (Journal of Social and Islamic Culture) International Journal of Science and Applied Science: Conference Series MUDRA Jurnal Seni Budaya Panggung BIOPROSPEK Proceeding of International Conference on Art, Language, and Culture Haluan Sastra Budaya Jurnal SOLMA Pendas : Jurnah Ilmiah Pendidikan Dasar Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Early Childhood Research Journal (ECRJ) Kandai Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Jurnal Rekayasa Sipil Adabiyyat: Jurnal Bahasa dan Sastra J-SAKTI (Jurnal Sains Komputer dan Informatika) Humaniora Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia Literasi : Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Suar Betang Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Sutasoma : Jurnal Sastra Jawa Jurnal Abdi: Media Pengabdian Kepada Masyarakat Abdi Laksana : Jurnal Pengabdian Kepada Masyarakat Masyarakat Berdaya dan Inovasi JIKA (Jurnal Informatika) Jurnal Sains Agro Jurnal Restikom : Riset Teknik Informatika dan Komputer Jurnal Ekonomi Efektif International Journal of Engagement and Empowerment (IJE2) J-SAKTI (Jurnal Sains Komputer dan Informatika) Rengganis Jurnal Pengabdian Masyarakat RUANG KATA: Journal of Language and Literature Studies Jurnal bahasa, sastra, seni, dan pengajarannya Jurnal Pengabdian Masyarakat Akademika : Jurnal Pemikiran Islam Jurnal Pengabdian Masyarakat Bhinneka Jurnal Lektur Keagamaan Widyaparwa Jurnal PENEROKA: Kajian Ilmu Pendidikan Bahasa dan Sastra Indonesia Sewagati Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia Cilpa : Jurnal Ilmiah Pendidikan Seni Rupa SmartComp Qurthuba: The Journal of History and Islamic Civilization Journal of Infrastructure Policy and Management (JIPM) Dharma: Jurnal Pengabdian Masyarakat Belajar Bahasa : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia Sawerigading Jurnal bahasa, sastra, seni, dan pengajarannya Jurnal Panalungtik JENTERA: Jurnal Kajian Sastra ABDINE :Jurnal Pengabdian Masyarakat
Dwi Susanto
Universitas Sebelas Maret
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Representation of the Author’s Inner Conflict in the Novel Ziarah (1969) by Iwan Simatupang: a Psychoanalitycal Study Elisa Nur Apriliana; Ririn Wahyu Eka Sari; Dwi Susanto
SUAR BETANG Vol 18, No 2 (2023): December 2023
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v18i2.12856

Abstract

The aim of this research is to reveal Iwan Simatupang's inner conflict through his novel entitled Ziarah (1969) using Sigmund Freud's psychoanalytic approach, namely condensation, symbolization, and diversion. The novel tells the story of the inner struggles of a former painter who acts like a madman and a drunkard because his wife died. The method used is descriptive qualitative. The material object in this research is the novel Ziarah (1969) by Iwan Simatupang, while the formal object is the author's inner conflict which is represented through the language contained in the novel. The primary data for this research are words, sentences, language, narrative, and symbols contained in the novel Ziarah (1969) which show the existence of conflict or desire that the author tries to suppress. The secondary data for this research is all information related to the biography and work of Iwan Simatupang to be related to psychology, especially in revealing the inner conflict experienced by Iwan Simatupang. Data collection techniques are carried out by reading and recording various information needed in the research. The data analysis technique uses Sigmund Freud's psychoanalytic theory to uncover the author's inner construction or conflict represented in the text. The results of the research were that Iwan Simatupang was known to be experiencing depression because his wife died. Through condensation, symbolization and diversion, Iwan can be said to be experiencing a serious mental disorder which can affect his emotions, behavior and communication. This mental disorder is called schizophrenia. AbstrakTujuan dari penelitian ini adalah mengungkapkan konflik batin Iwan Simatupang melalui novelnya yang berjudul Ziarah (1969) menggunakan pendekatan psikoanalisis Sigmund Freud, yaitu kondensasi, simbolisasi, dan pengalihan. Novel tersebut bercerita tentang pergulatan batin mantan bekas pelukis yang bertingkah layaknya orang gila dan pemabuk karena istrinya meninggal. Metode yang digunakan adalah deskriptif kualitatif. Objek material dalam penelitian ini adalah novel Ziarah (1969) karya Iwan Simatupang, sedangkan objek formalnya berupa konflik batin pengarang yang direpresentasikan melalui bahasa yang terdapat dalam novel. Data primer penelitian ini berupa kata, kalimat, bahasa, narasi, dan simbol yang terdapat dalam novel Ziarah (1969) yang menunjukkan adanya konflik atau hasrat yang berusaha pengarang pendam. Data sekunder penelitian ini adalah segala informasi yang berhubungan dengan biografi dan karya dari Iwan Simatupang untuk dikaitkan dengan psikologi, khususnya dalam mengungkap konflik batin yang dialami oleh Iwan Simatupang. Teknik pengumpulan data dilakukan dengan cara membaca dan mencatat berbagai informasi yang diperlukan dalam penelitian. Teknik analisis data menggunakan teori psikoanalisis Sigmund Freud untuk membongkar konstruksi atau konflik batin pengarang yang terepresentasi dalam teks. Iwan Simatupang diketahui mengalami depresi karena istrinya meninggal. Melalui kondensasi, simbolisasi, dan pengalihan Iwan dapat dikatakan mengalami gangguan mental berat di mana dapat memengaruhi emosional, tingkah laku, dan komunikasinya. Gangguan mental inilah yang disebut dengan skizofrenia. 
Representasi Amangkurat I dalam Babad Tanah Jawi Terjemahan W. L. Olthof dan Novel Amangkurat Karya Ardian Kresna Joko Sujarwo; Nur Fatul Aini; Dwi Susanto
Sutasoma : Jurnal Sastra Jawa Vol 11 No 2 (2023): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v11i2.70795

Abstract

There is a difference in the depiction of Amangkurat I in the Babad Tanah Jawi (2008) and the novel Amangkurat (2012). The discussion on the figure of Amangkurat I, specifically in recent studies, has not been widely discussed. The purpose of this study is to determine the representation of the figure of Amangkurat I in both works. This research includes a qualitative-descriptive study. The data used are in the form of text content in both literary works, the author's background, discourse on character representation, and sociology of literature. Interpretation of data is carried out in accordance with the workings of the theory of sociology of literature. The results of the research show that there is a more positive impression of the image of Amangkurat I, when compared to the novel, which appears in the babad story. This impression appeared in several events, namely the early period after the coronation, the construction of the Plered palace, the death of the Mataram tumenggung, the death of the Queen of Malang, the gift of bekisar by Prince Pekik, and the escape to Betawi. Such a narrative in the Babad Tanah Jawi can be assumed as an effort to legitimize the authorities. Then, the different depictions that appear in Amangkurat's novel show the author's partiality towards Dutch records against the story in Babad Tanah Jawi. Thus, the presence of the novel Amangkurat can be interpreted as a reaction or response by Ardian Kresna to the story in the Babad Tanah Jawi. Keywords: Representation, Amangkurat I, Babad Tanah Jawi, Amangkurat’s novel
MAULANA JALALUDDIN RUMI'S POEMS OF LONGING AS A SOURCE OF INSPIRATION FOR PAINTINGS Islam, Mohamad Fajarudin; Susanto, Moh. Rusnoto; Susanto, Dwi; Barriyah, Insanul Qisti; Finanda, Septy Asri
International Journal of Engagement and Empowerment (IJE2) Vol. 4 No. 2 (2024): International Journal of Engagement and Empowerment
Publisher : Yayasan Education and Social Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53067/ije2.v4i2.160

Abstract

The artist attempts to visualize the value and philosophical meaning of Maulana Jalaluddin Rumi's poems of longing. The message and meaning in Maulana Jalaluddin Rumi's longing poems will be the primary foundation in the artist's interpretation process, focusing on the value of love and longing to be realized as a means of visual communication through painting. The method of creating this final project is also an attempt to learn the artist's creativity, ideas, and techniques to express themselves through a painting and produce works that represent the artist. The method used by the artist in the creation process includes observation, Exploration, design, and realization of the work. The artist observes and absorbs the values and meanings contained in Maulana Jalaluddin Rumi's poems of longing through a source in the form of books, literary works, the internet, and philosophical studies about Maulana Jalaluddin Rumi. To support the process of creating this painting, the artist also explores by observing the works of previous artists and visiting art galleries. The results of these processes become the artist's capital to carry out a method of realization of the painting. The artist visualizes the idea in a painting, with eight paintings sourced from the artist's Exploration. The resulting artworks have sizes ranging from 100x80 cm to 120x100 cm. All the artworks were then exhibited and presented to the examiners
Peningkatan Kompetensi Pembuatan Animasi 2D pada Kru Studio Progresif TV untuk Iklan Pendek di PP Bumi Sholawat Sidoarjo Berbasis Project Based Learning Zikky, Moh; Rante, Hestiasari; Santoso, Tri Budi; Fathoni, Kholid; Sukaridhoto, Sritrusta; Zainuddin, Muhammad Agus; Susanto, Dwi; Sarinastiti, Widi; Anggraeni, Martianda Erste; Dianta, Ashafidz Fauzan; Darmawan, Zakha Maisat Eka; Faradisa, Rosiyah; Aji, Rendra Suprobo
Sewagati Vol 8 No 1 (2024)
Publisher : Pusat Publikasi ITS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/j26139960.v8i1.809

Abstract

Potensi industri kreatif di indonesia khususnya pada periklanan digital memiliki potensi yang sangat besar. Pada tahun 2023, belanja iklan mencapai $ 2,55 milliar. Saat ini industri periklanan lebih bervariasi, salah satunya dengan mengadopsi konsep animasi. Dengan menggunakan animasi, iklan lebih dinamis dan memiliki daya tarik visual. Namun ketersediaan SDM yang memiliki kompetensi di bidang animasi periklanan saat ini sangat terbatas. Politeknik Elektronika Negeri Surabaya, melalui Departemen Teknologi Multimedia Kreatif, Program Studi Teknologi Rekayasa Multimedia melakukan program pengabdian masyarakat berupa pelatihan pembuatan Iklan berbasis animasi 2D pada Progressive TV PP Bumi Sholawat Sidoarjo. Diharapkan dengan pelatihan ini mampu meningkatkan kompetensi SDM talenta digital di Indonesia Khususnya di Sidoarjo.
Peran Lie Kim Hok (1853-1912) Dalam Membangkitkan Agama Khonghucu Di Indonesia Era 1900-An Susanto, Dwi
Jurnal Lektur Keagamaan Vol 18 No 1 (2020): Jurnal Lektur Keagamaan Vol. 18 No. 1 Tahun 2020
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (267.573 KB) | DOI: 10.31291/jlka.v18i1.546

Abstract

The role of Lie Kim Hok in spreading Confucianism is not only seen from involvement in cultural organizations, but it is seen from the literary works. The research is to discussing the thoughts and contents of Lie Kim Hok's work. This research shown the social practices carried out by Lie Kim Hok in promoting Confucians. This paper uses the concept of structural duality from Anthony Giddens. The results achieved were, Lie Kim Hok gave a response to the social structure of the Chinese peranakan community, especially through the Confucian religious move­ment. Secondly, Lie Kim Hok's ideas and actions were responded to by the emergence of various religious movements through the writing of religious and educational work by other intellectuals. Third, the social practice was further a response to the colonial discourse so that the movement returned to Confucianism was not only a religious movement, but an attempt at cultural nationalism. This cultural nationalism was further part of the colonial resistance movement. Therefore, Lie Kim Hok is basically resistant to colonial discourse.Key words: Confucius, Chinese descendant, Lie Kim Hok Peran Lie Kim Hok dalam menyebarkan agama Khonghucu tidak hanya terlihat dari keterlibatan dalam organisasi kultural, tetapi hal itu terlihat dari karya yang dihasilkan. Penelitian yang telah dilakukan belum menunjukkan praktik sosial yang dilakukan Lie Kim Hok dalam mempromosikan Khonghucu. Tulisan yang ada membicarakan pemikiran dan isi karya dari Lie Kim Hok. Tulisan ini menggunakan konsep dualitas struktur dari Anthony Giddens. Hasil yang dicapai adalah, pertama, Lie Kim Hok memberikan respon pada struktur sosial di kalangan masyarakat peranakan Cina, khususnya melalui gerakan agama Khonghucu. Kedua, gagasan dan tindakan Lie Kim Hok itu direspon dengan kemunculan berbagai gerakan keagamaan melalui penulisan karya  keagamaan dan pendidikan oleh para intelektual yang lain. Ketiga, praktik sosial tersebut lebih lanjut merupakan sebuah respon atas wacana kolonial sehingga gerakan kembali pada ajaran agama Khonghucu itu bukan hanya sebagai gerakan kegamaan, melainkan sebagai upaya nasionalisme kebudayaan. Nasionalisme kebudayaan ini lebih lanjut adalah bagian dari gerakan resistensi kolonial. Dengan demikian, Lie Kim Hok pada dasarnya bersifat resisten terhadap wacana kolonial.  Kata kunci: Khonghucu, peranakan Tionghoa, Lie Kim Hok
Traditional Game-Based Learning Model In Early Childhood Education: A Case Study at TKIT Al-Hikmah Susanto, Dwi; Pusporini, Widowati; Lestari, Titi
Early Childhood Research Journal (ECRJ) Vol.5, No.1, June 2022
Publisher : Lembaga Pengembangan Publikasi Ilmiah dan Buku Ajar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/ecrj.v5i1.18669

Abstract

This study aims to describe the implementation of a traditional children's game-based learning model to train visual-spatial intelligence of kindergarten students. A descriptive qualitative method was employed to describe systematic, factual, and accurate facts, properties, and the relationship between the phenomena studied. This study also uses holistic reflection methods through the meaning of learning games for children which can promote their visual-spatial abilities. The students of TKIT Al-Hikmah Secang, Magelang were involved as the research subjects. The results indicate that traditional games can train children’s visual-spatial intelligence and such games can be revived. The applied learning model offers moral and social education and is strongly suggested to be implemented in early education to strengthen visual-spatial intelligence and the other multiple intelligences.
KEHADIRAN MOTIF CERITA MADAME BOVARY (1856) KARYA GUSTAVE FLAUBERT DALAM HIKAYAT SITI MARIAH (1910--1912) KARYA HADJI MOEKTI: KAJIAN SASTRA BANDINGAN Susanto, Dwi
Widyaparwa Vol 51, No 2 (2023)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/wdprw.v51i2.1133

Abstract

The presence of Madame Bovary's story motif (1856) in Indonesian literature, especially Hikayat Siti Mariah (1910--1912) provides evidence that there is a reception of similar between French and Dutch colonial or Indonesian. This paper aims to (1) find out the ideas of the two texts in displaying similar story motif, (2) the form of respons from Madame Bovary (1856) in the Hikayat Siti Mariah (1910--1912), and (3) the significance of Madame Bovary's presence (1856) in the Hikayat Siti Mariah (1910--1912) as a social response. This paper uses a comparative literary point of view by considering the social context as a response. The objects are Madame Bovary (1856) by Gustave Flaubert and Hikayat Siti Mariah (1910--1912) by Hadji Moekti and the significance of the presence of Madame Bovary in Indonesian literature. The research data consists of the content or ideas of the two texts, the spirit of age, and the social context. Data interpretation is done by comparing the content or ideas of the two texts by considering the social context of each text. The results obtained are (1) the two texts present ideas against the bourgeois class resistance by using symbols of women and sexuality, (2) the Hikayat Siti Mariah (1910--1912) takes the motive of the story to attack the Dutch capitalists and liberal groups who construct the identities of the colonized subjects, and (3) the presence of the text of Madame Bovary (1856) in Indonesian literature shows a global anti-colonial spirit. Kehadiran motif cerita Madame Bovary (1856) dalam sastra Indonesia terutama Hikayat Siti Mariah (1910--1912) memberikan bukti terdapat resepsi atas semangat dan persoalan yang serupa antara masyarakat Prancis dan tanah jajahan Belanda atau Indonesia. Tulisan ini bertujuan untuk (1) mengetahui gagasan kedua teks tersebut dalam menampilkan motif cerita yang serupa, (2) mengetahui wujud sambutan dari Madame Bovary (1856) dalam teks Hikayat Siti Mariah (1910--1912), dan (3) mengetahui makna kehadiran Madame Bovary (1856) dalam teks Hikayat Siti Mariah (1910--1912) sebagai satu respon sosial. Tulisan ini mengunakan sudut pandang sastra bandingan dengan mempertimbangkan konteks sosial sebagai satu respon. Objek tulisan ini adalah Madame Bovary (1856) karya Gustave Flaubert dan Hikayat Siti Mariah (1910--1912) karya Hadji Moekti dan  makna kehadiran teks Madame Bovary dalam sastra Indonesia. Data penelitian ini terdiri atas isi atau gagasan dari kedua teks, semangat zaman, dan konteks sosial. Interpretasi data dilakukan dengan membandingkan isi atau gagasan kedua teks dengan mempertimbangkan konteks sosial masing-masing teks. Hasil yang diperoleh adalah (1) kedua teks menghadirkan gagasan terhadap perlawanan kelas borjuis dengan memanfaatkan simbol perempuan dan seksualitas, (2) teks Hikayat Siti Mariah (1910--1912) mengambil motif cerita untuk menyerang kaum kapitalis dan golongan liberal Belanda yang mengkonstruksi identitas  subjek terjajah, dan (3) kehadiran teks Madame Bovary (1856) dalam sastra Indonesia menunjukan semangat anti penjajahan yang mengglobal terutama kolonialisme. 
RESEPSI PEMBACA PERANAKAN TIONGHOA PADA CERPEN “CLARA ATAWA WANITA YANG DIPERKOSA” KARYA SENO GUMIRA AJIDARMA Alayya, Syamila Isyqi; Muthmainnah, Atikah; Susanto, Dwi
Widyaparwa Vol 52, No 1 (2024)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/wdprw.v52i1.1491

Abstract

The May 1998 incident has become a historic event for the Indonesian nation, especially the Chinese race, who at that time were victims of the atrocities of the rioting of the indigenous masses. The pain of being a victim then became a collective memory for the Chinese ethnic group which continues to live on to this day. “Clara atawa Wanita yang Diperkosa” by Seno Gumira Ajidarma is a short story that contains this collective memory. Thus, this study tries to examine the psychology of a Chinese descent reader when they read the short story of “Clara atawa Wanita yang Diperkosa”. There is one reader respondent, who is a Chinese descent female student. In this study, the method used is descriptive qualitative method with data sources derived from readers and literature related to Norman Holland's Reader Response Criticism and the history of the events of May 1998. The method of collecting data is through interviews and interview transcripts. The results obtained are in the form of reception by the Chinese descent reader which is based on collective memories of events happened in May 1998. Apart from reader's past experiences which shape the responds psychologically, reader reception is in the form of rejection of the injustice received by Chinese people which is represented in the short story "Clara atawa Wanita yang Diperkosa”. Peristiwa Mei 1998 telah menjadi peristiwa bersejarah bagi bangsa Indonesia, terutama ras Tionghoa yang pada saat itu menjadi korban kekejaman amuk massa pribumi. Rasa sakit hati menjadi korban pada saat itu lalu menjadi memori kolektif bagi etnis Tionghoa yang terus hidup hingga saat ini. “Clara atawa Wanita yang Diperkosa” karya Seno Gumira Ajidarma merupakan cerpen yang memuat memori kolektif tersebut. Maka, kajian ini mencoba menelisik kejiwaan pembaca peranakan Tionghoa ketika membaca cerpen “Clara atawa Wanita yang Diperkosa”. Responden pembaca berjumlah dua orang, yaitu mahasiswi peranakan Tionghoa. Dalam kajian ini, metode yang dipakai adalah metode deskriptif kualitatif dengan sumber data berasal dari pembaca dan literatur terkait resepsi sastra Norman Holland serta sejarah peristiwa Mei 1998. Metode pengumpulan data melalui wawancara dan transkrip wawancara tersebut. Hasil yang didapat berupa penerimaan pembaca Tionghoa yang didasari pada memori kolektif peristiwa kerusuhan Mei 1998. Selain pengalaman-pengalaman pembaca di masa lalu yang membentuk penerimaannya secara psikologis, resepsi pembaca berupa penolakan terhadap ketidakadilan yang diterima orang Tionghoa yang direpresentasikan dalam cerpen “Clara atawa Wanita yang Diperkosa”.
RESEPSI KOVER NOVEL CANTIK ITU LUKA (2015) DALAM VERSI TERJEMAHAN BAHASA INGGRIS Sari, Mustika Wulan; Arofani, Nilam Yuhanisa; Susanto, Dwi
Widyaparwa Vol 51, No 2 (2023)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/wdprw.v51i2.1355

Abstract

The novel Beauty Is a Wound is an English translation of the original Cantik Itu Luka by Eka Kurniawan. These two novels have two different covers due to the reception they received from the publishers. This study aims to examine the cover reception of Beauty Is a Wound. This paper also looks at the differences in visual design between the two novels and examines how the publisher gave its reception through the cover of Beauty Is a Wound. The qualitative research method prioritizes data quality. Data collection is done by observing, reading, and taking notes. The research data covers of Cantik Itu Luka (2015) and Beauty Is a Wound (2015), texts related to novels, authors, and publishers, as well as information about literary receptions. Data were analyzed through data reduction, presentation, and interpretation. The results of this study reveal that the reception on the cover of Beauty Is a Wound occurs due to readers having different social and cultural backgrounds. In addition, market tastes are also an essential consideration for publishers to provide their responses. Novel Beauty Is a Wound merupakan terjemahan bahasa Inggris dari versi original Cantik itu Luka karya Eka Kurniawan. Kedua novel ini memiliki dua kover berbeda karena munculnya resepsi oleh penerbit. Penelitian ini bertujuan mengkaji resepsi kover Beauty Is a Wound. Tulisan ini juga melihat perbedaan desain visual antara kedua novel tersebut, dan mengkaji bagaimana penerbit memberikan resepsinya melalui kover Beauty Is a Wound. Metode penelitian berjenis kualitatif mengutamakan kualitas data. Pengumpulan data dilakukan dengan mengamati, membaca, dan mencatat. Data penelitian berupa kover Cantik Itu Luka (2015) dan Beauty Is a Wound (2015), teks-teks terkait novel, pengarang, dan penerbit, serta informasi-informasi tentang resepsi sastra. Data dianalisis melalui reduksi data, menyajikan data, dan interpretasi data. Hasil penelitian ini mengungkapkan resepsi dalam kover Beauty Is a Wound terjadi akibat dari pembaca yang memiliki latar belakang sosial dan budaya yang berbeda. Selain itu, selera pasar juga menjadi pertimbangan penting terhadap penerbit untuk memberikan tanggapannya. 
REPRESENTASI PERMOHONAN KEADILAN GERAKAN AKSI KAMISAN DALAM NOVEL LAUT BERCERITA (2017) KARYA LEILA S. CHUDORI Shabrina, Almira Wynne; Susanto, Dwi
Widyaparwa Vol 52, No 1 (2024)
Publisher : Balai Bahasa Provinsi Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/wdprw.v52i1.1660

Abstract

 The novel Laut Bercerita by Leila S. Chudori is a response to the social situation of society in the 2000s or the era after the Reformation regarding requests for human rights and justice through the Kamisan Action Movement. This research aims to reflect the social response of the novel Laut Bercerita to requests for human rights and justice through the Aksi Kamisan movement using a literary sociology approach. This research is included in the qualitative research category. This data was obtained from the novel text and the author's biography. The novel Laut Bercerita by Leila S. Chudori is the research data source. Social situations, author biographies, and text content ideas are connected as part of the data analysis process to reveal how the social world of the novel is depicted. The result of this research is Leila. S Chudori is a social representative of a group that cares about human rights and justice. This novel supports the struggle for human rights and justice carried out by the Kamisan Action movement. The novel Laut Bercerita reflects society's social life after the reform era. Based on data research, the novel Laut Bercerita is intended as a means of criticizing the government for its slowness in resolving human rights violations.Novel Laut Bercerita karya Leila S. Chudori merupakan tanggapan terhadap situasi sosial masyarakat tahun 2000-an atau era setelah reformasi atas permohonan keadilan HAM melalui gerakan Aksi Kamisan. Penelitian ini bertujuan untuk merefleksikan tanggapan sosial novel Laut Bercerita atas permohonan keadilan HAM melalui gerakan Aksi Kamisan dengan pendekatan sosiologi sastra. Penelitian ini termasuk kategori penelitian kualitatif. Data ini diperoleh dari teks novel dan biografi penulis. Novel Laut Bercerita karya Leila S. Chudori menjadi sumber data penelitian. Situasi sosial, biografi pengarang, dan gagasan isi teks dihubungkan sebagai bagian dari proses analisis data untuk mengungkap bagaimana dunia sosial novel digambarkan. Hasil dari penelitian ini adalah Leila. S Chudori merupakan wakil sosial dari kelompok yang peduli pada keadilan HAM. Novel ini mendukung perjuangan keadilan HAM yang dilakukan gerakan Aksi Kamisan. Novel Laut Bercerita adalah refleksi kehidupan sosial masyarakat setelah era reformasi. Berdasarkan penelusuran pada data, novel Laut Bercerita dimaksudkan sebagai sarana mengkritik pemerintah yang lamban dalam melakukan penyelesaian pelanggaran HAM tersebut.
Co-Authors Abdul Fadlil Abdullah, Agni Pusparina Putri Achmad Basuki Achmad Nugrahantoro Ade Candra, Ade Aditya, Anggie Yudistira Afida, Nurul Lailia Afnan Arummi Aini, Fadhilah Dhinur Aji Nugroho Aji, Rendra Suprobo Alayya, Syamila Isyqi Albar, Dini Salima Albertus Prasojo Alfirman, Diva Muhammad aliagaffi, Candara Alisa, Deva Putri aloysius mering Alqoronie, Uwais Amalia Nur Rochmah Amanda Huda Anggraeni, Martianda Erste Anggraini , Martianda Erste Anggraini, Ariska Puspita Annisa Nur Fauziah Anton Yudhana Aprilia Ciptaning Maharani Apsari, Lela Ardhani, Orinta Ardiansyah, DT Ardianto, Deny Tri Aries Adenata Arifin, Ahmad Zaki Ariska Puspita Anggraini Arofani, Nilam Yuhanisa Ashafidz Fauzan Dianta, Ashafidz Fauzan Ashafidz Fauzan, Ashafidz Bagus Kurniawan Barriyah, Insanul Qisti Baskoro Baskoro, Baskoro Betrand Erlangga Candra, Rizal Naufal Chairunisak, Uum Helmina Chandra, Dio Pamola Cinthya, Nathasha Darmawan, Zakha Maisat Eka Deny Tri Ardianto Desiana Muryasari Desta Nurrachmawati Said Dewi Pamungkasari Dewi Puspita Sari Diah Pramudita Dias Esaliana Dolly Nofer Duanda, Prada Eka Puspita Sari Elisa Nur Apriliana Esaliana, Dias Eva Agustriani Hutauruk, Eva Agustriani Fadhilah Ayu Wijayanti Fadil, Abdul Faradisa, Rosiyah Fathoni, Kholid Fauzi Arif, Muhammad Finanda, Septy Asri Fitzgelard, Arsyita Rahma Flora Grace Putrianti Gunawan Gunawan Hane, Thomas Didimus Harahap, Aqiilah Bilqiis Salsabiil Hartina, Hartina Hasbi, Bening Zarah Hetty Manurung, Hetty Huda, Lailatul Ika Naviri Anitasari Ikhsani, Mifta Kurnia Indary, Melati Deshy Indri Astuti Inge Hilya Lentera Pradani Islam, Mohamad Fajarudin Istadiyantha Istadiyantha Izzah, Fadhilah Rifhayu Joko Sujarwo Kharismajati, Gema Khilian, Abdul Mutalib Kisma Pradahati Kuncoro, Nayla Amara Kusuma, Andri Kusumawati, Eko Kusumawati, Eko Lastunna Umi Kulsum Lukmanul Hakim Lupiyanto Malawi, Ibadullah Marimin Marimin Mayasari, Fony Medi Hendra Mibtadin Miftah Nugroho Moh. Zikky, Moh. Monita Olivia Muhammad Fauzi Arif Muhammad Irfan MUHAMMAD REZA FAHLEVI Muhammadiyah, Muhammadiyah munasirah, Munasirah Mustariani, Erry Muthmainnah, Atikah Mutia Hesti Istiqomah Nathasha Cinthya Nofer, Dolly Nugroho Heri Cahyono Nugroho, Ahmad Nugroho, Miftah Nur Fatul Aini Nurhikmah, Putri Indah Nuriyadin, Nuriyadin OCTAMA DWITANINGSIH Pandhito, Bagus Wahyu Panji Satrio Binangun Periyanto, Ari Peryanto, Ari Prihatini Prihatini, Prihatini Priyani, Diah Indah Purnama, Miryan Sucianti Putri Amalia Dwi Pitasari Putri Permatasari, Putri Putri, Dheya Kusuma Arianing Putri, Fiorhentina Rahmaningtyas, Ika Rizky Ramdani, Nurrahmad Rante, Hestiasari Ratna Kusuma, Ratna Rianna Wati Rianna Wati Ririn Wahyu Eka Sari Rusman, Wafa Nabila Rustam, Fradilah Rusydi Umar Sabila, Nabila Dienna Salma Arezha Samsurianto Saptaningsih, Nur Saputri, Hafizah Rahma Sari, Mustika Wulan Sartika, Resa Sasanti Silvya Putri Sasmi, Dwi Andini Arditya Sayid Mataram Shabrina, Almira Wynne Sidik, Muhamad Fajar Siti Muslifah, Siti Siti Patimah, Isad Suhaeb Stafrizal, Syafrizal Sudrajat Sudrajat Suhendar, Satrian Supana Supana Supriyanto, Rahmat Susanto Susanto Susanto Susanto, Moh. Rusnoto Susanto, Susanto Syafrizal Syafrizal Syamila Isyqi Alayya Syamsiar, Syamsiar Syarief Fajaruddin Titi Lestari, Titi Titis Srimuda Pitana, Titis Srimuda Tri Budi Santoso Wakit Abdullah Rais Wati, Ilma Wiwit Rahina Wati, Rianna Wati, Rianna Wibowo, Eko Putra Wibowo, Prasetyo Widananda, Charisma Wulan Widi Sarinastiti Widiyanto, Imam Juni Widowati Pusporini, Widowati Winarno, Nadya Yanti Puspita Sari Yuliatin, Ervinda Yuwono Fitri Widodo Zahra'ni, Izzahtu Nuha Zainuddin, Muhammad Agus Zikky, Moh Zulfikar Djauhari